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matching melbourne (vic). indigenous arts program. | art
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Marysville & District Historical Society
Booklet (Item) - Art show Catalogue, ANZ Bank, Oil Paintings by Wykeham Perry at ANZ Bank 388 Collins Street Melbourne, 1975
A copy of a catalogue from an art show of paintings by Wykeham Perry that was held at the ANZ Bank in Melbourne in 1975.A copy of a catalogue from an art show of paintings by Wykeham Perry that was held at the ANZ Bank in Melbourne in 1975. Wykeham Lindley Perry grew up near Marysville in Victoria and painted local scenes from a very early age. wykeham lindley perry, marysville, victoria, anz bank -
Marysville & District Historical Society
Booklet (Item) - Art show Catalogue, Victorian Artists Society, Australian Landscape Paintings by Wykeham Perry, 1976
A copy of a catalogue from an art show of paintings by Wykeham Perry that was held at the Victorian Artists Society in 1976.A copy of a catalogue from an art show of paintings by Wykeham Perry that was held at the Victorian Artists Society in 1976. Wykeham Lindley Perry grew up near Marysville in Victoria and painted local scenes from a very early age. wykeham lindley perry, victorian artists society, marysville, victoria -
Federation University Historical Collection
Document, Letter from Patricia Gourlay and reply
Ballarat Technical Art School is predecessor of Federation University Two Letters - .1 Handwritten letter from Patricia Gourlay .2 Reply from Ballarat Technical Art SchoolMr Mainwairing or is thid for the Museum or Gallery People? written in red pen at the top.ballarat techncial art school, patricia gourlay, r.j. crick, hugh ramsay, h.e. arblaster, artist's model -
Waverley RSL Sub Branch
Cribbage Board
Trench art WWITrench Art cribbage board made from a drilled brass plate mounted to a polished wooden base with 4 brass wood screws.trench art, cribbage board -
Bendigo Historical Society Inc.
Newspaper - Arts Pitch Story, July 08, 2019
The expansion of Bendigo's NAIDOC Week art attractions has strengthened calls for a permant space in the city's arts precinct dedicated to the display of indigenous works.Bendigo Advertiser article: ' Arts Pitch' Push for an Aboriginal and Torres Strait Islander Art Gallery.bendigo, naidoc, indigenous arts -
Warrnambool and District Historical Society Inc.
Pamphlet - Warrnambool Fire Brigade, 150 years of Service, 2013
This brochure was used to accompany a display at the Warrnambool Art Gallery to celebrate the 150th Anniversary. It give a brief outline of the Brigade's history and also equipment used and competitions in which the Brigade took part. It links in with the Book Warrnambool Fire Brigade , Celebrating 150 years.Four pages folding out , with printing and photographs on both side. The information contains a brief outline of the history of the Brigade. The dominant colour of the brochure is red.CFA logo is on front cover RHS top. Warrnambool Art Gallery logo on back cover.warrnambool fire brigade, fire brigade competitions, fire brigade equipment, 150 years warrnambool fire brigade, warrnambool art gallery -
Federation University Historical Collection
Photograph - Metalcraft, Jessie Muir, Pierced Copper Bowl
The Ballarat Technical Art School was a division of the Ballarat School of Mines. Jessie Muir attended the Ballarat Technical Art School in <1927>. Her father ran Greenfields and she married Will Coates.jessie muir, jessie coates, metalcraft, ballarat technical art school -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph - John Doyle , Art and Craft Show Bruthen Victoria, Lakes Post Newspaper, 1/10/1992 12:00:00 AM
glass blower John Doyle at work during Art and Craft Show Bruthen VictoriaBlack and white photograph of glass blower John Doyle at work during Art and Craft Show Bruthen Victoriaarts, exhibition, arts and crafts -
Federation University Art Collection
Artwork, other - Timber, acrylic paint, glass coat, beeswax, 'Frog Didgeridoo' by Peter Clarke, 2008
Peter CLARKE (1969- ) Gunditjamara (Lake Condah) Born Heywood, Victoria At two months old Peter Clarke was removed from his parents and placed in a Catholic boy's orphanage in Ballarat. The orphanage was closed and Peter was moved to a public orphanage where he discovered 'manners were not a necessity and you often had to take before you were ever given in this orphanage. ... This new orphanage was not a home for me but a prison of sadness and despair.' Disconnected from his country and lore Peter Clarke chose "my own path to land, county and water". Although his childhood memories are dark and bleak, he uses vibrant colours. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Mallee Wood didgeridoo with vibrant colours. A natural wood imperfections have been used to emphasise what is recognisable as a frog. This work was purchased from the "My Art, My Life, My Colours' exhibition at the Federation University Post Office Gallery, May 2008.art, artwork, aboriginal, peter clarke, didgeridoo, stolen generation, st joseph's orphanage, sebastopol, my art, my life, my colours' exhibition, federation university post office gallery -
Federation University Historical Collection
Plaster Cast, Plaster Cast of a foot
Used at the Ballarat School of Mines Technical Art School, and plaster at the University of Ballarat Arts Academy (TAFE), before being transferred to the Historical Collection in 2012Plaster cast of a foot used in drawing classes at the Ballarat School of Mines Technical Art Schoolballarat school of mines, ballarat technical art school, drawing, plaster -
Old Colonists' Association of Ballarat Inc.
Work on paper, Harold Herbert, 'An Old Cottage Cornwall' by Harold Herbert, c1923
Harold HERBERT (1891–1945) A well known watercolour painter who was principal of the Ballarat Technical Art School. It is also known as Lime Kiln Cottage. A framed etching showing cottage in Cornwall. A proof was exhibited in London at the Fine Art Society in 1923.Lower right corner - Harold Herbert for the Old Colonists' Club 1931harold herbert, old colonists' club ballarat, agriculture, farming, horses, animals, plough, lime kiln cottage -
Federation University Historical Collection
Photograph, Ballarat Junior Technical School, 23/04/2020
The Ballarat Junior Technical Art School was a division of the Balalrat School of Mines. Double Storey Brik Building built in 1921 as the Ballarat Technical Art School. It was later used as Prospects Training Restaurant.ballarat school of mines, ballarat junior technical school, prospects training restaurant -
Marysville & District Historical Society
Photograph (Item) - Colour photograph, Unknown
A colour photograph of a sculpture in Bruno's Art & Sculptures Garden in Marysville in Victoria.A colour photograph of a sculpture in Bruno's Art & Sculptures Garden in Marysville in Victoria. Bruno's Sculptures Garden is one of Marysville's popular attractions. There is a sculpture garden as well as a gallery of artworks. Both the garden and gallery were destroyed during the 2009 Black Saturday bushfires. Some of the sculptures were totally destroyed though a few did survive the fires. Bruno made the decision to re-sculpt the lost sculptures and re-built his gallery and re-open his garden to visitors to Marysville.bruno torfs, gardens-design, marysville, victoria, sculpture, australia, sculpture garden, sculptors, bruno's art and sculptures garden, 2009 black saturday bushfires, photograph -
Marysville & District Historical Society
Photograph (Item) - Colour photograph, Unknown
A colour photograph of a sculpture in Bruno's Art & Sculptures Garden in Marysville in Victoria.A colour photograph of a sculpture in Bruno's Art & Sculptures Garden in Marysville in Victoria. Bruno's Sculptures Garden is one of Marysville's popular attractions. There is a sculpture garden as well as a gallery of artworks. Both the garden and gallery were destroyed during the 2009 Black Saturday bushfires. Some of the sculptures were totally destroyed though a few did survive the fires. Bruno made the decision to re-sculpt the lost sculptures and re-built his gallery and re-open his garden to visitors to Marysville.bruno torfs, gardens-design, marysville, victoria, sculpture, australia, sculpture garden, sculptors, bruno's art and sculptures garden, 2009 black saturday bushfires, photograph -
Marysville & District Historical Society
Photograph (Item) - Colour photograph, Unknown
A colour photograph of a sculpture in Bruno's Art & Sculptures Garden in Marysville in Victoria.A colour photograph of a sculpture in Bruno's Art & Sculptures Garden in Marysville in Victoria. Bruno's Sculptures Garden is one of Marysville's popular attractions. There is a sculpture garden as well as a gallery of artworks. Both the garden and gallery were destroyed during the 2009 Black Saturday bushfires. Some of the sculptures were totally destroyed though a few did survive the fires. Bruno made the decision to re-sculpt the lost sculptures and re-built his gallery and re-open his garden to visitors to Marysville.bruno torfs, gardens-design, marysville, victoria, sculpture, australia, sculpture garden, sculptors, bruno's art and sculptures garden, 2009 black saturday bushfires, photograph -
Marysville & District Historical Society
Photograph (Item) - Colour photograph, Unknown
A colour photograph of a sculpture in Bruno's Art & Sculptures Garden in Marysville in Victoria.A colour photograph of a sculpture in Bruno's Art & Sculptures Garden in Marysville in Victoria. Bruno's Sculptures Garden is one of Marysville's popular attractions. There is a sculpture garden as well as a gallery of artworks. Both the garden and gallery were destroyed during the 2009 Black Saturday bushfires. Some of the sculptures were totally destroyed though a few did survive the fires. Bruno made the decision to re-sculpt the lost sculptures and re-built his gallery and re-open his garden to visitors to Marysville.bruno torfs, gardens-design, marysville, victoria, sculpture, australia, sculpture garden, sculptors, bruno's art and sculptures garden, 2009 black saturday bushfires, photograph -
Marysville & District Historical Society
Photograph (Item) - Colour photograph, Unknown
A colour photograph of a sculpture in Bruno's Art & Sculptures Garden in Marysville in Victoria.A colour photograph of a sculpture in Bruno's Art & Sculptures Garden in Marysville in Victoria. Bruno's Sculptures Garden is one of Marysville's popular attractions. There is a sculpture garden as well as a gallery of artworks. Both the garden and gallery were destroyed during the 2009 Black Saturday bushfires. Some of the sculptures were totally destroyed though a few did survive the fires. Bruno made the decision to re-sculpt the lost sculptures and re-built his gallery and re-open his garden to visitors to Marysville.bruno torfs, gardens-design, marysville, victoria, sculpture, australia, sculpture garden, sculptors, bruno's art and sculptures garden, 2009 black saturday bushfires, photograph -
Federation University Art Collection
Sculpture - Sculpture - Installation, 'Dead Still Standing' by Lou Hubbard, 2015
Lou HUBBARD (1957 -) Born Brisbane, Queensland After a career in the film and television, Melbourne based artist Lou Hubbard completed a Master of Fine Art at RMIT University in 2001. She works primarily with video and installation, and has exhibited widely throughout Australia and internationally, Lou Hubbard is currently the Head of Photography at the Victorian College of the Arts. In announcing the award 2015 Guiguis New Art Award the judges applauded Lou Hubbard on her compelling installation, which comprised a deflated, disembowelled latex horse collapsed over a Coalbrookdale patio chair, table and bench seat situated over a skateboard and plastic dog. “Occupying a space between the traditions of equine, assemblage and unmonumental sculpture, Lou Hubbard’s Dead Still Standing confounds and compels viewers in its uncanny play of materials and movement,” senior curator, contemporary art, National Gallery of Victoria and judge Max Delany said. “In this elaborate yet concise work, Hubbard has created a form of surprising and unsettling effect that reflects our experience of a world in translation.” The win came as a surprise for Hubbard, who said she was overwhelmed at the talent of all 15 finalists. “I was so surprised, because I was in good company with the other artists, who were all quite extraordinary,” she said. “In the nature of the competition, I feel very lucky.” With multi-layer meanings to her piece, Hubbard said it was actually Ballarat’s rich history that inspired her work. She said it was the Ballarat goldfields and the idea of what horses might have gone through during those years that gave her a concept to work with. But that wasn’t the only source of ideals portrayed in the piece – Hubbard also explored the effect training had on horses. “The horse stands in a way that portrays (how) the human exhorts the way of training,” she said. “The horse is edging like it wants to move, which is impossible, and the furniture acts in lots of ways. The chair, for example, is like the horse’s ribs, which are being ripped out.” It was these multiple meanings that also had the curator of the Post Office Gallery, Shelley Hinton, impressed with the work. “The work challenges us ethically and culturally, in a way that pleads for analysis, as we do in our complex daily lives,” she said. Lou Hubbard's 'Dead Still Standing' won the was awarded the prestigious $20,000 Guirguis New Art Prize in 2015. The Federation University Guirguis New Art Prize was a national biennial and aquisitive contemporary art prize. The $20,000 biennial acquisitive prize was sponsored by Ballarat surgeon Mark Guirguis, administered by Federation University Australia and presented in partnership with the Art Gallery of Ballarat.The genesis of the prize was to raise the profile and encourage the Art School of what was then Ballarat University. lou hubbard, guirguis, guirguis new art prize, sculpture, horse, animal, installation artwork -
Federation University Art Collection
Ceramic - Ceramics - Blackware, Spronk, Petrus, 'Burned Fields' by Petrus Spronk, 2004
Petrus SPRONK (1939- ) Born Netherlands, arrived Australia 1957. After arriving in Australia Petrus Spronk studied at the South Australian School of Art, majoring in ceramics and sculpture. After teaching and working in Western Australia he started working at the Ballarat College of Advanced Education in the late 1980s. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Blackware bowl which has been burnished and broken/restored in a process known as Kintsugi, a Japanese art of repairing broken pottery.petrus spronk, ceramics, bowl, blackware, burnished earthenware, kintsugi -
National Wool Museum
Textile - DIY Deluge Design No. 5, Alison Withers, 2023
Artist Alison Withers work DIY Deluge Design No. 5 was awarded Expressions: The Wool Quilt Acquisitive Award in 2023. Works were received from across Australasia and internationally from some of quilting’s most highly regarded and awarded artists. Finalists work was displayed at Art Quilt Australia 2023 presented by Ozquilt Network and the National Wool Museum from 12 August to 12 November 2023. Artist Statement: It's clear we need to adapt the anatomy of our human spaces to become more resilient to the increasingly unavoidable impacts of climate change. Made by piecing, applique and free machine stitching, using industrial felt, hand dyed merino felt, woollen suiting, cotton fabric, wool theatre curtain backing and cotton and polyester thread.Rectangular portrait orientated art quilt depicting an environmental scene including boats, lights, elevated buildings, plants and birds on a background of shades of cream, blue and grey. A baton is sewn into the back at the bottom.Back: DIY Deluge Design No.5 / Alison Withersquilt, ozquilt network, prize, wool, art, felt, piecing, applique -
Bendigo Historical Society Inc.
Book - IN A PICTURE LAND OVER THE SEA, c1998
In a Picture land over the sea. Publisher: Author and Bendigo Art Gallery. Printed by: Print Creations, Bendigo. ISBN:0949215163. 76 pages. Photographs, illustrations some in colour.Karen Quilanart, lifestyle, portrait -
Bendigo Historical Society Inc.
Book - ENGLISH PORCELAIN
A book titled ' Selected 19th Century English Porcelain From the Collection of the Bendigo Art Gallery.' Published by The Bendigo Art Gallery 1983. Oakdale Printing Pty. Ltd. Maryborough, Vic.ornaments, ceramic, porcelain, english porcelain, porcelain, artworks, bendigo art gallery, collection, art, catalogue, ornaments -
Marysville & District Historical Society
Photograph (Item) - Colour photograph, Unknown
A colour photograph of a sculpture in Bruno's Art & Sculptures Garden in Marysville in Victoria.A colour photograph of a sculpture in Bruno's Art & Sculptures Garden in Marysville in Victoria. Bruno's Sculptures Garden is one of Marysville's popular attractions. There is a sculpture garden as well as a gallery of artworks. Both the garden and gallery were destroyed during the 2009 Black Saturday bushfires. Some of the sculptures were totally destroyed though a few did survive the fires. Bruno made the decision to re-sculpt the lost sculptures and re-built his gallery and re-open his garden to visitors to Marysville.bruno torfs, gardens-design, marysville, victoria, sculpture, australia, sculpture garden, sculptors, bruno's art and sculptures garden, 2009 black saturday bushfires, photograph -
Marysville & District Historical Society
Photograph (Item) - Colour photograph, Unknown
A colour photograph of a sculpture in Bruno's Art & Sculptures Garden in Marysville in Victoria.A colour photograph of a sculpture in Bruno's Art & Sculptures Garden in Marysville in Victoria. Bruno's Sculptures Garden is one of Marysville's popular attractions. There is a sculpture garden as well as a gallery of artworks. Both the garden and gallery were destroyed during the 2009 Black Saturday bushfires. Some of the sculptures were totally destroyed though a few did survive the fires. Bruno made the decision to re-sculpt the lost sculptures and re-built his gallery and re-open his garden to visitors to Marysville.bruno torfs, gardens-design, marysville, victoria, sculpture, australia, sculpture garden, sculptors, bruno's art and sculptures garden, 2009 black saturday bushfires, photograph -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph - Rotary Art and Craft Show Lakes Entrance Victoria, Lakes Post Newspaper, 1/01/1993 12:00:00 AM
Alby Fisher winner of Craft section at Rotary Art and Craft Show Lakes Entrance VictoriaBlack and white photograph of Alby Fisher winner of Craft section at Rotary Art and Craft Show Lakes Entrance Victoriapeople, arts, arts and crafts, exhibition -
Federation University Historical Collection
Equipment - Object, Otto Waschatz, Cast of Hand, Plaster Cast Drawing Prop
The Ballarat Technical Art School boasted a well-stocked Antique Room replete with plaster copies of classical, Renaissance and Gothic sculptural examples, which were used as drawing props by students. The school inherited some casts from its predecessor institutions, and further consignments were purchased during the 1920s, including full length, bust and relief figures, as well as dozens of ornamental and architectural casts. Unfortunately, much of the collection was lost or destroyed in the late 1950s. This is one of the few surviving pieces, with TAFE students reportedly drawing from it into the twenty-first century. This plaster hand is inscribed “Waschatz, Modeller, Melbourne.” Otto Waschatz was a German plasterer who opened a plaster business in the Melbourne suburb of Richmond, and was responsible for the invention of the first true fibrous plaster - using a layer of hemp laid between plaster to create light and strong panels. By 1912 Waschatz's Lottoid Pty Ltd was a thriving and creative business, and possessed over 5,000 moulds for all kinds of plasterwork. The business closed in 1915, as the result of anti-German sentiment during World War One. Plaster cast of a hand used as a teaching aid at the Ballarat Technical Art School. The Victorian Education Department courses required art students to create studies based on ancient sculptures so copies of famous works were purchased as teaching aids. Among these courses were 'Drawing the Human Figure from Cast' and ‘Drawing from the Antique’. Waschatz, Modeller, Melbourneballarat school of mines, art, arts academy, ballarat technical art school, vikki nash, plaster cast, otto waschatz, lattoid pty ltd, school of mines, plaster copy, drawing from the antique, drawing the human figure from cast -
Clunes Museum
Print, BREAKING THE NEWS, 1887
ORIGINAL PAINTING HANGING IN WESTERN AUSTRALIAN ART GALLERY - PICTURE DEPICTS MINING TRAGEDIES IN THE LAST CENTURY. JOHN LONGSTAFF LIVED IN CLUNES IN HIS EARLY DAYS.FRAMED PRINT OF JOHN LONGSTAFF'S "BREAKING THE NEWS" OIL ON CANVAS, LIGHT COLOURED WOOD FRAME"BREAKING THE NEWS" OIL ON CANVAS. ORIGINAL IS IN THE COLLECTION OF THE ART GALLERY OF WESTERN AUSTRALIA.COPYRIGHT RESERVED.print, longstaff sir john, breaking the news -
Robin Boyd Foundation
Slide, Robin Boyd, 1961
Robin Boyd wrote two books on Japanese architects and architecture - “Kenzo Tange” published by George Braziller in 1962 and “New Directions in Japanese Architecture” published by Studio Vista in 1968. During the 1960s he travelled several times to Japan to research these books and as part of his role as Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka. The Sogetsu Art Center (1958) was also known as the Sogetsu Hall and Office. Boyd called it the Sogetsu Art Center in his book “Kenzo Tange”, where it is extensively illustrated (Plates 77-82).Colour slide in a mount. Sogetsu Art Center (1958), Tokyo, Japan. (Architect: Kenzo Tange.)Made in Australia / 14japan research trip, slide -
Robin Boyd Foundation
Slide, Robin Boyd, 1961
Robin Boyd wrote two books on Japanese architects and architecture - “Kenzo Tange” published by George Braziller in 1962 and “New Directions in Japanese Architecture” published by Studio Vista in 1968. During the 1960s he travelled several times to Japan to research these books and as part of his role as Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka. The Sogetsu Art Center (1958) was also known as the Sogetsu Hall and Office. Boyd called it the Sogetsu Art Center in his book “Kenzo Tange”, where it is extensively illustrated (plates 77-82).Colour slide in a mount. Sogetsu Art Center (1958), Tokyo, Japan (Architect: Kenzo Tange.)Made in Australia / 15 / 9 (Handwritten)slide, robin boyd -
Marysville & District Historical Society
Photograph (Item) - Colour photograph, Unknown
A colour photograph of a sculpture in Bruno's Art & Sculptures Garden in Marysville in Victoria.A colour photograph of a sculpture in Bruno's Art & Sculptures Garden in Marysville in Victoria. Bruno's Sculptures Garden is one of Marysville's popular attractions. There is a sculpture garden as well as a gallery of artworks. Both the garden and gallery were destroyed during the 2009 Black Saturday bushfires. Some of the sculptures were totally destroyed though a few did survive the fires. Bruno made the decision to re-sculpt the lost sculptures and re-built his gallery and re-open his garden to visitors to Marysville.bruno torfs, gardens-design, marysville, victoria, sculpture, australia, sculpture garden, sculptors, bruno's art and sculptures garden, 2009 black saturday bushfires, photograph