This photograph belonged to the Lock family before being acquired by the Museum.Black & White Photograph of Capt. John Barnard Lock of Rhyll, Phillip Island, Victoria. Died aged 75, buried in Phillip Island Cemetery.local history, photography, john barnard lock, black & white photograph, lock family, capt john barnard lock

An original painting of John Methven OAM, 7th Battalion RAR 1967 - 1968. Founder and Curator of the National Vietnam Veteran's Museum in Newhaven Victoria.7 rar, vietnam lest we forget, order of australia, john methven

The Mitcham Reservoir was completed in 1923. Excavation was by horse drawn scoops and drays. The site is accessed by Agra Road MitchamTwo copies of a black and white photograph of John Williams of East Doncaster Road, Mitcham, standing in front of the Mitcham Reservoir construction site in c1922williams, john, mitcham reservoir

Black and white photograph of six children of John Gervasoni and Catherine Cugley. They are sitting on a ladder propped against a haystack on their family property at Yandoit Creek. john gervasoni, catherine gervasoni, catherine cugley, rene gervasoni, rene saligari, yandoit creek, haystack

historic, people, Copy of original portrait of Portrait of John William Henry Austin, photographer of Durham Lead, seated, holding early camera resting on his leg.john william henry austin, photographer, durham lead

Life and Adventures of William Buckley Author: John Morgan Publisher: McDougall Date: 1852Label on spine cover with typed text RH 923 BUC Pastedown front endpaper has sticker from Warrnambool Public Librarywarrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, great ocean road, book, warrnambool library, warrnambool mechanics’ institute, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, warrnambool public library, life and adventures of william buckley, john morgan

Written on backing of photograph, "1982 - Rudolf Court (John Prosser's) from across Debbie Place."

Framed colour photographic portrait of E.J. (Jack) Barker.Edward John Barker, O.A.M. Principal, SMB 1964-1976 President, SMB Council 1991-jack barker, portrait photograph, available, e.j. barker, ballarat institite of advanced education, ballarat college of advanced education, director, principal, council

Black and white copy of original portrait of an older bearded man with curly hair and receding hairline, wearing a suit and tie."John Edgar / Third Town Clerk / Browns & Scarsdale / No 2 ex Story of Browns and Scars"john edgar, third town clerk, browns and scarsdale

Black & white photograph of John Donal Madden, Councillor, East CEntral Ward, City of Nunawading, August 1977 to August 1989.Mayor 1979 - 1980.madden, john, city of nunawading

The Keith Wingrove Trust conducts a competition among Australian artists, graphic designers and students for the production of Ex Libris Bookplates. The competition is called The Australian Bookplate Design Award. The purpose of the competition is to increase interest in and to attract publicity to the artistic value of bookplates. Although the competition is referred to as 'Australian' there is a category of award open to International artists. This bookplate was part of the 2013 Australian Bookplate Award. Wim Zwiers (b. 1922, Holland) Zwiers studied at the Academy of Fine Arts in Rotterdam from 1940 and graduated from there in 1944. Renowned as copper and wood engraver Zwiers became a teacher at an academy in Groningen. Zwiers has produced a few hundred bookplate. Around 1992 started to use the computer making ex-libris and other small graphics. Although he was not the first who started making computer exlibris, he surprised many by starting at age seventy. Framed etching - a bookplate for Zelma and John Gartner featuring a woman reading in the foreground and a weatherboard house in the background. Gift of the Keith Wingrove Memorial Trust, 2015Edition: 170/200 Signed: Wim Zwiersartist, artwork, printmaking, framed bookplate, available, bookplate, zweirs, zim zweirs, life drawing, keith wingrove memorial trust, australian bookplate design award, john gartner, zelma gartner

W. Williams Saddlery corner of High St and Williams Ave (now John Curtin Drive) c. 1910. W. Williams took over saddlery near Cricket Club Hotel c. 1878 and moved to Cnr Williams Drive in 1910.Copy of original Sepia photograph of W. Williams shop. A man and a boy outside shop wearing aprons. Young boy standing outside shop on LH side of photo, possibly another man behind tree on LH side.williams, saddlery, charlton

In the style of trench art possibly made from shell casing in the shape of a triangular cribbage board with the image of Sir John Monash who was the Commanding Officer of the Australian Imperial Force during the first world war.Brass triangle featuring embossed image/bust of Sir John Monash in the centre of triangle.engraved "Sir John Monash" image of Sir John Monashsir john monash, trench art, cribbage board

An early black and white photograph taken by Nicholas John Caire in 1884, of a large group of Aborigines on board a Cobb & Co Coach on their way to Coranderrk Aboriginal Settlement.An early black and white photograph taken by Nicholas John Caire in 1884, of a large group of Aborigines on board a Cobb & Co Coach on their way to Coranderrk Aboriginal Settlement.nicholas john caire, cobb & co, coranderrk station, mr john cato, aboriginal station, john green, healesville, badger creek

This crucible was raised from the wreck of the LOCH ARD. It is one of six similar relics, in a range of sizes, now in the Flagstaff Hill collection. All bear markings to indicate their manufacture by the Morgan brothers of Battersea, trading as the Patent Plumbago Crucible Co. A crucible is a container used for purifying and melting metals so that they can be cast in a mould to a predetermined shape and use. They must withstand extremely high temperatures, and abrupt cooling, and shed their contents with minimal adherence. The addition of graphite to the traditional firing clays greatly enhanced the durability of industrial crucibles in mid-Victorian Britain, a significant technological advance at a time of great activity in foundries and expansion of demand for refined metals. The Morgans first noticed the advantages of graphite crucibles at the Great Exhibition held in London in 1851. Initially, they contracted to be sole selling agents for the American-made products of Joseph Dixon and Co. from New Jersey, but in 1856 they obtained that firm’s manufacturing rights and began producing their own graphite crucibles from the South London site. The Morgans imported crystalline graphite in 4-5 cwt casks from the British colony of Ceylon (now Sri Lanka) and mixed it with conventional English (Stourbridge) clays to be fired in kilns. Their products were purchased by the Royal Mints in London and India, and exported to official mints in France and Germany. They were successful exhibitors of their crucibles and furnaces at the London Exhibition held in 1861 (Class 1, Mining, quarrying, metallurgy and mineral products, Exhibit 265, Patent Plumbago Crucible Co). The range of sizes represented by the six crucibles retrieved from the LOCH ARD, suggests they may have been part of a sample shipment intended for similar promotion in the Australian colonies ― at Melbourne’s International Exhibition to be held in 1880. The summary of the LOCH ARD cargo manifest, by Don Charlwood in ‘Wrecks and Reputations’, does not mention any crucibles, implying that they were not a large consignment of uniform items. A newspaper account of an 1864 tour of the Morgan brothers’ ‘Black Potteries’ at Battersea indicates: “All the pots were numbered according to their contents, each number standing for one kilogram, or a little over two pounds; a No. 2 crucible contains two kilogrammes; a No. 3, three kilogrammes, and so on.” These numbers are obscured by marine sediment on three of the crucibles in the Flagstaff Hill collection, but those legible on the remaining three are 5, 6, and 8. None of the six is of the same size from a visual appraisal. A brief history of the Loch Ard (1873-1878): - The sailing ship Loch Ard was one of the famous Loch Line of ships that sailed the long voyage from England to Australia. Barclay, Curdle and Co. built the three-masted iron vessel in Glasgow in 1873. It had sailed three trips to Australia and one trip to Calcutta before its fateful voyage. Loch Ard left England on March 2, 1878, under the command of recently married, 29-year-old Captain Gibbs. It was bound for Melbourne with a crew of 37, plus 17 passengers. The general cargo reflected the affluence of Melbourne at the time. Onboard were straw hats, umbrellas, perfumes, clay pipes, pianos, clocks, confectionery, linen and candles, and a heavier load of railway irons, cement, lead and copper. Other cargo included items intended for display in the Melbourne International Exhibition of 1880. The Loch Ard had been sailing for three months and was close to its destination on June 1, 1878. Captain Gibbs had expected to see land at about 3 am but the Loch Ard ran into a fog that greatly reduced visibility and there was no sign of land or the Cape Otway lighthouse. The fog lifted at 4 am and the sheer cliffs of Victoria's west coast were much closer to them than Captain Gibbs expected. He tried to manage the vessel but failed and the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. The top deck loosened from the hull, and the masts and rigging crashed down, knocking passengers and crew overboard. The lifeboat was launched by Tom Pearce but crashed into the side of Loch Ard and capsized. He clung onto its overturned hull and sheltered under it. He drifted out to sea and the tide brought him back to what is now called Loch Ard Gorge. He swam to shore and found a cave for shelter. A passenger, Eva Carmichael, had raced onto the deck to find out what was happening and was confronted by towering cliffs above the ship. She was soon swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He swam out and dragged her to the shelter of the cave. He revived her with a bottle of brandy from a case that had washed up on the beach. Tom scaled a cliff in search of help and followed some horse hoof prints. He came from two men from Glenample Station, three and a half miles away. He told the men of the tragedy and then returned to the gorge while the two men rode back to the station to get help. They reached Loch Ard Gorge and took the two shipwreck survivors to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland by steamship. In Melbourne, Tom Pearce received a hero's welcome and was presented with a medal and some money. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost her family in the tragedy. The shipwreck of the LOCH ARD is of State significance ― Victorian Heritage Register S417 Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best-known ahipwrecks in Victoria’s history.A Morgan’s Patent graphite crucible No.4 (i.e. 4kgs capacity), one of a set of three. It was recovered from the wreck of the LOCH ARD. It is in its original grey colouring with minimal sediment accretion on the top rim. It rises in a slight curve from a flat circular base to a wider rim with a pouring lip. Maker’s marks on the side of the container clearly identify the manufacturer. The maker's details are stamped into the base around and within a circle. A white sticker is attached. Made by the Patent Plumbago Crucible Company at the Battersea Works in London.Number or. Letters “MORGAN’S PATENT”. Details on the base "MORGAN'S PATENT" "THE PATENT PLUMBAGO CRUCIBLE COMPANY" Symbol [4] above "BATTERSEA WORKS LONDON" Handwritten on a white sticker in black pen "L89"flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, graphite crucible, plumbago crucible, morgan's crucible company, flagstaff hill maritime museum and village, fluxing pots, crucible, morgan’s patent, morgan brothers, patent plumbago crucible co, battersea works, london, port campbell

Rev. John Wade was a Methodist Minister stationed at: 1934 Wangaratta; 1936 Cudgewa; 1941 Monbulk; 1942 Chaplain; 1943 Womboota, NSW; 1947 Horsham, Pimpinio; 1951 Werribee; 1957 Preston; Home Missions Director at the time of the formation of the Uniting Church.B & W head and shoulders photograph of the Rev. John Wade."Rev. John Wade"wade, john, home missions, methodist, minister

Biblical quotation and illustration of 'Naming of John the Baptist'.Card with illustration on front showing ' The Naming of John the Baptist'. On reverse quotation from St Luke 1 New Testaments.The Naming of John the Baptist.john the baptist, testament, bible, card

Ink on tracing paper technical drawings of John Barker's heat Pump project: .1) Magnetic clutch drive pulley .2) Condenser .3) amendment to condenser technical drawing, heat pump project, john barker

Framed Document in a Black Frame. 161 Recce Flt Honours and Awards. Details achievements of John Wright DSM MID in Vietnam Sept 66-Sept 67framed document, john trevor wright, dsm, mid, 161 reconnaissance flight

Black and white photo of a print of John Donnell (died 27-4-1921) an early settler and owner of the original Reserve Hotel in Mitcham. Donnell was known as McDonnelldonnell, john, mcdonnell, reserve hotel, mitcham

Woollen boys cap, fully lined, with green woollen lining on underside of peak. Large red button on centre top of cap. Logo has yellow anchor edged in red; 'Hold Fast' in banner underneath anchor. This cap was part of the boys' school uniform at Williamstown High School in the 1940's. This cap was worn by Harrow Morgan in 1948-49."H. Morgan", written in pen on the label insideschool uniform, williamstown high school, cap, 1948, 1949, 1940's

Sepia photograph on grey board. Five men (three wearing suits, two in shirts) with two motorised bicycles outside shop with verandah which has sun blind rolled up. Bicycle in background leaning against shop front. Inscriptions: in image - above verandah 'RC Hambleton, Motor & Cycle agent', 'DH---- General', 'Genuine BSA parts', 'Aulsebrooks, biscuits' On board BL corner 'Martin Murphy', BR corner 'Photographer, Morgans'. See Research field.Martin Murphy, Photographer Morgansbusiness, retail, r. c. hambleton, hambleton, richard cobden.