Receipt for purchase of "1 large pellet No1" [possibly chicken food] from Greensborough's Stubley's produce and hardware.Receipt, black print on white paper (yellowed) Handwritten [Bag] of Layer pellets; Put in top shed [Sold] to Mr [Neil] Lewis, 44 Alexander St. Greens. by P Stubley & Son, 45 Main Street, Greensborough for One pound 16 sh and 6d cashlewis family, stubleys hardware, stubleys hay and grain store

Issue no 807 - 828 of The School Paper Feb 1970 - 11 Editions issued for Victorian State School students by Education Department of Victoria .Issued by the Education Department of Victoria, printed A. C. Brooks, Government Printer, MelbourneMagazines distributed by the Education Department of Victoria to State School Children.METEOR / The School Paper / February 1971 to December 1971 Education Dept of Victoria Signed Amanda Cook education, victoria, australian history, victorian education department

Conference paper comparing the natural Australian landscape with the influence of English landscape traditions.Photocopy of transcript of conference paper, 15 pages.plenty river, plenty valley, flora, landscapes

White paper bag printed both sides with green ink, "Ballarat Vintage Tramway, BTPS old logo tram (31), Operates weekends, Public & school holidays" & postal address. Bag has serrated top and bottom (folded), & glued join. Hole in one corner at top for string connection. Second copy added 6/8/2002. Image from another bag added 3/8/2010trams, tramways, commerce, sales, btm, btps

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: Reverse: CHILTERN ? / (SAME (illegible), SAME PAPER + COLOURS AS CHILTERN PHARMACY / BOTH MAY HAVE BEEN 1981 WHEN IN YACKANDANDAH? / ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program

8441.1 - Hessian bag full of coal, presumably for effect; sides of the bag have drawstrings of rope with metal handles.

8668.1 - Brown leather bag with two brown leather handles that are fastened to the bag via metal circular links.

Collected by persons who worked in banking. Example of method of handling coins.Calico bank bag with Westpac symbol (stylized W) in red on both sides. Bag used for handling coins.W

Standard issue item as used by Australian servicemen during the conflict in Vietnam (1962 - 19720A vinly bag which was rolled up and carried by soldiers. The bag contained vials with medication to treat diarrhoea or constipation. first aid, paracetamol, constipation, diarrhoea, vietnam

A Copy of Summary Of Fire Orders - Saladin 76mm on plain paper which is held togeher with a metal staple on the left hand top corner. This is kept in a sealed platic bag.summary of fire orders, saladin 76mm

"War Veterans From Wedderburn and District". "Saluting Their Service".Hardcover book with dust cover. Cover - cardboard, with adhered gloss paper finish. White colour print on front, spine and back. Ilustrated in colour, front collection of photographs of memorial scenes, back portraits. Dust cover - paper, with duplicate print and illustrations as hardcover. Cover flaps - white print on green background. 412 pages, Cut, plain, semi gloss white paper. Illustrated in black and white. Photographs of portraits, medals and battle scenes. Front end paper - handwritten donation inscription.Front end paper - handwritten in black ink pen. "To Bendigo Military Museum/ Regards/ G. Arnott".books, biographies, military history, wedderburn

Stationery - The Met - Metropolitan Transit Authority of Victoria. White paper item used for external mail, the brown paper item used for internal mail. Two of them have the first The Met logo printed on them and the full organisation name and one without the logo. The small envelope notes the "Tram and Bus Division"A stationary that is associated with a now-dissolved corporate body which existed in the 1980s. Set of three large envelopes - printed with or without The Met logo - white and brown paper and one small envelope printed on white paper with a sealable flap.tramways, stationery, the met, metropolitan transit authority, envelopes

The Council of School Activities dealt with matters pertaining to student welfare, including extra curricular activities such as the brass band. This volume contains a revised (1944) constitution for the council.Details the activities within the school, including those teachers who were involved.Black exercise book with brown paper spine binding. Front cover is loose. Some loose documents are interleaved.Hand written on brown paper spine: "Annual Satff Meetings". Most entries are handwritten.collingwood technical school, cts, council of school activities, school council, council minutes, nmit,

Andy Tylee had been Dux of DookieBlack and white photograph. Group staff photograph standing and squatting in front of the Administration Building . Names on paper catalogue.On reverse, "Photo taken on occasion of Andy Tylee's farewell on 26.2.53." Names on paper catalogue.andy tylee, farewell party, staff, dux

Details the experiences of members of the Australian Women's Army Service during WWII. Green buckram hardcover with dust jacket. Book has title in gold on spine. Dust cover is green with black and white image of women leaning out of windows. 193 cut edged plain paper pages, with illustrations.On front end paper "Francis W Dean BEM"books, military history

Given out at the opening of Montmorency Railway Station 2023.Draw string fabric bag.'H' Hurstbridge Line Duplication; Delivered by Level Crossing Removal Project.bags, montmorency railway station, montmorency station, hurstbridge rail line upgrade

Kit Bag brown 1954equipment, korea, army

Kit Bag brown incompleteequipment, ww2, army

Kit Bag Blue incompleteequipment

US gas mask bagequipment, c1960, us army

Printed contents of medical bag.storyboard, medical bag

Macramé Crochet String Bagstawell clothing material

Early 1960sCommon Domestic shopping equipment in the 1960s.Pink plastic string bagshopping, string, plastic

WWII historic significancekhaki army kit bagD. D. V280 1943. VF508462 P. E. Ellison (Pearl Eileen Ellison)

Small blue kit baguniform, kit