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City of Greater Bendigo - Civic Collection
Decorative object - Event memorabillia, The Return Ball, 1923
Hand sewn and printed blue and gold wall hanging inviting Mayor and Mayoress Giudice to the Return Ball. The text is printed on the blue central fabric panel which has a gold fringe and tassels. At the top of the fabric to enable it to hang on wall the fabric is sewn around a wooden rod with attached gold braid.The citizens of Bendigo present their compliments / to / HIS WORSHIP THE MAYOR (Cr. M. G. Giudice) / AND MAYORESS, (Mrs Giudice) / and request the pleasure of their company at / THE RETURN BALL / at the / Town Hall, on Tuesday, 17th July, 1923 / E.M. Vains, Chairman J. Denton, Hon, Treasurer / Bendigo, 27th June, 1923giudice, mayoress giudice, city of bendigo town hall, city of greater bendigo ceremonial item, city of bendigo mayoress, city of bendigo mayor, city of greater bendigo events -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Model Breakwater, Model Parapet Wall, n.d
Port of Portland Authority Archivesport of portland archives, model breakwater -
Bendigo Historical Society Inc.
Slide - DIGGERS & MINING: THE DIGGERS, c1900s
Diggers & Mining: The Diggers. Slide with 2 images. 1st image: Soldier standing by tripod, 2 narrow boardwalks in background, then a sandbagged wall, on top of wall there are images appear to be soldiers. 2nd image: Soldiers fighting in gas masks. Markings: VISAR COPYRIGHT SET - THE DIGGERS, 15. Used as a teaching aid.Visaireducation, tertiary, war -
Glen Eira City Council History and Heritage Collection
Plaque, commemorative, c. 1997
Plaque was previously located on the front wall of the East Bentleigh Memorial Pool alongside the original City of Moorabbin Memorial Pool plaques. The plaques were removed from the wall when the building was demolished for the GESAC development. The Moorabbin pool plaques were restored and relocated to the rhs wall in the entrance to GESAC. Plaque, bronze rectangular with polished bronze border and relief lettering and brown textured background. The plaque commemorates the official re-opening of the East Bentleigh Memorial Pool by the Mayor, Cr Alan Grossbard in 1997.Polished bronze relief lettering in upper centre of plaque: "OFFICIAL RE-OPENING OF / EAST BENTLEIGH MEMORIAL POOL / ON / 7 DECEMBER, 1997 / BY / HIS WORSHIP THE MAYOR / CR ALAN GROSSBARD" lhs, rhs, centre: CR NOEL ERLICH / CR ALAN GROSSBARD / COUNCILLORS OF THE CITY / CR RUSSELL LONGMUIR / CR VERONIKA MARTENS / CR BARRY NEVE / JIM MACKINNON / DIRECTOR CITY SERVICES / MARGARET DOUGLAS / CHIEF EXECUTIVE" -
Flagstaff Hill Maritime Museum and Village
Artwork, other - Wall decoration, late 19th century
This unusual wall decoration was created by Anna Wilson (nee Henry), daughter of pioneer John Stephenson Henry, who arrived in Australia from Ireland with his children in 1851. Family documents confirm that Anna most probably made the diorama for her sister-in-law, who married a member of the Giles family. The diorama was later given to Vera Giles who was a family friend and possibly related to Anna’s sister-in-law by marriage. The diorama is now part of the Giles Collection. Anna married William Wilson in 1860, who had arrived in Australia from County Tarrane in about 1850, aged 19. In 1869 they moved to their new property called ‘Glenlyall’ in Cooramook, north of Grassmere, Victoria, where he lived for 49 years until his death in 1918. He left behind a family of four sons and a daughter. The Giles Family There are many 19th century items of furniture, linen and crockery donated to Flagstaff Hill Maritime Village by Vera and Aurelin Giles. The items are associated with the Giles Family and are known as the “Giles Collection”. These items mostly came from the simple home of Vera’s parents-in-law, Henry Giles and his wife Mary Jane (nee Freckleton), whose photos are in the parlour. They married in 1880. Henry Giles was born at Tower Hill in 1858. He was a labourer on the construction of the Breakwater before leaving in 1895 to build bridges in N.S.W. for about seven years. Mary Jane was born in 1860 at Cooramook. She attended Mailor’s Flat State School where she was also a student teacher before, as family legend has it, she became a governess at “Injemiara” where her grandfather, Francis Freckleton, once owned land. Henry and Mary’s family of six, some of whom were born at Mailor’s Flat and later children at Wangoom, lived with their parents at Wangoom and Purnim west, where Henry died in 1933 and Mary Jane in 1940. The family of the creator Anna Wilson nee Henry and her husband William Wilson are of significance to the early history of Victoria and the South West of Victoria in particular, being pioneer families who farmed the land, built the towns and cities and contributed to their communities. The Giles family collection has social significance at a local level, because it illustrates the level of material support the Warrnambool community gave to Flagstaff Hill when the Museum was established. Wall decoration, diorama with decorative gild frame and glass front. The 3-dimensional seascape includes sailing boats, land and sea, all made from materials such as shells, coral and seaweed. The work was made by Anna Wilson. It is part of the Giles Collection.Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, giles collection, henry giles, tower hill, cooramook, warrnambool breakwater, mailor’s flat, wangoom, 19th century household goods, 19th century decor, 19th century handcraft, handcraft, wall hanging, diorama of a seascape -
Ringwood and District Historical Society
Painting, "Busch's Weir" - Oil on canvas by Hermann Otto ("Hof") Busch (1880-1960), 1953
In the 1930s, Hermann Busch constructed a concrete wall across Dandenong Creek, forming "Busch's Weir" on his Bayswater property, "Waldheim". The weir wall was demolished in the 1960s.One of two paintings of weir across Dandenong Creek, mounted in beveled edge wooden frame with ornate corner moldings. (See Reg #4856B for other of two paintings in the pair)Hof Busch 1953 -
Ringwood and District Historical Society
Painting, "Busch's Weir" - Oil on canvas by Hermann Otto ("Hof") Busch (1880-1960), 1953
In the 1930s, Hermann Busch constructed a concrete wall across Dandenong Creek, forming "Busch's Weir" on his Bayswater property, "Waldheim". The weir wall was demolished in the 1960s.One of two paintings of weir across Dandenong Creek, mounted in beveled edge wooden frame with ornate corner moldings. (See Reg #4856 for other of two paintings in the pair)Hof Busch 1953 -
Kew Historical Society Inc
Decorative object - Cotton chintz applique on linen wall hanging [Broderie Perse], 19th Century
This broderie perse' wall hanging was donated to the Kew Historical Society in 1980 by Mrs Joy Ivory. The hanging had belonged to her mother - Amy Grigg - and was used by the latter to demonstrate skills in darning (the red stitching). Provenance includes a certificate dating from 1889 which records an award to Amy Grigg of Pakington Street (Kew) for skills in needlework, issued by the Kew Floral Industrial & Art Society. Amy Grigg later married Albert Watson, the son of John Watson. The latter was an early pastor of the Kew Methodist Church in Highbury Grove, Kew. Both the Watson and Grigg families were early pioneers of Kew. While the hanging was modified by Amy Grigg in 1889, the original textile dates from an earlier period when 'Broderie Perse' (Persian embroidery) was used to create quilts and wall hangings. It is estimated that the hanging dates from the first half of the 19th century. An exact dating will require a detailed examination of the cotton chintz fabrics used to embroider the hanging. This appliquéd wall hanging is one of the earliest textiles in the Kew Historical Society's fashion & textiles collection. Similar examples are held in major international collections such as the Victoria & Albert Museum. This example of broderie perse is significant for the cross-cultural influence of Indian textiles on European taste, not unusual given the English foothold in India during this period. Additional interest is due to the mixing of Indian and European textiles in the design, while staying true to the derivation of the design. The textile is both well-provenanced and rare. While it is unlikely to be Australian-made, it is probably an example of a textile brought to Australia during the colonial period that indicates a desire to decorate interiors using items created in and for the English home. On another level, the wall hanging is a fine example of 'women's work' in the first half of the nineteenth century.Small wall hanging, comprised of five panels that are each appliquéd by hand in herringbone stitch using a range of decorative figurative motifs including flora and fauna. The design is based on an Indian palimpore representing a tree of life design. The base textile is a cream linen while the appliquéd figures or shapes are cut from cotton chintz. These additions are probably a mix of Indian and European designs. The quality of the herringbone stitching is very fine. Later stitching in red wool was added in the 1890s to demonstrate skill in darning. The main panel is bordered by a narrow green and ecru braid. It has a narrow tan braid at the top and bottom of the two side panels. A surrounding tan braid around the entire textile is missing in some places. textiles, applique, broderie perse, amy grigg, wall hangings, migration -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1999
Typical of J C Dahlsen house plan, built 1929 - 1930 by Dahlsen's for A J Legg and family. Mrs M E Legg operated it as 'Kalimna Gardens Tea Rooms' for a few years.Colour photograph of a dwelling at Lookout Road, Kalimna. Lower third of walls weatherboard, upper walls fibro cement. Hip roof of corrugated iron, gablet ventilator at roof ridge, gable over projecting front room. Bullnose veranda has been enclosed on south side. Kalimna Lakes Entrance Victoriahouses -
National Vietnam Veterans Museum (NVVM)
Photograph - Photograph, Suoi Nghe, 7RAR
A reprinted black and white Photograph of an area with a small rectangle area in the middle and the road goes down from below middle left side to near bottom on the right side. Above the photograph reads: This aerial photograph shows a rectangular fort like enclosure at "Ap Suoi Nighe" North of the Australian Base at Vung Tau. the fort was manned by Montangard Soldiers. they lived in the walls of the fort along with their families. The RSO of 7 Battalion, John Methven, and one of his signa,ers would fly out from Nui Dat and act as liaison when troops from 7 BN would be in the area.This aerial photograph shows a rectangular fort like enclosure at "Ap Suoi Nighe" north of Australian base at Vung Tau. The fort was manned by montangard soldiers. They lived in the walls of the fort along with their families. The RSO of 7 Battalion, John Methven and one of his signalers would fly out from Nui Dat and act as liaison when troops from 7 BN woul be in the area.7 rar, 7 battalion map, john methven, montagnard, suoi nghe, signals -
Vision Australia
Photograph - Image, School children in class room
10 students read at their desks in the classroom. Braille maps are on the walls and their are miniature wooden tanks, airplanes and a building on top of the cupboard. The walls are wood panelled to halfway up, then glassed.1 black and white photograph of 10 pupils in the school roomrvib burwood school, education -
Bendigo Historical Society Inc.
Document - MALONE COLLECTION: GREETING CARDS
White, single card with a lady and a man at a garden wall. The lady is standing in front of the archway on the other side of the wall. She is wearing a pink skirt, white blouse, brown jacket and black hat with pink flowers. The wall is grey stone with a creeper growing on the top. On the front side of the wall a man is standing waiting holding a cane in both his hands. He is wearing light grey trousers, white shirt and waistcoat and a long knee length black coat. He has black shoes and a black top hat which is on an angle. He also has a monacle and a long black moustache. Across the bottom 'A merry Christmas to you both' is printed in light brown. The card has rounded corners.Castell Brothersperson, greeting cards, malone collection, malone collection, greeting cards -
Federation University Historical Collection
Photograph - Black and White, Frank Wright, 1930, March 1930
Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of the upper torso of a man dressed in a band uniform. Behind is a timber wall of a building. The man is Frank Wright.Written in pencil on back - Frank Wright 28, March 1930frank wright, cornet, conductor, ballarat -
Warrnambool and District Historical Society Inc.
Plaque, Warrnambool Soundhouse, 1983
This plaque comes from the Warrnambool SoundHouse building in Timor Street, Warrnambool. The Warrnambool SoundHouse was one of the Australian SoundHouses foundations which were established to promote music in schools. It was sponsored by Brash’s Music Store in Melbourne but when the Brash company ceased business in 1998 the funding for the Warrnambool SoundHouse stopped and the foundation closed. Thi plaque is retained as a memento of the Warrnambool SoundHouse foundation which promoted music in the local schools in the 1980s and 90s. This is a gold-coloured metal plaque with black printing. The back edges have had adhesive on them to affix the plaque to a door or wall. ‘SoundHouses Association of Australia welcomes Warrnambool SoundHouse as a member Friday 10th September 1983’warrnambool soundhouse -
Maldon Vintage Machinery Museum Inc
Drill Press
Wall mounted hand operated drill press. Flywheel on LHS. Drill lowering hand wheel on top. Painted green and black.Cast in relief on frame "Champion ......... & Forge Co./ Lancaster" on LHS, "Warranted" on RHS.trades, metal working -
Port Fairy Historical Society Museum and Archives
Photograph, C. 1925
Black and white arial photograph of the Moyne river entrance, the original signed by R.W.Golding.Black and white aerial photograph of Griffith island showing the lighthouse keeper’s compound, the large flagstaff and the river training walls in the foregroundHand written on the back "Port Fairy Moyne River Entrance R. W. Golding Handwritten on the back of the copy "Port Fairyb Harbour 1925"local history, photography, photographs, slides, film, arial, moyne river -
Halls Gap & Grampians Historical Society
Photograph - Coloured, C Oct 1985
The photo is taken outside the Halls Gap Hall. A parade was held in conjunction with the 150th anniversary of Major Mitchell's visit, together with the unveiling of a plaque commemorating the Wildflower Show and its many volunteers.The photo shows people chatting. There is a brick wall with a mural displayed on it in the background. Two women in the foreground are pinning sprigs of thryptomene to their apparel.events, wildflower show -
Christ Church Anglican Parish of Warrnambool
Memorial window: Herbert Firks SAMBELL, "I Am The Light Of The World"
Herbert Firks Sambell was the son of John Sambell, a chemist,who settled in Warrnambool in 1886.Stained glass, lancet window, north wall, north nave, depiction of Holman Hunt's painting (1851-1853) "The Light of the World" "To the Glory of God/ and in Memory of Herbert Firks Sambell/ died 16th June 1943./The gift of his loving family. -
Christ Church Anglican Parish of Warrnambool
Memorial tablet: Mary Ann and Thomas MURRELL
Thomas Murrell was a furrier in business as Burgess & Murrell in Koroit Street, Warrnambool. He and Mary Ann had five children. Their address was 70 Merri Street. Thomas died in 1921 and Mary Ann died in 1920. Marble and mosaic tile tablet, south wall, main nave. Inscription on a large tile bordered with oblong tiles of varied blues.To the Glory of God / In Memory of / Mary Ann / and / Thomas Murrell -
Port Melbourne Historical & Preservation Society
Photograph - Walls erected for public housing section of Bayside Project, Port Melbourne, The Emerald Hill, Sandridge and St Kilda Times, 1991
Black and white photocopy of photograph from "The Emerald Hill and Sandridge Times"of walls erected for public housing section of Bayside Project"Slab construction in Princes Street 1991. Port has 11 Housing Commission estates, much higher proportion than other areas."built environment - domestic, built environment - public housing, bayside project, princes street, housing commission of victoria -
Port Melbourne Historical & Preservation Society
Photograph - Outline of demolished house (139 Station Street), 137 Station Street, Port Melbourne, Peter Libbis, 6 May 1998
Taken by Peter Libbis between demolition and rebuilding of 139One of four photos of 137 Station Street, showing outline of wall of demolished 139 Station Street (corner of Spring Street)demolitions -
Port Melbourne Historical & Preservation Society
Photograph - Outline of demolished house (139 Station Street), 137 Station Street, Port Melbourne, Peter Libbis, 6 May 1998
Taken by Peter Libbis between demolition and rebuilding of 139One of four photos of 137 Station Street, showing outline of wall of demolished 139 Station Street (corner of Spring Street)demolitions -
Port Melbourne Historical & Preservation Society
Photograph - Outline of demolished house (139 Station Street), 137 Station Street, Port Melbourne, Peter Libbis, 6 May 1998
Taken by Peter Libbis between demolition and rebuilding of 139One of four photos of 137 Station Street, showing outline of wall of demolished 139 Station Street (corner of Spring Street)demolitions -
Port Melbourne Historical & Preservation Society
Photograph - Concrete beach wall, Port Melbourne, Lyn Allison, Nov 1992
From a series of photos taken by Lyn Allison, then a Councillor of the City of Port Melbourne, to record the condition of Port Melbourne's beachesLasercopy of photo of concrete beach wall on the Port Melbourne foreshore, looking east. Taken by Cr Lyn Allison, Nov 1992.'Nov 92'built environment - civic, natural environment - beaches and foreshore, lyn allison -
Ballarat Heritage Services
Digital photographs, Hepburn Democratic Club (Macaroni factory), Hepburn Springs, 2005, 11/04/2005
Colour photograph of a 'ghost sign' on the walls of the Macaroni Factory in Hepburn Springs. The hepburn Democratic Club met at the Hepburn Democratic Club.macaroni factory, hepburn springs, swiss italian, lucini, italo-australians, giacomo lucini, pietro lucini, pasta, hepburn democratic club -
Southern Sherbrooke Historical Society Inc.B & w photo interior Belgrave Post Office, 1997. Photo shows counter and seating for the public use. Posters are on the walls.
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Whitehorse Historical Society Inc.
Photograph, Till
Black & white Kodak print of a young dark haired girl in a white dress sitting with a doll and teddy bear on the wall of a verandah.till -
Whitehorse Historical Society Inc.
Photograph, Mitcham Football Club Runners Up 1929, 1929
See NP4151Sepia-toned photograph of the Mitcham Football team and supporters beside the wall of the clubhouse. Written on the bottom is MITCHAM FOOTBALL CLUB 1929.mitcham football club, sporting clubs, football clubs -
Port Melbourne Historical & Preservation Society
Photograph - Interior tower stairwell, Missions to Seamen, Port Melbourne, Alison Kelly, 1988
Photographed by Alison Kelly while she was joint caretaker of the building during the Mission Arts Centre days 1987 to 1991From album of photos mostly by Alison Kelly: Port Melbourne Missions to Seamen, interior tower stairwell, south and west wallsmissions to seamen, built environment, architecture, alison kelly, harry a norris -
Stawell Historical Society Inc
Slide, Ian McCann, Lake Bellfield base, 1960's
Colour Slide, showing the Base of Lake Bellfield, with two people in the mid distance, and more on the far wall. Also with three vechiles.grampians