Copy of the Australian Railway Enthusiast - Vol 9, No. 4, December 1971, which contains seven photographs of the closure of the Ballarat Tramway System on 19/9/1971 by Greg Triplett. Item 579 refers for centre page photograph. Magazine has articles on the Beech Forest Narrow Gauge, The Atjeh Tram (Indonesia), cable cars preserved in Melbourne and a derailment at Yering Vic. in 1900. Ballarat Photos 1 - 40 in Lydiard St. 2 - Bogie car in Wendouree Parade from the wheat silos 3 - Intersection of Sturt and Lydiard Street from the Town Hall 4 - Tram at City Centre with Boer War (?) statue in front of the tram - night photo 5 - 35 at Sebastopol Terminus - night photo 6 - 42 at the Lydiard Street terminus - night photo 7 - 40 leaving Sebastopol as the last tram - night photo (see item 579) Second copy added 31-8-2017. Second copy has a "Technical Book & Mag. Co." yellow label on the front cover.trams, tramways, ballarat, closure, lydiard st, sturt st, sebastopol

Has a good association with the final days of the SEC Ballarat system with the operation of the trams for schools (Ballarat North Technical College) and the things that could happen while on tour - 40 derails again.Newspaper clipping from The Courier, Ballarat, dated Thursday 19/8/1971, titled "All aboard". Features two photos of No. 40 and one of another bogie tram during a farewell tour of the Ballarat system the previous day by Ballarat North Technical school students. The lower photo features the school students while the upper photo shows No. 40 derailed near the corner of Sturt and Lydiard Streets with the Town Hall in the background. See Reg items 3765, 3766 for actual prints of the Courier photographs and Reg. item 1073 for another copy of the newspaper clipping. One of large group of newspaper cuttings from John Bainbridge, 7/4/02. Item has been folded for inclusion within a scrap book. Has a piece of plain paper Secured to the back of the portion that was not Secured to the scrap book itself. 2nd copy - clipped from newspaper - added 17-08-2006. In good condition.special trams, derailments, sturt st, charter trams

Set of tickets collected by Ray Hall, possibly in his days as a MMTB crew member - conductor? - all have starting numbers in "01", except for two with 6 numerals the same. Shows MMTB style tickets of the time - 1966/67?Set of 11mixed Melbourne and Metropolitan Tramways Board tickets with Ray Hall's papers. May have come from time he worked for the MMTB - all decimal. Tickets have been used . Tickets have not been individually numbered with the Registration Number, but can be identified by their ticket number and denomination. See image btm3465i.jpg See Reg Item 3456 for details of his history. 3c - A125601 - green on white paper 4c - A145601 - black on grey paper 6c - City section - A085601 - blue on white paper 6c - A291201 - black on orange paper 7c - A605001 - black on purple paper 10c - A251401 - black on bluff paper 15c - C333333 - black on yellow paper. 15c - A165601 - black on yellow paper 20c - G191201 - green on pink paper 25c - A045601 - red on light red paper. Pensioners Concession Check Ticket - 444444trams, tramways, tickets, mmtb, melbourne, used tickets

Shows views of the Ballarat CBD and nearby features in the 1930's and 1940's of views of Ballarat, including some trams in the photographs. Demonstrates production of souvenirs of the era - folded postcards. The photos could also be used for individual postcards.Set of 9 black and white views of Ballarat printed on a folded strip, glued within a blue colour light weight cardboard folder, titled "Ballarat Photographic Booklet". Booklet printed with an address area with title and kookaburras. Produced by The Valentine Publishing Co. Pty Ltd Melbourne & Sydney The rear has a slit on the rear cover that allowed the folder to be secured. Pictures are: 1. Panorama from Sturt Street, looking up Bridge St 2. City Hall 3. The Avenue of Honour (14 Miles Long) 4. Lake Wendouree 5. King George V. Memorial 6. The Pergola, Botanical Gardens 7. Eureka Stockade 8. Lydiard Street, showing Craig's Hotel 9. Sturt Street, Ballarat. Made during 1940, with photographs of the 1930's as well given motor cars in the photo. Has a date of "5/10/1951" on the front cover in ink. Has a date of "5/10/1951" on the front cover in ink.trams, tramways, sturt st, town hall, lake wendouree, memorial arch avenue of honour, memorial, gardens, lydiard st, eureka

Souvenir Teaspoon featuring Ballarat tram No. 40 as the last ram in 1971 in an inset at the top of the tea spoon, and No. 1 Horse tram 1887 in the bowl of the teaspoon contained within a plastic case. The teaspoon made by Perfection Plate, of the Vista style or type. The case has blue plastic base, with clear top with the words "Vista by perfection" printed do top. On the rear of the case is the wording "Perfection". The teaspoon is silver plated, with the tram in a picture 15mm diameter on top and oval shaped in the bowl about 25mm long. The teaspoon is marked "Vista" on the rear, with "Perfection Plate Australia" along the handle of the spoon. Tea spoon is 112mm long x 25mm wide. Case is 125mm high, 32mm wide, by 16mm deep. Made early 1990's? Second copy added 19-6-2017 - no case from donation of S. Hall - see related documents for email chain. trams, tramways, teaspoons, sales items, btps

Photocopy of an article in the State Electricity Commission of Victoria Magazine, Contact, Vol 2, No. 3, Nov 1937 titled "Ballarat Tramway Extension". Single A3 sheet. The item details the opening event for the extension of the Lydiard St. tramway to Norman St or Ballarat North, or Lydiard St. North on 30/8/1937. Has a photo of the Mayor, Cr. J. Pryor cutting the ribbon. Gives names of officials who attended or spoke at the function at Electra Hall following the event. Notes the relationship between the SEC and the Council. Included in those who spoke at the event was Robert Haines, Motorman - Conductor "who has achieved fame by completing 50 years service". Record revised 3/4/2019 to add digital images with those from Andrew Cook CD. Each item had a thin strip of paper attached by staple to the top left hand corner, giving the Vol. No. details.trams, tramways, sec, opening, lydiard st north

Demonstrates aspects of Ballarat tramway operation with horse tram trailers, - copy of a postcard photograph.B&W print of an ESCo tram just past the intersection of travelling east along the north side of Sturt. Steet towing a heavily laden horse tram as a trailer. Photo appears to be taken soon after opening of the electric trams, as the tram does not have any destination box above the driver. Possibly summer 1905/1906. Numerous people in the street, some horse drawn vehicles in the photograph. Shows buildings along the south side of Sturt St. and part of the verandah of the building at the NE corner of Doveton St. Horse Trailer No. 4 In top of image are the words "Town Hall and Sturt Street, Ballarat" Two copies Larger version than normal, obtained by Bill Scott for publication. For a list and description of the same base image see Archives file - "Notes on ESCo Tram towing a heavily loaded trailer" See Reg Item 4370i1 for a colour postcard.On rear of copy 1, "WFS Collection" in ink and on rear of Copy2 - "William F Scott" address label and "WF Scott collection" in ink.trams, tramways, esco, horse trams, postcards, doveton st, sturt st, tram 8, tram 2

Pale green booklet with dark blue printing and dark blue ribbon on the left titled Installation of M. W. Bro. His Excellency Colonel The Right Honorable The Earl of Stradbroke K.C.M.G., C.B., G.V.O., C.B.E. as Grand Master of The United Grand Lodge of Ancient, Free and Accepted Masons of Victoria. Town Hall, Melbourne. 26th March, 1924. Title printed in dark blue with fancy gold border. Above the titled is a blue, white red and yellow emblem, divided into four, with five white stars between. In the top left is three lions, top right is the Southern Cross, below it is a rearing lion and the bottom left is a harp. Above the emblem is a symbol. Contents include Grand Officers 1924 - 25, Order of Procedure, Installation Ceremony, Board of General Purposes 1924 - 25 and the Board of Benebolence 1924 - 25. Printed by Osboldstone & Co. Pty. Ltd., Printers, Melbourne.Osboldstone & Co. Pty. Ltd,. Printers Melbourneclubs, social, installation and investiture of officers, masonic society events (various) - installation of m w bro his excellency colonel the right honorable the earl of stradbroke, frederick thomas hickford, william player bice, w kemp, w g pearse, canon f w wray, rev t b reed, d h mcdonald, w j byrne, k n trenery, j h terrill, w stewart, l evans, h g swindells, j g mcnicholl, e h collett, h d hirst, j n peters, f g h ritchie, a e ringwood, g a pethard, f j davies, a bennett, g c jury, j f sorensen, j a fraser, j a lording, a r hunt, j h pollard, j g gogoll, j t riley, m c nuttall, a j dean, c e murfett, r e lewis, a darroch, j a curtis, h abbott, j a mcmillan, l p lancashire, a l smith, a albert, j phillips, t brown, t hatton, l l williams, geo e emery

Three gold covered auction catalogues with black printing for Australia's First (Believed to be World's First) Gold Nugget Auction held in the Memorial Hall, Pall Mall, Bendigo on the 24th May, 1980. Catalogues are made of card and are tri-fold. On the front is a black sketch of Bendigo Historic Post Office. The inside which is white are the Conditions of Sale, the centre has the List of Nuggets which includes Lot No., No. of Nuggets and Approx. Lot Wt. in Grains. Under this are the Ingots which includes the Lot No. and Approx. Weight in Grains. Some notes are underneath. On the right fold is A History of Gold Discovery in Victoria and Large Nugget finds in the Area. Also mentioned are the Welcome Stranger Nugget, The Blanche Barkly Nugget and the Robins Nugget. On the inside gold side is A History of 3 D's Gold Mine N.L. and some information about Nuggets. On the back is Curnows name and a Reproduction of Curnows original Letterhead circa 1900.business, auctioneers, j h curnow & son pty ltd, ian dyett collection - auction catalogue - gold nugget auction, 3d's gold mine n.l., bendigo advertiser & clearads, mines department, welcome stranger nugget, red hill company's mine, blanche barkly nugget, precious nugget, ah chang, desmond robins, arthur robins, mining lease 452, mr a sexauer, robins nugget, gold nugget casino las vegas, bolton bros pty ltd, bluey robins, doug cahill, dick sandner, department of minerals and energy, national bank of australasia ltd, commonwealth development bank daryl mcclure, e j dunn, department of mines, curnows (bendigo), j h curnow & son pty ltd, ian dyett, fred dyett

Eaglehawk Sub-branch R.S.S.A.I.L.A. Annual Ball, July 14th, 1948 held at the Town Hall, Eaglehawk. Card is cream with gold printing on the front and a blue RSL badge. On the inside the trifold card has a Dance Program of 21 named dances and a space for Autographs. On the back left are the names of the Debutantes and Flowers. They are: Shirley Evely, Alison Brown, Nancy Moore, Dorothy Reed, Beryl Reed, Joyce McCallum, Bette Fitzpatrick, Molly Surplice, Merna Douglas, Marjorie Yates, Edna Johannesen, Pat Johannesen, Patricia Brown, Patricia Boland and Faye Hanson. On the next fold are the Partners: Robert Tibbett, Milton Brown, Ronald Bull, George Hunt, Les. Johnson, Jim Groves, Maurice Koch, Ken. Johnson, Kevin Smith, Ken. Bull, Frank Holden and Neil Holden. Chaperon: Mrs G F Hudson. Hostess: Mrs R Fairless and President: Mr R Fairless.event, social, annual ball, r.s.l. bendigo collection - souvenir programme eaglehawk rsl annual ball 1948, shirley evely, alison brown, nancy moore, dorothy reed, beryl reed, joyce mccallum, bette fitzpatrick, molly surplice, merna douglas, marjorie yates, edna johannesen, pat. johannesen, patrica brown, patrica boland, faye hanson, robert tibbett, milton brown, ronald bull, george hunt, les. johnson, jim groves, maurice koch, ken. johnson, kevin smith, ken. bull, frank holden, neil holden, mrs g f hudson, mrs r fairless, mr r fairless

At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.This is the earliest known photograph of the exterior of Byram (later Tara Hall). It shows the original red brick fence, its asymmetrical gate and gateposts, with a large terra cotta gargoyle surmounting the higher of the two. The architect, Edward Kilburn designed Byram in the Arts & Crafts style for the industrialist George Ramsden. Construction began in 1888 and was reputed to have lasted three years. The mansion had frontages to Studley Park Road and Stevenson Street, including gardens laid out with great taste, including pleasure grounds, tennis lawn, fruit and flower garden, and paddock. The size of many of the trees in the garden indicate that many survived from the garden of Clifton Villa, the previous single-storeyed house built on the site by the Stevenson brothers. Byram had views to Melbourne and Port Phillip Bay. The house was demolished in 1960, despite opposition from the National Trust (Victoria), and its gardens subdivided into residential allotments.A View in Studley Park Roadkew illustrated, kew where we live, photographic books, henry kellett, byram, tara hall, goathlands

Clutha was the home of John Carson, the second mayor of Kew. Leonard Terry designed the house for him in 1856. Terry was the architect of the Melbourne Club (1858), the former London Chartered Bank (1861), Lothian Terrace in Carlton (1865), and the ES&A Bank in Hawthorn (1873). The commission for Clutha was won three years after Terry’s arrival in Victoria.An extremely rare photograph of a major residential architectural commission of Leonard Terry. The photograph of the house has statewide significance as the home of the Victorian pioneer and businessman, John Carson. A rare, nineteenth century photograph of ‘Clutha’ in Studley Park Road, Kew. The sepia-toned photograph is of the front of the house, with its bluestone foundations and its second storey balcony. A real estate advertisement in 1875 described the house as: 'First-class family mansion, and about 8½ acres of pleasure grounds and fruit garden. The house, erected under the plans and supervision of Mr. Leonard Terry, is most substantially built of brick, stuccoed, on solid bluestone pediment, forming a noble basement story, large entrance hall, and lobby, with conservatory on the left. *** A wide verandah and balcony, erected on cast-iron columns, runs round the house, the views from which are perhaps unequalled in extent and beauty in the neighbourhood of the city, commanding the bay, shipping, Mount Macedon, and Dandenong Ranges. Th e whole forming a most complete gentleman's residence, no expense having been spared in its erection and comfortable finish.'"Clutha West Side Studley Park Road Kew / Clutha West Side"clutha, john carson, leonard terry

Bendigo Advertiser '' The way we were'' from Tuesday, March 9, 2004. Former class: pictured here is a former class photograph of the Long Gully School 2120. Bendigo Advertiser '' The way we were'' from 2004. Rollcall: yesterday this photo had no names. Today, the names, thanks to Long Gully reader George Ellis. Back row from left: George Ellis, Alan Bray, George Ennor, Martin Neiman, Theo Saunders, Niven Neyland. Next row down: Aileen Simmons, Dorothy Kitt, Kathleen Hughes, Norma Roseworne, Elaine Bruhn, Mavis Evans, Alison Gray, Daphne White, third row down: Elaine Ellis, Joyce William, Lucy Waterman, Shirley Jack, Rae Bool, Hazel Pollard, Eunice Hester, Winnie Hall, Seated: Harold Salter, Geoff Trembath, Bill Thomeson, Jeffrey Hovender, Keith Higman, Bill Spicer. The clip is in a folder.newspaper, bendigo advertiser, the way we were

BHS CollectionGreen Bros building Contractors Advertising Brochure:-On cream paper background with red, black and blue print, has *Get The Things You Want - and like. Across these words in red ink is *Build with Green Bros* Top left corner in a circle is a man and women's faces smiling down at the words. Bottom right is a caricature of a smiling house. Open the brochure and it tells you about the company *G. B.'Is The Buy Word For All Types of Buildings - Houses, Hall, Garage or Shearers' Hut. See Green Bros Always. Green Bros Building Contractors Epsom, Via Bendigo, Phone 26 Huntly Branch: Henry St Deniliquin, Phone Deniliquin 88. Also is a drawing of a house plan. On the left side is 4 large red dots down the page and caricature of people enjoying themselves. On the Back is Advertising for House Moving Specialists. Bendigo Heavy Haulage Co. Box 625buildings, house, green bros builders., green bros builders. bendigo heavy haulage co.

Twenty page Mayor's Report, Borough of Eaglehawk, 1986-1987. Yellow cover, brown text, centre front sepia image of the Town Hall, Eaglehawk. Inside front cover, letter attached from Borough Of Eaglehawk to the Secretary of Bendigo Mining Corp., Victoria Street, Eaglehawk: attention is drawn 'to page 14 of the Report which covers the resurgence of gold mining activity in the Borough' Page 14 describes Western Mining Corporation's prospecting of the 1000 old mines in the Eaglehawk area to discover how much gold is left. 'The first new headframe seen in Central Victoria for 50 years has just been erected at the site of the Wlliams United mine in Eaglehawk' The company is pumping out 10 million litres of water a day to uncover the old workings' The Mayor of 1986-1987 Cr W. Carney, first woman Councillor (1977) and first woman Mayor for Eaglehawk ((1986-87).bendigo mining nl, goldfield, goldmining, production, eaglehawk borough, mayor of eaglehawk, cr. carney, williams united

Two page article or manuscript titled "A few Memories of "W" class tram by Marilynn Fahey". Article used in a City of Port Phillip book during the 2015 Seniors Festival and in an exhibition during 2016. Describes the writers view of the demise of W class trams in Chapel St, the tramcars themselves, their ambiance, that one went to Denmark, conductors, use, operations, operation of the trams on route 78. The Museum provided a number of photographs to the City - see emails with Anne Scambary for use in a digital story exhibition. Item as a word document provided by Anne as the basis of the photo request. The first date for the Speaking stories: Digital histories 2016 is at the St Kilda Town Hall Foyer, 10 October - 17 October, 8.30AM- 5PM. Kind regards Anne Scambary Art & Heritage Programs , Vibrant & Creative City T: 9209 6416 , W: www.portphillip.vic.gov.au Private Bag 3, St Kilda, VIC 3182trams, tramways, route 78, w class, articles, stories, chapel st, conductors

Dark blue cloth covered bound book, 84 + 6 page glued in section (pages 62A to 62F) pages, plus printed end sheets used in covers, titled "MMTB Electric Tramways and Motor Omnibuses Sections and Fares", dated October 1955, authorised by C. E. Hall, Acting Traffic Manger. Book consists of one sections, bound with sewn cloth binding on the outside with glued white paper end covers. October 1955 Details the various section stages and fares for each tram and bus route, General instructions, concession fares and has photos or drawings of the various special tickets, eg passes or prepaid tickets. Has a number of glued in pages or part pages eg pages 17 (See Reg Item 1206 for the same page), 59, pages 62A to 62F, with an addition on page 62A. 2nd copy - similar but has slightly different additions.Both inside covers stamped "Cond School" of copy 1.trams, tramways, tickets, fares, sections, passes

Tickets and newspaper clippings glued to a folded sheet of cardboard comprising: Inside: 20 - MMTB Cable and Electric tram through tickets - transfer and priced, all numbered. Newspaper clipping from Friday Feb 18, 1927 - HMAS Bacchante under sail and Bearded Pioneers at Ballarat. Outside: 4 MMTB ES (Eastern System) tickets - different colours, un-priced, all printed as between Regent St and High St. 1 - Transfer ticket - blue, punched for "to Northcote Town Hall". 1 - MMTB Scholar's concession check - block - printed for Prahran, Malvern and Hawthorn Electric Tramways Newspaper cuttings - How St Kilda welcomed the King and Queen - 6/5/1901 - Duke and Duchess of Cornwall and York. and a cartoon, of an overloaded cable tram trailer with a gentlemen carrying a bag marked CRB and many parcels with the conductor asking "Fares Please!", drawn by Percy Leason.trams, tramways, tickets, cable trams, transfer tickets, cartoons, regent st, crb, royal visit

Set of 7 colour prints of Melbourne trams and locations during the mid 1980's to 1990, Photos not well focused. .1 - 981 inbound, Swanston St with Town Hall in background. .2 - Two W's in Swanston St .3 - 918 outbound, Princes Bridge with the Gas and Fuel towers in the background. .4 - 947 and 425? Swanston St - with cars in Swanston St. .5 - large line up of trams in the north bound side of Swanston St. Note people at the tram safety zone. Last tram is 836. Has Billy Guyatts store in the background. .6 - 763 outbound, Swanston and Flinders St. Bourke St has been closed to motor traffic. .7 - Z3 172, Swanston St on a wet day, does not have a destination showing - could be a transfer tram. Features advertisements on trams for: Triple FM Radio, Bank of Melbourne Printed on Kodak or Konica paper.trams, tramways, ptc, swanston st, tram 981, tram 918, tram 947, tram 425, tram 836, tram 763, tram 172

Collection of nine photographs of iconic Bendigo locations. Cards are hand coloured and written on bottom of each is the name of the image and number of the photo. Photos are: 1. Alexandra Fountain Bendigo, looking up Mitchell Street towards Railway Station, behind Fountain. 2. Town Hall Bendigo. 3. The Conservatory Gardens, Bendigo with Law Courts in background. 4. The Swimming Pool, Bendigo commonly called the Municipal Baths. 5. View Point from Mitchell Street, Bendigo - Alexandra Fountain in foreground, 1930's vehicle on left hand side of image. 8. Queen Victoria Gardens, Bendigo - Queen Victoria statue in foreground. 9. King George Memorial Conservatory Gardens, Bendigo - statue of King George in middle of image, palm trees on left hand side. 10. Queen Victoria Gardens, Bendigo, looking up Pall Mall, Baby Health Centre on left hand side. bendigo, law courts, conservatory gardens, queen victoria, prince edward, alexandra fountain, mitchell street, view street

Photograph was taken on the 23rd of August 1906, the day of Jessie May Lang and Charles Ernest Barrie's wedding. Held at the Methodist Church Melton. UMMARY – Charles Ernest Barrie d.1931 Born 1871 Ballarat d 1931 This document is has been compiled by Wendy Barrie daughter of Ernest (Bon) and Edna Barrie and granddaughter of Charles E and Jessie M Barrie. My grandfather was well known in the district and was mostly referred to as Ernie. He shared the same initials as his second son Edgar. His three eldest sons lived and farmed in Melton for their entire lives. His descendants are still associated with farming, engineering and earthmoving in Melton. Ernie Barrie operated a travelling Chaff Cutter in the St Arnaud area where his parents William and Mary Ann had taken up land at Coonooer West in 1873. Ernie commenced his working life with a team of bullocks and a chaff cutter. The earliest connection he had with Melton was in 1887. By the beginning of the 20th century Ernie and his father William and brothers, William, Samuel, James Edwin,[Ted] Robert, Arthur and Albert have been associated with farming and milling in the Melton district. In the early 1900’s Ernie and his brother Ted were in partnership in a Chaff cutting and Hay processing Mill on the corner of Station and Brooklyn road Melton South. The mill was managed by William for a time. By 1906 Charles Ernest and James Edwin were in partnership in the Station Road mill when a connecting rail line across Brooklyn Road for a siding was constructed to the Melton Railway Station. In 1911 the Mill’s letterhead shows C.E. BARRIE Hay Pressing and Chaff Cutting Mills. Melton Railway Station. Telephone No 1 Melton. This Mill as sold to H S K Ward in 1916 and stood until 1977 when it burnt down in a spectacular fire. Ernie built a house at Melton South beside the Chaff Mill at Station Road in 1906 and married Jessie May Lang in August at the Methodist Church. Jessie’s father was Thomas Lang. He came to Melton in 1896 and was the Head Teacher at Melton State School No 430 until he retired in 1917. They had 9 children with 8 surviving to adulthood. Jessie and Ernie had 6 sons and 3 daughters. All the children lived at Darlingsford. In April 1910 the family left Melton for a brief period and moved to a farm in Trundle in NSW. They returned to Melton and purchased Darlingsford in May 1911. For a time during WW1 they lived at Moonee Ponds near the Lang grandparents at Ascot Vale. Mary and Bon attended Bank St State School. The children developed diphtheria in 1916 and their youngest boy, Cecil died of complications. Mary and Bon were taken to Fairfield Hospital and both recovered. At the end of the war influenza broke out the family returned to Darlingsford and shared the home for a short while with the Pearcey family who had been working the farm. By 1922 the family had and grown and Edgar, Tom, Horace, Jessie, Joyce and Jim were living a Darlingsford. Ernie continued during the 1920’s working the farm and attend his many civic and community commitments. Two 8 clydesdale horse teams were used to work the land which meant early rising for the horses to be fed and harnessed to commence the days work. In 1916 Ernie also became involved in a Chaff Mill on the corner of Sunshine and Geelong Road West Footscray, which at the time was being run by John Ralph Schutt. It was known an Schutt Barrie. A flour mill was added at a later stage. Other Schutt and Barrie mills were situated at Parwan and Diggers Rest. Another mill was situated beside the railway line at Rockbank. The Footscray mill ceased operation in 1968. Ernie spent a lot of time and energy at the Parwan Mill and travelling around Parwan and Balliang farms, where he came to know many of the families in the district. Ernies commitment to the civic development to the Melton and district was extensive, he was involved with a number of large events during the 1920’s such as the Melton Exhibitions and the 1929 Back to Melton Celebrations. He was a member of the Australian Natives Association at the turn of the century. He was Chairman of the School Committee at Melton State School 430 and the Melton South State School in thw1920s. He donated the land for a Hall for Melton South in 1909, known as Exford Hall and later in 1919 renamed Victoria Hall. The Hall was demolished in 1992. He was a Councillor, JP, and Vice President and President of the Melton Mechanics Institute Hall Committee in 1915- 1916. He was a member of the Methodist Church and later the Scots Presbyterian Church. He was Superintendent of the Sunday School of the Methodist Church to 1910 and later Scots Presbyterian Church until 1931. This is reflected in the theme of children in the stained glass window which was dedicated in his memory by his wife Jessie as a gift to the Scots Church. Charles Ernest Barrie made many generous donations to many charities who supported young people and children. In 1918 Jessie and Ernie made the first donation to a very prominent Victorian charity whose work still continues. Yooralla. In July 1931 Ernie’s untimely death was a major blow to the family and the Melton community. To this day people still vividly recall the day they lined the streets for his funeral. The day of the funeral is recalled as the day Melton stood as two of their prominent citizens who tragically died on the same day. Charles Ernest Barrie with his parents and brothers at the front of the mill house in Melton Southlocal identities

George ‘Speca’ Moloney Born: 07/08/1909 From: Claremont-Cottesloe (WA) Height: 174cm Weight: 73kg Natural kicking foot: Right Guernsey number: 14 First senior match: Round 1, 1931 v Collingwood at Victoria Park The remarkably effective full-forward created an impact in his relatively short career. Although quite short for a key position, he was able to produce spectacular results frequently. He possessed remarkable ground play, elusiveness and goal sense. Amazingly, he was able to snap goals with either foot from virtually anywhere within range. Many of his goals came from kicks over his head or shoulder as he ran away from the scoring area to dodge opponents. He was fast, clever and a good mark. His League career commenced spectacularly; in his first two matches he scored a total of 19 goals. He later became the first player in history to score 10 goals or more in two successive matches (Round 15 and 16, 1932). In that year he became the first Geelong player to score 100 goals in a season. During 1935 he played successfully in the centre. Total Brownlow Medal votes: 33 Premiership team selection: 1931 Runner-up in Brownlow Medal count: 1932 (equal) Club Best & Fairest: 1932 Club leading goalscorer: 1931 (74 gls), 1932 (109 gls), 1933 (68 gls) Competition leading goalscorer: 1932 (109) Instances of seven goals or more in a match: 12 Australian Football Hall of Fame inductee GFC Hall of Fame inductee (2002) GFC Life Membership (2012) Career span: 1931-35 Total matches: Premiership 88 Interstate 1 Total goals: Premiership 303, Interstate 3 Finals matches: 7 Finals goals: 15 Last senior match: Round 17, 1935 v Hawthorn at Corio Oval Died: 05/01/1983 Information provided by Mr Col Hutchinson GFC HistorianGeelong F.C. GFC 1931 Victorian Football League Premiers Medallion Gold with blue enamel. Circular shape with VFL in the centre. Back of medallion has engraving Geelong F.C 1931 George MoloneyBack of medallion has engraving Geelong F.C 1931 George Moloneygfc, 1931 premiership, grand final, medal, george moloney

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Studio photograph of Bert, a cousin of the Figuerola sisters. The photo was in the family photo album of the artist. "Cousin Bert age 12 mths"alma figuerola album, arists - kew (vic), artists - meldrum school, occupants - 7 barry street - kew (vic)

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Professional photograph by K Lerfiniere Ross of the artist Alma Figuerola holding her pet pekingese dog, 'Rebecca'.alma figuerola album, arists - kew (vic), artists - meldrum school, occupants - 7 barry street - kew (vic)

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Professional photograph by K Lerfiniere Ross of the artist Alma Figuerola holding her pet pekingese dog, 'Rebecca'. "Proof only. This proof remains the property of the photographer K Lerfiniere Ross and must be returned No 137-1"alma figuerola album, arists - kew (vic), artists - meldrum school, occupants - 7 barry street - kew (vic)

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Photograph of an oil painting of a woman which may be of Alma Figuerola. The photo was in the personal photo album of the artist. alma figuerola album, arists - kew (vic), artists - meldrum school, occupants - 7 barry street - kew (vic)

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Cropped photo shot of Alma Figuerola at an art exhibition. The photo was in her personal photo album. alma figuerola album, arists - kew (vic), artists - meldrum school, occupants - 7 barry street - kew (vic)

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Alma Figuerola, sitting on a rustic seat in what is probably her garden at her home D'Estaville, in 1950. She is nursing her pet pekingese 'Rebecca'. The photo was included in her personal photo album. "Rebecca and Alma, 1950"alma figuerola album, arists - kew (vic), artists - meldrum school, occupants - 7 barry street - kew (vic)