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Glenelg Shire Council Cultural Collection
Postcard, Vanda Savill, c. 1985
Vanda Savill, Bower Bird Museum, Heywood 'Dear Friends' servesBlack and white folded card, hand drawn by Vanda Savill. Image of Memorial Hospital, Heywood. -
Glenelg Shire Council Cultural Collection
Document - Invitation - Christmas Drinks, c. 1976
Vanda Savill, Bower Bird Museum, Heywood 'Dear Friends' servesInvitation for drinks with Digby Crozier, Don McKellar and Bruce Chamberlain for Christmas 1976; to Cr Savill. Light card, blue on front with darker blue print.digby crozier, don mckellar, bruce chamberlain -
Glenelg Shire Council Cultural Collection
Document - Invitation, c. 1974
Vanda Savill, Bower Bird Museum, Heywood 'Dear Friends' servesInvitation, white card, black print and green decoration. From Portland Pine Products, Heywood to Cr. T.G. Savill. -
Glenelg Shire Council Cultural Collection
Postcard, Vanda Savill, c. 1985
Vanda Savill, Bower Bird Museum, Heywood 'Dear Friends' servesBlack and white postcard, hand drawn by Vanda Savill. Image of bullock dray, Benbow's Sawmill in Scott Street, Heywood. -
Glenelg Shire Council Cultural Collection
Postcard, Vanda Savill, c. 1985
Vanda Savill, Bower Bird Museum, Heywood 'Dear Friends' servesBlack and white postcard, hand drawn by Vanda Savill. Image of Heywood's first official post office and residence. -
Glenelg Shire Council Cultural Collection
Postcard, Vanda Savill, c. 1985
Vanda Savill, Bower Bird Museum, Heywood 'Dear Friends' servesBlack and white postcard; hand drawn by Vanda Savill. Image of Edgar Street, Heywood. -
Glenelg Shire Council Cultural Collection
Booklet - MAV Circular, c. 1978
Vanda Savill, Bower Bird Museum, Heywood 'Dear Friends' servesMAV circular, seminar for newly elected Mayors and Shire Presidents, 1978. Foolscap sheet folded in half, printed on 4 slides. -
Glenelg Shire Council Cultural Collection
Postcard, Vanda Savill, c. 1985
Vanda Savill, Bower Bird Museum, Heywood. 'Dear Friends' servesBlack and white postcard. Hand drawn by Vanda Savill, image of James McGregors water wheel, Heywood. -
The Beechworth Burke Museum
Animal specimen - Dollarbird, Trustees of the Australian Museum, 1860-1880
The Dollarbird is so-named because of the coin-shaped patches on the tips of their wings, which is clear when in flight. They have distinctive blue-green colouring on their backs and wings, and a bright blue throat. This species migrates to northern and eastern Australia for breeding, between the months of September and April. These birds migrate to New Guinea and nearby islands in the Winter, but can be found in Japan and India also. This species resides in open wooded areas, preferring hollow-bearing trees for nesting. They can be found spending most of their time perched on high branches in search of insects, and will often 'hawk' at dusk above the tree-tops, hovering on the wing for lengthy periods. This specimen is a good example of this species, however the distinctive coin-patches on the tips of the wings are partially hidden by the tuck of the wing. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This adult Dollarbird has a brown body and head, blue-green back and wings. It has a distinctive bright blue or purple plumage around its throat. The tips of the wings are brown. The pale-blue coin shaped patches on the tips of the wings are just visible. This specimen stands upon a wooden platform and has an identification tag tied around its leg.Swing-tag: 96a / Australian Roller / Catalogue, page, 25. taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, dollarbird, australian birds, broad-billed roller -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Watercolour, Kurt Winkler, Return of the Woodcutters, 1943
Kurt Winker was born in Germany in 1902 and was a survivor of the "Arandora Star". He was sent to Australia on the "Dunera" where he was interned at Tatura 1940-1945.A large white tree with bare limbs in centre of picture. There are fallen limbs at the foot of the tree. There are rows of other bare trees and other trees with green foliage as well as several tree stumps scattered among them. The sky and earth are sepia toned with a scattering of white fluffy clouds. Black and white coloured birds are in the sky and a black bird is perched on top of one of the branches of the tree. Walking in a line though the trees are eleven figures with red coats, black pant and white hats. Some are carrying axes on their shoulders. A soldier is on horse back riding beside them.kurwin, woodcutters -
Mission to Seafarers Victoria
Decorative object - Thermometer display, unknown
Wooden rectangular base painted black with two display pieces. One a black oval frame with a three dimensional bird scene with tree's and other foliage. The other a red piece of rectangular paper with gold Korean or Japanese writing surrounded by a gold bird and dragon design. The paper is held between two sheets of plastic which is held up by a small wooden mount that has a thermometer, reading in both Celsius and Fahrenheit. There is also a small label with "ASTRONOMY" written on it and with Korean or Japanese pictograms writing underneath. There is also two mystery screw bolts just above the label. small label with "ASTRONOMY" written on it and with Korean? writing underneathkorean, bird scene, thermometer, gift, seamen, sailors, seafarers, lacker, peacock -
Bendigo Historical Society Inc.
Photograph - GOLDEN SQUARE LAUREL STREET P.S. COLLECTION: PHOTOGRAPH - ZONE ATHLETICS REPRESENTATIVE TEAM 2005
Colour photograph of the Golden Square Primary School Zone Athletics Representative Team 2005. Their names are: Back Row: Georgina Hyett, Tynille Knight, Kobi Worner, Demi Buck, Diona Hill, Eric Hayden-Bird, Mason Flint, Blake Lineham, Justin Semmens, Jake Hocking, Oscar Johnston, Harrison Logan Kimberley Hayden-Bird, Kory Holliday, Steffy Herbertson. Front Row: Heidi Bissett, Renee McCluskey, Gemma Roberts, Megan Anderson, Melissa Ludeman, Marissa Johnson, Laura Abley, Cameron Shand, Andrew Collins, Jake Nugent, Wilfred Johnston.education, primary, golden square laurel st p.s., golden square laurel street p.s. collection - photograph - georgina hyett, tynille knight, kobi worner, demi buck, diona hill, eric hayden-bird, mason flint, blake lineham, justin semmens, jake hocking, oscar johnston, harrison logan kimberley hayden-bird, kory holliday, steffy herbertson, heidi bissett, renee mccluskey, gemma roberts, megan anderson, melissa ludeman, marissa johnson, laura abley, cameron shand, andrew collins, jake nugent, wilfred johnston -
Eltham District Historical Society Inc
Negative - Photograph, Harry Gilham, Grave of Christopher Watson, Eltham Cemetery, Victoria, 1 Aug 2007
George Bird was born in England in 1845 and arrived in Australia in 1856 as a child of assisted migrants. Soon afterwards he came out to Eltham to live with his uncle George Stebbings, working for him as bricklayer's assistant in building, amongst others, Shillinglaw Cottage and the Anglican and Methodist Churches in Eltham. He later purchased 72 acres at the eastern end of Pitt Street (bounded by Eucalyptus Road, Mount Pleasant Road and present-day Rockliffe Street) and established the property ‘View Hill’, which was worked as a mixed farm and orchard (including berries). In 1878 he married Janet Kilpatrick, who had emigrated from Scotland. They had ten children, three of whom died in infancy. The wedding in 1904 of their eldest surviving daughter Sarah (‘Sis’) to Edward Pepper appears to have been quite a society event. George was a staunch Methodist and was a Church Steward and a Sunday School Superintendent in about 1890. Janet died in 1915 and George died in 1920 (though his gravestone says 1921). George's will stated that his property was to be divided between all his children in equal shares. This necessitated subdivision of the View Hill property, which took place progressively between 1922 and 1926. One son, George Hugh Bird, operated a drapery store in Main Road (near Bridge Street) in around 1915. Later, in the 1920s, he ran a greengrocer's shop (also selling confectionery) in Main Road opposite Eltham Station. It was the first shop in Eltham to have plate glass windows. At the same time, his brother Reg had a grocery store on the station side of Main Road. George and Janet are buried together in a family plot in Eltham Cemetery. Several descendants are also buried in the cemetery. In Loving Memory Of George Bird Died 5 December 1921 aged 76 years And his beloved wife Janet Bird Died 5 Sept 1915 aged 57 years Also their children William James Bird Died 25 Feb 1888 aged 8 years Mary Jane Bird Died 8 Oct 1891 aged 7 years Pte Edwin John Bird Killed in action in the Great War 11 Aug 1918 aged 30 years Buried in France And on the base stone George Hugh Bird Died 26 Feb. 1965. Aged 79 years Arthur Andrew Bird Died 25 Mar. 1970 Aged 75 years To the left In Loving Memory of Dr. J. R. (Roger) Bird 1927 2001 Son of Arthur & Helen (nee Lyon) Bird Husband of Betty Father of Janet & Alison Grandpa of Evan & Helen Scientist & Gentleman To the right In Loving Memory of Harold Edwin Bird OAM 1922 - 2015 Son of Arthur & Helen (nee Lyon) Bird Husband of Yvonne Father of Estell & Russell In our hearts Forever moreeltham cemetery, gravestones, memorials, arthur andrew bird, arthur bird, edwin john bird, george bird, george hugh bird, harold edwin bird, helen bird (nee lyon), j. r. (roger) bird, j.r. (roger) bird, janet bird, janet bird (nee kilpatrick), william james bird, yvonne bird -
The Beechworth Burke Museum
Animal specimen - Morepork, Trustees of the Australian Museum, 1860-1880
The Morepork is a small brown and white spotted owl found in New Zealand, Tasmania and Norfolk Island. It is known by around twenty different names which are all onomatopoeic which emulate the birds distinctive two-pitched call. They are mostly nocturnal and carnivorous (eating insects and small vertebrates). They reside in habitats with trees, they sleep in roosts and hunt mainly in the evenings and early morning. Females are slightly bigger than males. This species attains full plumage in its third or fourth year. They can turn their heads 270 degrees." In Māori tradition the morepork was seen as a watchful guardian. It belonged to the spirit world as it is a bird of the night. Although the more-pork or ruru call was thought to be a good sign, the high pitched, piercing, ‘yelp’ call was thought to be an ominous forewarning of bad news or events." (NZ Department of Conservation). This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Morepork (also known as the Masked Owl) is covered in brown and white plumage on its head and body. The white feathers delineate its round yellow eyes. Its belly and back are brown and white with the white feathering appearing spotted. This Morepork specimen sits on a wooden perch with his head turned to the left. A swing tag is attached to its left leg.Swing tag: 10 / Masked Owl / See Catalogue, page 3 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, ruru, spotted owl, tasmanian spotted owl, morepork, mopoke, new zealand owls, new zealand birds, tasmanian owls, tasmanian birds, norfolk island owls, norfolk island birds -
The Beechworth Burke Museum
Animal specimen - Morepork, Trustees of the Australian Museum, 1860-1880
The Morepork is a small brown and white spotted owl found in New Zealand, Tasmania and Norfolk Island. It is known by around twenty different names which are all onomatopoeic which emulate the birds distinctive two-pitched call. They are mostly nocturnal and carnivorous (eating insects and small vertebrates). They reside in habitats with trees, they sleep in roosts and hunt mainly in the evenings and early morning. Females are slightly bigger than males. This species attains full plumage in its third or fourth year. They can turn their heads 270 degrees." In Māori tradition the morepork was seen as a watchful guardian. It belonged to the spirit world as it is a bird of the night. Although the more-pork or ruru call was thought to be a good sign, the high pitched, piercing, ‘yelp’ call was thought to be an ominous forewarning of bad news or events." (NZ Department of Conservation). This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Morepork (also known as a Masked Owl) is covered in brown and white plumage on its head and body. The white feathers delineate its round yellow eyes. Its belly and back are brown and white with the white feathering appearing spotted. He sits on a wooden perch with his head turned to the left. A swing tag is attached to its leg.11 / Masked Owl / See Catalogue, page 3 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, ruru, spotted owl, tasmanian spotted owl, morepork, mopoke, new zealand owls, new zealand birds, tasmanian owls, tasmanian birds, norfolk island owls, norfolk island birds -
Phillip Island and District Historical Society Inc.
Photograph - Post Cards, A. J. Murray et al, c 1940
A collection of 6 postcards and 1 photograph taken around Phillip Island. Donated by Julie Barnett.Photograph 228-01. Black & White photograph of the Cowes Pier with vehicles and pedestrians. Rail tracks on pier. Isle of Wight Hotel in background. Sheds at end. Photograph 228-02. Black & White aerial photograph of "Broadwater" Guesthouse, Cowes. Photograph 228-03. Black & White photograph of Cowes Pier with Steamer coming in. Shed at end of Jetty and Cenotaph in the foreground. Looking north. Photograph 228-04. Black & White photograph of a Koala and her young. Photograph 228-05. Black & White photograph looking over the Cowes shoreline near Lover's Walk. Photograph 228-06. Black & White photograph of a group of penguins coming home at dusk at the "Penguin Parade". Photograph 228-07. Black & White photograph of Bert West holding a Shearwater (Mutton Bird) with it's wings outstretched.Photo 01. "Photo Shop Series". "Cowes from the Jetty". Photo 02. Aerial view of "Broadwater" Cowes, Phillip Island. No. 146 Photo 03. "Photo Shop Series". The Jetty. Cowes. Photo 04. "Photo Shop Series". "Koala Bear". Phillip Island Photo 05. "The Rose Series P3416". "Near the Lovers' Walk, Cowes, Phillip Is., Vic. Photo 06. "Penguins, Phillip Island." No. 82. Valentines Series. Photo 07. On Back: Mr West with Mutton bird at Phillip Island.wildlife - koalas, wildlife - penguins, penguin parade, bert west, wildlife - mutton birds, mutton birds, shearwaters, cowes pier phillip island, cowes jetty, lover's walk cowes, broadwater guesthouse cowes phillip island, guesthouses cowes phillip island, julie barnett -
Anglesea and District Historical Society
Carved Wooden Bird, Estimated 1990s
Wooden carving of a wading bird made from Australian cedar grown and collected in the Richmond River area of New South Wales. Base made from Bul-oak grown and collected in the Ballan area Vicoria. Makers card, attached, shows No. 974.australian cedar, bul-oak -
Kew Historical Society Inc
Souvenir, Butter Knife, Kew City Bowmen
An enamelled badge with a flapping bird above a circular target of white black blue and red concentric circles with a brass bow superimposed on it and enclosed by Kew City Bowmen with 2 crossed arrows below, on a violet blue background mounted on the handle of a butter knifeKew City Bowmen (front) Pitcher epns A1 (reverse)kew city bowmen -
Mont De Lancey
Functional object - Cushion Cover
A cream, padded and quilted, satin cushion cover. The front is hand-painted with pink, red, purple and yellow flowers and green leaves, with a blue and green bird in flight over the top. It has cream braid edging and a cream satin bow at the open side.covers, cushion covers -
Marysville & District Historical Society
Book, Charles Kenneth Thompson, Old Bob's Birds, 1950
A book that is part of a series of Australian Nature Stories by C.K. Thompson.On the front of the dust cover is an illustration of an old man sitting on a bench outside an aviary smoking a pipe and there is a bird sitting on his shoulder. He is talking to two children. On the back of the dust cover is the blurbs of two other novels written by C. K. Thompson.fictionA book that is part of a series of Australian Nature Stories by C.K. Thompson.australia, nature, birds, c.k. thompson, fiction, old bob -
Villa Alba Museum
Decorative object - Wallpaper sample of a Morris & Co design, 1970–1979
The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Wallpaper sample of a Morris & Co., pattern. Monochrome, repeat pattern of a front facing bird contained in a roundel in pale grey on a darker grey ground, regularly interspersed on a geometric design. Sample is a later Morris-style wallpaper block reproduction from the 1970s. decorative arts & design, wallpapers -- morris & co, wall coverings – history, wallpapers – history, interior decoration – history -
Bendigo Historical Society Inc.
Document - MISS G ALICE JONES COLLECTION: ACCOUNT
Great Eastern & Birds Reef N. L. Syndicate to Miss G. Alice Jones. Pink paper dated Nov 3 1933. Re Defaulting Members. Cost £1.1.0. "R693 delivered 3/7/34" written in the top left corner.miss g. alice jones - solicitor - account, great eastern & birds reef n l syndicte, mr leeds mccoll rankin & stanistreet -
Bendigo Historical Society Inc.
Functional object - THELMA DRUMMOND COLLECTION: ANSONIA CLOCK, Late 1800s
Wooden American Kitchen clock made by the Ansonia Clock company with acid etched glass door showing a peacock and birds, chromed disc pendulum and winding key. Clock has a 30 hour movement with time and strike, partial paper label on back.Ansonia Clock Company New York USAhorology, clocks, ansonia -
The Beechworth Burke Museum
Animal specimen - Common Buzzard, Trustees of the Australian Museum, 1860- 1880
The Common buzzard, a medium-sized raptor, is found across Europe and Asia, and in Africa in the winter months. It is the UK’s commonest bird of prey, found in nearly every county. Due to their large size and their brown color, they are often confused with other species, especially the Red kite and the Golden eagle. They may look the same from a distance, but the Common buzzard has a very distinctive call, like a cat’s mew, and a distinctive flying shape. When soaring and gliding, the tail is fanned and its wings are often held in a shallow 'V'. The colour of individuals varies from dark brown to much lighter, though they all have a finely barred tail and dark wingtips. This species occurs across Europe and Russia, and parts of Northern Africa and Asia in the cooler winter months. It lives in a range of habitats, especially woodland, moorland, pasture, scrub, arable land, marsh bog, villages, and sometimes towns and cities. This particular specimen has been mounted in a correct stylised fashion. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Common Buzzard is brown in colour with lighter markings on the chest. It has a white patch of feathers on the back of its head and it has darker wingtips and yellow feet. This specimen stands upon a wooden platform and has an identification tag tied around its leg.Swing tag: 30 / Buzzard / Catalogue page 52. / Metal tag: 4043 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, common buzzard, bird of prey -
National Wool Museum
Book, The Theory and Practice of Wool Dyeing
"The Theory and Practice of Wool Dyeing" by C.L. Bird, Society of Dyers and Colourists, 1947.textile finishing, society of dyers and colourists, dyeing -
Glenelg Shire Council Cultural Collection
Functional object - Grappling Hook, n.d
Bower Bird Museum, Vanda Savill's collection, Heywood. Museum closed 2006.GRappling hook - it is rusted.bower bird museum, grappling, sport, recreation -
Glenelg Shire Council Cultural Collection
Functional object - Wooden section of Portland Pier, n.d
Bower Bird Museum, Vanda Savill's collection, Heywood. Museum closed 2006.Wooden stump with metal bolts and writing on the side.portland pier, portland harbour -
Glenelg Shire Council Cultural Collection
Functional object - Anchor, n.d
Bower Bird Museum, Vanda Savill's collection, Heywood. Museum closed 2006.Iron Anchormaritime, marine technology, ships, vessel -
Glenelg Shire Council Cultural Collection
Functional object - Anchor - Fragment of, n.d
Bower Bird Museum, Vanda Savill's collection, Heywood. Museum closed 2006Fragment of an anchor which has become completely covered in concretion. Iron in centre almost completely deteriorated. -
Glenelg Shire Council Cultural Collection
Domestic object - Barrel, n.d
Bower Bird Museum, Vanda Savill's collection, Heywood. Museum closed 2006.No details supplied.