John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) The title is depicted in white on a grey blue background within an eight sided borderbookplate, printmaking, australian bookplate design award, keith wingrove memorial trust

John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) Book plate depicts a series of coinsVery small signature bottom right cornerbookplate, printmaking, australian bookplate design award, keith wingrove memorial trust

John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) Oval design depicting the face of a monk, possibly St Francis, with hands showing stigmata and a dove near his headSignature bottom rightkeith wingrove memorial trust, bookplate, australian bookplate design awards

John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html)Etching showing a reclining nude woman holding the letter E in the foreground and a printmaker in the background. Signature bottom right hand cornerkeith wingrove memorial trust, bookplate, australian bookplate design awards, printmaking, nude

Bendigo North Primary School Children's Ball held at the White Hills Technical School on Thursday 18th August 1983. Front page has drawings of clouds,ants, bees, mushrooms, butterflies and caterpillars. On the inside is the names of 16 dances and a representation of subjects. The back page has acknowledgements to people who assisted the ball. They include: Heather and Noel Ridge, Lloyd George, David Tunley, Greg Taska, Di Milich, Merilyn Tatt, Brian and Roger Hillman, Mark Walters, Jim McDonald, Lexie Ottery, Peter Ellis, John Ottery, Jenni Hillman, Fay McCaig, Elaine Price, Ruth Sloan, Lesley Campbell, Joan McColl, Connie Kairns, Janet Holland, Val Lee, Sandra Kaska, Evelyn Bruhn, Marg Gilbee, Ken Miles, Joy Miles, Helen Penna, Ken Gilbee, Marg Gilbee, Jane Pattinson, Jenny Mollison, Coral McClure, Maureen Warren, Robyn Murphy, Olga Chafer, Deanne McNeil, Carol Canfield, Sandra Kaska, Lesley Revert and Neil Ross.entertainment, dance, ball, peter ellis collection, bendigo north primary school children's ball, white hills technical school, peter ellis, bendigo north primary school, heather and noel ridge, lloyd george, david tunley, greg taska, di milich, merilyn tatt, brian and roger hillman, mark walters, jim mcdonald, lexie ottery, john ottery, jenni hillman, fy mccaig, elaine price, ruth sloan, lesley campbell, joan mccoll, connie kairns, janet holland, val lee, sandra kaska, evelyn bruhn, marg gilbee, ken miles, joy miles, helen penna, ken gilbee, marg gilbee, jane pattinson, jenny mollison, coral mcclure, maureen warren, robyn murphy, olga chafer, deanne mcneil, carol canfield, sandra kaska, lesley revert, neil ross

Colour photographs: Maple Street Primary School, Golden Square 1997. a. Staff photo back row: David Robins, George Wood, Patrick Cotter, Emma Knight, Sue Holland. Middle row Vickie Schavoni, Debbie Kent, Frank Gargiulo, Sonya Doolan, Brenda Savy, John Waterson. Front row: Sandra lacey, Noeleen Ansell, Margaret Gregson, Wendy Neve, Susan Hoile, Sharon Derby, Meredith Nicks. B. Prep 1/N 1997; c. Year 3/4C Teacher Patrick Cotter; d. Grade 3/4K Teacher Debbie Kent; e. Prep 1D Teacher Sharon Derby, f. Grade 5/6G Teacher Frank Gargiulo, g. Grade 3/4W Teacher George Wood, h. Grade 5/6L Teacher Sandra Lacey, I Grade 5/6S; j. Grade 1/2G Teacher M. Gregson; k. Grade 1/2RS Teacher Ms Schavoni. Photos have student names on bottom of image.bendigo, education, maple street primary school

Photocopies of school photos: a. Class 2 1977, back row 2nd from left : Stuart MacGregor. Teacher Shane Rodda on right. B Grade 1, 1940. Names: back row: B. Stephenson, K. Eames, B. Matthews. A Holland, B. McEwan, J. Browell, Brennan, 3rd row : P. Barrett, E. Westgarth, D. Rogers, E. Wagstaff, I Watt, J. Collis, 2nd. Row W. Trahair, E. Rudd, J. Ryan, E. Tie, C. Little, E. Larter, J. Connelly, Front row: D. Lawry, M. Brown, C. Holiday, A. Cowling, S. Keast, V. Miccicans, E. Croft. C., Group of students, no names, grade unclear but appears 1990's ? D. Two photos, grade 2 and 3 1968 and Grades 2 and 3 1967, no names e. Group of students, formally dressed, girls in white, boys in collar and ties, jackets. Could be choir photo from early 1900's ?

Miss Evans, the Director of Nursing of Royal District Nursing Service (RDNS) is holding a meeting with some RDNS Sisters in a room at RDNS Headquarters, 452 St. Kilda Road, Melbourne. Mary Evans was born in Adelaide in 1915. She completed her General Nursing Training at the Royal Adelaide Hospital and her Midwifery Certificate at the Queen Victoria Memorial Hospital in Melbourne. Mary worked in the Midwifery section of Melbourne District Nursing Society from 1943–1945, and then qualified as a Maternal and Child Health Nurse. Gaining a Scholarship from MDNS in 1959, she studied and investigated District Nursing practices in England, Sweden, Denmark, Norway, Finland, Canada and the USA, which had a profound impact on the planning of MDNS. As Deputy Matron, then Matron from 1963, she began implementing her 5 point plan of - Education, Liaison, Ancillary Services, MDNS Centres in strategic areas and Home Health Aides. Miss Mary Evans retired as Director of Nursing of, the now, Royal District Nursing Service in 1978 and became an adviser to the Australian Council of Community Nursing Services. In 1981 she was awarded an O.B.E. for services to District Nursing, and as recognition for her leading role in Community nursing in Australia. From 1986-1990 she was heavily involved in the running of the Baxter Retirement Village. She was also Vice President of the Airdrie Retirement place for nurses in Canterbury. Mary Evans was placed on the Honour Roll of Victorian Women in 2001. Miss Mary Evan, O.B.E. died in early 2004.Black and white photograph of Miss Mary Evans, Director of Nursing of the Royal District Nursing Service (RDNS), with a group of RDNS staff. Miss Evans is sitting in a floral patterned lounge chair on the far right hand side. The other staff are sitting in a semi-circle in matching lounge chairs and couches. In attendance are Sisters: P. Holdsworth, B. Harris, E. Holland, M. Campbell, H. Beckett, J. Wilkinson, J. Tarn, E. Anderson. Some are partly hidden. Miss Evans has short dark curled hair and is wearing her grey uniform skirt and jacket. The rdns insignia can be seen on her upper left sleeve. The Sisters are wearing their grey short sleeve uniform frocks; some are wearing cardigans. The RDNS Insignia can be seen on the upper sleeve of some Sisters. A small round table with papers on it, sits beside Miss Evans and a rectangular coffee table in front of some of the Sisters. A plain carpet is on the floor and in the background two windows with long side curtains can be seen.Photographer Stamp. Quote No. 5 Aroyal district nursing service, rdns, rdns matron, miss mary evans, sister pat holdsworth, sister betty harris, sister e. holland, sister m. campbell, sister h. beckett, sister joanne wilkinson, sister joan tarn, sister ellen anderson

Items in the collection relating to ARTHUR GEORGE HOLLEY no 13556 RAN Refer cat no 2134 for his service record. The photographs are from his personal album, and are mainly official photographs widely available among the services. The photographs are from Australian , British and American sources. This set coincides with the Hobart's service around the time of the Battles of the Java Sea. Because of bomb damage, she was held up and was unable to join the Allied force that was defeated. Whilst not taken personally, these photographs do capture some of the events Holley and his Hobart crewmates would have experienced and witnessed.Each description is preceded by an approximate date e.g.1940 06 is June 1940. 1. 1942 02 Dutch destroyer hit Battle of Java Sea.jpg 2. 1942 02 Holley SS Nora Moller ablaze.jpg 3. 1942 02 Japanese attack Feb 1942.jpg 4. 1942 02 Japanese attack Java sea February 1942.jpg 5. 1942 02 Japanese attack on allied fleet Java Sea.jpg 6. 1942 02 Japanese bombing strike force Battle of Java Sea.jpg 7. 1942 02 Java Sea HMS Exeter and Hobart avoiding Japanese bombs.jpg 8. 1942 02 Java Sea HMS Exeter sunk Second Battle of Java Sea.jpg 9. 1942 02 Java Sea Holley HMS Electra sunk first Battle Java Sea.jpg 10. 1942 02 Java Sea Nederlands navy De Ruyter sunk Battle of Java Sea.jpg 11. 1942 02 Java Sea US Destroyers under attack.jpg hmas hobart, arthur george holley ran, battle of the java sea, pacific theatre

Fast Forward was an audio-cassette based music magazine conceived and edited by Bruce Milne and Andrew Maine. Both had music programs on radio station 3RRR and Milne ran the successful independent record label Au Go Go Records. Michael Trudgeon joined them as the designer for the magazine. Each issue comprised a cassette tape interspersed with music and was packaged with printed artwork. The magazine was distributed in record shops for $3.50. Thirteen issues were produced between November 1980 and October 1982. Regular contributors included Jeff Holland, who created elaborate sound collages which were combined with elaborate illustrations in the booklet that accompanied the audio cassette. Many ground breaking Australian bands were first published on Fast Forward tapes including Hunters and Collectors. An international audience was first exposed to music from Australian bands including Laughing Clowns, the Go-Betweens, Rowland Howard’s ‘Shivers’ as performed by The Young Charlatans, The Scientists, the M Squared label, Dead Can Dance and Pel Mel’s ‘No Word from China’ recorded as a ‘demo’. Fast Forward was the world’s first audio-cassette music magazine. As the magazine’s presence and reputation grew, international acts began to submit material for publication including The Cure. Interview subjects included Nick Cave, The Cure’s, Robert Smith, Mark E Smith of The Fall, and the manager of The Clash.Cassette magazine in vinyl cover. Contents includes one magazine, one audio cassette, one crossword, one subscription pamphlet, and one pamphlet titled 'The Kmart Herald'.music, design, magazines

In 1899 the Boers, descendants of Dutch settlers, declared war on the British forces. Enthusiastic civilians throughout the Australian colonies volunteered for service, supported by their respective colonial governments. After Federation Commonwealth units were also mobilised. Others who were unable to join Colonial or Commonwealth units enlisted in forces raised by other nations including Britain and South Africa. The first joint colonial regiment, the Australian Regiment, was formed from companies representing Victoria, South Australia, Western Australia and Tasmania. The British gradually wore down Boer resistance, and peace was declared on 31 May 1902. Over 15,000 Australians served in the Boer War. Australian casualties totalled about 1400, with 518 killed. Six Australians were awarded the Victoria Cross for their bravery. Children in schools around the different colonies of Australia (this was prior to Federation) raised money to hold Peace picnics. Wodonga's Peace picnic was held at the racecourse. Only about 70 of these medallions were struck. They were presented to the children who raised the most money for the Peace picnic in each area.This artefact has local, national and international significance as it recognises the first major international conflict in which Australian colonial soldiers were involved,A small medallion issued in commemoration of peace at the end of the Boer War. There is a hole through the top so that it can be attached to a chain or clip.OBVERSE SIDE: At centre within line circle veiled head of Queen Victoria facing left, at top of circle, crown, at sides Australian and Royal flags; below, WODONGA 1900 REVERSE SIDE: Within wreath, IN / COMMEMORATION / OF / PEACE / BRITISH BOER / WAR / "LEST WE FORGET"australian commemorative medals, boer war 1899 - 1902, boer war peace medallion

A photo of Sir Edward 'Weary' Dunlop holding the violin that is part of Melbourne Legacy's collection (see 00080). Unsure when this photo was taken. Background: This violin was played by VX30301 Dvr Roy Arnel, as a member of the Australian Imperial Force Concert Party, in the Changi POW camp, Singapore from 1942-1945. It is claimed that the violin, in its case was thrown over the wall by a Chinese civilian. Roy Arnel, a South African by birth enlisted on 7 June 1940 at Royal Park, Melbourne and served with 2 AASC Company as a driver. He was captured by the Japanese Imperial Army at the fall of Singapore in February 1942. There was more than one concert party in Changi as indicated on the rear of the violin. The details of the Dutch, British and American Concert Parties scratched in to the varnish. There are some well-known names scratched into the violin including: The English author and cartoonist, Ronald Searle; Australian entertainer, Frank Rich; and Australian Author, Russell Braddon Mr Arnel died in 1982 and the violin was presented to Melbourne Legacy for preservation, safe keeping and display.A record of relationship of Weary Dunlop with Legacy.Black and white photo of Sir Weary Dunlop with the Changi violinchangi violin, dunlop

These stamps were issued by Australia Post in 1984 to commemorate the sport of skiing in Australia. This was the year of the Winter Olympics held in Sarajevo. The 1984 Australian Winter Olympics team at Sarajevo consisted of 10 athletes. They were;- Steven Lee competing in the Downhill and Giant Slalom Alistair Guss in the Downhill Marilla Guss in the Downhill and Giant Slalom Andrew Paul in the Biathlon over both 10 kilometres and 20 kilometres David Hislop in the 15, 30 and 50 kilometres X-Country events Chris Allen in the 15, 30 and 50 kilometres X-Country event Cameron Medhurst in Figure Skating Vicki Holland in Figure Skating Mike Richmond in the 500 metres, 1,000 metres and 1,500 metres speed skating Colin Coates in the 1,500 metres, 5,000 metres and 10,000 metres speed skating Colin Coates was the flag bearer at the Opening Ceremony in recognition of the Sarajevo Winter Olympics being his 5th Winter Olympics team. He went on to compete in his final Olympic Team at Calgary, Canada in 1988. These stamps are significant because they recognise the sport of snow skiing as an important and developing Australian national sport.A set of four coloured stamps featuring different styles of competition skiing. The stamps have been mounted in a white frame. australian postage stamps, skiing in australia stamp series

This meticulously hand crafted ship model is one of the most intricate and challenging projects for a ship modeller to create. Jim Williams took up the challenge, choosing to make all of the components by hand, following a plan of the ship rather than purchasing a pre-made kit. He even made his own tools specifically for working with this model. The “Sovereign of the Seas” 1637-1697 - The magnificent ship “Sovereign of the Seas” was ordered by Charles I of England, who desired a giant Great Ship to be built. It was built by Peter Pett under the guidance of his father Phineas, the King's master shipwright, and launched with 102-guns at Woolwich Dockyard on 13th October 1637, as the Navy’s second three-decker first-rate ship. It was the most extravagantly decorated warship in the Royal Navy, bought with the help of a special 'Ship Money' tax imposed by the King. Soon afterwards the ship was remodelled and cut down to a safer and faster ship. Over the ship’s lifetime it was renamed “Commonwealth”, then in 1650 it became simply “Sovereign” then again after a rebuild in 1660 it was named “Royal Sovereign”. By 1642 the ship’s armament had been reduced to 90 guns. In 1651 Sovereign was made more manoeuvrable by reducing the upper works. It served throughout the wars of the Commonwealth and became the flagship of General Robert Blake. It was involved in all of the great English naval conflicts fought against the United Provinces and France and was referred to as 'The Golden Devil' by the Dutch. By 1660 the armament was changed attain to 100 guns. After the English Restoration, it was rebuilt as a first-rate ship of the line, with flatter gun decks and 100 guns, and most of the carvings were removed. During the First Anglo-Dutch War, in a secret session on 21 October 1652, the States-General of the Netherlands announced reward money for the crews of fire ships that succeeded in destroying enemy vessels; the Sovereign was singled out with an extra prize of 3000 guilders to sink or ruin it. Although repeatedly occupied by the Dutch, the Sovereign was retaken every time by the British and remained in service for nearly sixty years as the best ship in the English fleet. The Sovereign was in regular service during the three Anglo-Dutch Wars, surviving the Raid on the Medway in 1667. After a second rebuild in 1685 the Sovereign was relaunched as a first-rate ship of 100 guns, before taking part in the outset of the War of the Grand Alliance against Louis XIV of France, venturing into the Irish Sea, and later participating in the Battle of Beachy Head in 1690 and the Battle of La Hougue. At this time she was more than fifty years old. It was the first ship in history to fly ‘royals’ above the topgallant sails and a top gallant sail on the jigger-mast. The Sovereign eventually became leaky and defective with age and was laid up at Chatham when, on 27th January 1697, the famous ship caught fire, burning to the waterline. Jim Williams, the model’s maker - Jim (James Bernard) Williams was born in 1888 at The Forth in Scotland. He lived in Tasmania for some time and enlisted to fight in France in WW1. After the war he moved to Warrnambool, Victoria, where he worked at the Cramond & Dickson clothing store until the Great Depression in the 1930’s. He was later employed at Fletcher Jones Menswear, where he worked for 27 years until just before his death in 1959. Jim was a passionate ship model builder. He worked on his model ships between 1930 and 1955, including The Endeavour and The Sovereign of the Seas, which was one of the most intricate historic ship models to build. He had a table set up in a bay window and worked on them on and off using a jeweller's eye glass on the finer pieces. Jim’s long-time employer, Fletcher Jones, knew of Jim’s hobby and skill as a ship model builder and requested Jim to describe the model, Sovereign of the Seas, with the view of putting it on display. When the model was finished there was a full article and photo in The Standard newspaper. Jim described his work on the ship mode “Sovereign of the Seas” in correspondence to his then employer, Fletcher Jones. The document gives us an insight into his skill, patience, and regard for replicating the details of the original ship. Some of the details are: "In making the model the time taken to make certain items might be of interest. For instance "The Great Lantern" on the stern, four weeks, a similar time for the figurehead of St George & the Dragon. "The lower shrouds three to each side about six weeks & the rigging as whole several months. There are nearly 300 blocks and pulleys ranging from nearly 1 / 16 inch in diameter. Dead eyes were bored with 3 to 5 holes. To do this needles of different sizes, set in handles & ground to wedge ends were used. Glass cut and ground to shape were used windows. All gun-port covers (74) hinged. "All guns and anchors made of wood. Nothing for the model was purchased ready-made; everything hand made." Jim’s family donated the ship model along with many associated tools, accessories and papers. The model represents the Sovereign of the Seas. The Royal Navy ship of the line launched in 1637 has a significant British maritime heritage. These days the Sovereign of the Seas still remains one of the most intricate historic ship models to build, representing to the model enthusiast a true challenge to the art of model shipbuilding. The model of Sovereign of the Seas in Flagstaff Hill's collection is an exemplary example of a ship model built and hand crafted from a plan with the making of every item on the model, not a model kit with prefabricated parts. It was made by a local Warrnambool man Jim Williams as a leisure activity in the mid 20th century. The hobby and craft of ship model making has resulted in visual representations of the changes in maritime technology and advances in world-wide navigation. Ship model of HMS Sovereign of the Seas, a 17th century British warship. The handmade model is in wooden framed, airtight glass case. All components were hand crafted. Many of the tools used were made by the model maker, Jim Williams. An inscribed plaque is within the case. Inscribed on plaque "SOVEREIGN OF THE SEAS / 102 GUNS - 1634"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, model ship, vessel sovereign of the seas, jim williams, james bernard williams, the forth tasmania, freda williams, heather williams, phyllis bowditch, fletcher jones staff 1936, 17th century sailing ship, cramond and dickson, sovereign of the seas, royal sovereign, sovereign, charles 1

A small cream copy of the 1952 Bendigo Teachers' College Graduation Ceremony. On the inside cover is a list of the Graduands - Robert Thomas Armstrong, Francis Arthur Baggage, Aileen Victoria Campbell, Coralie Beatrice Helen Cohn, Mary Therese Collins, Margaret Joan Crawford, Kevin Maurice Cullen, Dulcie Olive Dann, June Rachel Dolling, Lorna McPherson Donaldson, Dorothy Doyle, Kathleen Frances Farrell, Hugh Lionel Fawssett, Joan Mary Flynn, Peter John Gurry, Ailsa Jean Holland, Jeffrey James Layther, Maxwell John Lee, Ronald William Longstaff, Noel David Millar, Ronald Henry Ogier, Pamelia Margaret Pape, Margaret Alice Quick, Neil James Redfern, Elizabeth Ann Roberts, Margaret Elizabeth Roberts, Joan Margaret Rosengren, Neil Ross, Heather Dawn Sheehan, John Marley Sheen, Elizabeth Mary Sleep, William George Shand Smith, Joyce Margaret Spalding, Alan Robert Trethewey, Margaret Tripcony, Francis Elizabeth Verge, Kevin James Reynolds Warren and Elizabeth Marie Williamson. Within the program is a loose sheet of paper with a copy of the graduation procedure.bendigo, education, bendigo teachers' college graduatio, latrobe university bendigo collection, collection, bendigo teachers' college, bendigo, education, teaching, teachers, student, bendigo teachers' college graduation, graduation, bendigo teachers' college students, bendigo teachers' college staff, tertiary education, book, history