Monotone image of windswept bush. Costal landscape. Bush in the foreground is leaning to the right. Grasses in the foreground. The image is mounted on off white board and frame in a black frame.3/15 (Second State) / Cape Bridgewater / Carmel Wallace '93cape bridgewater, drypoint, etch, etching, carmel wallace, landscape, coastal

Eltham Gateway, Classical Landscape, Cliff Burtt 1996, Alistair Knox ParkTomorrow's history documented todayeltham, jim connor collection, main road, eltham gateway, alistair knox park, art in public places, classical-landscape (1996), cliff burtt

From Jessie Smith's collection of Island Events & Landscapes. Submarine tied to JettySubmarine tied to jetty. Black & White close up with sailors at middle left in a group. Two masts on towerlocal history, photographs, navy, cowes jetty, naval vessel, black & white photograph, world war ii, submarine cowes pier, jessie smith collection, stan mcfee

Undated but indicative of the layout of the town. includes printed notes regarding the landscape and flora.Old map of the township of Peterborough from J S Irvine.A3 size paper map with tape around the sides. Includes handwritten notes.Handwritten on the rear is J.S Irvinepeterborough, old maps

(1) Tracing paper and paper plans, Preliminary Landscape Plan by Steve Mullany, Lecturer Amenity Horticulture Dept. V.C.A.H. Burnley, Sheet 1 of 1 May 2, 1988. (2) 1 tracing paper and 2 paper copies State Schools' Nursery: Proposed Landscape Working Drawing Energy Education Centre Burnley by E.A.H. June 1988. (3) 2 copies State Schools' Nursery: Proposed Landscape Working Drawing Energy Education Centre Burnley, by EAH 18 June 1988 (Details). (4) 2 copies as (3) Pond Plans & Details 16 June 1988. (5.) Designs for small plans of above.vcah, steve mullany

Boyd discusses Australia and New Zealand's search for their own 'modern' architectural style. Boyd points out the influence of the natural landscape that affects these designs and architectural decisions. In addition, he argues that the search for 'modern' architecture isn't rushed due to the need of respecting the natural landscape of both Australia and New ZealandOriginal manuscript of an article 'Australia in seclusion’ published in Journal of the New Zealand Institute of Architects, Vol. 34, September 1967, pp.270-275.Typewritten (c copy), foolscap, 21 pages (two copies of page 9)walter burley griffin, harold desbrowe annear, robert haddon, seabrook and fildes, roy grounds, geoffrey mewton, edward f. billson, best overent (overend), modern architecture, sydney opera house, ian mckay's c/b/ alexander presbyterian agriculture college, ernest kump, sydney school, california, robin boyd, manuscript

The Stony Creek Trestle Bridge was built in 1916 when the existing rail line from Melbourne to Bairnsdale was extended to Orbost. This 97km Bairnsdale to Orbost extension through rugged terrain was reputed to have been the most difficult rail project undertaken in Victoria. In service for over 60 years the bridge was damaged by bushfire in 1980, with the last train crossing in 1987. At 247m long and 20m high, it is the largest standing bridge of its kind in the State, and is listed on the Register of Historic Sites. Built of red ironbark and grey box timber, it is a fine example of the early engineering skills that utilised the resources and materials found on site. (More information Newsletter July 2013)Built during the period 1914-16, of Gippsland Grey Box and Red Ironbark, the Stoney Creek bridge on the East Gippsland Railway is a fine example of early engineering skilll , being constructed without the aid of any of the modern machinery available today. This is a rare photograph and of high significance in showing the bridge under construction.Landscape format black + white photograph (unframed). Four pin holes in each corner, tear to top left quadrant and fold / crease top to bottom in centre of image.construction, 1916, railway bridge, timber industry, trestle construction, stony creek bridge, east gippsland, bairnsdale to orbost line

Forecast program outlining the training for 38th Battalion for a period in Mar 1937. Items in the collection re Lt Col J Swatton, refer Cat No. 6719.2P for his service history.Loose leaf folder with outline of 38 Battalion camp training programme. Some pages white and some pages pink. Three gold studs at top of page (landscape).Titles "38 Bn Camp Training" - Outline Programme.passchendaele barracks trust, training pprogramme, 38th bn

Community Project. One of a series of calendars which the Shire of Eltham and the Shire of Nillumbik published annually Photography by Graham Hosking Photography. Monthly calendar printed in landscape mode, with feature photograph and template of dates for each of the 12 months presented. Includes advertisements. Back of the calendar includes a list of emergency numbers.calendar,1996,shire of nillumbik,research primary school,eltham north adventure playground,edendale gateway,tony trembath,eltham leisure centre,diamond valley railway,kangaroo ground pony club,eltham community and reception centre,eltham community centre,shire of nillumbik,swimming pool,yarra river,, diamond creek trail,yarrambat golf course,sugar loaf reservoir,map

Possibly Station pier Port Melbournesmall b&w landscape photograph featuring a steamship moored at a railway pier, rail siding in foreground and shedding between rails and vessel. The smoke stack is faintly steaming.Handwritten in black ink on album page beneath image: SS Huntingdonss huntingdon, fan album

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. Glen Eira Heritage Management Plan (1996) by Andrew Ward and Associates - Vol 3 "Nithsdale", built for J.S. Crouchin 1858 and extended in 1885 with a tower and associated rooms, survives as testimony to the nineteenth century occupation of the vicinity of the Kambrook/Glen Eira Road intersection. Caulfield's Building Heritage by Dr Geulah Solomon, Vol 1 p49 records it as a small Victorian mansion home on bluestone foundations of Italianate style with a tower. Built for J S Chambers circa 1860, it was built in stages and then the land subdivided in the 1920s. Other owners include Adolph F Brockhoff (of Brockhoff Biscuits company). Names used besides Nithsdale have been Bundoora and Five Way Hill. Page 102 of Photograph Album with four photographs (three landscape and one portrait) of Nithsdale, now known as Five Way Hill. Three views of the tower and one of the house.Handwritten: "Nithsdale" now "Five Way Hill" Kambrook road [top right] / CNR KAMBROOK AND GLENEIRA ROADS [under bottom right photo] / 102 [bottom right]trevor hart, north caulfield, victorian, mid victorian, late victorian, tower, j.s. crouchin, 1850's, 1880's, italianate, rendered, five way hill, nithsdale, slate roof, plaster arches, ornamental columns, triangular pediment, ornamental parapet, cast iron balconies, kambrook road, glen eira road, t crouch, j s crouchin, mansions, j s chambers, bluestone foundations, land subdivision, adolph f brockhoff, bundoora, house names

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From Glen Eira Heritage Management Plan (1996) by Andrew Ward and Associates: The house at 12 Avoca Grove, part of "Merton", now demolished, is understood to have been built for and occupied by James Wilberforce Stephens from c.1865. It has aesthetic and historical significance. The building's aesthetic value is derived from the manner in which it demonstrates aspects of the Cottage Orne style, popular among Melboume's gentry during the mid Victorian period. Its historical value is derived from its association with J. W. Stephens, MLA, for East St Kilda and a prominent Caulfield resident.Page 20 of Photograph Album - two black and white exterior photographs of a house with both photographs on the right hand side of the page, the top in landscape mode and the bottom portrait. Hand written: 12 Avoca Grove [top right of page] / 20 [bottom right]trevor hart, avoca grove, church, caulfield north, merton, james wilberforce stephens, cottage orne style, j w stephens (mla)

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. The Former Elsternwick Post Office is on the Victorian Heritage Register H0640 with a full significance statement and also HO29 with the City of Glen Eira. Much of the Glen Huntly Road heritage retail strip is heritage listed in HO72 with the City of Glen Eira.Page 67 of Photograph Album with four photographs (three portrait and one landscape) of different properties on Glen Huntly Road - a house, Post Office, ANZ Bank and shops.Hand written: Glen Huntly Road [top left] / 1027 GLEN HUNTLY RD [under top left photo] / ELSTERNWICK POST OFFICE [under top right photo] / 67 [bottom left] trevor hart, glen huntly road, elsternwick, shops, caulfield, post offices, glenhuntly road, banks, brick houses, shopping centres

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From: Glen Eira Heritage Management Plan (1996) by Andrew Ward and Associates Caulfield State School No. 773 is important at the State level as the first of similar designs for small schools prepared by the Education Department under H.R. Bastow at Little Bendigo (1878), Glen Waverley (1880), Ascot (1882), Sandringham (1885) and Carlsrich (1892)·. It is a representative example of the Department's Gothic Revival designs, distinguished, however, by the semicircular treatment of the master's office, which compares with Portland (1879), Queensberry St Carlton (1880) and Footscray (1881). It has local significance as the earliest surviving Government School in Caulfield and as a centre for education from 1877, comparing with St. Mary's Jubilee School (qv) of 1887. The Caulfield State School of 1877, the horse tramway of 1889 and subsequently the electric trams were all events confirming the importance of Glenhuntly Road and the fledgling community of "Camden Town" wherein the City's commercial centre has its origins.Page 68 of Photograph Album with three exterior photographs (two portrait and one landscape) of one side of Caulfield State School with a fourth photo missing from the page.Hand written: Caulfield State School No. 773 Glenhuntly Road [top right] / 68 [bottom right] trevor hart, glen huntly road, caulfield state school, caulfield primary school, gothic revival, schools, caulfield south, arched window, tower, 1870's, camden town, red brick, curved windows, terracotta tiles, master's office, education, primary school, glenhuntly road, h r bastow

Colour postcard, showing landscape view of Bendigo taken from lookout tower in Rosalind Park. Trees in foreground, looking eastward, Shamrock Hotel, city block in foreground.Nu-Color-Vuebendigo, parks and gardens, lookout tower view, bendigo, rosalind park

Early 1900s streetscape of major intersection in BendigoLandscape format. B&W photograph of a "float" for the Myer Store entered in the Bendigo Easter Fair, undated early 1900s photograph. Four people representing Myer on the floatsocial history

Views of Victoria No 13. View of Victoria Hill Bendigo taken from Old Chum Hill. North Old Chum, New Chum and Victoria Companies. Mining landscape

Postcard, WW1, B&W image of the 'Gibralter' quarries near Templeux le Guerrard.Sparse rocky landscape with a lone figure on top of a hillock in background. One copy A46postcard, postcard, ww1, gibralter, quarry, templeux le guerrard, france

The Tullamarine Airport opened in 1970 and replaced Essendon Airport as Melbourne's main airport terminal. Gellibrand Hill was incorporated with Woodlands Park and became a public reserve during the 1980s.A coloured landscape photograph with rounded corners taken from Gellibrand Hill and overlooking the Tullamarine Airport which is on the RHS of the photograph. The Melbourne City skyline can be seen in the distance.gellibrand hill, tullamarine airport, melbourne skyline, george evans collection

John Dudley was a well-known local artist who lived in the Shire during the 50s, 60’s and 70s. He was represented by Wiregrass Gallery in Eltham. Formerly two separate galleries: The Eltham Gallery and The Wiregrass Gallery. The Wiregrass Gallery opened on 4th February 1977 at Station Entrance, Eltham, Victoria and closed on the 19th November 1989 when its lease expired. The gallery then moved in early 1990 to 559 Main Road Eltham, the premises of the Eltham Gallery and from then on operated under the name Eltham Wiregrass Gallery. This work is of the local environment and an excellent example of the artist’s work practice.A visual language of shape, form and colour (abstract) to create a composition referencing the physical and emotional experience of landscape. Blended colours of dark blues in background and warm yellows in foreground. Signed 'Dudley' red paint, lower left.landscape, abstract, eltham

This painting was sparked by a US studio residency at Yellowstone National Park, shortly after Trump’s election. In America, Chin witnessed conservative nationalism and divisiveness, but also an equal reaction promoting diversity and challenging structural inequality. Developing this work in Australia, Chin examined how a sense of place forms fluidly in the consciousness, to surpass geographic borderlines.Kevin Chin is a local artist. He has been a finalist in the Nillumbik Prize for Contemporary Art (2015, 2019). In this painting Chin explores economic, cultural and social structures that shape the world in which we live, questioning who has built what, who takes ownership, and who has the right to the land. Landscape painting depicting a house (upside down) and a half finished urban structure sitting amongst mountain peaks and land that has been cleared and immersed in fog/smoke.N/Alandscape, kevin, chin, structural, inequality, castle, trump, painting, nillumbik, residency, yellowstone, realism, oils

A landscape designer was appointed in 1993 to prepare a master plan after which the mammoth task of clearing and planting was undertaken and koalas and sugar-gliders introduced. Information Centre built.parks and reserves, brandenburg, john p, yarran dheran, mullum mullum creek, smith, dorothy g., koalas, sugar gliders, schwerkolt, johann august