John Kendrick Blogg was born in Canada and migrated to Victoria in 1877. In 1884 he established a successful industrial chemistry business, which included extracting perfume from Australian native trees and plants.liquid ammonia for refrigeration, acetic acid, perfumes, shoe polish, baking powder and non-alcoholic drinks. Other products were He lived at 'Balmoral' in Albany Crescent, Surrey Hills; his woodwork was produced here. Family oral history has that he took up woodcarving after his 1st wife, Annie, died in 1893. His earliest known piece is a music cabinet of 1901; the latest is a panel of 1932 when Blogg was 81 years of age. He was a member of the Victorian Artists Society and exhibited there between 1920 and 1924. Much of his work incorporates motifs of Australian flora, particularly gum leaves. John and his family were members of St Stephen's Presbyterian Church, Surrey Hills. The present church building was dedicated in December 1910 and J K Blogg's contribution to the new building was the Hogg Memorial pulpit which is comprised of 13 panels. Blogg carved more than 300 pieces for churches, schools, royalty, family and friends. Many of J K Blogg's pieces remain with family members, but he is represented in municipal (City of Whitehorse), state and national collections. In addition to work in the St Stephen's Presbyterian Church within the Surrey Hills area his work was produced for Surrey Hills Primary School, Surrey Hills Bowling Club and Surrey Hills Methodist Church, however perhaps his most famous local work is the honour board at the Shrine in the Surrey Gardens. Blogg was also a poet. Ref: Legacy in Sculptured Wood - An appreciation of the work of John Kendrick Blogg, 1851-1936 by Marjorie Morgan, 1993. The images derives from an early brochure. The number of panels has been increased having been updated on at least 2 occasions. Whereas the date 1914 is at one end of the boomerang, the other end is not dated reflecting that the dedication of The Shrine before the war ended.Black and white photo of the Soldiers' Memorial Honour Board housed in The Shrine in the Surrey Gardens. The wooden part of the board was carved by John Kendrick Blogg. A large boomerang forms part of the apex underneath which is an emblem with the rising sun. Under this are 8 panels on which are the names of service personnel. The supporting timber is carved with designs including varied flora. At the base are 2 larger carved panels; on the LHS a sprig of eucalyptus leaves and on the RHS a sprig of wattle. surrey gardens, world war, 1914-1918, woodcarving, monuments and memorials, surrey shrine, john blogg, john kendrick blogg

The Daylesford Botanic Gardens are of historic, scientific (botanic), and aesthetic significance to the State of Victoria. The Daylesford Botanic Gardens are historically significant as a fine example of a regional botanic garden demonstrating the typical characteristics of a carriage drive, informal park layout, decorative structures and works such as the memorial tower, conservatory, rotunda, cascade and fernery, which contrasts with the open lawns planted with specimen trees, areas of intensive horticultural interest and close proximity to a township developed during the mid to late nineteenth century. The Daylesford Botanic Gardens are historically significant for the design input by noted landscape designer William Sangster, and for the survival of his 1884 plan, which is a rare example of a plan from this prolific garden designer. The Daylesford Botanic Gardens are of scientific (botanic) significance for the extensive conifer collection and cool climate plants. The Gardens contain an outstanding collection of conifers and other mature trees, many of which were donated by renowned botanist Ferdinand von Mueller. Significant trees include Pinus ponderosa (Western Yellow Pine), Pinus coulteri (Big Cone Pine), twoAbies nordmanniana (Caucasian Fir), Abies pinsapo, (Spanish Fir) and a Cedrus atlantica f. glauca(Blue Atlas Cedar), Pinus wallichiana (Bhutan Pine), Pinus pinaster (Maritime Pine), Sequoiadendron giganteum (Giant Redwood), (Monkey Puzzle) and Aesculus hippocastanum (Horse Chestnut), many the largest or finest examples in Victoria. Other outstanding trees include a Tilia cordata (Small-leaved European Linden), a row of Cupressus lusitanica (Mexican cypress), a Quercus robur (English Oak) planted in 1863, avenues of Dutch Elms and a rare Quercus leucotrichophora (Himalayan Oak). The Daylesford Botanic Gardens are of aesthetic significance as a rare example of a botanic garden spectacularly sited on an extinct volcanic cone which allows a panoramic view, aided by the 1938 Pioneers’ Memorial Tower, as well as vistas within and out of the gardens and from the township to the gardens. As the most prominent local landmark, the Garden’s vertical dominance in the landscape provides a dark contrast to the elms avenues, oaks and other deciduous species. (Heritage Victoria Register, )Digital imagesdaylesford, snow, weather, climate, winter, daylesford botanic gardens, botanic gardens, wombat hill, wombat hill botanic gardens, pinetum, trees, reservoir

The Daylesford Botanic Gardens are of historic, scientific (botanic), and aesthetic significance to the State of Victoria. The Daylesford Botanic Gardens are historically significant as a fine example of a regional botanic garden demonstrating the typical characteristics of a carriage drive, informal park layout, decorative structures and works such as the memorial tower, conservatory, rotunda, cascade and fernery, which contrasts with the open lawns planted with specimen trees, areas of intensive horticultural interest and close proximity to a township developed during the mid to late nineteenth century. The Daylesford Botanic Gardens are historically significant for the design input by noted landscape designer William Sangster, and for the survival of his 1884 plan, which is a rare example of a plan from this prolific garden designer. The Daylesford Botanic Gardens are of scientific (botanic) significance for the extensive conifer collection and cool climate plants. The Gardens contain an outstanding collection of conifers and other mature trees, many of which were donated by renowned botanist Ferdinand von Mueller. Significant trees include Pinus ponderosa (Western Yellow Pine), Pinus coulteri (Big Cone Pine), twoAbies nordmanniana (Caucasian Fir), Abies pinsapo, (Spanish Fir) and a Cedrus atlantica f. glauca(Blue Atlas Cedar), Pinus wallichiana (Bhutan Pine), Pinus pinaster (Maritime Pine), Sequoiadendron giganteum (Giant Redwood), (Monkey Puzzle) and Aesculus hippocastanum (Horse Chestnut), many the largest or finest examples in Victoria. Other outstanding trees include a Tilia cordata (Small-leaved European Linden), a row of Cupressus lusitanica (Mexican cypress), a Quercus robur (English Oak) planted in 1863, avenues of Dutch Elms and a rare Quercus leucotrichophora (Himalayan Oak). The Daylesford Botanic Gardens are of aesthetic significance as a rare example of a botanic garden spectacularly sited on an extinct volcanic cone which allows a panoramic view, aided by the 1938 Pioneers’ Memorial Tower, as well as vistas within and out of the gardens and from the township to the gardens. As the most prominent local landmark, the Garden’s vertical dominance in the landscape provides a dark contrast to the elms avenues, oaks and other deciduous species. (Heritage Victoria Register, )Black and white postcard of Wombat Hill Botanical Gardens, Daylesford.wombat hill botanical gardens, daylesford, gardener, wombat hill botanic gardens

The Daylesford Botanic Gardens are of historic, scientific (botanic), and aesthetic significance to the State of Victoria. The Daylesford Botanic Gardens are historically significant as a fine example of a regional botanic garden demonstrating the typical characteristics of a carriage drive, informal park layout, decorative structures and works such as the memorial tower, conservatory, rotunda, cascade and fernery, which contrasts with the open lawns planted with specimen trees, areas of intensive horticultural interest and close proximity to a township developed during the mid to late nineteenth century. The Daylesford Botanic Gardens are historically significant for the design input by noted landscape designer William Sangster, and for the survival of his 1884 plan, which is a rare example of a plan from this prolific garden designer. The Daylesford Botanic Gardens are of scientific (botanic) significance for the extensive conifer collection and cool climate plants. The Gardens contain an outstanding collection of conifers and other mature trees, many of which were donated by renowned botanist Ferdinand von Mueller. Significant trees include Pinus ponderosa (Western Yellow Pine), Pinus coulteri (Big Cone Pine), twoAbies nordmanniana (Caucasian Fir), Abies pinsapo, (Spanish Fir) and a Cedrus atlantica f. glauca(Blue Atlas Cedar), Pinus wallichiana (Bhutan Pine), Pinus pinaster (Maritime Pine), Sequoiadendron giganteum (Giant Redwood), (Monkey Puzzle) and Aesculus hippocastanum (Horse Chestnut), many the largest or finest examples in Victoria. Other outstanding trees include a Tilia cordata (Small-leaved European Linden), a row of Cupressus lusitanica (Mexican cypress), a Quercus robur (English Oak) planted in 1863, avenues of Dutch Elms and a rare Quercus leucotrichophora (Himalayan Oak). The Daylesford Botanic Gardens are of aesthetic significance as a rare example of a botanic garden spectacularly sited on an extinct volcanic cone which allows a panoramic view, aided by the 1938 Pioneers’ Memorial Tower, as well as vistas within and out of the gardens and from the township to the gardens. As the most prominent local landmark, the Garden’s vertical dominance in the landscape provides a dark contrast to the elms avenues, oaks and other deciduous species. (Heritage Victoria Register, )Digital imagesvictoria, 150, anniversary, botanic, gardens, wombat hill, botanic gardens, heritage, celebration, garden party, daylesford, people, crowd, community, john hawker, john madigan, stilt, trees, owls, wombat hill botanic gardens

The Daylesford Botanic Gardens are of historic, scientific (botanic), and aesthetic significance to the State of Victoria. The Daylesford Botanic Gardens are historically significant as a fine example of a regional botanic garden demonstrating the typical characteristics of a carriage drive, informal park layout, decorative structures and works such as the memorial tower, conservatory, rotunda, cascade and fernery, which contrasts with the open lawns planted with specimen trees, areas of intensive horticultural interest and close proximity to a township developed during the mid to late nineteenth century. The Daylesford Botanic Gardens are historically significant for the design input by noted landscape designer William Sangster, and for the survival of his 1884 plan, which is a rare example of a plan from this prolific garden designer. The Daylesford Botanic Gardens are of scientific (botanic) significance for the extensive conifer collection and cool climate plants. The Gardens contain an outstanding collection of conifers and other mature trees, many of which were donated by renowned botanist Ferdinand von Mueller. Significant trees include Pinus ponderosa (Western Yellow Pine), Pinus coulteri (Big Cone Pine), twoAbies nordmanniana (Caucasian Fir), Abies pinsapo, (Spanish Fir) and a Cedrus atlantica f. glauca(Blue Atlas Cedar), Pinus wallichiana (Bhutan Pine), Pinus pinaster (Maritime Pine), Sequoiadendron giganteum (Giant Redwood), (Monkey Puzzle) and Aesculus hippocastanum (Horse Chestnut), many the largest or finest examples in Victoria. Other outstanding trees include a Tilia cordata (Small-leaved European Linden), a row of Cupressus lusitanica (Mexican cypress), a Quercus robur (English Oak) planted in 1863, avenues of Dutch Elms and a rare Quercus leucotrichophora (Himalayan Oak). The Daylesford Botanic Gardens are of aesthetic significance as a rare example of a botanic garden spectacularly sited on an extinct volcanic cone which allows a panoramic view, aided by the 1938 Pioneers’ Memorial Tower, as well as vistas within and out of the gardens and from the township to the gardens. As the most prominent local landmark, the Garden’s vertical dominance in the landscape provides a dark contrast to the elms avenues, oaks and other deciduous species. (Heritage Victoria Register, )Colour photograph of Wombat Hill Botanical Gardens, Daylesford.heritage, daylesford, townscape, wombat hill, wombat hill botanical gardens, wombat hill botanic gardens

The Daylesford Botanic Gardens are of historic, scientific (botanic), and aesthetic significance to the State of Victoria. The Daylesford Botanic Gardens are historically significant as a fine example of a regional botanic garden demonstrating the typical characteristics of a carriage drive, informal park layout, decorative structures and works such as the memorial tower, conservatory, rotunda, cascade and fernery, which contrasts with the open lawns planted with specimen trees, areas of intensive horticultural interest and close proximity to a township developed during the mid to late nineteenth century. The Daylesford Botanic Gardens are historically significant for the design input by noted landscape designer William Sangster, and for the survival of his 1884 plan, which is a rare example of a plan from this prolific garden designer. The Daylesford Botanic Gardens are of scientific (botanic) significance for the extensive conifer collection and cool climate plants. The Gardens contain an outstanding collection of conifers and other mature trees, many of which were donated by renowned botanist Ferdinand von Mueller. Significant trees include Pinus ponderosa (Western Yellow Pine), Pinus coulteri (Big Cone Pine), twoAbies nordmanniana (Caucasian Fir), Abies pinsapo, (Spanish Fir) and a Cedrus atlantica f. glauca(Blue Atlas Cedar), Pinus wallichiana (Bhutan Pine), Pinus pinaster (Maritime Pine), Sequoiadendron giganteum (Giant Redwood), (Monkey Puzzle) and Aesculus hippocastanum (Horse Chestnut), many the largest or finest examples in Victoria. Other outstanding trees include a Tilia cordata (Small-leaved European Linden), a row of Cupressus lusitanica (Mexican cypress), a Quercus robur (English Oak) planted in 1863, avenues of Dutch Elms and a rare Quercus leucotrichophora (Himalayan Oak). The Daylesford Botanic Gardens are of aesthetic significance as a rare example of a botanic garden spectacularly sited on an extinct volcanic cone which allows a panoramic view, aided by the 1938 Pioneers’ Memorial Tower, as well as vistas within and out of the gardens and from the township to the gardens. As the most prominent local landmark, the Garden’s vertical dominance in the landscape provides a dark contrast to the elms avenues, oaks and other deciduous species. (Heritage Victoria Register, )Black and white photograph of a treed landscape covered with fog. The trees are in the Daylesford Botanical Gardens on Wombat Hill.wombat hill botanic gardens, wombat hill, daylesford, daylesford botanic gardens, fog, weather, arboretum

The Daylesford Botanic Gardens are of historic, scientific (botanic), and aesthetic significance to the State of Victoria. The Daylesford Botanic Gardens are historically significant as a fine example of a regional botanic garden demonstrating the typical characteristics of a carriage drive, informal park layout, decorative structures and works such as the memorial tower, conservatory, rotunda, cascade and fernery, which contrasts with the open lawns planted with specimen trees, areas of intensive horticultural interest and close proximity to a township developed during the mid to late nineteenth century. The Daylesford Botanic Gardens are historically significant for the design input by noted landscape designer William Sangster, and for the survival of his 1884 plan, which is a rare example of a plan from this prolific garden designer. The Daylesford Botanic Gardens are of scientific (botanic) significance for the extensive conifer collection and cool climate plants. The Gardens contain an outstanding collection of conifers and other mature trees, many of which were donated by renowned botanist Ferdinand von Mueller. Significant trees include Pinus ponderosa (Western Yellow Pine), Pinus coulteri (Big Cone Pine), twoAbies nordmanniana (Caucasian Fir), Abies pinsapo, (Spanish Fir) and a Cedrus atlantica f. glauca(Blue Atlas Cedar), Pinus wallichiana (Bhutan Pine), Pinus pinaster (Maritime Pine), Sequoiadendron giganteum (Giant Redwood), (Monkey Puzzle) and Aesculus hippocastanum (Horse Chestnut), many the largest or finest examples in Victoria. Other outstanding trees include a Tilia cordata (Small-leaved European Linden), a row of Cupressus lusitanica (Mexican cypress), a Quercus robur (English Oak) planted in 1863, avenues of Dutch Elms and a rare Quercus leucotrichophora (Himalayan Oak). The Daylesford Botanic Gardens are of aesthetic significance as a rare example of a botanic garden spectacularly sited on an extinct volcanic cone which allows a panoramic view, aided by the 1938 Pioneers’ Memorial Tower, as well as vistas within and out of the gardens and from the township to the gardens. As the most prominent local landmark, the Garden’s vertical dominance in the landscape provides a dark contrast to the elms avenues, oaks and other deciduous species. (Heritage Victoria Register, )A tree in the Wombat Hill Gardens.wombat botanical gardens, daylesford botanical gardens, daylesford, trees, wombat hill botanic gardens

The Daylesford Botanic Gardens are of historic, scientific (botanic), and aesthetic significance to the State of Victoria. The Daylesford Botanic Gardens are historically significant as a fine example of a regional botanic garden demonstrating the typical characteristics of a carriage drive, informal park layout, decorative structures and works such as the memorial tower, conservatory, rotunda, cascade and fernery, which contrasts with the open lawns planted with specimen trees, areas of intensive horticultural interest and close proximity to a township developed during the mid to late nineteenth century. The Daylesford Botanic Gardens are historically significant for the design input by noted landscape designer William Sangster, and for the survival of his 1884 plan, which is a rare example of a plan from this prolific garden designer. The Daylesford Botanic Gardens are of scientific (botanic) significance for the extensive conifer collection and cool climate plants. The Gardens contain an outstanding collection of conifers and other mature trees, many of which were donated by renowned botanist Ferdinand von Mueller. Significant trees include Pinus ponderosa (Western Yellow Pine), Pinus coulteri (Big Cone Pine), twoAbies nordmanniana (Caucasian Fir), Abies pinsapo, (Spanish Fir) and a Cedrus atlantica f. glauca(Blue Atlas Cedar), Pinus wallichiana (Bhutan Pine), Pinus pinaster (Maritime Pine), Sequoiadendron giganteum (Giant Redwood), (Monkey Puzzle) and Aesculus hippocastanum (Horse Chestnut), many the largest or finest examples in Victoria. Other outstanding trees include a Tilia cordata (Small-leaved European Linden), a row of Cupressus lusitanica (Mexican cypress), a Quercus robur (English Oak) planted in 1863, avenues of Dutch Elms and a rare Quercus leucotrichophora (Himalayan Oak). The Daylesford Botanic Gardens are of aesthetic significance as a rare example of a botanic garden spectacularly sited on an extinct volcanic cone which allows a panoramic view, aided by the 1938 Pioneers’ Memorial Tower, as well as vistas within and out of the gardens and from the township to the gardens. As the most prominent local landmark, the Garden’s vertical dominance in the landscape provides a dark contrast to the elms avenues, oaks and other deciduous species. (Heritage Victoria Register, 2025)An avenue of trees in the Wombat Hill Gardens. wombat botanical gardens, daylesford botanical gardens, daylesford, trees

The Daylesford Botanic Gardens are of historic, scientific (botanic), and aesthetic significance to the State of Victoria. The Daylesford Botanic Gardens are historically significant as a fine example of a regional botanic garden demonstrating the typical characteristics of a carriage drive, informal park layout, decorative structures and works such as the memorial tower, conservatory, rotunda, cascade and fernery, which contrasts with the open lawns planted with specimen trees, areas of intensive horticultural interest and close proximity to a township developed during the mid to late nineteenth century. The Daylesford Botanic Gardens are historically significant for the design input by noted landscape designer William Sangster, and for the survival of his 1884 plan, which is a rare example of a plan from this prolific garden designer. The Daylesford Botanic Gardens are of scientific (botanic) significance for the extensive conifer collection and cool climate plants. The Gardens contain an outstanding collection of conifers and other mature trees, many of which were donated by renowned botanist Ferdinand von Mueller. Significant trees include Pinus ponderosa (Western Yellow Pine), Pinus coulteri (Big Cone Pine), twoAbies nordmanniana (Caucasian Fir), Abies pinsapo, (Spanish Fir) and a Cedrus atlantica f. glauca(Blue Atlas Cedar), Pinus wallichiana (Bhutan Pine), Pinus pinaster (Maritime Pine), Sequoiadendron giganteum (Giant Redwood), (Monkey Puzzle) and Aesculus hippocastanum (Horse Chestnut), many the largest or finest examples in Victoria. Other outstanding trees include a Tilia cordata (Small-leaved European Linden), a row of Cupressus lusitanica (Mexican cypress), a Quercus robur (English Oak) planted in 1863, avenues of Dutch Elms and a rare Quercus leucotrichophora (Himalayan Oak). The Daylesford Botanic Gardens are of aesthetic significance as a rare example of a botanic garden spectacularly sited on an extinct volcanic cone which allows a panoramic view, aided by the 1938 Pioneers’ Memorial Tower, as well as vistas within and out of the gardens and from the township to the gardens. As the most prominent local landmark, the Garden’s vertical dominance in the landscape provides a dark contrast to the elms avenues, oaks and other deciduous species. (Heritage Victoria Register, 2025)A large tree in the Wombat Gardens. wombat botanical gardens, daylesford botanical gardens, daylesford, trees, lisa gervasoni, wombat botanic gardens

Her Majesty’s has been a central part of the cultural life of Ballarat since it first opened its doors in 1875. Australia’s best preserved theatre building, it has been continuously used as Ballarat’s home of live performance ever since. It has been owned and operated by the City of Ballarat since 1987 and functions as Ballarat’s premier performing arts centre. The Theatre was first known as the Academy of Music, a name calculated to overcome religious and temperance scruples against patronising a “theatre.” The Academy had a flat floored auditorium suitable for dances and dinners, and a fully equipped stage. It was built to supersede Ballarat’s Theatre Royal (1858), which stood around the corner in Sturt Street, near where the Myer Department store sits today. While very grand, the Royal had become outdated and no longer met the technical requirements of the touring companies. The Academy was built by the wealthy Clarke family at the initiative of a group of local people who felt that Ballarat, as the premier city of the Victorian goldfields, should have a theatre worthy of its status. They guaranteed to rent it from the Clarkes at 10% of the construction cost, which was £13,000. The building of Ballarat’s handsome new theatre was supervised by Clarke’s architect, George “Diamond” Browne. It was ready ahead of schedule, and opened on 7th June 1875. The first production was a comic opera by the French composer Lecocq, “La Fille de Madame Angot,” presented by the Royal Opera Bouffe Company run by W. S. Lyster, Australia’s first opera impresario. Soon after the Academy opened, the large Supper Room above Lydiard Street was leased to William Bridges, a former miner, who ran it as an art gallery, displaying an excellent collection of European and Australian artworks, including his own tapestries. After Bridges moved his operations to Melbourne in 1883, the Ballarat Fine Art Gallery was formed. The Gallery Society ran the Gallery from the Academy from 1884 until 1890, when the present Art Gallery in Lydiard Street North was opened.Colour photograph of interior detail at Her Majesty's Theatre, Ballarat.her majesty's ballarat, theatre, performing arts, her majesty's theatre, academy of music, george browne

2 photographs (1 black and white, 1 sepia)Image shows building on Maroondah Highway with two horse driven carts at front, and another gentleman holding a horse. Louis Herry had a bakery and general store in Lilydale and opened another in Mount Dandenong Road, opposite the Club Hotel. His wife, Kate, mostly ran the Ringwood store. The store was previously owned by the Blood Bros, after they moved premises closer to the railway station. From the Place of Many Eagles book, "Louis was born in Purdu, France, in 1855, and came to Ringwood from Walhalla in 1887 and erected a weatherboard house and shop opposite the Club Hotel, using a Miner's Right to secure the land. When he arrived, Louis was a married man with three children, Leopold (1882), Marie (1884), John (1886). He had married Kate Handforth at Walhalla in 1879. In later years Elizabeth, Minellia, Louis and Denise were born. Kate's father was known as the midwife of the Gippsiand township because he had once been a fourth year medical student in England, but earnt a living as a goldbuyer in Victoria. Marie Herry would grow up remembering her grandfather calling sometimes at Ringwood; he would bring the children jubilee Mixture to eat and he carried a revolver in his pocket. Often he would play the violin while Marie would stepdance on the kitchen table." Leo served in WWI, whose name appears on the Ringwood Clocktower.

In 1941, the scientific instrument manufacturing firms of  Henry Hughes & Son Ltd, London, England, and  Kelvin Bottomley & Baird Ltd, Glasgow, Scotland, came together to form Kelvin & Hughes Ltd. Kelvin Company History: The origins of the company lie in the highly successful and strictly informal relationship between William Thomson (1824-1907), Professor of Natural Philosophy at Glasgow University from 1846-1899 and James White, a Glasgow optical maker. James White (1824-1884) founded the firm of James White, an optical instrument maker in Glasgow in 1850 and was involved in supplying and mending apparatus for Thomson university laboratory and working with him on experimental constructions. White was declared bankrupt in August 1861 and released several months later. In 1870, White was largely responsible for equipping William Thomson laboratory in the new University premises at Gilmore hill. From 1876, he was producing accurate compasses for metal ships to Thomson design during this period and this became an important part of his business in the last years of his life. He was also involved in the production of sophisticated-sounding machinery that Thomson had designed to address problems encountered laying cables at sea, helping to make possible the first transatlantic cable connection. At the same time, he continued to make a whole range of more conventional instruments such as telescopes, microscopes and surveying equipment. White's association with Thomson continued until he died. After his death, his business continued under the same name, being administered by Matthew Edwards (until 1891 when he left to set up his own company. Thomson who became Sir William Thomson and then Baron Kelvin of Largs in 1892, continued to maintain his interest in the business after James White's death. In 1884 raising most of the capital needed to construct and equip new workshops in Cambridge Street, Glasgow. At these premises, the company continued to make the compass Thomson had designed during the 1870s and to supply it in some quantity, especially to the Admiralty. At the same time, the firm became increasingly involved in the design, production and sale of electrical apparatus. In 1899, Lord Kelvin resigned from his University chair and became, in 1900, a director in the newly formed limited liability company Kelvin & James White Ltd which had acquired the business of James White. At the same time Kelvin's nephew, James Thomson Bottomley (1845-1926), joined the firm. In 1904, a London branch office was opened which by 1915 had become known as Kelvin, White & Hutton Ltd. Kelvin & James White Ltd underwent a further change of name in 1913, becoming Kelvin Bottomley & Baird Ltd. Hughes Company History: Henry Hughes & Sons were founded in 1838 in London as a maker of chronographic and scientific instruments. The firm was incorporated as “Henry Hughes & Sons Ltd” in 1903. In 1923, the company produced its first recording echo sounder and in 1935 a controlling interest in the company was acquired by S Smith & Son Ltd resulting in the development and production of marine and aircraft instruments. Following the London office's destruction in the Blitz of 1941, a collaboration was entered into with Kelvin, Bottomley & Baird Ltd resulting in the establishing “Marine Instruments Ltd”. Following the formal amalgamation of Kelvin, Bottomley & Baird Ltd and Henry Hughes & Sons Ltd in 1947 to form Kelvin & Hughes Ltd. Marine Instruments Ltd then acted as regional agents in the UK for Kelvin & Hughes Ltd who were essentially now a part of Smith's Industries Ltd founded in 1944 and the successors of S. Smith & Son Ltd. Kelvin & Hughes Ltd went on to develop various marine radar and echo sounders supplying the Ministry of Transport, and later the Ministry of Defence. The firm was liquidated in 1966 but the name was continued as Kelvin Hughes, a division of the Smiths Group. In 2002, Kelvin Hughes continues to produce and develop marine instruments for commercial and military. G. Falconer Company History: G Falconer (Hong Kong Ltd) appear to have had a retail presence in Hong Kong since 1885, according to the company website, and currently have a shop in the Peninsula Hotel. G Falconer was the Hong Kong selling agent for several British companies. Ross Ltd of 111 New Bond St London was one and the other was Kelvins Nautical Instruments. Falconers were primarily watchmakers, jewellers and diamond merchants.They were also agents for Admiralty Charts, Ross binoculars and telescopes, and sold English Silverware and High Class English Jewellery. In 1928 the company was operating from the Union Building opposite the Hong Kong general post office. It is unclear if the item is an original Sextant made by Kelvin prior to his amalgamation with Henry Hughes & Sons in 1941 as Kelvin appears to have only made compasses up to this date. If the Sextant can be established that it was made by Kelvin then it is very significant and a rare item made for and distributed through their Hong Kong selling agents G Falconer Ltd. There are many Sextants advertised for sale stating "Kelvin & Hughes 1917 model sextant". These can be regarded as replicas as the company was not formed until 1941 and production of marine instruments was not fully under way until after the war in 1947. Further investigation needs to be undertaken to accurately determine the provenance of this item. As the writer currently has the impression that the subject object was possibly made by Kelvin and Hughes in the mid to late 20th century or is a replica made by an unknown maker in the late 1970s. Purchased as an exhibition of marine navigational instruments for the Flagstaff Hill museum. The Sextant is a brass apparatus with filters and telescope lens, and comes with a wooden felt lined storage box. It is a doubly reflecting navigation instrument that measures the angular distance between two visible objects. The primary use of a sextant is to measure the angle between an astronomical object and the horizon for the purposes of celestial navigation.G Falconer and Co. Hong Kong (retailers of nautical equipmentflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, sextant, kelvin & hughes ltd, hong kong, navigational instrument, g falconer, mariner's quadrants

History of Bendigo Performing Arts 1870 - 1963. Presented by Charles Murray Bendigo Historical Society Inc. (13 pages,paper clipped). Performers and Palaces November 24, 2000 at the Bendigo Bank Theatre BRAC View Street Bendigo. Negative of The Bendigo Liedertafel in Opera, the performance of 'Pinafore' in 1888. Names of the cast(negative) are: Back row - Miss A Gellmiek(Josephine), Mr F. Macoboy(Ralph Rackstraw), Miss Forsyth(Hebe), Mr. M. Macoboy (Sir Joseph Porter), Miss E. O'Flaherty (Little Buttercap), Mr. L. Germann(Captain Corcoran). Front Row: - Mr. C,. Pallett (Bill Bobstay), Mr. H. Monaghan(Conductor), Dr. Penfold (president), Mr. H. M. Marks(Stage manager), Mr. A. Tawse (Dick Deadeye). The Bendigo Lieddertafel waqs extablished in 1884 by MNr. A. T. Crook. Mr. William Brown, the well known solicitor, took and active part along with his brother, Mr. T. Brown, in its inauguration. Mr. W. Brown always took a warm interest in matters musical, and for many years was one of the most prominent singers in the district. Contemporary with him in the sixties were Mrs. Betham and Mrs. Ellis, and in the seventies, Mrs. E. E. Casey. Negative of halla's Premier City Band. Standing ,from left to right - H. Middleton, T. Ash, J. Graham, G. Foster, W. Hicks, S. Mauley, J. Eaton, V. Byrne (Drum Major), - Sullivan, R. Lindsay, C. Crawford, R. Meakin, D. Westphalen, W. Hall, G. Hunter, B. Broadbent, W. Higginbotham. Sitting, from left to right - T. Sayer, R. E. Crawford, C. Foster, J. Mappin, G. Meakin, G. Coleman, F. Lindsay, Nat. Hallas (Bandmaster), J. Swift, C. Anderson, J. Armstrong, W. Mappin (at back), I. Moore (in front), W. Bannister, J. Whitlam, J. Daley, Bert Daley. Negative of Mr. W. J. Dillon as 'Hamlet'. Negative of Mr. Tone and Mr. Nalder, The Grave Diggers in 'Hamlet'. Negative of Amy Castle. Negative of Mr. E. A. Bindley, Conductor. Negative of miss Pauline Bindley as Hamletta. Negative from 'Boccoccio' 1909. Mr M. Gallagher (Lotteringhi), Mr. G. Brayshaw (Scalza), Mr. A. E. Sayer (Lambertuccio). Negative of Kob Samuels.bendigo, tourism, theatre history 1870-1963

In 1872 Senior Constable Myles Lyons replaced Peter Lawlor at Eltham Police Station. Earlier in his career, he had taken part in a search (one of many) for missing explorers Burke and Wills. At Eltham, his arrests ranged from minor instances of theft, vandalism and larrikinism to serious cases of manslaughter, murder and attempted suicide. He even tracked down and arrested two Norwegian seamen charged with desertion from their vessel. While conveying a prisoner from Eltham to Melbourne in 1886, he was attacked by the prisoner en route. It seems that much of the local news in the Evelyn Observer was provided by Eltham Shire Secretary C.S. Wingrove. In 1878, Eltham residents held an “Indignation Meeting” at the Evelyn Hotel, complaining that the reporting had denigrated Lyons’ conduct and had stigmatised the character of Eltham’s inhabitants. They passed a resolution castigating Wingrove and supporting Lyons. Wingrove claimed to have been misconstrued. But in 1887 the Evelyn Observer carried a long ranting vitriolic editorial. It complained about inadequate policing generally, then attacked Lyons personally, saying that (although efficient in the past) he had now become incompetent and needed to be replaced by a younger more energetic man. Myles Lyons retired due to ill health in 1889 but remained in Eltham until his death in 1899. He is buried in Eltham Cemetery with his wife Flora and five of their children. Four sons moved to Western Australia where two were killed in unconnected railway accidents. In Loving Memory of Myles Archibald Beloved Husband of Flora Lyons Who Departed This Life 19th August 1899 Also their beloved Children Archibald Myles Myles died at age 75 on the same day as his 14 year old daughter, Flora Louise. Who died 28th June 1865, aged 18 months Edith May Died 9th November, 1884, aged 1 year Hester May Died 17th July, 1887, Aged 14 months Flora Louisa Died 19th August, 1889, aged 14 years Joseph William Died 1st August, 1904, aged 27 yearsRoll of 35mm colour negative film, 6 stripsKodak GC 400-9eltham cemetery, gravestones, edith may lyons, flora louisa lyons, flora lyons, hester may lyons, joseph william lyons, myles archibald lyons, police, archibald myles lyons

Irish-born Thomas Sweeney is regarded as the first settler in Eltham. He was transported to Sydney in 1823 after being convicted of arson. He was granted his freedom in 1838 and married Margaret Meehan in the same year. They moved to Melbourne and in 1842 Thomas purchased 110 acres beside the Yarra River in the vicinity of present-day Sweeneys Lane. He called the property ‘Culla Hill’ and built a small slab hut (reputedly with Wurundjeri help; Margaret is said to have run an informal hospital for them in return). This was followed in 1846 by more substantial buildings consisting of a three-roomed Irish-style ‘longhouse’ and a barn made of stone and handmade bricks, with doors large enough to accommodate a fully loaded wagon. When the gold rush came, Thomas prospered by selling meat and potatoes to the prospectors, enabling him to purchase a further 308 acres in 1856. He promoted the construction of a bridge over the Plenty River and the establishment of a school at Eltham. Roman Catholic Church services were held at Culla Hill in the early years. When he died in 1867, he was regarded as a respected member of the community. Thomas and Margaret are buried in Eltham Cemetery with many of their descendants. Their first son John continued to farm Culla Hill until his death in 1909. Culla Hill passed out of the Sweeneys' possession in 1939. The house and barn remain today, though lesser outbuildings have gone. The facade of the house is much the same as it was in the 1840s. Sacred To the memory of Thomas Sweeney Who died Sep 6th 1867 Aged 65 years May his soul res in peace Also his wife Margaret Died Oct 3rd 1884 aged 73 years And their daughters Annie Died Aug 22nd 1860 aged 21 years Johanna Died Aug 19th 1872 aged 22 years Margaret Died 7th Sep 1913 aged 72 years R.I.P. Also In Memory Of John Sweeney Died 24th May 1909 Aged 65 years Also of his wife Ellen Died 8th March 1910 Aged 64 years R.I.P Also In Memory Of Caroline Infant daughter of John & Ellen SweeneyBorn Digitalannie sweeney, eltham cemetery, gravestones, johanna sweeney, john murray, margaret sweeney, mary ellen drain, mary murray, thomas drain, thomas sweeney

The badge represents the Victorian Junior Section of the Australian Red Cross Society, which was formed in 1914 at the outbreak of World War I as a branch of the British Red Cross Society (B.R.C.S.), hence the crown on top of the red cross. It wasn't until 1941 that he Australian Branch was Incorporated by Royal Charter. The badge was made in London by J.R. Gaunt & Son Ltd. James Richard Gaunt and his son Charles Frederick Gaunt established the Birmingham firm of J R Gaunt & Son in 1884. The business operated for over a hundred years and specialised in making buttons for uniforms. This badge is one of a set of badges collected by Dr W R Angus from the organisations in which he was involved. The set of badges is now part of Flagstaff Hill’s comprehensive W.R. Angus Collection, donated by the family of Dr W R Angus, surgeon and oculist. The W.R. Angus Collection: - The W.R. Angus Collection includes historical medical equipment, surgical instruments and material belonging to Dr Edward Ryan and Dr Thomas Francis Ryan, (both of Nhill, Victoria) and Dr Angus’ own belongings. The Collection’s history spans the medical practices of the two Doctors Ryan, from 1885-1926 plus that of Dr Angus, up until 1969. It includes historical medical and surgical equipment and instruments from the doctors Edward and Thomas Ryan of Nhill, Victoria. Dr Angus married Gladys in 1927 at Ballarat, the nearest big city to Nhill where he began as a Medical Assistant. He was also Acting House surgeon at the Nhill hospital where their two daughters were born. During World War II He served as a Military Doctor in the Australian Defence Forces. Dr Angus and his family moved to Warrnambool in 1939, where Dr Angus operated his own medical practice. He later added the part-time Port Medical Officer responsibility and was the last person appointed to that position. Both Dr Angus and his wife were very involved in the local community, including the planning stages of the new Flagstaff Hill and the layout of the gardens there. Dr Angus passed away in March 1970.This badge is significant for connecting Doctor Angus with organisations that he supported. The W.R. Angus Collection is significant for still being located at the site it is connected with, Doctor Angus being the last Port Medical Officer in Warrnambool. The Collection includes historical medical objects that date back to the late 1800s.Badge; a brass dome'shaped badge with two rows of text around the outer edge and a white enamel centre behind a red enamel cross. A crown symbol is embossed above the cross. Text is embossed around the edges with remnants of white within the some of the letters. The reverse has text around the emblem of a wreath and the remnants of a catch. Inscriptions include text and emblems on front and reverse. The badge is for the Australian Red Cross Society, Victorian Junior Section. It was made by J. R. Gaunt & son, London. This badge is part of a set of badges collected by Dr W R Angus. the set represents organisations that he was involved in, and is part of the W.R. Angus Collection.FRONT; Symbol [King;s Crown], Embossed “AUSTRALIAN RED CROSS SOCIETY (B.R.C.S.)“. Inner text “VICTORIA JUNIOR SECTION” REVERSE: Symbol p[wreath] “J R GAUNT LTD, LONDON"flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, w.r. angus, badge, organisation badge, flagstaff hill maritime museum and village, australian red cross, charity, volunteer organisation, red cross, j r gaunt & son, birmingham, badges, buttons, military buttons, uniform buttons, lapel badge, junior section, b.r.c.s., british red cross society, london manufacturer

Gasometers resulted from complex engineering design evolving from primitive gasholders first used in 1824 in England to power street lights. The 20th century gasometer, (as used at the Highett Gasworks), was comprised of a series of large interconnected, telescopic, cylindrical vessels or lifts, which rose and fell depending on the volume of gas stored. The gasholder operated on a basic principle of a gas-filled floating vessel, rising and falling in a seal of water. The Highett Gasworks had its beginning in 1939 but its beginnings commenced sixty-two years earlier when the privately owned Brighton Gas Company was floated in 1877. By 1880 the company was performing well and making excellent profits. The company was welcomed by residents wanting to replace the shadowy light of a kerosene lamp with the bright luminescence of "modern" gas lamps. The land developers of the day were also keen supporters. But by 1884 people became disgrunted because either the gas had not reached them yet or because the quality of the supply had diminished due to the increasing use. In 1885 a second private gas company, the Central Brighton and Moorabbin Gas Co, Chaired by "Tommy" Bent was floated and for many years the two gas companies enjoyed a shared monopoly in supplying gas from their New Street Works. In the 1930s the company expanded its gas production facilities to Highett where it had purchased 45 acres of land adjacent to the Melbourne-Frankston railway line. A gasholder with a capacity of 750,000 cubic feet was erected on the Highett land in 1927 and connected with high pressure mains to the Brighton works. Three years later the company directors decided to proceed with the construction of a vertical retort house and coal store. Following a "lull" during the Great Depression work recommenced in 1936 and by 1939 the first complete gas-making plant was completed, and gas making commenced. Over the next twenty one years other significant extensions occurred, including an amenities block to accomodate 100 workers. In 1969 Esso commenced the introduction of natural gas to residents homes and the gradual decommissioning of the Highett Gasworks commenced. Part of the old Highett Gasworks site is now a council owned parkThe photos of the Higett Gasworks, now demolished, recall their long history, that originated in the 1800s with the production of gas to supply homes with a new, much improved light source, and later it's other applications such as for stoves etc. The arrival of gas in the Shire of Moorabbin was a huge step forward that encouraged further building and development in the area.Three Photographs of the Highett Gasworks. Two are coloured photos taken in 1974, and one is black and white taken in the 1960s. All are in good conditionOn the back of the two coloured photographs "Highett Gasworks 1974" No inscription on the black and white aerial photograph.brighton, moorabbin, highett, bent thomas, gasometer, highett gasworks, engineering design, brighton gas company, central brighton and moorabbin gas company, great depression, lamp kerosene

The Wombat Hill Botanic Gardens 150 anniversary event organiser was Gael Shannon. The Daylesford Botanic Gardens are of historic, scientific (botanic), and aesthetic significance to the State of Victoria. The Daylesford Botanic Gardens are historically significant as a fine example of a regional botanic garden demonstrating the typical characteristics of a carriage drive, informal park layout, decorative structures and works such as the memorial tower, conservatory, rotunda, cascade and fernery, which contrasts with the open lawns planted with specimen trees, areas of intensive horticultural interest and close proximity to a township developed during the mid to late nineteenth century. The Daylesford Botanic Gardens are historically significant for the design input by noted landscape designer William Sangster, and for the survival of his 1884 plan, which is a rare example of a plan from this prolific garden designer. The Daylesford Botanic Gardens are of scientific (botanic) significance for the extensive conifer collection and cool climate plants. The Gardens contain an outstanding collection of conifers and other mature trees, many of which were donated by renowned botanist Ferdinand von Mueller. Significant trees include Pinus ponderosa (Western Yellow Pine), Pinus coulteri (Big Cone Pine), twoAbies nordmanniana (Caucasian Fir), Abies pinsapo, (Spanish Fir) and a Cedrus atlantica f. glauca(Blue Atlas Cedar), Pinus wallichiana (Bhutan Pine), Pinus pinaster (Maritime Pine), Sequoiadendron giganteum (Giant Redwood), (Monkey Puzzle) and Aesculus hippocastanum (Horse Chestnut), many the largest or finest examples in Victoria. Other outstanding trees include a Tilia cordata (Small-leaved European Linden), a row of Cupressus lusitanica (Mexican cypress), a Quercus robur (English Oak) planted in 1863, avenues of Dutch Elms and a rare Quercus leucotrichophora (Himalayan Oak). The Daylesford Botanic Gardens are of aesthetic significance as a rare example of a botanic garden spectacularly sited on an extinct volcanic cone which allows a panoramic view, aided by the 1938 Pioneers’ Memorial Tower, as well as vistas within and out of the gardens and from the township to the gardens. As the most prominent local landmark, the Garden’s vertical dominance in the landscape provides a dark contrast to the elms avenues, oaks and other deciduous species. (Heritage Victoria Register, )Four people photographed at the 150th anniversary event at the Wombat Botanic Gardens.victoria, 150, anniversary, botanic, gardens, wombat hill, botanic gardens, heritage, celebration, garden party, daylesford, people, crowd, community, organiser, tour, gael shannon, don henderson, wombat hill botanic gardens

This bodice belonged to Mary Crombie, an early Victorian dentist, who lived in Brighton while she was studying at the Australian College of Dentistry in the mid-1900s, and later returned to the area in her retirement from 1949-1971. Mary Margaret Crombie (1884-1971) was born at Coan Downs Station near Walgett, northern New South Wales, where her father Henry was station manager. After Henry’s untimely death in 1895, Mary and her mother loved for a few years with family members in St Kilda, before moving into a cottage of their own, ‘Rosewood’, at 42 Asling Street, Brighton around 1899. From here, Mary attended Oberwyl Ladies College in St Kilda and later the Australian College of Dentistry, one of only a few women to study dental surgery at the time. She was apprenticed to Ada Tovell (1865-1932), one of Victoria’s first female dentists, who had her own practice in Collins Street. Mary graduated in 1907 and the following year moved with he mother to Yarram in South Gippsland, where she took over the running of a practice owned by Sale dentist Charles Trood, eventually purchasing it from him in 1915. Speaking to a Brighton newspaper in 1961, Mary said she believed that she was the first woman to start a dental practice in Gippsland. For some locals, this took a little getting used to: “Many were amazed, and had some misgivings, when they found that the local dentist was a woman,” she said. “I always remember a huge farmer (he was about 6 ft. 4 in.), who had fortified himself at the local hotel to face the ordeal of visiting the dentist. He almost turned and ran when he saw me. … He was still more amazed when I pulled out his tooth without undue trouble.” The farmer was the best advertisement she could have asked for, telling everybody about the diminutive lady dentist who had calmly extracted his tooth. Mary practiced in Yarram until her retirement in 1949. After selling her practice she returned to Brighton, where she spent the last two decades of her life residing at 25 Oak Grove. Following her death in 1971, her relatives in Brighton donated a number of items from her home to BHS.Black satin bodice, boned, with black faceted glass buttons down the front. High collar. Both collar and cuffs are edged with a black net ruffle. Two rows of seven black crochet-covered buttons at each cuff, fastening with loops. Stray brown threads poking through fabric around the collar, shoulders and back indicate that these areas may originally have featured lace embellishments.mary crombie, 1900s

George Tibbits, University of Melbourne. Faculty of Architecture, Building and Town & Regional PlanningIndex system that support the research for Beechworth : historical reconstruction / [by] George Tibbits ... [et al]Arranged by street names of BeechworthEach index card includes: street name and number of property, image of property, allotment and section number, property owners and dates of ownership, description of the property according to rate records, property floor plan with dimensions.beechworth, george tibbitsbeechworth, george tibbits

In August 1884, Alfred Hirst who had started his trade as a watch repairer and was described as a watchmaker extraordinaire established Hirst Brothers and Company, on Union Street in Oldham Manchester. He took his two stepbrothers into the business and the company was set up to produce timepieces and jewellery as well as importing “Limit company” Swiss watches and precision machine tools for the watch and clock trade. By 1902 Hirst Brothers. had become a limited company and was still growing, adding other businesses in Manchester in 1904 and at Birmingham in 1907. The quality of the clocks and watches was such that Alfred Hirst realised his greatest ambition in 1912 with a range of watches which carried the "Limit" trademark. These watch movements had originally been made in Switzerland and shipped to Hirst Bros. to be put into British made “Dennison” cases. This trade brought even more growth with additional sales offices opening in London and Glasgow. At the outbreak of the First World War in 1914 found them manufacturing aircraft parts including revolution counters and optical instruments. The firm had been tasked by the Ministry of Munitions to solve the problem of pilots dropping bombs by hand and as a result, they effectively created the first bomb rack. After the war, the company once again began to prosper and with the demand for their products increasing they looked to build a new purpose-built factory to manufacture their products. In 1917 they purchased a seven-acre field site at Tame Side Dobcross, the designing of the new factory was passed onto local architect AJ Howcroft. His brief for the design of the clockworks would have been prompted by Alfred Hirst who having visited modern factories in the United States was inspired by the latest factory designs providing as much daylight as possible during working hours. The factory was eventually completed in 1920, by the mid-1920s there were cheap clock imports from Germany and production turned to radio sets and other components as well as counter and gas meters for the "Parkinson and Cowan" company who was later to take over the business. In 1926 came the cotton crash and the District Bank who had loans with the company foreclosed on the Hirst loan. The company did survive and throughout the second World, War II were involved in munitions work at the factory as well as making instruments for various aircraft. In the 1950’s they were producing meters and high grade measuring equipment but by the 1970's the business had closed and the factory was demolished in the mid-1980 "s The item is a good example of the later use of an early mechanism “Fusee” that was originally invented around 1525 in Prague. This type of clock mechanism was replaced as watchmakers looked for mechanisms that could reduce the size of clocks and watches, it appears England was the only country to continue making clocks with a Fusee device until around 1900,s of which our clock is an example. The use of a Fusee movement eventually became obsolete in 1970,s. The item is significant for the collection as it is a clock with a movement that has long since been made obsolete. Fusee type gallery wall clock made by Tame Side with an 8-day mechanical fusee movement. The white enamel dial is a little crazed and some of the Roman Numeral numbers are fading due to over-cleaning. The movement has a hexagonal iron pendulum bob hooking onto a pendulum rod with a spring-wound anchor escapement.Only mark is stamped on the movement believed to be a production number "13490" and made in Tame Side. (If the clock had been made after 1912 it would have had a trade mark "Limit")flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, clock, wall clock, fusee, gallery clock, alfred hirst, tame side

William Hill Irvine was born 6 July, 1858 in Newry, County Down, Ireland. He arrived in Melbourne December 1879 and taught at Geelong College. He was admitted to the Supreme Court in 1884 having qualified from Melbourne University and practiced in Melbourne. In 1891 he married Agnes Somerville Wanliss and they had one son, William Mitchell (1901 Armadale) and two daughters, Beatrice Wanliss (1899 Armadale) and Agnes Somerville Wanliss (1903 Armadale). Sir William Irvine sat in the Victorian Parliament (as Liberal Member for Lowan) from 1894 to 1906 and was Premier of Victoria from 1902 to 1904. He then switched to Federal politics and sat in the Commonwealth Parliament (as Liberal Member for Flinders) from 1906 to 1918. He was considered a potential Prime Minister, but his abrupt manner and hard-line conservatism (particularly his attitude to a railway strike) made him unacceptable even to many Liberals: he was known in Parliament as "Iceberg Irvine". He lived at Richmond, but in 1908 purchased land in Laughing Waters Road at Eltham, where he built the house ‘Killeavey’, initially as a weekend retreat. The site, a peninsula surrounded on three sides by the Yarra River, is of geological importance and has considerable cultural significance to the Wurundjeri. In 1912 Sir William moved to Killeavey and in 1913 purchased more land, extending his property to Reynolds Road. In 1923 he shifted to Toorak, donating Killeavey to his daughter Beatrice as a wedding gift. Sir William was a founding member of the RACV and was Acting Governor of Victoria from 1931 to 1934. He was also a notable public figure involved in several local events including the: 1919 Unveiling of Eltham War Obelisk 1921 Eltham Primary School Extensions 1921 Eltham Primary School Roll of Honour of prior students 1928 Opening of Eltham Higher Elementary School 1926 Unveiling the Shire of Eltham War Memorial in Memorial Park at Kangaroo Ground He died in 1943 and is buried in Eltham Cemetery with his wife Agnes along with son William Mitchell Irvine and his wife, Dora Haswell Sacred to the memory of William Hill Irvine G.C.M.G. Lieutenant Governor And Chief Justice of Victoria Born 6th July 1858 At Newry, Northern Ireland Died 20th August 1943 Also his wife Agnes Somerville Born at Ballarat 16th Nov 1867 Died at Eltham 16th Aug 1954 W. M. W. Irvine 1901-1975 And Dora Haswell Wife of W. M. W. Irvine 1900-1979Born Digitaleltham cemetery, gravestones, agnes sommerville irvine (nee wanliss), dora haswell irvine, william hill irvine, william mitchell irvine

William Hill Irvine was born 6 July, 1858 in Newry, County Down, Ireland. He arrived in Melbourne December 1879 and taught at Geelong College. He was admitted to the Supreme Court in 1884 having qualified from Melbourne University and practiced in Melbourne. In 1891 he married Agnes Somerville Wanliss and they had one son, William Mitchell (1901 Armadale) and two daughters, Beatrice Wanliss (1899 Armadale) and Agnes Somerville Wanliss (1903 Armadale). Sir William Irvine sat in the Victorian Parliament (as Liberal Member for Lowan) from 1894 to 1906 and was Premier of Victoria from 1902 to 1904. He then switched to Federal politics and sat in the Commonwealth Parliament (as Liberal Member for Flinders) from 1906 to 1918. He was considered a potential Prime Minister, but his abrupt manner and hard-line conservatism (particularly his attitude to a railway strike) made him unacceptable even to many Liberals: he was known in Parliament as "Iceberg Irvine". He lived at Richmond, but in 1908 purchased land in Laughing Waters Road at Eltham, where he built the house ‘Killeavey’, initially as a weekend retreat. The site, a peninsula surrounded on three sides by the Yarra River, is of geological importance and has considerable cultural significance to the Wurundjeri. In 1912 Sir William moved to Killeavey and in 1913 purchased more land, extending his property to Reynolds Road. In 1923 he shifted to Toorak, donating Killeavey to his daughter Beatrice as a wedding gift. Sir William was a founding member of the RACV and was Acting Governor of Victoria from 1931 to 1934. He was also a notable public figure involved in several local events including the: 1919 Unveiling of Eltham War Obelisk 1921 Eltham Primary School Extensions 1921 Eltham Primary School Roll of Honour of prior students 1928 Opening of Eltham Higher Elementary School 1926 Unveiling the Shire of Eltham War Memorial in Memorial Park at Kangaroo Ground He died in 1943 and is buried in Eltham Cemetery with his wife Agnes along with son William Mitchell Irvine and his wife, Dora Haswell Sacred to the memory of William Hill Irvine G.C.M.G. Lieutenant Governor And Chief Justice of Victoria Born 6th July 1858 At Newry, Northern Ireland Died 20th August 1943 Also his wife Agnes Somerville Born at Ballarat 16th Nov 1867 Died at Eltham 16th Aug 1954 W. M. W. Irvine 1901-1975 And Dora Haswell Wife of W. M. W. Irvine 1900-1979eltham cemetery, gravestones, memorials, agnes sommerville irvine (nee wanliss), dora haswell irvine, william hill irvine, william mitchell irvine

William Hill Irvine was born 6 July, 1858 in Newry, County Down, Ireland. He arrived in Melbourne December 1879 and taught at Geelong College. He was admitted to the Supreme Court in 1884 having qualified from Melbourne University and practiced in Melbourne. In 1891 he married Agnes Somerville Wanliss and they had one son, William Mitchell (1901 Armadale) and two daughters, Beatrice Wanliss (1899 Armadale) and Agnes Somerville Wanliss (1903 Armadale). Sir William Irvine sat in the Victorian Parliament (as Liberal Member for Lowan) from 1894 to 1906 and was Premier of Victoria from 1902 to 1904. He then switched to Federal politics and sat in the Commonwealth Parliament (as Liberal Member for Flinders) from 1906 to 1918. He was considered a potential Prime Minister, but his abrupt manner and hard-line conservatism (particularly his attitude to a railway strike) made him unacceptable even to many Liberals: he was known in Parliament as "Iceberg Irvine". He lived at Richmond, but in 1908 purchased land in Laughing Waters Road at Eltham, where he built the house ‘Killeavey’, initially as a weekend retreat. The site, a peninsula surrounded on three sides by the Yarra River, is of geological importance and has considerable cultural significance to the Wurundjeri. In 1912 Sir William moved to Killeavey and in 1913 purchased more land, extending his property to Reynolds Road. In 1923 he shifted to Toorak, donating Killeavey to his daughter Beatrice as a wedding gift. Sir William was a founding member of the RACV and was Acting Governor of Victoria from 1931 to 1934. He was also a notable public figure involved in several local events including the: 1919 Unveiling of Eltham War Obelisk 1921 Eltham Primary School Extensions 1921 Eltham Primary School Roll of Honour of prior students 1928 Opening of Eltham Higher Elementary School 1926 Unveiling the Shire of Eltham War Memorial in Memorial Park at Kangaroo Ground He died in 1943 and is buried in Eltham Cemetery with his wife Agnes along with son William Mitchell Irvine and his wife, Dora Haswell Sacred to the memory of William Hill Irvine G.C.M.G. Lieutenant Governor And Chief Justice of Victoria Born 6th July 1858 At Newry, Northern Ireland Died 20th August 1943 Also his wife Agnes Somerville Born at Ballarat 16th Nov 1867 Died at Eltham 16th Aug 1954 W. M. W. Irvine 1901-1975 And Dora Haswell Wife of W. M. W. Irvine 1900-1979eltham cemetery, gravestones, memorials, agnes sommerville irvine (nee wanliss), dora haswell irvine, william hill irvine, william mitchell irvine

The pulley sheave comes from the Falls of Halladale, a four-masted iron-hulled barque that was built in 1886 for the long-distance bulk carrier trade. The vessel was built for the Falls Line (Wright, Breakenridge & Co., Glasgow, Scotland) at the shipyard of Russell & Co., Greenock on the River Clyde, she was named after a waterfall on the Halladale River in the Caithness district of Scotland. The ship's design was advanced for her time, incorporating features that improved crew safety and efficiency such as elevated bridges to allow the crew to move between forward and aft in relative safety during heavy seas. The Falls of Halladale was the seventh vessel in a series of eight similar iron-hulled sailing ships, all built by Russell & Co and all named after waterfalls in Scotland. The Falls of Halladale was preceded by the Falls of Clyde (1878), the Falls of Bruar (1879), the Falls of Dee (1882), the Falls of Afton (1882), the Falls of Foyers (1883) and the Falls of Earn (1884). The Falls of Halladale was followed by a sister ship, the Falls of Garry (1886). The Falls of Clyde is afloat today and is a major attraction at the Hawaii Maritime Center in Honolulu. The Falls of Halladale is best known for her spectacular demise in a shipwreck near Peterborough, Victoria on the shipwreck coast of Victoria, Australia. On the night of 14 November 1908, she was sailed in dense fog directly onto the rocks due to a navigational error. The crew of 29 abandoned ship safely and all made it ashore by boat, leaving the ship foundering with her sails set. For weeks after the wreck, large crowds gathered to view the ship as she gradually broke up and then sank in the shallow water. Soon after the accident the ship's master, Capt. David Wood Thomson was brought before a Court of Marine Inquiry in Melbourne and found guilty of a gross act of misconduct, having carelessly navigated the ship, having neglected to take proper soundings, and having failed to place the ship on a port tack before it became too late to avoid the shipwreck. Capt. Thomson's punishment included a small fine and he had his Certificate of Competency as a Master suspended for six months. Today the Falls of Halladale is a popular destination for recreational divers. The wreck is easily accessible by scuba divers about 300 m offshore in 3 to 15 m of water. The hull lies on its collapsed starboard side. Some of the original cargo of 56,763 roof slates remains at the site of the wreck along with corroded masses of what used to be coils of barbed wire. Twenty-two thousand slates were salvaged in the 1980s and used to provide roofing at the Flagstaff Hill Maritime Village in Warrnambool. An anchor that was recovered in 1974 is on display at the village. The pulley sheave is significant as a salvaged item from the Victorian heritage-listed Falls of Halladale wreck. As an artifact from the wrecked ship, it helps us to remember today the story of the wrecking and is an important reminder of a marine incident in Victoria's maritime history. Wooden Pulley Sheave from the vessel Falls of HalladaleNoneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, wooden pulley sheave, falls of halladale

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. From: Glen Eira Heritage Management Plan 1996 by Andrew Ward In 1856, John Allee, a builder from Brighton, purchased C.A. 37 on the south-west corner of Glenhuntly and Kooyong Roads. The land comprised just over 45 acres. By 1863, Francis John Sidney Stephen, a lawyer and cousin of J. Wilberforce Stephen, owned most of lot 37. By 1866, Stephen had a built a "small mansion" named ''Burreel". It was a brick house and Stephen lived there until 1882. By 1884, Mrs Buxton of Hillside Terrace, East Melbourne, had purchased the property. Richard Buxton, a gentleman was listed as occupant and the house described as "brick, eight rooms". NAV was £300. Richard Buxton continued residency in 1887 however in 1888, George Allen, music seller, became occupant. At that time the house had thirteen rooms on twenty-three acres of land. Twelve people lived there and NAV was £920. In 1900, Daniel Luxton, stock and sharebroker and the Honourable John Taverner, M.H.A. leased the property. Fourteen people lived there. Mrs Buxton continued as owner. By 1910, ownership had passed to Mrs Mary Neate, who converted the house to a nursing home. The land had been subdivided by 1913 and sold by ''Buxtons Estate". Burreel Avenue, Baxter, Buxton and Hoddle Streets were created. "Burreel" was rated to Burreel Avenue and stood on lot 13 with frontages to Burreel Avenue and Kooyong Road of 198' and 214'. The house had ten rooms. NAV was £60. Mary Neate, a nurse, continued as owner/ operator of ''Burreel" nursing home in 1927. At that time there were sixteen rooms and fourteen residents. NAV was £100. Mrs Neat remained there until 1947. In 1948, the house was turned into apartments. In the 1980's, the Alexander family purchased it and restored it to a private residence.Burreel 331 Kooyong Road, ELSTERNWICK VIC 3185 - Property No B4950 National Trust https://vhd.heritagecouncil.vic.gov.au/places/65648 This is a large and substantially intact example of the grand villas of nineteenth century Melbourne. The bulk of the house most probably was built in 1866-1868 for Francis John Sidney Stephen, a prominent and highly regarded Melbourne solicitor and a member of an illustrious legal family. Stephen conducted a lucrative private practice and in 1845 was appointed first solicitor to the City of Melbourne; a position he held until his death in 1895. He took an active part in the development of Caulfield and was Shire President in 1874 and 1877. He was a resident at Burreel from 1868 to 1882. The house has evolved in stages, the rear wings possibly remaining from a house built during the 1850s. The existing ornate cast iron verandah was probably built between 1882 and 1888 during the residence of Richard Buckhurst Buxted, a notable boom period auctioneer and real estate agent. George Allan, the founder of Allan's music store, was another important occupier from 1888 to 1991. Bureel's essentially residential quality has been retained and the interior has been well preserved. The significance of this building does not rest in any single unusual outstanding architectural feature, or in its association with a particularly prominent member of society in the past, but rather in the consistent integrity of both the interior and exterior, which results in the survival of an outstanding example of this type of residential building and its associations with two notable citizens. Classified:11/08/1990Page 113 of photograph album with 1 photograph of Burreel in its garden.Handwritten: Bureel [top left] / 113 [bottom left]trevor hart, caulfield, caulfield north, kooyong road, thomas king, mansion, 1860's, bureel, burreel, francis john sidney stephen, city of melbourne, shire president, 1850's, verandah, nursing home, john allee, ornamented corner stones, new orleans manner, plaster rendered, mrs luxton, vincent willis, alexander family, victorian architectural style, ornate cast iron work, lawyers, brick houses, richard buxton, richard buckhurst buxton, george allen, george leavis allan, allans music, daniel luxton, john taverner, mary neate, buxtons estate, land subdivision, mary neat, gardens

The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) A tintype portrait of a woman's head, attached to a card.Printed lower left hand side of the card "American Studio, 324 Geo. St."tintype, american studio, woman, unidentified woman, women, photograph

The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, 6 Sturt St Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .2) A tintype portrait of two girls heads, attached to a card. The girls are wearing a cloak with a large bow at the frontlittle gem, women, children, photography, tintype

The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .4) A tintype portrait of a man, attached to a card. little gem, tintype, man, unidentified man

The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) A tintype portrait of a child, attached to a card. little gem, child, hat