Round one foot wooden ruler / dark timber -probably used in tailoring or dressmaking trade for measuring and smoothing out fabric.trades, tailoring

Textiles. Cream coloured huckaback fabric hand towel. Embossed tassel pattern across short ends. Old box 573.Printed in ink in one corner, ''M.E.BUSH''textiles, domestic, hand towel

One pair of ladies wrist length cream coloured nylon net fabric gloves. Elasticized ruching 6 cms at wrist.No Labelscostume accessories, female, ladies short cream net gloves

Royal blue fabric banner, white writing, white fringing on bottom. Written on banner ' Primary 1267 Bendigo North School.bendigo, education, bendigo north primary school

Minutes of the School Council at Collingwood Technical School 1912-1951 (incomplete, missing 1942-1946). The Council was the governing board and these minutes are a record of the elected members of the Council and all aspects of the govrernance (from correspondence to financial matters) of CTSA record of the monthly meetings of the School Council.Hard cover minute books (6 volumes) with green fabric cover and 'leather' corners and spine. "Minute Book" printed on spine.Hand written minutes throughout. collingwood technical school, cts, school council, council minutes, governance, monthly reports, education department victoria, nmit,

Clinton Naina’s earliest memory is attending Collingwood football matches at Victoria Park with his father and uncles. His dad was an avid Collingwood supporter and Naina proudly wore his football colours. Lining up to enter the grounds at the big old black-and-white painted wooden doors gave Naina the feeling of entering into another world. 'Rule 30' is a comment on race relations in sport. The artwork is made from the original doors located at the front entrance of the Collingwood Football Club’s grounds at Victoria Park. When the club was refurbished the door was gifted to Naina by a friend—an ex-Collingwood football player—for use in his art practice. The work depicts a big red target painted on the existing Black and white stripes—Collingwood colours—of the door. Naina placed a fabric number ‘30’ on top of the target—created from material used for numbers on the back of players’ football vests. This represents the individuals who have been racially vilified while playing football over many years. The red represents the colour of human blood, while the Blak and white Collingwood colours already painted on the wood are a very fitting comment on race relations. The door itself becomes a potent metaphor for “overcoming barriers, making change, breaking down doors and moving forth into a new era of respect for people”. Rule 30 in the AFL was the first racial vilification code in Australian sport. It prohibited conduct between players, clubs and other AFL officials, which threatened, disparaged, vilified or insulted another person on the basis of that person’s race, religion, colour, descent or ethnic origin. In 2013, ‘Rule 30’ was amended to ‘Rule 35’ to combat other forms of discrimination including disability, appearance and sexuality.The number '30' cut out of fabric placed on top of a painted red target at the centre of an existing black and white wooden door.Accompanying labelracism, sport, football, afl

Wood veneer plaque with fabric crest of 35 Squadron RAAF. Crest of upright kangaroo in front of a globe of the world. Motto: Adeptraaf, 35 squadron, plaque

Set of three Christmas Cards: Hand Painted Fabric (front) and Map oif Vietnam. (back) : Kim. Long Saigon. Vietnamchristmas, cards, vietnam

Born: Westbury, Wiltshire, England 1890; Arrived: Melbourne, Victoria, Australia 1893; Died: Warragul, Victoria, Australia 1923InterwarGift of Mrs E.E. Ledger, 1975Beachscape with rocks, trees, water, piers, buildings, sky and sailing boat. Gold wood moulding with fabric and gold insert frame.Recto: Signed and dated "Penleigh Boyd / 21" inscribed in paint l.l.c of composition; Not titledpainting, beachscape, boats, building, trees, rocks, marine, australian art

Robin Boyd designed this three-seater sofa. The sofa was featured in the promotional brochure for Domain Park Flats in 1962. The original sofa was recovered from yellow upholstery to red in 1967 when the painting 'Man on Sofa' by Tony Woods (item A05) was purchased and hung. The original sofa is currently stored offsite. The sofa was reproduced in the 2017 Boyd Collection by K5 (item F004 and F035).Deep red woolen fabric, three loose seat cushions, no arms, 6 timber legs each with a brass foot cover.sofa, domain park, robin boyd

Yearn Hunger Thirst Always on the edge of oblivion, craving sustenance in a dry land. McLean and Kennedy have collected dry materials: hollow pipes, old hoses and worn metal hose fittings. The materials were then wrapped with dyed, frayed fabric, string and yarn to create a piece that expresses the collective longing for rain.Wangaratta Art Gallery Collection. Winner of the Wangaratta Contemporary Textile Award 2019.A sculpture made out of recycled hoses and irrigation fittings that have been wrapped and tied in overdyed yarn, string, fabric stripswangaratta art gallery, wcta, sculpture, cheryl kennedy, linda mcclean

Single white cotton sanitary towel with blue fabric loops and wrapped in white paper packaging. The packaging is printed in red and black.Southall's Compressed Sanitary Towel Invaluable to ladies travelling Size Dsouthall's, sanitary towel

Every 'B' Vehicle that is non armoured had an AB 416 Logbook. It was kept on the vehicle and was a record of servicing and repairs. Technical manuals and User Handbooks were essential equipment for Royal Australian Electrical and Mechanical Engineers (RAEME) tradesmen permanently attached to Armoured Corps regiments as Light Aid Detachments (LAD) or AFV Workshops and were responsible for repairs and maintenance of a nature beyond the expertise of AFV crewmen and just short of major rebuilds undertaken by Base Workshop detachments.Part of a collection of workshop manuals and user handbooks relating to equipment on issue to 8th/13th Victorian Mounted Rifles during the latter half of the twentieth centuryHeavy brown coloured card covers with fabric spine, holding paper sheet ruled for entries of servicing, also instructions for drivers.

The 1st Armoured Regiment was raised on 7 July 1949, as part of the new Australian Regular Army. It served in Vietnam 1968-1971.Set of hat badge, two lapel badges and metal shoulder title of 1st Armoured Regiment displayed on fabric covered boardarmour, badge, vietnam

The Kew Historical Society's Fashion & Design collection includes a small and representative collection of reticules, purses and handbags, purchased, inherited or collected by members of the Society. These items date from the Nineteenth and Twentieth centuries, and conform to fashions and styles popular during the period of their use. Some of the items are handmade, while others are mass-produced commercial products.Black evening bag with fabric covered metal frame. Flat black strap. Same colour cornelli embroidered exterior decoration.handbags, evening bags, fashion accessories, grace james collection

The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. Hand-embroidered apron. Possibly a Semco pattern. The apron is edged in yellow fabric and has multi-coloured sprays of embroidered flowers.clothing - women's, aprons, protective wear, fashion -- 1950s, fashion design

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Heavy woollen cape designed by Prue Acton. The cape is tied at the front and features a wide band of woollen fabric simulating a collar.Label: "Prue Acton"prue acton, capes, outerwear, fashion design, fashion -- 1980s

Digital print on fabric, reproduction of early 1900s image of two women playing lawn tennis. Materials: Ink, Cloth, Woodtennis

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This dress is one of a number of items donated to the Fashion collection by Dione McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s.Hot pink coloured raw silk dress with matching jacket of the same colour and fabric. The skirt of the dress is constructed of broad pleats.Label: L'Officiell'officiel, mcintyre collection, day wear, australian fashion - 1960s, women's clothing

The Returned Soldiers and Sailors Mills was located near the Barwon river on Pakington Street, Geelong, where its building still stands. The mill was established in October 1922 with capital acquired from War Gratuity Bonds. The mill produced fine grade woollen products with its speciality being ‘Retsol’ travelling rugs.31 page red book bound with metal pins containing fabric samples glued onto paper, with some printed text.cover: [printed] A FORECAST OF TEXTILE VOGUES / FOR THE COMING SEASON / FROM / R. S. & S. Woollen Mill. / Geelongr. s. & s mill, soldiers, sailors, geelong, war, wool, mill

The Returned Soldiers and Sailors Mills was located near the Barwon river on Pakington Street, Geelong, where its building still stands. The mill was established in October 1922 with capital acquired from War Gratuity Bonds. The mill produced fine grade woollen products with its speciality being ‘Retsol’ travelling rugs.25 page red book bound with metal pins containing fabric samples glued onto paper, with some printed text.cover: [printed] A FORECAST OF TEXTILE VOGUES / FOR THE COMING SEASON / FROM / R. S. & S. Woollen Mill. / Geelongr. s. & s mill, soldiers, sailors, geelong, war, wool, mill

Sign printed on cotton fabric Reads: "Any Person TRESPASSING upon these premises on SUNDAYS will be prosecuted by Order Magnus Cohn, Manager"J. E. Young, General Printer. & co,, Sandhurst

1. & 2. Pair of socks, khaki colour wool blend knitted fabric with fleece inside, with shaped heel. No Manufacturers label.uniform, army, footwear

Royal Australian Navy - Uniform belonged to LS MTP E Rayner.1. Jumper/Barathea - long sleeve white polyester/cotton fabric with Navy blue collar attached, side zip under arm. Insignia to left sleeve depicting rank. Right side insignia depicts category. 2. Trousers - white polyester/cotton fabric, bell bottom. 3. Shirt - white polyester/cotton fabric, short sleeve, navy blue trim to square neckline. Insignia to left sleeve. 4. Silk - Black polyester black fabric to arrange around the collar. 5. Bow - white cotton tape. 6. Lanyard - white cord to arrange around neck. 7. Lid - white with black "Tally" band, sailors cap with Navy blue tape - chin strap. 1., 2. - Hand embroidered red cotton - "E RAYNER", 7. Handwritten, black ink, "LS MTP RAYNOR inside on the crown, Tally band - Embroidered gold thread "HMAS DERWENT'", on black band. " RED ANCHOR/TAILORED GARMENTS/ 65% POLYESTER 35% COTTON/ DO NOT BOIL, DRIP DRY, WARM IRON"ran, uniform

Full length cream synthetic fabric wedding dress with long sleeves and a train. Front and back have a yoke of lace. Three quarter length sleeves are made of the same lace with roulette trim at hem. Inner and outer edges of sleeves ruched for 3 cm. High round neck at back. V neckline at front. Front of bodice has two side darts and two under bust darts. Bodice at waist line has three decorative scallops at front and back. Synthetic fabric of bodice has woven fabric backing. Side opening on left hand side is fastened with nine press studs. Full length skirt of lighter weight opaque synthetic fabric has centre seams at front and back. Fabric is cut on the bias to form a 360? full circle skirt with a train at centre back. An additional section of fabric is attached at either side to complete the circle. At centre back of the skirt is an inverted pleat to create fullness for the train. Hemline is edged with lace with four rows of tucks above the hem, 1 cm apart. Separate petticoat of heavier woven synthetic fabric attached at waist. Petticoat cut on the bias to create 360? full circle skirt with inverted pleat at centre back to create fullness. Narrow turned over hem. Petticoat skirt dips to a V shape at centre front and back seams. Machine stitched.costume, female ceremonial, wedding dress

These 28 photographs of Lithographic Squadron personnel and equipment was taken at Fortuna, Bendigo circa 1990. The photos were taken on the east side of Fortuna Villa, the Print Room’s map trimming and dispatch work area and the inside and outside Air Survey Support Section (BARCRO).These 28 photographs of Lithographic Squadron Personnel and Equipment was taken at Fortuna, Bendigo circa 1990. The 35mm colour photograph negatives were scanned at 96 dpi and are part of the Army Survey Regiment’s Collection. .1) - Photo, colour, c1990. RAEME and maintenance support, unidentified civilian. .2) - Photo, colour, c1990. Eastern side of Fortuna Villa, unidentified, CPL Le-Anne (Smallshaw) Shirley. .3) - Photo, colour, c1990. Eastern side of Fortuna Villa, SGT Gary Kerr. .4) - Photo, colour, c1990. Eastern side of Fortuna Villa, CPL Roy Hicks. .5) - Photo, colour, c1990. Eastern side of Fortuna Villa, unidentified. .6) - Photo, colour, c1990. Unidentified passing Q-Store & Transport Compound. .7) - Photo, colour, c1990. Data Management & Map Library. .8) - Photo, colour, c1990. Unidentified officer passing Q-Store heading up to Map Library. .9) - Photo, colour, c1990. Eastern side of Fortuna Villa, SPR Michelle Withers. .10) - Photo, colour, c1990. Unidentified RAEME soldier passing Q-Store heading up to Map Library. .11) & .12) - Photo, colour, c1990. Delivery of bulk map printing paper. WO2 Jeff Willey on forklift, unidentified. .13) & .14) - Photo, colour, c1990. Print Room, Wohlenberg MCS-2 guillotine. .15) to .18) - Photo, colour, c1990. Air Survey Support Section (BARCRO), Carl Zeiss Rectifying Enlarger. .19) - Photo, colour, c1990. Air Survey Support Section (BARCRO), film contact frame. .20) - Photo, colour, c1990. Air Survey Support Section (BARCRO), Pakotone film development processors. .21) & .22) - Photo, colour, c1990. Air Survey Support Section (BARCRO) entry/exit. .23) & .24) - Photo, colour, c1990. Air Survey Support Section (BARCRO) miscellaneous equipment. .25) & .26) - Photo, colour, c1990. Air Survey Support Section (BARCRO), CPL Warren ‘Waldo’ Shirley. .27) & .28) - Photo, colour, c1990. Outside Air Survey Support Section (BARCRO), L to R: WO1 Peter Coombes, CPL Warren ‘Waldo’ Shirley..1P to .28P – There are no annotations.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, litho sqn

Part of the "Kevin John Herdman" No. 397661 Collection. See cat No. 5942P for details of his service.Khaki wool serge fabric battle dress trousers with five button fly. Plastic buttons. Two side pockets, one fob and one button down hip pocket on RHS. Cotton and polyester fabric lining. Manufacturers label with black print attached to lining of hip pocket. Mending patch attached to label.On Manufacturer's label in black print: "CONWAY BROS PTY LTD, ADELAIDE, ^ , 1969, class 8405-66-025-6183, SIZE WAIST 33R, MATCHING JACKET 37-38R, NAME, ARMY NO.. Stamped in purple on Manufacturer's label: AWM 11".trousers, battle dress, kevin john herdman, army

Made by Mrs McKeown (nee Ford) and used in her house.This item is an example of a handcrafted item and reflects the needlework skills of women in the early to mid 20th century. Embroidery was an affordable way to personalise and add aesthetic value to domestic linen and examples of embroidered and crocheted pieces could be found in most Australian homes,A small pillow sham, square shaped, made from a coarse weave cream fabric front and a backing of bright yellow fabric. Four sprays of pink & yellow flowers with green leaves are embroidered onto the front. Around the edge is a border of drawn thread work which allows the bright yellow backing to show through.table-linen home-manchester hand-embroidery