Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer unknown.City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. Colour photograph of unpainted brick house with decorative brick features and also cream render features. Other features include a curved wall porch with a crenelated parapet, tiled roof, dormer window and striped awnings on the ground floor windows. A tree branch can be seen in the foreground.murrumbeena, houses, beauville avenue, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, brick houses, beauville estate, porches, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, jennings group limited, land subdivision, gardens, beauville historic area, towers, dormer windows, striped awnings, brick and cream render features

Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer unknown. City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. Colour photograph of a white rendered brick house. Other features include a tall chimney, sash windows, tiled roof, the word "GLOUCESTER" on the front of the house and a concrete path leading to the entrance via the established garden. In the foreground are a cast iron gate and an unpainted tall brick pillar. GLOUCESTERmurrumbeena, houses, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, brick houses, beauville estate, gloucester court, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, jennings group limited, land subdivision, gardens, beauville historic area, rendered houses, chimneys, house names, sash windows, cast iron work gates

black and white photo ( copy ): Brick two storey building, with three arched portico at front. Picket fence on side front of building, with railed fence at front. Road is unmade. Tree to RH side of building, small brick building visible to LH side read of building.organization, government, surveyor's office

Robert Ulmann was born in Zurich, Switzerland, where he studied sculpture and painting, exhibiting annually with the National Art Society of Switzerland and in Paris, Munich and Stockholm. He migrated to Canada in 1956 and became a Canadian citizen. After working on the restoration of sculpture on the west wing of the Parliament Buildings Ottawa, he took up a Government appointment as one of six artist advisers to the Eskimos, initiating handicraft and sculpture programs in isolated settlements across the Central Arctic. He arrived in Australia with his Australian wife, Helen, in 1969, after two adventurous years backpacking and sketching through the United States, Central and South America and the South Pacific. From 1970 to 1972 he was employed by the Northern Territory Administration as a manual arts instructor to the aboriginal people of Docker River, a remote settlement west of Ayers Rock. A series of drawings from this period was exhibited by the Department of the Interior in Canberra, Sydney and Adelaide. Robert Ulmann’s paintings and prints of wildlife from Australia and overseas fill a beautiful studio overlooking the famous Logans Beach whale nursery at Warrnambool in the Western District of Victoria. His previous studio and home, together with 13 years of field sketches and his best work collected together for two books were destroyed by the Ash Wednesday fires at Naringal in 1983. Rob exhibited in Sydney, Melbourne, Adelaide and Perth as well as in the Regional Galleries of Warrnambool, Ballarat, Portland and Horsham, and, among numerous prizes, he won the award for watercolour at six of the annual exhibitions of the Wildlife Art Society of Australasia, between 1978 and 1983. Although his principal interest was in drawing and painting, he retained a fascination with sculpture. His works range from two stone fountains with figures commissioned by the City of Zurich, while he was still a student, to a 4 ½ ton sculpture in bluestone commissioned in 1977 as a memorial to Sir Fletcher Jones., a five metre representation of whale tails in steel, and a life-size bronze of St. John of God commissioned for a private hospital.Image of a goat beginning to rise from a seated position, possible struggling out of mud. Painted in yellow and brown tones, with blue shadows. Earth colours form a rough ground area surrounding the goat. A brown wash provides a cursory background behind the goat's head. Dark cream matt surrounds image. Gold painted wooden frame, with glass.Front: Robert Ulmann (lower centre, paint) Back: (no inscriptions)

copy of black and white photo: group of miners at Great Southern Extended Mine, Bendigo, Vic. 25.2.02. 21 men pictured, in three rows. Men are spattered with mud. Handwritten on bottom of image 'G.S. Extended Bendigo/Vic/25.2.01 Rectangular purple stamp on adhesive label on back' Not to be reproduced without permission from National Library of Australia'unknownorganization, business, great southern extended mine, james l:erk 5.11.1999 ' great southern extended mine - garden gully reef'

Photograph of a steel wheeled tractor bogged in a dam?, the mud is about two thirds of the way up the rear wheels. There is a man seated on the tractor, there is another steel wheeled tractor with a chain attached to the bogged one. The surrounding country is flat, with some trees in the distance. Written on the back is C. Hercus photo, Glen James bogged in Detroit Fordson Tractor.C. Hercustopic, farming, tractors, detroit fordson tractor, c. hercus, glen james

This item is part of the Dodgson Collection, which was bequeathed to Queen's College in 1892 by the Rev. James Dodgson. The collection was created by Aquila Dodgson, brother of James. Aquila Dodgson was a friend of the English Egyptologist Flinders Petrie, and it was through this friendship the Aquila was able to acquire ancient Egyptian artefacts. A detailed study of the collection was made by Christine Elias "Discovering Egypt: Egyptian Antiquities at the University of Melbourne", M.A. thesis 2010.Cartonnage coffin blackened on inside and out from resin/bitumen used to preserve bird and cover coffin. Remains of gold foil on exterior of coffin where bird's head would rest. Only head of bird extant with remainder of material now gone. It is also possible the coffin solely contained the head and was filled with plant remains, mud or linen.james dodgson, aquila dodgson, flinders petrie, bird, mummy, coffin

The boot consisted of a complete man's black leather work-boot resting on the ground sub-floor surface (Layers A-B) in front of the fireplace. Although the uppers had folded inwards and hardened, the fabric was in generally good condition. The newspaper consisted of a single folded sheet, comprising the front and rear pages of 'The Age' (January 2nd, 1872), which was crumpled together with a contemporary theatrical flyer. As the items were removed prior to inspection, a direct association between these items cannot be made, though it is possible that the crumpled newspaper had been originally been inside the boot. The boot is significant based on its connection to the construction of the former Royal Mint building and its potential in demonstrating a ritual building practice. Leather boot - Black leather men's ankle-high boot. The leather is dry and desiccated leading to hardening. There is a layer of dirt and mud over all surfaces. Most of the sole has been lost. Nails revealed in this area are corroding, the heal remains and is well attached - there has been a pronounced shrinkage of the leather of the heal. The lace is missing from the boot. buildings, history, architecture, former royal mint, historic building

On back of postcard 'Postage one penny without any communication with communication ordinary letters'|This is the before paired photograph used in the 150 year Lakes Entrance 1858-2008 display|The after paired photograph number is 01147.1|Also one 12 x 16 framed photograph used in room display.|Cooper based in Paynesville 1908-1909Sepia giant post card dirt road leading to the first North Arm bridge. Horse facing two bovines on bridge, mud flat with a small jetty, Club Hotel, sand dunes facing Bass Strait. Post and Rail fence on side of road. Shaggy dog in road. Dieback of melaleuca and reeds on mudflats. Lakes Entrance VictoriaCunninghame from the Cutting A.Cooper photo- right hand cornerroads and streets, bridges, fences, animals, room display

Donated by Jean BainBlack & White Postcard of hotel with sign "Phillip island Hotel" on brick facia. Fenced in garden with roadway in foreground.Phillip Island Hotel, Cowes, Victoria. Real Photo Series M 1257.phillip island hotel, hotels, cowes phillip island, jean bain

Donated by N. M. & J. D. Archibald, April 1973.Black & White Photograph. Chicory Kiln - Ventnor - Mr. Justice. Brick & Wooden remains. Chicory Kiln Album.local history, photography, photographs, agriculture buildings, historic, chicory kiln, ventnor, phillip island, mr justice, n & j archibald

A colour photograph of The Log Cabin in Marysville in Victoria.A colour photograph of The Log Cabin in Marysville in Victoria. The Log Cabin was built by Thomas Henry Branchflower who had arrived from England late in 1921. It was built for Gwendoline Pitman after the death of her father Clarence Pitman and the disappearance of her sister Olive in July 1926. Gwendoline operated an artist and souvenir shop in the newly built Log Cabin in partnership with Peter Mackey who was a Melbourne optician and artist.the log cabin, marysville, victoria, thomas henry branchflower, gerald branchflower, mary chain, gwendoline pitman, clarence pitman, kooringa guesthouse, olive pitman, wilbur anderson, peter mackey, photograph

The former Ballarat Circuit Court was demolished in 1913 to make way for the Ballarat Technical Art School. A lithograph of the Ballarat School of Mines, showing the former Ballarat Circuit Court House, brick chimney, and gauge towerballarat school of mines, ballarat court house, ballarat circuit court, niven, f.w. niven, gauge tower, caselli, hnery richards caselli, courthouse

Negative print. First St. Killians Church in Bendigo.Was made of brick. Also found in Box 87 2402.61.cottage, miners, first st. killians church., first st. killians church.

RAILWAYS COLLECTION - COLOUR PHOTO OF The side view of a TRAIN CARRIAGE outside a Repair Shop - a brick chimney is in the background.photograph, train

Black and white image: brick building, curved archways, curved concrete paved forecourt, surrounded with curved brickwork.bendigo, buildings, bendigo hospital, bendigo, hospital

Slide. Bendigo Views. Additions to the Cathedral. Picture of partly constructed walls, scaffolding, a crane and some heaps of bricks.slide, bendigo, bendigo views, bendigo views

Slide. CHS, Bendigo Pottery, Epsom, Bendigo. Brick stables at Bendigo Pottery. Date: 4/4/78slide, bendigo, chs, bendigo pottery, epsom, bendigo stables

St Paul's was an early church on the Ballarat Goldfields. Built on Bakery Hill, it is situated close to the site of the Ballarat Reform League Monster Meetings. Colour photograph of a brick church with bell tower. It is St Paul's Anglican Church, Bakery Hill, Ballarat East.st paul's anglican church, bakery hill, ballarat east, religion

Colour Photograph of 3 brick units st end of paved roaad. nature strip and paved path on right.On Reverse in blue ink: Stawell 85 Modern house 3 Units Ord Street (One faces Campbell St.)

Advertising brochure for brick veneer home at 14 Aberdeen Road, Blackburn South for auction on 7 November 1998.Brick veneer home at 14 Aberdeen Road, Blackburn South for auction on 7 November 1998.auctions, aberdeen road, blackburn south, no 14

Coloured photo of Edgar Walker's original home in Benares Street, Mitcham (Note Brick cladding and tile paving)australian tesselated tile co. pty ltd, benares street, mitcham, walker, edgar edwardes

Sepia photograph, mounted on cardboard, of corrugated Iron building with work gang beside a large pile of bricks and ovensbricks, brickworks