The Morepork is a small brown and white spotted owl found in New Zealand, Tasmania and Norfolk Island. It is known by around twenty different names which are all onomatopoeic which emulate the birds distinctive two-pitched call. They are mostly nocturnal and carnivorous (eating insects and small vertebrates). They reside in habitats with trees, they sleep in roosts and hunt mainly in the evenings and early morning. Females are slightly bigger than males. This species attains full plumage in its third or fourth year. They can turn their heads 270 degrees." In Māori tradition the morepork was seen as a watchful guardian. It belonged to the spirit world as it is a bird of the night. Although the more-pork or ruru call was thought to be a good sign, the high pitched, piercing, ‘yelp’ call was thought to be an ominous forewarning of bad news or events." (NZ Department of Conservation). This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Morepork (also known as a Masked Owl) is covered in brown and white plumage on its head and body. The white feathers delineate its round yellow eyes. Its belly and back are brown and white with the white feathering appearing spotted. He sits on a wooden perch with his head turned to the left. A swing tag is attached to its leg.11 / Masked Owl / See Catalogue, page 3 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, ruru, spotted owl, tasmanian spotted owl, morepork, mopoke, new zealand owls, new zealand birds, tasmanian owls, tasmanian birds, norfolk island owls, norfolk island birds

This is a 1968 newsletter of the City of Warrnambool Theatre Group. It gives information on the forthcoming Summer School of Drama held in Melbourne, the group’s Dinner Dance, a play reading of the play, ‘J.B.’ and the group’s next production, ‘The Importance of Being Earnest’. The secretary of the group at the time was Ian Hill. Warrnambool has had a great number of community drama societies and groups since the 1860s and the City of Warrnambool Theatre Group has been putting on local stage productions since 1948. Two prominent members of the group were Cyril and Joyce Hayward. Today the group is called the Warrnambool Theatre Company. This newsletter is of interest as an example of an early newsletter from a prominent and important amateur theatre group in Warrnambool. These are two sheets of foolscap paper folded in three places for postage purposes. One page has the postal address of the recipient, two pages have black typing and one page is blank. The front page with the address has a red stamp and postal franking. Originally the two sheets were stapled together but the staples have been removed. The pages have yellowed with age.‘Mrs D. Dixon P.B. 11 Warrnambool 3280’amateur theatre groups in warrnambool, city of warrnambool theatre group

The document is the Mid Tour Report by SSGT N.J. Collins RE, a British Army Senior NCO on a two-year exchange to the Army Survey Regiment. A4 size, Stapled, Front cover has a reproduction of a painting of Fortuna Villa in bottom half. Back cover has a difficult to see street scene of Pall Mall, Bendigo with a paragraph describing Bendigo's history superimposed. 19 Pages. The actual Report is contained on Pages 1-16. Annex A is 2 x pages plus a contents page.Green Hi-Light on parts of pages 10 and 11.royal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr

Photo taken of William Moyle in England before embarking for France. Refer Cat No 1260.3 for his service history. Wiliam Moyle in uniform with rifle.Label at bottom: "Wiliam Moyle 28/11/1916"photography-photographs, frame accessories, moyle

Thaddeus Fairbanks (1796 –1886) was an American inventor. of heating and cook stoves, cast iron ploughs, and other items. His greatest success was the invention and manufacture of the platform scale, which allowed the weighing of large objects accurately. Fairbanks was born in Brimfield, Massachusetts, on January 17, 1796, the son of Joseph Fairbanks (1763–1846) and Phebe (Paddock) Fairbanks (1760–1853). His uncle was Ephraim Paddock, the brother of Phebe Paddock. In 1815 he moved to St. Johnsbury, Vermont, and set up a wheelwright's shop above his father's gristmill. In 1820 he married Lucy Peck Barker and In 1824 he built an iron foundry. his brother Erastus joined him to establish E. and T. Fairbanks, a partnership to manufacture heating stoves, cast iron ploughs a design for which he patented in 1826. In 1830 Fairbanks and Erastus became interested in the raising and processing of hemp. Fairbanks went on to patent a hemp and flax dressing machine and became the manager of the St. Johnsbury Hemp Company. He also built a set of scales that would measure large loads of hemp accurately, as there were no reliable scales at the time. Upon the success of building these scales, his brothers recommended that he make and sell these for general use.  Fairbanks' most famous invention then became the platform scale for weighing heavy objects. These are commonly known as the Fairbanks Scales, for which he patented his original design in 1830.  Before this time, accurate weighing of objects required hanging them from a balancing beam as a result, particularly heavy or ungainly objects could not be weighed accurately. A platform scale, if large enough, could weigh an entire wagon. By placing a full wagon on the scale, unloading it, and then placing it on the scale when empty, it became possible to easily and accurately calculate the weight and value of farm produce and other loads. In 1834 Fairbanks and his brother formed "E. and T. Fairbanks and Company" to manufacture and sell these platform scales. These scales were well known in the United States and around the world resulting in the company doubling in volume every three years from 1842 to 1857. There was a temporary slow down during the American Civil War, however, the business took off again after the war. Their partnership was incorporated in 1874 into a firm known as "Fairbanks Scale Company". These platform scales revolutionized weighing methods of large loads and have been in use ever since. Portable platform scales are found in almost every hardware store, physician's office, and manufacturing factory throughout the United States and the world. The first railway track platform scale patent was granted to Fairbanks on January 13, 1857, as Patent No. 16,381. In 1916 the company was purchased by ”Fairbanks, Morse and Company”. Ownership of the company has since changed several times, but Fairbanks Scales continue to be made in St. Johnsbury Vermont to this day. Fairbanks had received 43 patents in his lifetime with the last one at the age of 91. He died on April 12, 1886, and is buried at St. Johnsbury, Vermont, at the Mount Pleasant Cemetery. An early example of the first type of platform scale that revolutionised the weighing of goods throughout the world made in the USA around the turn of the 19th century. Commercially built platform scale on wheels. Cast iron base supports iron weighing platform with wooden floor. At back, square hollow wooden post supports a hooded rod which bears the weight of the platform and which hooks onto a brass balancing arm, marked in pounds up to 50. There is a cylindrical sliding weight and on the end a loop for a metal weight holder. The holder is designed for three circular pieces of metal with a slit to the centre. The weights used are 50, 100 and 200 lbs.Embossed to base Fairbanks Patent No 11 1/2, flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, platform scales

Miniature folding wooden screen with four screens depicting on one side flower scenes and on the other traditionally dressed (possibly chinese) women on a white marble-like background. Wooden part of the screen depicts flowers between the panels.Sticker (flower side): made in china PMA0171 (11?)gifts

Advertisement for personalised tours of the schoolBusiness card printed in blue and red ink, with newspaper advertisement.Advertisement from Education Week, May 11, 2011

Written on edge of paper, "'Mail' 26/11/53"

Coloured photographs11 photographs -Ringwood State School - Sports Area

Kraft Walker commenced cheese processing at Allansford in 1935 under a lease arrangement with Warrnambool Cheese and Butter Factory. This arrangement remained in place until Kraft officially ceased bulk cheese production at Allansford in February 1993. Kraft was responsible for farm collection of milk which was then shared between the two companies -Kraft for bulk cheese manufacture and Warrnambool Cheese and Butter Factory for whole milk, milk powder and butter manufacture. Laboratory technicians tested milk and cheese during the receival and manufacturing processes to ensure a high quality product. Derek Shaw, whose notebook this is, was the first person in charge of the Kraft Allansford laboratory. He kept notes of testing undertaken and recorded results of anything considered unusual. This notebook is one in a series of 33. Les O'Callaghan commenced work in the laboratory as Derek Shaw's assistant and technician in charge following Derek's retirement. He too kept notebooks of test results.Kraft laboratory technician/bio-chemist Les O'Callaghan was responsible for the introduction of a number of quality control measures which are still in use in the dairy industry today. Les was mentored by Derek Shaw. This note book provides an insight into the dairy processing industry at this period.Black exercise book with lined pages; white sticker on front cover showing dates usedLH/ 17/11/1938 / 2/5/1939allansford, dairy industry, dairy processors, cheese making, kraft foods ltd, warrnambool cheese and butter factory company

A moulding plane is a specialised plane used for making the complex shapes found in wooden mouldings that are used to decorate furniture or other wooden object. Traditionally, moulding planes were blocks of wear resistant hardwood, often beech or maple, which were worked to the shape of the intended moulding. The blade, or iron was likewise formed to the intended moulding profile and secured in the body of the plane with a wooden wedge. A traditional cabinetmakers shop might have many, perhaps hundreds, of moulding planes for the full range of work to be performed. Large crown mouldings required planes of six or more inches in width, which demanded great strength to push and often had additional peg handles on the sides, allowing the craftsman's apprentice or other worker to pull the plane ahead of the master who guided it.A vintage tool used before routers and spindle moulders came into use after World War ll, a time when to produce a decorative moulding for a piece of furniture was done by hand using one of these types of plane. A significant item from the mid to late 19th century that today is quite rare and sought after by collectors. It gives us a snapshot of how furniture was made predominately by hand and with tools that were themselves hand made shows the craftsmanship used to make such a unique item. Moulding Plane with metal blade attached. Made by J Hastie. Inscriptions stamped into wood. "J Hastie" "E G" "W.M" "EG" "11"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, j hastie, plane, wood working tool, hand tool

The train line from the city to Frankston was electrified in 1922 which intensified the sale in the municipality of Moorabbin, particularly land which was in the vicinity of the railway stations.Example of the progress of the Municipality of MoorabbinSubdivisional plan and advertisements for the sale of "Killearnan" Estate, Bentleigh "Killearnan" Estate, Bentleigh - Auction 11 December 1929thomas street, yawla street, huntley road, whitmuir road, mckinnon, bentleigh, real estate, auction

Memorial Card: Remembrance card of Jane Arkle Died July 10, 1902 at Eaglehawk. Black with gold embossing. Has Angle with banner underneath inscribed: In Loving Remembrance of. Father John Hogg, Mother Jane Whitt?. Box 625The Art Engraving Company, 11 Elizabeth Street Melbourneephemera, mementoes, cards, memorial. funeral. remembrance.

Memoriam card for Richard Nettle, killed August 29, 1899, Aged 42 years, 2 months. Black card, with gold writing and embossing. Photo of Richard Nettle in oval shape at top of card. Richard Nettle, dearly loved husband of Ellen M. Nettle, Killed in St. Minago Mine. August 29, 1899. Aged 42 years 2 months.The art engraving company, 11 Elizabeth Street, Melbourne.cottage, miners

Stainless steel open-ended bracelet engraved with missing serviceman's full name and date missing. In a buff square velvet satin-lined box.MIA Peter Raymond Gillson 08/11/65mia, peter raymond gillson

Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka and travelled to Osaka several times in 1969-1970. Boyd designed the innovative Space Tube, which had over 25 exhibition boxes, projecting from it. Amongst the topics covered were Australian scientific innovation (including brain research, immunology, Antarctic research, Snowy Mountains Hydro-Electric Power Scheme, rainmaking, and the night sky), Australian sport, house interiors, car manufacturing, Australian music and art, and Japanese-Australian relations.Colour slide in a mount. Expo '70, Osaka, JapanMade in Australia / 11 / MAY 70M3 / 40 (Handwritten)expo 70, osaka, robin boyd, slide

In 1964, Robin and Patricia Boyd spent several weeks on a world tour - Boyd took a leading role at the International Design Conference in Aspen and he also visited Chicago, Yale University, and New York’s World Fair. The Boyds then travelled on to England, Finland (especially to see Tapiola), Russia and India to see Le Corbusier's Chandigarh, and also Hong Kong and Thailand.Colour slide in a mount. Cathedrals and State Kremlin Palace (background), Moscow, RussiaMade in Australia / 16 / AUG 64M / 11 (Handwritten)russia, slide

Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka and travelled to Osaka several times in 1969-1970. Boyd designed the innovative Space Tube, which had over 25 exhibition boxes, projecting from it. Amongst the topics covered were Australian scientific innovation (including brain research, immunology, Antarctic research, Snowy Mountains Hydro-Electric Power Scheme, rainmaking, and the night sky), Australian sport, house interiors, car manufacturing, Australian music and art, and Japanese-Australian relations.Colour slide in a mount. Mitsui Pavilion, Expo 70, Osaka, Japan (Architect: Takamitsu Azuma)Made in Australia / 25 / MAY 70M3 / 11 (Handwritten)expo 70, osaka, robin boyd, slide

Greg Scott organised the National Christian Youth Convention in 1983 and 1985.B & W photograph of Greg Scott seated with a phone. "C&N 11/6/1986 p.13"scott, greg, national christian youth convention

Greg Scott organised the National Christian Youth Convention in 1983 and 1985.B & W photograph of Greg Scott"C&N 11/6/1986 p.13"scott, greg, national christian youth convention

Acquired when "Classweave Industries" closed down.37 10/87 DYEVATS - DYEHOUSE -/11/15textile mills - staff woollen mills, classweave industries pty ltd federal woollen mills ltd, textile mills - staff, woollen mills

The doiley was worked by Betty Harrison, wife of Don Harrison. It is a sample of cutwork embroidery. The doiley was worked and when finished the pattern was cut out, leaving the centre uncutThe doiley is a part of a handcraft kit sold by Fautleys fancy work shops, and Needlework shops. Needle work such as embroidery was a very popular social activity during that era.Unfinished piece of cutwork in shape of oblong doiley. Brown cotton thread has been worked to shape star-shaped flowers at each end as well as the bordersFautley's Linen-Weft 5 x 11 No. 1863handcrafts, embroidery

Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘67 in Montreal. In 1966 Boyd travelled to Far North Queensland and the Northern Territory for research – the Expo exhibits included a coral display and native plant garden.Colour slide in a mount. Royal Queensland Show Ground (John Reid Pavilion far right?), Brisbane, Queensland, AustraliaMade in Australia / 11 / AUG 66M1 / 104 (Handwritten)brisbane, slide, robin boyd

Shows trams in Wendouree Parade, using the depot loop, which involved a tram out in the middle of the road, facing traffic.Set of four Kodak slides, white cardboard of Ballarat trams. Taken 3.11.1970 by Carolyn Dean. .1 - "30" - 21 and 18 approaching the depot loop, Wendouree Parade .2 - "31" - 21 in the loop (Destination of Gardens via Drummond Nth ) - running a special with 18 behind. .3 - "32" - 18 in the loop (Destination of Gardens via Drummond Nth ) - with No. 30 leaving the loop. .4 - "33" - 18 in the loop with 21 departing. .Each slide date of "3-11-70" in ink.tramways, trams, ballarat, wendouree parade, depot loop, tram 21, tram 18, tram 30

Yields information about the appearance of Geelong No. 6 in Moorabool St and background buildingsBlack and white digital print from scan of a donated negative of Geelong No. 16 at the corner of Moorabool and Ryrie St. Geelong. Has the Bank of New South Wales building in the background. Tram has the destination of Each Photographed by John Webster, 21/8/1955, assumed date given other photographs. Safety Zone signs on either side of the tramcar, lady with a pram and the bar lights are shown. Black and White prints made from scan of negative. Original Negative stored with Negatives. Negative scanned at hi res 4/6/2020 and image updated.On left hand side of the negatives in ink is "DB 11"tramways, trams, geelong, moorabool st, ryrie st, safety zone, tram 16