This bridge was built in 1902, replacing a previous structure that crossed the Moyne River from 1857 and linked Belfast with Belfast East, as the two areas of Port Fairy were then known. Prior to that, passage over the river was via a ford (an underwater stone track that allowed wagons to cross when the river was low) located just north of where the current car bridge stands. The present bridge survived the great flood of 1946, but has been the subject of innumerable patch-up jobs over its 114 years. In 2012, the bridge underwent a detailed structural assessment and was given the OK for the next eight to 10 years, notwithstanding the need for regular maintenance works. At the time, it was estimated a new bridge would cost between $2-3 million. It was extensively refurbished in 2016Sole means for traffic to cross to the east side of Port FairyBlack and white photographMoyne River Port Fairyriver, moyne, bridge, road

The cards relate to a collection re John EDWARDS VX3857 2nd AIF. Refer Cat No 536 for his service details and Miss McLURE..1) Envelope, faded blueish colour, stamped by censor in top left corner and signed. Stamped by P.O appears to be 16 Dec 42. Envelope addressed to "Miss A.E McClure 40 York St Prahran TI Victoria Australia." .2) Christmas card, folds in half, yellow ribbon at fold, front has colour patch at top, under "Second Australian General hospital AIF, Middle East Christmas 1941." Inside, photo of lake and boats. Printed with "Season's Greetings," handwritten message included..2) "WIshing you a Merry Christmas & a Bright & Happy New Year 1941, from John to Addie."cards, xmas, 2nd agh

Slouch hat and Uniform jacket belonging to Edwin James JONES No 3511 AIF. Refer 1367.5 for his service history. The hat was manufactured in 1918 by Dalter Lucas & Sons Bury, UK. It appears to be of a similar style to those issued to Gurkha troops due to the thickness of the felt, the three rows of stitching around the brim and the use of a press stud to pin up the left hand side of the brim..1) Coat, Battle Dress, Kahki, includes 2 x “Australia” shoulder badges, 2 x “Rising Sun” epaulette badges, 2 x “yellow over purple” colour patches, 3 x “service chevrons”, 1 x “Empire Wounded stripe”, 1 x “Lewis Gun” cloth badge, all metal buttons intact as well as waist belt. .2) Hat, Slouch, kahki fur felt, cotton pugaree, leather head band, Rising sun badge, no chin strap..2) Pressed into the hat band appears to be; “Dalter Lucas & sons (1910) Ltd, BURY 1918”uniforms, military clothing, costume accessories - male

Artist StatementGeneral ALL BlurbMEDIUM: Oil on kiln dried redgum. DESCRIPTION: Black, blue and white, wood block, no frame. A realistic depiction of an industrial crane against a predominantly cloud covered sky, the crane is set in the lower centre of the canvas, almost becoming secondary to the sky and cloud which dominate the canvas. The sky set in bright and vibrant blues contrast the darkness of the clouds, ominous and heavy in shades of grey and green the colours seem to reflect the relentless clock of industry. A patch of light behind the crane gives the crane a strong focal point. art, de, fcac, all, emma de clario, clario, marios cafe, marios

Sgt Roy Arthur Heuston Taggart, 4th Australian Light Horse Regiment, Grazier of Hawthorn, born 4 Sep 1888, enlisted 19 July 1915, 12th Reinforcements. Awarded Distinguished Conduct Medal for outstanding services during Flanders operations.Historic item by original member of 4ALHRectangular embroidery in glass fronted wooden frame. Background is colour patch of the 4th Australian Light Horse Regiment, diagonally divided with upper left section white and lower part red. The Australian Coat of Arms (in red) is at the upper left. Embroidered in red at top centre: "4th Light Horse Regiment 1st Division Egypt 1916". In gold thread at bottom right: Aust Army rising sun badge. . It is edged with white tassels at top and left and gold tassels at right and lower edge.Embroidered in gold thread : "From Roy"embroidery, 4th light horse, roy taggart, scarf as gift to family

booklet, 15 pages - 'Bendigo's Riches' buff coloured paper, black print. On front: 'Bendigo's Riches, repirint of a special series of articles which appeared in the Argus on the potential wealth of the water supply, soil, and sunshine of the Bendigo District". Contains photos of tomato industry at Mr. Elliot Borley's farm, White Hills; junction of Huntly and White Hills irrigation channels; packing tomatoes, Mr. B. Puig Y. Ventura's garden, White Hills; tomato patch on the holding of Mr. T.L. Sweeny, Jun.wilson and Mackinnon, printers,Collins Street, Melbourne.bendigo, industry, water, soil and sunshine

Sleeveless cape of black and silver striped silk. Un-lined. Sleeveless, with bound armholes. Revered collar bound in silver silk. A 4.5 cm band of silver silk borders the front opening edges, and the hemline. 10 cm long black and silver fringing then borders the hemline; on the lower edge are two shield shaped patch pockets-one on either side of the front opening, and placed over the seams. Pockets have a fine binding on three sides and the 10cm deep black and silver fringing on lower edge.costume, female, grey striped fringing sleeveless cape

Associated with WW1 campaign medals and bravery awards. Items from the Joseph Nott collection WW1 soldier. Joseph Nott was a Military Cross recipient. WW1 colored ribbons associated with campaign medals and bravery awards. The Joseph Nott collection (Chiltern and Rutherglen resident). Medal and Award ribbons associated with WW1 : 1 x bright green with thin red striping (French 1914-1918 Croix de Guerre), 1 x red, cream, white and blue stripes (the 1914 Star), 1 x red and white flag shape cloth patch (2 ANZAC Corps)), and 1 x cream, purple and cream striped ribbon (The Military Cross). The thin ribbon strand consists of cream, crimson and royal blue colored ribbons (Empire colors and the 1914 Star colors). 2 anzac corps colours (light horse unit), joseph nott colleciton ww1 soldier rutherglen and chiltern resident., military cross, croix de guerre and 1914 star ribbons ww1, ww1 medals and awards ribbons

Belonged to Mr. W Hawkins who founded the Carry On Club in 1932. A group of returned servicemen nd business men of Melbourne . The aim of the club was to assist many World War I veterans who were experiencing hard times after the economic collapse of 1929Australian Red Ensign. Upper left on Hoist side Red Cross over-sewn over-sewn on White cross over-sewn on Navy blue background. Commonwealth(Federal) star lower Left on hoist side white 7 points Southern cross four stars white 7 points, one white star small 5 points. Red square patch : lower left on hoist side Cord Loop top left on hoist side. Cord bottom left on hoist sideThomas Evans Pty Ltd 415 Bourke Street Melbourneflags, national

WW2 Army uniform (jacket and trousers) belonging to 1494723 MAJ Derek MATHER, Royal Military Police. Campaign ribbons on left breast are: 1939-1945 Star, Africa Star, France and Germany Star, Defence Medal, War Medal 1939-1945 (Oak Leaf), General Service Medal 1918, Queen Elizabeth 2 Coronation Medal and the Efficiency Medal. Badge of the Royal Military Police on both lapels. Patch of the Cyrenaica District Middle East Land Forces on both shoulders. Lanyard of RMP on left shoulder.Army catalogue tags on both items

Presented by the Honourable Lord Mayor JT Franklin, CMG, MLC, JP, at a parade held at Karrakatta Camp on 7 April 1929. Consecrated by the Chaplain General COL Riley, OBE, VD, DD. With the re-activation of the Citizen Military Forces (CMF) following the Second World War, the 11th/44th Infantry Battalion (The City of Perth Regiment) was raised in 1948 as a linked battalion to carry on the identity and traditions of the pre-war 11th and 44th Battalions respectively. The King's and Regimental Colours formerly held by these two battalions were passed on to the new battalion who paraded them in rotation on ceremonial occasions. Under major reorganisation of the CMF in 1960, all individual infantry battalions that existed at the time within each State were amalgamated to form State regiments, taking effect from 1 July 1960. Thus from that date the 11/44th, 16th and 28th Infantry Battalions were amalgamated to form The Royal Western Australia Regiment. In September 1960, at a ceremonial parade held at Northam Camp, the Colours carried by all former battalions were handed over for safe keeping by the new regiment These former colours were subsequently laid up in the undercroft at the State War Memorial, King's Park on 29 November 1964. These were transferred to the Army Museum of WA in 1988 as part of the Bicentenary Colours Project. Dark green with gold fringe. In the centre the battalion colour patch of a brown over blue rectangle within a circle inscribed "ELEVENTH INFANTRY - PERTH REGIMENT". Beneath the circle a scroll inscribed with the regimental motto "VIGILANS". The whole surrounded with a wreath of Australian wattle and surmounted by the Crown. In the upper canton the Arabic numeral "11". Battle Honours emblazoned on the colour:- SOUTH AFRICA 1899-1902, SOMME 1916-18, POZIERES, BULLECOURT, YPRES 1917, MENIN ROAD, HAZEBROUCK, AMIENS, HINDENBURG LINE, LANDING AT ANZAC, DEFENCE OF ANZAC

Presented, together with a new King's Colour, by Major-General JS Whitelaw, CB, CBE at a parade of the 16th/28th Infantry Battalion (The Cameron Highlanders of Western Australia) held on the Esplanade, Perth, 26 August 1951. (Refer to item 7 for specific details relating to these new colours and for details of previous colours presented to 16th Battalion). 16th/28th Infantry Battalion became unlinked in March 1952 with both 16th and 28th becoming independent battalions within their own right Under major reorganisation of the CMF in 1960, all individual infantry battalions that existed at the time within each State were amalgamated to form State regiments, taking effect from 1 July 1960. Thus from that date the 11/44th, 16th and 28th Infantry Battalions were amalgamated to form The Royal Western Australia Regiment. In September 1960, at a ceremonial parade held at Northam Camp, the Colours carried by all former battalions were handed over for safe keeping by the new regiment. These former colours were subsequently laid up in the undercroft at the State War Memorial, King's Park on 29 November 1964. These were transferred to the Army Museum of WA in 1988 as part of the Bicentenary Colours Project. The battle honour for South Africa has incorrect year dates and should be "SOUTH AFRICA 1902". Reasons supporting this are:- • The Battle Honour "SOUTH AFRICA 1902" was originally granted under Military Order 123/1908 to the Goldfields Infantry Regiment of Western Australia. • Under 1921 reorganisation of the Citizen Forces, the existing units in the Goldfields area were formed into 16th Battalion (The Goldfields Regiment) to maintain the identity and traditions of 16th Battalion (AIF). This unit inherited the above battle honour. • All editions of the Australian Army List since 1927 have shown this battle honour for 16th Battalion as "SOUTH AFRICA 1902". Dark green with gold fringes. In the centre the battalion colour patch of a white over blue rectangle within a circle inscribed "SIXTEENTH BATTALION", surrounded with a wreath of Australian wattle and surmounted by the Imperial Crown. Below the wreath a scroll inscribed with the regimental motto "VINCENS". In the upper canton the Arabic numeral "16". Battle Honours emblazoned on the Colour: SOUTH AFRICA 1899-1902 , POZIERES, BULLECOURT, MESSINES 1917, YPRES 1917, POLYGON WOOD, HAMEL, AMIENS, HINDENBURG LINE, LANDING AT ANZAC, SARI BAIR

Presentation plaque made of varnished wood. Located centrally is a large gold and silver Royal Victorian Regiment badge. The badge is made up of crossed gold SLRs a queens crown and a banner with " Victoria" located in front of a large silver "V". Located in the top left corner of the plaque is a 20mm x 15mm gold bordered red square with the numbers "5/6" embossed on it. In the top right is a small 5th battalion Colour patch. This is made up of a black rectangle laying atop of red rectangle.5/6rvr, infantry, plaque, colour patch, hat badge, wark vc club

'Joey Jones' was a member of 15th Transport Squadron, CMF. 1. Shirt, jungle greens. Two breast pockets. Six green plastic buttons in front. Above right pocket is a darker patch with stitching. A label has been removed. Each arm has cloth Sergeants stripes. 2. Trousers - jungle green, button fly, six pockets, buttons - green plastic. 3. Trousers - jungle green, button fly, six pockets, one button broken, One button missing. 4. Jumper - wool, khaki. Each arm has Sgts stripes. 1. Written inside neck is name "Jones". 2. & 3. Written inside waist line is name "Jones". 4. Nothing written inside.uniforms, aust army, joey jones, passchendaele barracks trust

Trousers - Khaki, wool serge fabric, plastic buttons, five buttons, fly, fob pocket, two side pockets, one back pocket with flap. Lining - cotton and polyester fabric. Cotton manufacturers label, inside on back pocket lining, with black print information.Cotton label information - black ink print. "CONWAY BROS. PTY LTD/ ADELAIDE 1969/^/ CLASS 8405-66-025-6188/ SIZE WAIST 325/ MATCHING JACKET 37-395/ DRY CLEAN ONLY/ RE-PRESS ON ORIGINAL SEAMS/ Creases set by Si-va-set/ mending Patch attached/ NAME/ ARMY NO". NAME - HANDWRITTEN ON LABEL - BLACK INK - ILLEGIBLE.uniform, army, battle dress trousers

This card was sent to Australia during World War OneBlack and white photographic postcard of camels watering at wells in the desert in Egypt.Verso: Egypt September 14th 1916 To Mother This is very fine view of Camels watering taken a few hundred yards from our camp & is in what we call a dry salt lake, the top of the sand being damp is quite hard, You will notice a clear patch marked x this is a football ground. You will also notice the heavy sand & camps in the background. Billieworld war one, egypt, camels, salt lake, desert, mmm

Extinction Rebellion protest mural painted on the western wall of Platform 3095 cafe facing the railway station Prior to September 2016 a grouping of five trees were planted in the small garden bed on the western end of the cafe in two groups either side of the traffic sign which at that stage was the taller By October 2017 the five trees had doubled in height to about 1m above the roof line By April 2018 the trees were all about 2m above the roof line By August 2019 all five trees had been cut down and the wall was a mixture of paint patches from ongoing graffitti attacks By January 2020 the wall had been adorned with this mural which appears to have discouraged ongoing graffitti attacks but its message is tinged with irony that five healthy young trees were removed fay bridge collection, 2020-01-29, eltham, platform 3095, extinction rebellion

The patches and insignia belonged to Arthur COWLEY RAAF. He enlisted on 22.1.1942 age 18 years 6 months as No 50704 which was a ground staff No. From 12.2.1942 to 12.9.43 he went through various courses at Sale, Lake Boga, Somerset, Richmond and Adelaide. Finally accepted into Aircrew he embarked from Melbourne for Canada for training as a Bomb Aimer on 27.9.1943, arriving Canada via San Francisco 19.10.1943. He then attended Bomb Aimers Courses at Mossbank and Edmonton. Granted a Commission as a Flying Officer on 24.3.1943, embark for England 10.4.1944 and posted to various bases for advanced training. Finally on 7.3.1945 he is posted to No 462 Sqd RAAF flying Halifax Bombers in Bomber Command and begins operations from Foulsham. Arthur completes 8 missions before the war is over with Germany. Departs England 28.11.1945 for Australia and is discharged on 11.1.1946. .1) Bomb Aimers Wings, Cloth, dark blue background with White "B" and Wing. .2) Shoulder Badge, cloth, dark blue with light blue "Australia"& Eagle. .3) Rank Badge, light blue propellor on dark blue background. .4) Badge Shoulder, cloth, Australia light blue on a dark background. .5) Badge Shoulder, cloth, light blue eagle on a dark blue background.air force, raaf, badges uniform

Black and white film showing Legacy girls at Legacy House in 1958 rehearsing for a demonstration. Shows Enez Domec Carre instructing them, and an unidentified woman (possibly Miss Williams) giving them elocution lessons with the aid of a blackboard and a reel to reel tape recorder. She does not remove her hat and coat. The film starts with the girls assembled in rows with bowed heads as if they are listening to a prayer. Two Legatees mark a roll book as the girls file past them in the gym. They are wearing gym slips with a Junior Legacy Club logo patched onto the chest. They rehearse both dancing and singing. Black and white with no sound. 7 mins 8 secs. This film has been digitised to preserve its content. Melbourne Legacy gratefully acknowledges the support of the Victorian Government and Public Record Office Victoria for making this possible.A backstage look at the work which went into producing the annual demonstration in 1958.Silver metal canister with a film about Junior Legacy Girls on a metal spool.Handwritten into the canister lid, 'Legacy Junior girls 1958'. / Handwritten on spool, Legacy Junior Girls 1958. / Canister base, Lon P, Legacy Junior Girls 1958. /Canister base interior, ABV-2 Legacy ABV-2 Junior Girls 1958. girls' classes, annual demonstration, enez domec carre

Regent Honeyeaters get their name from their striking yellow-and-black plumage . Previously found across the south east of Australia far as Adelaide and Rockhampton in central Queensland, over the last thirty years their population has dwindled. Regent Honeyeaters are now only found between north-eastern Victoria and south-eastern Queensland, with only three known breeding grounds. Regent Honeyeaters typically live in eucalypt forests and woodlands. The yellow edging on the specimen's wings is duller than the bright yellow typical of most Regent Honeyeaters. The specimen is also stretched taller than most Regent Honeyeaters, resulting in a thinner neck and chest compared to the plumpness typically expected. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.The Regent Honeyeater is a critically endangered Australian bird due to the clearing of their natural habitat, particularly around the Yellow Box-White Box-Blakely's Red Gum Woodlands in New South Wales. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Regent Honeyeater has a dark brown/black crown with a distinct orange patch under each red-coloured eye. Its back and upper chest are also a dark brown but with a white scalloped pattern. At the lower are of its belly, the white colour dominates the brown. Its wings and tail are brown edged with yellow. Its beak is a short, dark brown curl and its legs are brown. The bird stands on a brown, wooden perch with a circular bar, curved stand, and circular base. It has an identification tag tied around its right leg.57a. / Warty-faced Honey-eater ./ See Catalogue, Page 18 ./taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, regent honeyeater, honeyeater, warty-faced honeyeater, australian birds, endangered birds, endangered animals

The name "HOLLOWAY' regarding RAAF - only one possible name for WW2.Jacket - dark blue colour wool serge fabric. This jacket has been adapted from a RAAF Service dress jacket to resemble a RAAF Battle Dress Jacket. possibly made in the Norther Territory or on the Islands WW2. Collar, shoulder epaulettes, long sleeves with cuffs and buttons, two front patch pockets with concealed button flaps. Waistband with belt strap and metal slide buckle to fasten jacket. Black colour Bakelite buttons front and cuffs. Mid blue colour cotton lining to pockets and waistband. White colour cotton manufacturers label.Manufacturers information - black ink print. "C.G.C.F. /A^F/ SIZE S". Handwritten blue ink pen "HOLLOWAY".uniform, raaf, battle dress jacket, ww2, holloway

Soft cover book. Soft cover - cardboard, black print on front and spine. Illustrated background, colour (light) picture of a landscape. Front below title - colour photograph of group of men marching on parade. Two men at front holding banner. Back cover in colour - "Rats of Tobruk" emblem. 172 pages, cut, plain white, illustrated black and white photographs, many portraits. End papers - colour copy. Extra paper - one, colour illustration of Siege of Tobruk" . Colour patches. Title page - donation information.Biography of Bendigo's Rats of Tobruk"books, military, ww2, local history

These items were put together to show a Light Horse Soldier in WW1. Near all are replicas..1) Slouch hat with feathers, pugaree, chin strap and blackened brass rising sun badge on upturned rim. .2) & .3) Gaiter (pair), leather with buckles at top and strap at lower end. .4) & .5) Boot (pair) .6) Jodhpurs, Brown colour complete with plastic buttons and leg laces. .7 Jacket, Battle, Kahki with 2 x “Australia” shoulder badges, 2 x “Rising Sun Epaulette Badges”, 2 x “Light Blue over Dark Blue Colour patches”, all metal buttons complete..1) in texta on inside leather band "PALMER", gold coloured print: "Mountcastle 1991, made in Australia" .6) Inside pants in texts “ALHA” .7) Inside on tag, “C.G.C.F AUSTRALIA 1961 size 54 D & D 9405 64-012 5469”uniforms-army cavalry, costume accessories-hat/footwear accessories, numismatics-badges-military

Drawing of three birds perched on twigs, with two twigs at top right and bottom of image. Bird at top left is blue, black and white, with long blue tail feathers. Bird at centre has yellow front with black head and white under beak and on neck. Tail feathers and wings are grey. Lower bird has red belly, white feathers under chin with red markings, black head and tail feathers, red patch on back and blue-black wings. Mounted in grey matt under glass in wooden frame.Front: (no inscriptions) Back: 1. Blue Wren. 2. Golden Whistler. 3. Eastern Spinebill (ink and coloured pencil). Collin E. Woolcock (upper left) (sticker, black pen).

This book could be described as the summing up of a theory of physical appearances, devised by a painter and demonstrated by paint. The foundation of this theory was laid down first in Paris by Max Meldrum early 1900s. A review calls the book "the most outstanding book on the craft of painting yet published in any language. Max Meldrum was born in Edinburgh, Scotland on 03 December 1875. His family arrived in Australia and Max Meldrum attended the National Gallery School, winning the Victorian Travelling Scholarship in 1899. It was deaccessioned and transferred from the Ballarat School of Mines library so would have been used by students and staff of the Ballarat Technical Art School, a division of the Ballarat School of Mines. Red fabric hard covered book of 298pp, includes colour plates that have been pasted into the book. The book inlcudes 11 colour prints and 11 line and tone diagrams. These diagrams in clude Major and Minor Dark and liLight Disturbances; Speed Values and Form; Complex Light Disturbance; Experiments in Definition and Inclination; Apparatus for the Analysus of Visual Phenomena by Distance; Set of Patches; Modern and Obsolete Methods of Approach, Tonal Analysis on "St John's Parad"'; Chromatic Analysis of "St John's Parade". This book was part of the Ballarat Technical Art School LibraryA review has been pasted in the front..max meldrum school, max meldrum, art, science of appearances, appearances, color plates, tonalism, ballarat school of mines library, ballarat technical art school

Baulch Family HistorySIgnificantKhaki Dress Jacket size ? Issued by Defence Department AustraliaSleeve (both sleeves) patches Red and Blue on a grey background. Brass "Australia" flashes on both shoulders. Corporal stripes and Star on Right sleeve. Australian medals x 4 on right chest: - 1939 - 45 Star, - Pacific Star, - 1939-45 Australian Service Medal, -War Medal. Rising Sun Collar badges x 2. Brass buttons (1 button missing lower front)

This album of Comradeship activities was compiled by Legatee Fred Holdsworth. It contains photographs, newspaper cuttings and ephemera relating to various “Comradeship” activities (social gatherings) held throughout the 1970s and early 1980s. Items included various events legatees participated in. First few pages had photos from a gathering at Cruden Farm on 15 May 1977. Cruden Farm was owned by Elisabeth Murdoch, the mother-in-law of Legatee Geoff Handbury. It appears there was a kite flying contest. Names are not listed. Three photos were from Queensland where Legatee Wal Escott had retired at Mundoona apartments, Noosa Heads, one photo shows him with Lorna Grimwade on 6/10/1979. There is a black and white photo of Max Armstrong, Rex Hall, Harry Burton, Warren Hardy riding horses in the Anzac Day march. The year is not known but an accompanying newspaper article mentions that they had been riding every year for 13 years on horses loaned by the police mounted branch. The newspaper clipping shows another photo of the four. A photo of seven legatees including David Carter were at the Numurkah Annual meeting in 1978. There are 8 photos of a gathering of Legatees and their wives at Stanhope in 1979. A photo of a Christmas party at Chaucers in 1979 was missing from the page, it has shown Choirmaster Reg Thomson and Choristers; Rob Allison, Bruce Hall, Les Patch, Bill Seager, David Syme and Ron Austin; with the M.C. being Fred Holdsworth. There was a trip to a trout farm in Alexandra Yea area in February 1978. At a comradeship evening there a photos showed the Comradeship committee of Harold Berg, John Cooper and Fred Holdsworth. Also photos from Anzac Night in 1980 and 1981. Plus other gathering at people's homes. A black and white photo of men in formal black tie, is from a night at the Windsor Hotel to farewell Sit Thomas White to become Australia's High Commissioner in London. Left to right are Sir Archie Michaelis, Sir John Latham, Sir Thomas White, Lt Col Donovan Joynt and Sir Stanley Savige. At the 1981 comradeship Christmas party, the held a 'this is your life' tribute to President Ken Green.The Comradeship photo album was put together by the Comradeship committee and records events that Legatees did and places they lived or visited. Some appear to be trips to visit other Legatees living overseas and social occasions held in different places. It shows the bond that Legatees have with each other.Brown vinyl photo album. The front cover is embellished with a double gold border. The album contains thirty pages bearing both colour and black and white photographs as well as newspaper clippings from various “Comradeship” events during the 1970s and 1980s.Inside cover - “A record of Comradeship activities / Fred Holdsworth” ? First page - “AT CRUDEN PARK / 15 May 1977” Third page - “CHAMP THE KITE MAN” Fourth page - “THE SHRINE 1977” / “THE CHAMP” / “REX” Fifth page - “Lorna Grimwade/ + Wal Escott/ at Noosa Heads, Q. / 6/10/79” Sixth page - “Max Armstrong, Rex Hall, Harry Burton, Warren Hardy” Seventh page - “Numurkah Annual 1978” / “ANZAC Night 1973” Eighth page - “STANHOPE 1979” Ninth page - “THE CHRISTMAS CHORISTERS at CHAUCERS CANTERBURY 1979.” / “FEARLESS FREDS FAMOUS FOLLIES. CHOIRMASTER. Reg Thomson. CHORISTERS. Rob Allison. Bruce Hall. Les Patch. Bill Seager. David Syme. Ron Austin. / M.C. Fred Holdsworth.” Tenth page - “ALEXANDRA YEA / ~ / FEBRUARY 1978” Eleventh page - “COMRADESHIP HIERARCHY 1979 / HAROLD BERG / DEP CHAIRMAN / JOHN COOPER / CHAIRMAN / FRED HOLDSWORTH / TREASURER” Twelfth page - “ANZAC NIGHT / ~ / 1980” Eighteenth page - “ANZAC NIGHT - 1981” Nineteenth page - “ANZAC NIGHT -1981” Twenty Second - “THIS IS YOUR LIFE / 1981 comradeship/ christmas party” comradeship, events, legatee event

Top Row, from left - Jude Kenny, Millie Travers, Steve McMillan, Mandy Press, Peter Butler, Trish Warwick, Ruth Barr, Thelma Barkway, Chris Cesari, Jan Chapman. Middle Row, from left - Craig Drowley, Marguerite Jones-Roberts, Pam Wortley, Helen Devlin, Gillian Barclay, Marion Francis, Pat Grundy, Bron Blake, Sam Sciacca, Glynn Davies. Bottom Row, from left - Katherine Kingsbury, Pauline Wilson, Lyn Boase, Susan Forbes, Carolyn Peterson, Marg Cant, Carmel Byrne, Lyn Mock, Keith McGinn. {Staff not present - Tracey Naughton, Mary Robertson, Georgina Riccardo, Sue Tucker, Marg Johnson, Ann Handley, Lorna Smith, Pat Anderson, Jan Chapman, Karen Johnstone, Mavis Spain, Sue Dearsley, Anthony McKenzie, David Jordan, Lloyd Hammond, Ken Wilson, Ian Patching, Nerida Kirov). Two colour photographs, laminated, with typed list of names 2 copies different sizes 22.5 x 27 cm laminated (12.5 x 20 cm photo) and 26.5 x 33 cm laminated (19 x 25.5 cm photo)Originally contained in an envelope with handwritten note on enveloe to Allan Baker dated 14 Dec 1987 "Enclosed for your use are staff photos of all departments. I've given each Champion of Committees copies for all their respective Councillor photos of Depts reporting to each committee. Outdoor staff photos will be taken next week and I'll make those available as soon as possible. Cheers (Undecipherable)"shire of eltham, council staff