A Spalding, "John Alexander" Impact-990 Model tennis racquet. Manufacturer's name along sides of shaft and on butt cap; endorser name across base of head and rest of model name along shaft. 'S' symbol spray-painted across net. Leather hand grip and white plastic butt cap. Materials: Wood, Metal, Lacquer, Glue, Ink, Nylon, Paint, Leather, Plastic, Adhesive tapetennis

A Spalding, "Doris Hart" Autograph Custom Model tennis racquet, featuring whipping around shoulders, leather handle grip with perforations, and a burgundy plastic butt cloth. Manufacturer's name across base of head; model name across throat. Fleur-de-lys symbol on throat. Wreathed 'S' trademark features on lower shaft. Materials: Wood, Metal, Lacquer, Glue, Ink, Nylon, Paint, Adhesive tape, Leathertennis

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.This round ‘Wattle Day’ button is edged with a green and yellow wattle design. It is inscribed with white capital latters on a blue background in the centre. The first ‘national’ Wattle Day was celebrated in Sydney, Melbourne and Adelaide on 1 September 1910. Public support for Wattle Day peaked during World War I, when it was a potent symbol of home for military personnel serving overseas, and a means of raising money for organisations such as the Red Cross."Wattle Day"wattle day, patriotic buttons, first world war (1914-18)

John Ash succeeded Thomas Harrison as the Australian Note Printer in 1927 and oversaw the printing of a new series of banknotes, known as the Ash Series. First issued between 1933 and 1934, the new banknotes sought to improve the currency's resistance to counterfeiting. A special watermark was created to increase the security of the new series. Shaped as a medallion, the watermark showed the profile of Edward, the Prince of Wales. A new portrait of the King was also introduced, depicting him frontally rather than in profile as he had appeared in the prior banknotes of the Harrison Series (1923-1925). The back of each denomination contained an individual vignette that reflected a sector of the country's economy. The wool and agricultural industries were represented, as they had been in the first series of the nation's banknotes (1913-1914), and they were joined by manufacturing and commerce. The prominent British sculptor, Paul Montford, contributed to the design of the new series. Recognised for his sculptural works on the exterior of Melbourne's Shrine of Remembrance, Montford was commissioned to produce relief sculptures that formed the basis of the banknotes' vignettes. His sculptures were translated into wash drawings by Frank Manley, the artist and engraver for the Commonwealth Bank's Note Printing Branch. Manley accentuated the sculpture's three-dimensional qualities with deep shadows and touches of illusionism. A sheep in Montford's pastoral scene, for example, stands forward from the frame as if entering the viewer's space to escape branding and Manley preserves this visual conceit in his drawing. Whereas the printing of the previous series of Australian banknotes had been criticised for its poor definition, the sculptural basis of the Ash Series clarified the banknotes' imagery. During a period of record unemployment, the scenes emphasised the strength of the human figure in gestures of labour, evoking classical, heroic qualities in their poses. The sculptural forms suggested stability in the turbulence of the Great Depression and imparted a sense of solidity to paper currency. - museum.rba.gov.auCommonwealth of Australia paper one pound note in green and white tones depicting graphics and text. The obverse has a framed design with a blank portal to the left and King George VI in the right portal. The centre shows the Australian Coat of Arms, serial number, and detail over one pound symbol on a mosaic background, with signatories below. The reverse features a framed pastoral scene with farmers tending sheep, with a blank portal to the right.Obverse: ONE / 1 / 1 / ONE / COMMONWEALTH OF AUSTRALIA / K / 58 / 790230 / K / 58 / 790230 / This Note is legal tender for / ONE POUND / in the Commonwealth and in all / Territories under the control of the / Commonwealth. / [signature] / GOVERNOR / COMMONWEALTH BANK ON AUSTRALIA / [signature] / SECRETARY TO THE TREASURY Reverse: 1 /1 / 1 / 1 / PASTORALcurrency, money, pound note, pastoral scene, industry, commonwealth of australia, paul montford, king george vi, frank manly, john ash

John Ash succeeded Thomas Harrison as the Australian Note Printer in 1927 and oversaw the printing of a new series of banknotes, known as the Ash Series. First issued between 1933 and 1934, the new banknotes sought to improve the currency's resistance to counterfeiting. A special watermark was created to increase the security of the new series. Shaped as a medallion, the watermark showed the profile of Edward, the Prince of Wales. A new portrait of the King was also introduced, depicting him frontally rather than in profile as he had appeared in the prior banknotes of the Harrison Series (1923-1925). The back of each denomination contained an individual vignette that reflected a sector of the country's economy. The wool and agricultural industries were represented, as they had been in the first series of the nation's banknotes (1913-1914), and they were joined by manufacturing and commerce. The prominent British sculptor, Paul Montford, contributed to the design of the new series. Recognised for his sculptural works on the exterior of Melbourne's Shrine of Remembrance, Montford was commissioned to produce relief sculptures that formed the basis of the banknotes' vignettes. His sculptures were translated into wash drawings by Frank Manley, the artist and engraver for the Commonwealth Bank's Note Printing Branch. Manley accentuated the sculpture's three-dimensional qualities with deep shadows and touches of illusionism. A sheep in Montford's pastoral scene, for example, stands forward from the frame as if entering the viewer's space to escape branding and Manley preserves this visual conceit in his drawing. Whereas the printing of the previous series of Australian banknotes had been criticised for its poor definition, the sculptural basis of the Ash Series clarified the banknotes' imagery. During a period of record unemployment, the scenes emphasised the strength of the human figure in gestures of labour, evoking classical, heroic qualities in their poses. The sculptural forms suggested stability in the turbulence of the Great Depression and imparted a sense of solidity to paper currency. - museum.rba.gov.auCommonwealth of Australia paper one pound note in green and white tones depicting graphics and text. The obverse has a framed design with a blank portal to the left and King George VI in the right portal. The centre shows the Australian Coat of Arms, serial number, and detail over one pound symbol on a mosaic background, with signatories below. The reverse features a framed pastoral scene with farmers tending sheep, with a blank portal to the right.Obverse: ONE / 1 / 1 / ONE / COMMONWEALTH OF AUSTRALIA / K / 58 / 790230 / K / 58 / 790230 / This Note is legal tender for / ONE POUND / in the Commonwealth and in all / Territories under the control of the / Commonwealth. / [signature] / GOVERNOR / COMMONWEALTH BANK ON AUSTRALIA / [signature] / SECRETARY TO THE TREASURY Reverse: 1 /1 / 1 / 1 / PASTORALcurrency, money, pound note, pastoral scene, industry, commonwealth of australia, paul montford, king george vi, frank manly, john ash

Small grey paperback book, with the title The Great Unknown printed in black lettering on the front cover with a decorative symbol. Underneath is, These narratives are true stories of my own life in the Australian Bush, 1888 - 1897. The author, L.O. Dowker Price One Shilling. The author writes about his life in the Australian Bush and working with station men and aboriginal people. There are a few black and white full page illustrations. 79p.non-fictionTrue narratives of the author's life in the Australian bush 1886 - 1897. The author tells of leaving England by sailing ship, and his life settling in Australia. He spent some time working with station men and aboriginals.australian bush, aboriginal peoples, bush stories australia

Very early representation of Clarendon College crest. According ot the Argus Thursday 4 October 1934 the crest of Clarendon College was arranged by the Rev Robert kennedy and Mrs Kennedy who founded the school in 1876. the lamp of knowledge stand on a shield which contains a book and star. the book is the open Bible and the star a symbol intended to guide to way in the search for truth.Unique itemSilver lapel pin with crest featuring uninscribed motto scroll and shield with lamp at top and open book and star on textured faceclarendon-college, crest, mrs kennedy, rev-robert-kennedy

These binoculars appear to have been made for use by service personnel, carrying a broad arrow symbol on the barrel. The inscriptions "MG" may indicate the manufacturer or initials of the owner. The service number 48582 may indicate that the pair was owned by Lionel James O'Dempsey, a Victorian who served as a Lance Sergeant with the 3 Light Anti Aircraft Regiment during the Second World War.Brass binoculars with cotton cord acting as strap, fastened via a knot on one side of a small loop cast into the side of the barrel. Two cone shaped barrels with circular convex glass disc on each wide end. Each barrel joined together via a joint platform approximately halfway and 9/10ths of the way up the binoculars. Binoculars can change shape by barrels swivelling on a central pin. Binoculars also zoom in and out (i.e. barrel reduces and expands) due to grooved dial in centre of pin. One eye piece missing on left side, right side intact but able to be unscrewed. Barrels are tinted green from copper corrosion and retractable barrel sections have black colouring in parts.Inscribed on centre platform between eye pieces "M G", in the direction of the wearer. On top of adjustable barrels: "[broad arrow] (right side)", "Mk VSP-/48582"second world war, worl war two, world war ii, binoculars, looking glass, surveillance

Navigation charts are drawn by professional hydrographers and describe the geography of land and water, enabling a water based navigator on board vessels such as ships to safely negotiate between ports locally and around the world. They are drawn to a particular standard with common symbols noting landmarks. The charts are used in conjunction with other navigational instruments and tools to calculate the vessel’s exact location and a safe route to its destination.The set of charts and their chart are of significance as examples of equipment and documents used to navigate the oceans of the world, particularly to Australia. Migration to Australia is an important part of this country's history.British Admiralty Navigation Chart - Portsmouth to Canary Islands - printed on rectangular white paper. Published in London by the British Admiralty in 1928.warrnambool, shipwreck coast, flagstaff hill, flagstaff hill maritime museum, flagstaff hill maritime village, chart, map, navigate, navigation, location, vessel, 1928, british admiralty, hydrographer, geography, admiralty chart, portsmouth, canary islands

A silk scarf souvenir from Egypt. It was embroidered with military symbols and a personal message from someone called William to Nellie. The connection with Legacy is not known. The founders of Legacy were all returned servicemen who returned from overseas service in World War One so would be familiar with similar sentimental souvenirs that were purchased in Egypt and sent home to loved ones.Founding Legatees would have been familiar with Egyptian souvenirs from World War 1.Purple and yellow fabric scarf with machine embroidered text, decorative flag and floral motifs and decorative brocade edging. Scarf is made from two panels of fabric (possibly silk) machine stitched together with '14th Inf. Batt / Souvenir / of Egypt / 1916 / From William to Nellie with best love' on front face. Similar items see 00182, 00179.Embroidered '14th Inf. Batt/ Souvenir of Egypt 1916. From William to Nellie with best love'.souvenir scarf, 14th infantry battalion, egypt, world war one

Blue perspex sign, rectangular in shape, with white adhesive printing. The Association's symbol of the stylised Guiding Light is in the top left hand side. Marked: Front of sign : "ASSOCIATION / FOR THE BLIND / NEW BEGINNINGS." The New Beginnings trademark was used from 1994 until 1999, to signify the changes that the organisation was going through. In 1999/2000, the organisation was renamed Vision Australia Foundation.Acrylic blue rectangular sign with white writing and AFB logoAssociation for the Blind New Beginningsassociation for the blind, signs and signboards

Life Governor certificates awarded to Elizabeth Maxwell (1989) and Neil Maxwell (1992). Elizabeth's certificate has black and gold writing, with a golden AFB Guiding Light symbol, and is signed by Diana J Jones and John Cook. Neil's certificate has black writing, with a black and blue AFB logo, with horizontal lines and a black 'Pacman', and is signed by John Moule and John Cook.2 styles of Life Governor certificates, awarded in 1989 and 1992non-fictionAssociation for the Blind Life Governor This is to certify that Elizabeth Maxwell Glen Iris was elected a Life Governor on the Twenty-Eighth day of August 1989 by Order of the Committee Diana J Jones - President John Cook - Secretary Association for the Blind Life Governor This is to certify that Neil Maxwell Glen Iris was elected a Life Governor of the Association for the Blind on the Eighteenth day of September 1992 by Resolution of the Committee John Moule - President John Cook - Secretaryelizabeth maxwell, neil maxwell, association for the blind

An example of a badge issued by Legacy in 2023 exclusively for the Torch Society members. The Torch Society are people that have made substantial donations to Melbourne Legacy and/or have left a bequest to Legacy in their Will. The badge of Legacy is the Torch and Wreath of Laurel. The Torch signifies the undying flame of service and sacrifice of those who gave their lives for their country. The Wreath of Laurel is the symbol of our remembrance of them. Example of a badge given in thanks to a small number of benefactors. Badge released in 2023 for the Torch Society of Melbourne Legacy. It is made of gold coloured metal with a separate butterfly clutch.torch society, benefactors, bequests

Examples of a Junior Legacy Melbourne Badge. These were worn by junior legatees. The age of the pins are not known. One has a safety device to protect wearers from the sharp point of the pin. The badge of Legacy is the Torch and Wreath of Laurel. The Torch signifies the undying flame of service and sacrifice of those who gave their lives for their country. The Wreath of Laurel is the symbol of our remembrance of them.A record of the badge given to junior legatees when they joined Legacy.Gold lapel stick pin x 12 of the Legacy torch with blue enamel containing the words Junior Legacy Melbourne.Imprinted 'Stokes' on reverse.junior legatee, membership

An example of a Junior Legacy Badge, it has tarnished to this dark colour. These were worn by junior legatees. The age of the pin is not known, though it appears older than the 10 pins at 01704. The badge of Legacy is the Torch and Wreath of Laurel. The Torch signifies the undying flame of service and sacrifice of those who gave their lives for their country. The Wreath of Laurel is the symbol of our remembrance of them.A record of the badge given to junior legatees when they joined Legacy.Tarnished lapel stick pin of the Legacy torch and the words Junior Legacy.Imprinted 'Stokes Melb' on reverse.junior legatee, membership

An example of a medallion issued by Legacy to commemorate centenary of the start of the first world war and Anzac service personnel. It features an image of a soldier with his head bowed. On the reverse is the Legacy torch and wreath. The emblem of Legacy is the Torch and Wreath of Laurel. The Torch signifies the undying flame of service and sacrifice of those who gave their lives for their country. The Wreath of Laurel is the symbol of our remembrance of them.A record of an item produced by Legacy to commemorate the centenary of start of the first world war.Round gold tone medallion with black enamel, image of a soldier with his head bowed and a matching badge with the Australian Army rising sun emblem. In a black cardboard box with a gold Legacy emblem.Embossed 'Legacy Caring for the families of Australia's incapacitated and deceased veterans' on reverse with the Legacy torch. Text 'Commemorating the Centenary of ANZAC 1915 - 2015' around the outside.medallion, souvenir, world war one, soldier, rising sun

Produced by Yarra Trams - Keolis Downer for the information of tram drivers, providing information on each tram route. Dated 12/2021. For each route gives details of the suburbs served, attractions, public hospitals and police stations. The fold out sheets lists every tram stop with with their stop number, stop id, zone and symbols regarding the location such as the Arts Centre. Demonstrates a Yarra Tram publication for the use of employees to provide information to passengers.Wire bound booklet, 24 foldout pages, + 1 sheet + card covers, titled "Network Guide"yarra trams, tram routes, tramways, routes, stop information

In the early days of flying in France, Armand Deperdussin and his aircraft designer, M. Bechereau, formed the Societe Pour Appareils Deperdussin, and designed and produced Deperdussin monoplanes of advanced design for the period. In 1912, the Australian Government ordered from the British Deperdussin Aeroplane Company, two single-seat trainers, Type A with 35hp Anzani Y-type three cylinder engine. These two aircraft were in the first batch of four aircraft ordered by the Commonwealth Government (the other two aircraft were BE-type biplanes). The recorded cost of the Deperdussin was 480 pounds each. The serial number CFS 5 identifies this aircraft as the 5th Australian Military aircraft. It is the oldest existing Australian aircraft. either military or civilian. Rectangular shaped glass covered picture frame with photo of the plane and pilot.RAAF AIRCRAFT 1921-1981. FIRST FOREBEAR The 1912 Deperdussin was the first military monoplane ordered for the RAAFs ancestor, the Central Flying School, Point cook.This historic aircraft is retained at the Australian War Memorial as a symbol of the nation's airpower genesis.deperdussin monoplane, australian military aircraft, lara r.s.l. australian flying corps, 1912 aircraft.

Several items were given by a seafarer, Mr Nicholas Garlick (1926-2009) into the care of Father Brady who retired from St Pauls Cathedral, Melbourne in 2018. Father Brady later donated the collection of; objects, documents and an extensive collection of cruise ship menus (1937-end of 20thC) to the Mission via the intermediary William Hastie, volunteer at the Mission for Seafarers.One of the reasons the gift has been accepted is because there are a number of items that relate to images or records of visits in the collection. Crews of ships such as the Orontes and the Orsova were regular donors to the Mission in the 20th century.A square silver ashtray with an undulating edge and indentations for four cigarettes.Upper side: 'Commonwealth Line of Steamers' encircling an Australian flag is stamped in the middle of the ashtray. On the underside: 'Triple dipped'/ over a 3-legged symbol/ 'Mappin & Webb's/ Princes Plate/ London & Sheffield'/ the letter S in a shield/ the number W18372.ashtray, silverware, mappin & webb, commonwealth government line of steamers, nicholas garlick (1926-2009), seamen, seafarers, sailors, smoking

This insulator disk for the high voltage carrying electrical cables was manufactured in 1964 and used by the SEC Vic (Kiewa Hydro Electricity Scheme) from that date until late 1900's. It was used to connect high voltage cables to their "towers" going from various Hydro Generators to and from power "stations". During this time period, high quality "cable" insulators were manufactured in Japan. In an earlier time they would have been sourced from Europe or England. After the 1950's the sourcing of electrical hardware was being influenced by the lower costs obtainable from Japan. Later on other Asian sources also became available.The need for a mountainous and a large area of operational requirements, such as the SEC Vic Kiewa Hydro Electricity Scheme, to distribute the electricity produced in the Victorian Alps to the major users required power transmission lines to "carry" high above the sometimes inaccessible land mass electricity generated at the power stations to the various sub stations along the valleys and ranges to flatter populated regions. The significance of this insulation "high voltage" disk to the Kiewa Valley region relates to the impact of modern technology (at that time) upon a mainly rural environment. These power lines are a stark visual "show" of the impact that the "Scheme" has on the mostly rural landscape of the Kiewa Valley and what a boost of "modern" equipment into the area has taken place. The "Hydro Scheme" had facilitated the transition of a semi rural area to an advanced rural region within a shorter time frame, than would have taken under "normal" evolutionary time. The speed of information of all "new technology" had a relatively slow assimilation rate before the SEC Kiewa Hydro Scheme came to those living in the then quieter rural communities. This high voltage (330 KV) insulation disk is made from non conductive porcelain stoneware. It is highly polished brown in colour and has a clip fastening for the high voltage cable to be attached to. This disk was hit by lightning and the burn marks are quite noticeable. The top metal connector has a "mushroom" extension jutting below the semi cone like insulation disk. Also four circular ridges or grooves (old 78 rpm disc recording style).Cable bell on top of insulation disk "4K " next to it the international symbol for electricity (triangle containing one horizontal line under one V line and one vertical flame like line.) On the opposite side "2" and to the right "64"sec vic kiewa hydro scheme, alternate energy supplies, alpine (above ground) high voltage electricity cables, volt cable, 330000 volt cable

This was the home of Sister Ann Elizabeth Dowsley, daughter of Thomas Dowsley and Mary McKay. She was born in St Arnaud in 1887. She enlisted on 22 August 1916. As a AANS Matron in WW1 she served in India. She was awarded a Royal Red Cross award for conspicuous services. She did not marry. She died in December 1960 at Caulfield. There is a photo of her in Punch, Thursday 31 August, 1916, p 21. REF: Laurie Newton - Ernest Lance Young and Beryl (nee Mair) bought the house from Sister Dowsley for £895 on their marriage in 1939 but sold it when Lance was sent to Darwin during his war service. Beryl purchased 11 York Street in later war years. This property was also significant for Ernest Lance Young and Beryl Mair. It may have been the childhood home of their children Barbara and Ken, but Laurie was probably born after they moved to York Street. Lance was born 24 March 1915 in Surrey Hills, the son of Ernest Augustus Young and Ruby Nichell Whitby. He married Beryl Mair in 1939 and died on 5 October 1999 at Mont Albert. Electoral rolls list him as a manufacturer. He is buried in Box Hill Cemetery (M-*-0867) along with his father. He served in WW2 (Service Number - VX104733 enlisting at St Kilda) and after returning took over his father's business. The Mair family were resident in Barton Street for several generations. Beryl's father Dave Mair was a keen sportsman and founder of the Kangaroo Social Club of cricketers. This is part of a large collection relating to the Mair, Deakin and Young families. Black & white photo of the street view of a Californian bungalow home set behind a picket fence and hedge. The house appears to be weatherboard and render with a terracotta tile roof and a simple chimney.In blue biro on rear: "Our first home", "Sister Dowsleys home at / Elgar Rd B Hill"; "YOUNG" In lead pencil on rear: " 3 (pound symbol) 895" Photographic processing stamps "14" and (?) "GRANVILLE PRINT" within a triangle. ann elizabeth dowsley, world war 1, nurse, elgar road, ernest lance young, beryl young, beryl mair

Unidentified note has the emblem of a Star and Crescent Moon which usually indicates it is of Islamic origin. Item is in the collection of Richard William McGILVERY, RAAF. Refer to Cat 7287P for service details. medals and awards.A one unit note of currency. Writing on note in some type of Arabic script. Emblem of Star and Moon on the note which usually represents Islam. Dark blue on white paper and white cloud in middle with Arabic writing. On the back are two images side by side in blue. First is some buildings see through Greek columns. Second is a clear circle with the edge containing geometric symbols. The note has been torn into 2 parts.No. 1 in corner and some unidentified Arabic script.foreign currency, richard william mcgilvery

This Great Britain shilling is dated 1819, the year before King George III died. There were over 7 million of these coins minted. King George III succeeded his grandfather, King George II, on the throne in 1760. He reigned until his death on 29th January 1820. The shield in the centre of the reverse of the coin is the Hanoverian Shield, showing that the House of Hanover was elected to the crown rather than taking the crown as a victory. This coin’s denomination is not inscribed on the coin but it has been identified as a shilling from information about the King George III currency 1816-1820. - The 6 pence coin is 19mm - This Shilling is 24mm (the same size as this coin) - The Half Crown is 32mm British coins such as this one shilling were in circulation in the colony of Australia until 1910, when the Commonwealth of Australia began producing its own coinage. This coin was minted by the Royal Mint at Royal Mint Court, in Little Tower Hill, London, England. Coins for circulation in the Kingdom of England, Great Britain and most of the British Empire were produced here until the 1960’s when the Royal Mint shifted location to Wales. The obverse side of the coin’s inscription translation is “George III by the Grace of God, King of the British territories, Defender of the Faith”. The engraver of the obverse image was Benedetto Pistrucci. The reverse side’s inscription on the coin is translated "Evil to him who evil thinks” The engraver of the reverse image was Thomas Wyon. AUSTRALIAN CURRENCY The early settlers of Australia brought their own currency with them so a wide variety of coins, tokens and even ‘promissory’ notes (often called IOU’s) were used in the exchange of goods and services. In 1813 40,000 silver Spanish dollars, purchased by the English government, were delivered to Sydney to help resolve the currency problem reported by Governor Macquarie. The coins were converted for use by punching a hole in the centre of the coin. Both the outer ring, called the holey dollar, and the punched out ‘hole’, called the dump, were then used as the official currency. The holey dollars hold the place of being the first distinctively Australian coins. In 1825 the British Government passed the Sterling Silver Currency Act, making the British Pound the only legal form of currency in the Australian colonies. Not enough British currency was imported into the colony so other forms of currency were still used. In the mid 1800’s Australia entered the Gold Rush period when many made their fortunes. Gold was used for trading, often shaped into ingots, stamped with their weight and purity, and one pound tokens. In 1852 the Adelaide Assay Office, without British approval, made Australia’s first gold coin to meet the need for currency in South Australia after the Gold Rush began. In 1855 the official Australian Mint opened in Sydney, operating as a branch of the Royal Mint in London, and the gold was turned into coins called ‘sovereigns’. Other branches also opened in Melbourne and Perth. Up to the time Australia became a federation in 1901 its currency included British copper and silver coins, Australian gold sovereigns, locally minted copper trade tokens, private banknotes, New South Wales and Queensland government treasury notes and Queensland government banknotes. After Federation, the Australian government began to overwrite privately issued notes and prepared for the introduction of its own currency. In 1910 a National Australian Currency was formed, based on the British currency of ‘pounds, shillings and pence’ and the first Commonwealth coining was produced. In 1966, on February 14th, Australia changed over to the decimal currency system of dollars and cents. Australia did not have its own currency in the colonial times. Settlers brought money from other countries and they also traded goods such as grain when currency was scarce. For a long time there was no standardised value for the different currencies. In 1825 British currency became the only official currency in the colony of Australia and coins such as this silver shilling were imported into Australia to replace the mixture of foreign currency. Australia became a Federated nation on 1st January 1901. In 1910 National Australian Currency was formed and Australia produced its own currency, based on the British ‘pounds, shillings and pence’. The British currency was no longer valid. This silver shilling is of national significance as it represents the British currency used in Australia from 1825-1910. Coin, Great Britain shilling, 1819. Silver coin, round. Obverse; King George III head, looking right. Reverse; crown on top of quartered shield, 2 diagonally opposite quarters both show 3 lions, another quarter has a rampant lion, another quarter has a harp; in the centre of the shield is a small crowned shield with 3 symbols that appear to be lions. Inscriptions on both sides of coin (denomination not inscribed).Obverse “GEOR . III D . G . BRITT . REX F . D .” and “1819” Reverse “HONI . SOIT . Q [UI obscured] . MAL . Y . PENSE” flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, coin, currency, money, legal tender, australian currency history, royal mint, great britain shilling 1819, king george iii currency, colonial australia currency, benedetto pistrucci, thomas wyon, numismatics

This Great Britain shilling is dated 1819, the year before King George III died. There were over 7 million of these coins minted. King George III succeeded his grandfather, King George II, on the throne in 1760. He reigned until his death on 29th January 1820. The shield in the centre of the reverse of the coin is the Hanoverian Shield, showing that the House of Hanover was elected to the crown rather than taking the crown as a victory. This coin’s denomination is not inscribed on the coin but it has been identified as a shilling from information about the King George III currency 1816-1820. - The 6 pence coin is 19mm - This Shilling is 24mm (the same size as this coin) - The Half Crown is 32mm British coins such as this one shilling were in circulation in the colony of Australia until 1910, when the Commonwealth of Australia began producing its own coinage. This coin was minted by the Royal Mint at Royal Mint Court, in Little Tower Hill, London, England. Coins for circulation in the Kingdom of England, Great Britain and most of the British Empire were produced here until the 1960’s when the Royal Mint shifted location to Wales. The obverse side of the coin’s inscription translation is “George III by the Grace of God, King of the British territories, Defender of the Faith”. The engraver of the obverse image was Benedetto Pistrucci. The reverse side’s inscription on the coin is translated "Evil to him who evil thinks” The engraver of the reverse image was Thomas Wyon. AUSTRALIAN CURRENCY The early settlers of Australia brought their own currency with them so a wide variety of coins, tokens and even ‘promissory’ notes (often called IOU’s) were used in the exchange of goods and services. In 1813 40,000 silver Spanish dollars, purchased by the English government, were delivered to Sydney to help resolve the currency problem reported by Governor Macquarie. The coins were converted for use by punching a hole in the centre of the coin. Both the outer ring, called the holey dollar, and the punched out ‘hole’, called the dump, were then used as the official currency. The holey dollars hold the place of being the first distinctively Australian coins. In 1825 the British Government passed the Sterling Silver Currency Act, making the British Pound the only legal form of currency in the Australian colonies. Not enough British currency was imported into the colony so other forms of currency were still used. In the mid 1800’s Australia entered the Gold Rush period when many made their fortunes. Gold was used for trading, often shaped into ingots, stamped with their weight and purity, and one pound tokens. In 1852 the Adelaide Assay Office, without British approval, made Australia’s first gold coin to meet the need for currency in South Australia after the Gold Rush began. In 1855 the official Australian Mint opened in Sydney, operating as a branch of the Royal Mint in London, and the gold was turned into coins called ‘sovereigns’. Other branches also opened in Melbourne and Perth. Up to the time of Australia becoming a federation in 1901 its currency included British copper and silver coins, Australian gold sovereigns, locally minted copper trade tokens, private banknotes, New South Wales and Queensland government treasury notes and Queensland government banknotes. After Federation the Australian government began to overwrite privately issued notes and prepared for the introduction of its own currency. In 1910 a National Australian Currency was formed, based on the British currency of ‘pounds, shillings and pence’ and the first Commonwealth coining was produced. In 1966, on February 14th, Australia changed over to the decimal currency system of dollars and cents. Australia did not have its own currency in the colonial times. Settlers brought money from other countries and they also traded goods such as grain when currency was scarce. For a long time there was no standardised value for the different currencies. In 1825 British currency became the only official currency in the colony of Australia and coins such as this silver shilling were imported into Australia to replace the mixture of foreign currency. Australia became a Federated nation on 1st January 1901. In 1910 National Australian Currency was formed and Australia produced its own currency, based on the British ‘pounds, shillings and pence’. The British currency was no longer valid. This silver shilling is of national significance as it represents the British currency used in Australia from 1825-1910. Coin, Great Britain shilling, 1819. Silver coin, round. Obverse; King George III head, looking right. Reverse; crown on top of quartered shield, 2 diagonally opposite quarters each show 3 lions, another quarter has a rampant lion, another quarter has a harp; in the centre of the shield is a small crowned shield with 3 symbols that appear to be lions. Inscriptions on both sides of coin (denomination not inscribed).Obverse “GEOR . III D . G . BRITT . REX F . D .” and “1819” Reverse “HONI . SOIT . Q [UI obscured] . MAL . Y . PENSE” flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, coin, currency, money, legal tender, australian currency history, royal mint, great britain shilling 1819, king george iii currency, colonial australia currency, benedetto pistrucci, thomas wyon, numismatics

The Kerosene lamp was one of the most common oil lamps used and was manufactured until the 1980s. The Anchor Lamp design was used for marine purposes in the days of sailing ships when a ship at anchor or sailing in the dark was required to display a white light on the top of its main mast. The Anchor Lamp's top loop was for a rope to hoist it up the mast, and ropes through the two bottom loops to anchor it in place and prevent it from swaying. The light could be seen by ships up to 20 miles away due to the magnification of the Fresnel glass lens. This lamp in our collection has a design is similar to the early marine designs but its finish and materials resemble lamps made in the 20th century to represent the older ones. The etched "20" on its cover could represent the 20-mile distance the light could shine, and the "↑" Broad Arrows could represent a maritime navy ship. The lamp is an example of 19th and early 20th-century Anchor Lamps fueled by kerosene and used onboard ships when at anchor or sailing at night.Kerosene lamp; This Anchor Lamp design has a brass frame, a handle with a loop at the top, a rail around the base two opposing loops, and a kerosene burner and tank with ventilation holes around it. A clear glass Fresnel 360-degree lens covers the burner. It is an All Round design. The brand Anchor is inscribed on a plate fixed to its brass cover. An etched inscription on the cover includes the Broad Arrow symbol identifying government property.Engraved plaque: "Anchor" brand. Etched into the metal: "↑20↑"warrnambool, shipwreck coast, flagstaff hill, flagstaff hill maritime museum, flagstaff hill maritime village, kerosene lamp, lighting, ship light, anchor lamp, marine technology, marine lamp, 20 mile light, broad anchor, oil lamp, whale oil lamp, ↑

Clothing. Lapel pin with three metal bars in a brass-like finish, across a 4.5 cm long ribbon. The ribbon has a burgandy coloured stripe, 7.5 cm wide at either side with a 1.75 cm light blue stripe in the centre. A floral design on each of the clasps. A 2.25 cm long x 2.cm wide at the top, plastic/perspex shape, with black Lodge Symbols hang from the suspender at the base of the ribbon.costume, male, lodge regalia sash pin

Glass engraved trophy in black presentation box. Trophy awarded to Val Campbell in recognition of 50 years of involvement with The Bendigo East Swimming Club. Box is black cardboard lined with black foam. Trophy is a triangular shape made of glass and engraved with the swimming club symbol of a dolphin and the words Presented to Val Campbell Congratulations on you 50 years of involvement with The Bendigo Swimming Club. The edge of the trophy has been bevelled on two sides.recreations, sports, swimming

MOK001.1 - MOK001.10 Methodist Order of Knights Pages yellow cotton shields with a vertical light blue ribbon and a navy blue vertical ribbon. Each shield has an officer bearer's metal symbol in the top right quadrant. The collar is of white cotton. MOK001.1 Court Leader; MOK001.2 Dean; MOK001.3 Marshall; MOK001.4 Secretary; MOK001.5 Chancellor; MOK001.6 Companion; MOK001.7 Provost Marshall; MOK001.8 Marshall; MOK001.9 Guardian; MOK001.10 Minstrel.methodist order of knights

The Cross of Honour of the German Mother (German: Ehrenkreuz der Deutschen Mutter), referred to colloquially as the Mutterehrenkreuz (Mother's Cross of Honour) or simply Mutterkreuz (Mother's Cross), was a state decoration conferred by the government of the German Reich to honour a Reichsdeutsche German mother for exceptional merit to the German nation.Eligibility later extended to include Volksdeutsche (ethnic German) mothers from, for example, Austria and Sudetenland, that had earlier been incorporated into the German Reich. The decoration was conferred from 1939 until 1945[5] in three classes: bronze, silver, and gold, to Reichsdeutsche mothers who exhibited probity, exemplary motherhood, and who conceived and raised at least four or more children in the role of a parent. A similar practice, that continues to this present day, was already established in France since 1920, by conferring the Médaille de la Famille française (Medal of the French Family), a tribute to the French mother who raised several children in an appropriate way.The cross design is a slender elongated form of the Iron Cross or cross pattée and very similar in design to the Marian Cross of the Teutonic Knights Order (Marianerkreuz des Deutschen Ritterordens), enamelled translucent-blue with a slim opaque-white border. Resting on the centre radiant starburst rays is a metal roundel decorated with the words ”DER DEUTSCHEN MUTTER” (In English: TO THE GERMAN MOTHER) around an enamelled black straight centred “swastika” symbol, infilled white enamel. Der Deutchen Mutter on front 16 Dezember 1938 by H...… ??german medal, the cross of honour of the german mother, ehrenkreuz der deutschen mutter, mutterehrenkreuz, reich, third reich, german reich, mutterkreuz

Yields information about the appearance of Sturt St in the early 1950's, tram operations, buildings and motor vehicles.Postcard - black and white - titled The Rose Series P13490, Sturt St Ballarat Vic, looking west up the Sturt St Hill from Grenville St. Tram 30 is in the loop showing destination of City. A divided back postcard with the rose symbol, publisher details on the left side and that it is a real photograph. In the view are Patersons, the Carlyon's Hotel, The Mechanics Institute and the Odeon Theatre, Motor Spares Limited and other buildings through to the Town Hall.trams, tramways, sturt st, grenville st, tram 35