Jonathan Harris operated a winery on the banks of the Axe Creek, Axedale in the 1850s.A pitchfork with three Metal prongs that are one centimeter diameter at the top of the handle and taper to a point, the two outside ones are 34 centimetres long and are 16 centimetres apart they curve to the top of the handle, the middle one is 30 centimetres long and is joined the other two at the top of the handle. The three prongs curve away from the handle to 14 centimetres from the line of the handle. The wooden handle is four centimetres diameter at its widest and tapers to three centimetres, it is135 centimetres long. Part of the Harris Collection.harris collection, pitchfork

Used by donor's father in Australia.Carpenter's/wood worker's plane - wooden hand grip & wooden knob; screw for adjusting metal blade, metal base plate.'STANLEY' embossed on metal front plate /'BAILEY', No. 4 1/2 on base plate.carpentry, stanley works, woodwork

Jonathan Harris operated a winery on the banks of the Axe Creek, Axedale in the 1850s.A large metal rake with a wooden handle. The head 67 centimetres across two centimetres wide and one centimetre wide. attached to it are 12 square tines that are one centimetre square, tapering to half a centimetre and are five centimetres long. It has some yellow paint on it. The wooden handle is 144 centimetres long and three centimetres diameter. Two thin strips of two centimetre wide thick wire have been added. Part of the Harris Collection.harris collection, large rake

Jonathan Harris operated a winery on the banks of the Axe Creek, Axedale in the 1850s.A metal rake with a wooden handle. The head is 25 centimetres across with eight half centimetre diameter tines that are seven centimetres long. the wooden handle is 152 centimetres long and three centimetres diameter, the top 20 centimetres is painted black. Part of the Harris Collection.harris collection, rake

Used within the Nicholls family.A wooden carpenter's ruler folds into four nine-inch sections with precision made brass hinges.Paper label inscribed 'Please keep. Donated by Harry Nicholls. woodwork, carpentry, rulers, measurement

Wandin Thomas Sebire JP (1867-1960) learnt boot-making as a young man. In a small workshop on his property in Sebire Avenue, Wandin he made boots for family, friends & neighbours. He also repaired boots & made other small leather articles. Bootmaking is a complex process requiring a variety of tools. The leather is cut to shape, glazed & burnished (polished) with heated irons. The pieces are stretched onto, & nailed to, a wooden last to form the boot. Once attached to the insole, the boot is finished on a metal last. Uppers are stitched with waxed thread through holes made with an awl. Heels comprise pieces nailed together & neatened with a heel shave. Metal plates, short nails or hob nails driven into the sole & heel, often in a pattern, improved durability.2 pairs of handmade, adult brown leather boots, with decorative stitching, eyelets and stitched with waxed thread. Soles covered with hob nails in a decorative pattern. 1 handmade child's brown leather boot, with decorative stitching, metal eyelets, heel has patterned nails.bootlaces, boots

Standard issue multi-use tool as used by Australian servicemen during the conflict in Vietnam (1962-1972).Metal hinged shovel with green wooden handle which adjusts to various anglesentrenching tool, pick, shovel, vietnam

Bushfire perimeter rather than bushfire area is the main control problem for firefighters on the ground. A conundrum rapidly compounded by spot fires. A small 5 ha fire can be nearly 1 km around the perimeter. That's a long way to build a control line by hand in rough bush. Dry firefighting techniques by hand were mostly confined to “knocking down” or “beating out” the flames, as well as "digging out". Digging or raking a “mineral earth” trail down to bare dirt proved most effective in forest fuels which, unlike grass, tend to retain heat and smoulder. Early tools were whatever happened to be close at hand. They were simple and primitive and included shovels, slashers, axes, hoes, beaters and rakes. A cut branch to beat the flames was often the only thing available. Farming and logging tools, developed over centuries of manual labour, and readily available at local hardware stores came into use, but little thought was given to size, weight, and balance. This canvas hose beater was based on a century-old design which used lengths of canvas fire hose rivetted together and lashed with wire to a broom handle. The hose was be soaked in water to improve its effectiveness. If the flames were more than a metre or so the user was generally not able to get close enough to extinguish the fire It's recommend that users lift no more than above knee height to conserve energy and let the beater to the work. For years foresters experimented with combination tools. In about 1952 fire beaters and other implements were being replaced with Rakuts and later RakehoesEarly firefighting toolBushfire beater - Canvas with wooden handleR P PWD (Public Works Department) The handle has painted markings which indicate which FCV District it belonged to.bushfire, forests commission victoria (fcv)

Bushfire perimeter rather than bushfire area is the main control problem for firefighters on the ground. A conundrum rapidly compounded by spot fires. A small 5 ha fire can be nearly 1 km around the perimeter. That's a long way to build a control line by hand in rough bush. Dry firefighting techniques by hand were mostly confined to “knocking down” or “beating out” the flames, as well as "digging out". Digging or raking a “mineral earth” trail down to bare dirt proved most effective in forest fuels which, unlike grass, tend to retain heat and smoulder. Early tools were whatever happened to be close at hand. They were simple and primitive and included shovels, slashers, axes, hoes, beaters and rakes. A cut branch to beat the flames was often the only thing available. Farming and logging tools, developed over centuries of manual labour, and readily available at local hardware stores came into use, but little thought was given to size, weight, and balance. This leather beater was based on a century-old stockman's design which used green cow hide leather lashed to a broom handle. It's recommend that users lift no more than above knee height to conserve energy and let the beater to the work. For years foresters experimented with combination tools. In about 1952 fire beaters and other implements were being replaced with Rakuts and later RakehoesEarly firefighting toolBushfire beater - Leather with wooden handlebushfire, forests commission victoria (fcv)

Honing stones or sharpening stones are often included in a carpenter's and woodworkers tool kits to keep tool blades sharp.The sharpening stone is an example of carpentry equipment used to sharpen tools and blades in the 19th and 20th centuries.Sharpening stone, also called an oil stone, whetstone, or honing stone. Rectangular stone is semi-recessed in a wooden block with another block on top that forms a lid. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, sharpening stone, oil stone, blade sharpeing, tool, whet stone, whetstone, honing stone

Sharpening stones are part of a carpenter or woodworker's took kit so that blades of tools can be kept sharp.The sharpening stone is an example of equipment used in the 19th and 20th centuries by woodworking tradesmen.Sharpening stone, sometimes called oil stone, whetstone or honing stone. Rectangular block of stone within a recessed wooden block, with a matching wooden lid.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, sharpening stone, whet stone, honing stone, oil stone, carpenters tools

This Hammer was found circa 1950 's under the floor of the original Guthrie residence, 2 Liebig Street, Warrnambool.An example of builder's toolThis is a Wooden handled claw hammerhammer, guthrie, guthrie residence, liebig street, warrnambool

Farming tool used for feeding out fodder in stables and sheds+as sold by Holden and Frostwooden handled steel head pitch forkfarming, fork

Farming tool used to move fodder in fields, sheds and stablesObject holds strong farming significance circa 1900Two pronged steel pitch fork with wooden handlefarming, fork

This item was used to measure accurately the length of cloth on a bolt of material without unwinding it. It also measured lace, all types of textiles and spools of ribbon. It is surmised it would have been used in general stores or department stores in the late 19th and early 20th centuries. This item was discovered in the late 1980s behind an old safe at Swintons Stores in Timor Street in Warrnambool. The item appears to have been used extensively and would have been very useful during a stocktake. It may have been used in the Swinton Stores which were first established in Timor Street in 1865 with one section of the stores selling furnishings, furniture, clothing and clothing materials. The item was manufactured by A.E. Putnam of Iowa, U.S.A. There was a patent registered in 1896 and a later 'improved' model with a patent date of 1907. This item is of considerable interest because of its rarity and survival, its connection to Warrnambool General Stores in the past and its value as a research tool in local social and economic history. The possible connection to Swintons Stores is important as this business operated from 1865 to 2024 and was one of the longest-surviving family businesses in Australia. This is a rectangular-shaped wooden pole with one slightly flattened side and numbers marked on each side in patterns resembling brick walls. At the top of the pole are two wooden pieces attached to the pole by metal clips held by screws. The two wooden pieces are attached at a slight angle to the pole. The lower wooden piece is movable along the pole and has incised numbers. The wooden pieces are rectangular in shape with a large curved piece cut out to form the shape of a pennant. The maker's name is incised into the metal on the top attached wooden piece. Putnam's Cloth Chart Copyrighted 1896 Patent Pend'ggeneral stores in warrnambool, swintons stores in warrnambool, vintage measuring instrument for cloth

BHS CollectionSmall metal handle in an S shape with a wooden shaped piece to turn it with. 5 mm hole in one end where it fits onto shaft.small handle

Small hand 'stanley' drill with red dial with a handle and a wooden knob. A '104' drill, has a handmade replacement handle.C0525 0255 on Dialtools, hand drill, stanley

Two Hand made wooden staves, approximately 1800cm long. One staff has a plaited wicker trim around the handle. The foot is marked with circular stripes. The other staff has a carved handle with carved circular rings. This item was formerly #28staves, staff, handmade weapon

The Eltham Community and Reception Centre was Australia's first public mud-brick building. Commissioned in 1977 by Eltham Shire Council, led by Shire president (and architect) Robert Marshall, architects Whitford and Peck were asked to design a multipurpose facility in mud-brick and timber. The official opening was performed by the Hon. R.J. Hamer; E.D., M.P., Premier of Victorai on Saturday, April 22, 1978. Architects: Whitford & Peck Pty Ltd Quantity Surveyor: D.J. Cant & Associates Structural Civil Engineers: Charlett & Moore Pty Ltd Landscape: Peter Glass, Dennis Edwards Mech Elec: Lobley Treidel & Partners Pty Ltd Acoustics: Riley Barden & Kirkhope Builder: L.U. Simon Pty Ltd Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p177 The Wiggles performed there, so has the ABC’s Play School. New citizens have made their vows, volunteers have been honoured, school children have performed, weddings celebrated and people mourned at funerals. Since 1978 the Eltham Community and Reception Centre at the corner of Pitt Street and Main Road, has provided a beautiful and quintessential Eltham environment for people from all over Melbourne. Recognised as Australia’s first public mud-brick building, the centre was built partly on the site of the parsonage of the former Methodist Church (now the Uniting Church).1 Commissioned by the Eltham Council headed by President Robert Marshall, architects Whitford and Peck were asked to design a multipurpose facility in mud-brick and timber. Following public consultation, it was agreed to build a centre for dances, exhibitions, films, plays or concerts. The results – at a cost of around $620,000 – captured the Eltham rustic style. The building – in soft tones of mud-brick and timber and immense floor-to-ceiling windows – overlooks the Diamond Creek and sporting fields. Eltham’s strong artistic heritage is reflected in the centre. Although the lighting is not ideal for a gallery and labels cannot be placed on walls, the centre hosts the Nillumbik Art Awards and displays around ten to 20% of the Nillumbik Shire Art Collection, usually for around a year at a time.2 On permanent display, close to the entrance, is local artist Clifton Pugh’s White Choughs in the Landscape. Further to the right is the Walter Withers Gallery, named after a local member of the Heidelberg School of artists. As part of the Eltham Gateway opposite the Eltham Hotel, the centre stands on what was once part of the Eltham Town Centre along this section of Main Road, then known as Maria Street. On the same site once stood the house and flour mill owned by Henry Dendy, best known as the founder of Brighton, although he lived longer in Eltham. Beside the drive is a wheel-rim tool with accompanying plaque, illustrating a technology important during the horse-powered age and now almost completely gone, as has the blacksmith’s shop that had housed it nearby. The implement is a platform for fitting iron tyres to the wooden rims of cartwheels. Beneath it is a capsule placed in 1985 to commemorate Victoria’s 150 years, which is to be opened in 2035. Although the plants, forming part of the landscaping by Peter Glass and Denis Edwards, are largely indigenous and other native species, some exotic plants are protected as an important link with the site’s past. Planted at the front around 1920, is a large Peppercorn tree with two joined trunks growing from the base, and close by is a Bhutan Cypress (Cupressus torulosa). Three other Peppercorn trees fringe the drive. The building includes two halls – the larger seating 250 people – and a large foyer overlooking trees and ovals. Both halls have retractable rear walls providing varying spaces as required, and guests can use several external decks. A site for outdoor theatre has been carved out of the natural slope outside the entrance. The Bricklayers Union refused to use the traditional mud-bricks, which weigh more than 22kg. As a result the mud-bricks were redesigned to reduce their weight and were laid back-to-back to produce a wall of normal thickness.3 The centre’s massive timber frame is reminiscent of timber bridge construction, with infill panels of mud-brick.4 In accord with the rustic style are colossal rough-sawn posts, bolts and steel brackets. The combination of mud-brick, exposed feature timber framing and creative design in this centre, characterises Eltham’s innovative buildings and the social movement behind them from the 1940s to the 1970s.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham community and reception centre, mudbrick construction

Metal spade with wooden handlePlaque on handle: "Donated by the Prime Minister, Mr. Bob Hawke for Let's Right the Yarra 1986garden tools, bob hawke, prime minister, ceremony, let's right the yarra

Type of sickle used by Mr. Slater at his property 'Mitcham Grove' North Blackburn. A lavender farm.Large curved sharpened steel blade with a wooden handle.Austriarural industry, agriculture

Black box containing a Matrix Braille writing machine, with a paper spool attached to the feeding mechanism. The front portion of box is hinged and lifts up to reveal keyboard. Top half of box lifts to reveal Braille writer which is bolted to a wooden base that can be lifted out. The base is secured with a metal latch. Machine has black keys and the wooden case has black leather-like covering, hinged lid, metal clasps, and leather handle on the side. "Model G, Matrix, Coventry Gauge & Tool Company, Ltd., No. 792, For The Royal National Institute for the Blind, London W.I." is stamped on the front,Black vinyl-covered case containing black metal writer and paper spool"Model G, Matrix, Coventry Gauge & Tool Company, Ltd., No. 792, For The Royal National Institute for the Blind, London W.I." is stamped on the front.braille equipment, royal national institute for the blind

a early tool used to press wine corks a wooden object used to press wine corks handle that moves in and out a hollow sectionmildara wines, cork press

barrel bung extractor tool used to extract ream holes often sealed with hessian in hogshead ( Wine Barrel )a metal pipe with a screw at end and a wooden handle mildara wines, wine, tools

Saw used in the RVIB workshop. It has wide teeth on one edge and narrower teeth on the opposite side of the blade. The handle is made of resin with three rivets holding the handle to the blade.1 metal saw with wooden handle and dual bladesroyal victorian institute for the blind, employment

Hand tillage implement for research on small holding plotsMintern No300A Seeder - Two long wooden handled, pedestrian directed, tillage implement with metal seed hopper attachment. Small cast metal spoked front wheel with chassis. Metal painted Red.Small Metal front wheel part no. K694. Tillage part no. K712, Seed Hopper part no. AP803, Attachment for seed hopper part no. 6539X Metal wheel cog driver fro seed hopper operation part no. K721mintern, hand plough, tillage, seeder