This book has been written by Walter Murdoch and it is the publication of two lectures given by Murdoch in 1937 (the John Murtagh Macrossan Memorial Lectures). John Murtagh Macrossan (1833-1891) was a Queensland politician who for some time held the seat of Townsville in the Queensland Parliament. He was born in Ireland and came to Australia in 1853, spending some time in the mining regions of Queensland. With Samuel Griffith he attended the first National Convention on Federation in 1891. Walter Murdoch (1874-1970) had a distinguished academic career and became Australia’s best-known essayist. He was a household name to two generations of Australians through his radio broadcasts and syndicated literary columns in several Australian newspapers. In 1901 Walter Murdoch came to Warrnambool and went into partnership with James Scott as proprietors of a private school, Warrnambool College. They bought out Stanley’s Warrnambool Grammar School and when Scott retired Murdoch became the sole proprietor and Head Master of Warrnambool College. While in Warrnambool in 1903 Murdoch wrote a school history book called ‘The Struggle for Freedom’, a book which sold 10,000 copies in its first year. Murdoch later became an English lecturer at Melbourne University and then the foundation Professor of English at the University of Western Australia. Murdoch University in Western Australia is named after him. He published over 40 books and he was knighted in 1964. This book is of interest as it was written by Walter Murdoch. He not only has a national reputation as an academic and writer but also he spent some time in Warrnambool and played his part in our history. This is a soft cover book of 66 pages. The cover was originally blue but is much faded, especially on the spine. The print on the cover and spine is dark blue and there is an ornamental edging on the front cover. The back of the cover has an advertisement for other Walter Murdoch books. The pages of the book are stained and the binding on the spine has broken away. walter murdoch, john murtagh macrossan, history of warrnambool, warrnambool college (early 20th century)

This book of poetry by E. J. Brady was originally published by the Bulletin Newspaper Company (Sydney) in 1899,Later it was reprinted by Thomas C. Lothian (Melbourne) in 1909, and by the Standard Publishing Company (Melbourne) in 1913.] E. J. Brady was an Australian poet. He was born at Carcoar, New South Wales, and was educated both in the United States and Sydney. He worked as a wharf clerk, a farmer, and journalist, and edited both rural and city newspapers This book is culturally important as Edwin James Brady represented the Bulletin school of the 1890s. The Bulletin was very popular with rural bush workers and selectors and became known as ‘the bushman’s bible’. It encouraged contributions of poetry, short stories and cartoons from its readerswho included miners, shearers and timber-workers from all over Australia. Some of this content was high quality and many of Australia’s important writers had their start with The Bulletin which became know as the ‘Bulletin School’ of literature.A small 155 pp fabric covered brown book with a very faded picture of a boat sailing toward a sunset on the front cover.poetry literature brady-edwin-james the-ways-of-the-waters

Thomas Sheraton (1751-1806) appears to have been the first to record the written term “Canterbury” music or magazine stand. In his Cabinet Dictionary of 1803 he refers to “a small music stand” with divisions for holding loose sheet or bound volumes of music. The music stand designed to hold sheet music came into fashion in the late 18th Century in England and was often crafted from mahogany, rosewood or walnut. They were seen as status symbols since music was practiced exclusively by the upper classes of society. In a period when printed music was more widely available and disseminated due to more affordable printing techniques, modern sheet music was very popular and therefore storage for such favoured tunes became a luxury and an opportunity for innovative design by cabinet makers. The Classical period of music, from about 1750 to 1820 and the Romantic Period from around 1815-1910 was the golden age of classical music. And it was at this time that The Canterbury often accompanied the piano in the parlour with styles ranging from Georgian simplicity to Victorian exuberance. Social activities of colonial Victoria would have included evening gatherings of family and friends around the piano to enjoy performances or sing along together with from old and up-to-date music sheets. The Canterbury would also be an elegant and practical place to also store newspapers, magazines, posters and drawings from overseas. The news from ‘home’ would be enjoyed by all. THE INSCRIPTION “Jack Morse” Morse. In 2010 Mr Jack Morse was recognised as one of the “people who have contributed to the long term development of Flagstaff Hill Maritime Village”. He was a member of the Flagstaff hill Planning board and a Current Life Member and had been awarded a Certificate of Service and the provision of an Annual Family Membership for life by Flagstaff Hill. The Morse’s family business, Morse’s Engineering, closed in 2010. It was considered “One of Warrnambool’s longest operating businesses with roots dating to 1883 with the design and manufacture of coaches and buggies, progressing to automotive repairs and later specialising in under-vehicle work” The Canterbury appears to have been handmade prior to 1860 as the dovetails are handmade and there are no saw marks on the drawer sides or back as well the sides. Also the back has small nicks indicating a hand plane or drawer knife was used rather than a saw blade to size the material. Additional indications are that the spindles are slightly different in size meaning they were handmade individually not mass produced. From these indicators the writer believes that the item was made before 1860 as machinery was only used after this date to produce furniture. As yet no individual maker can be attributed to this item, however it is a significant piece historically and is quite valuable if a known maker can be associated with the Canterbury. The item highlights a time in our social history when music played an everyday part in people’s lives as the only entertainment families could enjoy together in their own homes. A Canterbury music stand, having three compartments consisting of twenty turned spindles supporting the slat dividers. A drawer, with two turned wooden handles, is fitted below. The music stand has turnip style turned feet. The drawer front and carcass of the stand are veneered rosewood over a mahogany carcass. The underlined words "Jack Morse" are handwritten underneath the drawer bottom.Hand written inscription on underneath the drawer bottom "Jack Morse".flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, canterbury, music rack, magazine rack, music stand, magazine stand, 19th century furniture, occasional furniture, frederick cornwallis, jack morse, morse’s undercar, music, thomas sheraton, regency furniture, music canterbury

This religious book by John Scott, D.D., late Rector of St. Giles in the Fields, London, sets about to explain some of the church's doctrine. The book originated from the Warrnambool Mechanics' Institute. The book was printed for Walter Kettilby, a bookseller and publisher in London in the 17th century. He died in 1699 and was buried at St. Paul’s Cathedral.The book is significant for its age – it is one of the oldest books in Flagstaff Hill’s collection, published in 1696, well before Australia was colonised. The publisher, Walter Kettilby, passed away three years later. The book expresses the writer’s interpretation of Christian doctrine giving an insight into the doctrines and beliefs of the 17th century. The book was originally part of the Warrnambool Mechanics' Institutes’ Collection. which has historical and social significance for its strong association with the Mechanics Institute movement and its important role in people's intellectual, cultural and social development throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance.The Christian Life Part III Vol IV Author: John Scott, D.D. Publisher: Walter Kettilby, Bishop's-Head, St. Paul's Church Yard. Date: 1696Label: "RH 248.4 SCO" Sticker: "Warrnambool Mechanics Institute and Free Library" Stamp on Fly: "000379" Text on Fly: "Wherein the great duties of justice, mercy and mortification are fully explained and inforced." "By John Scott, D.D. late Rector of St. Giles in the Fields."flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, warrnambool mechanics’ institute, mechanics’ institute library, warrnambool library, free library, john scott, 17th century book, 1696, the christian life, walter kettilby, bishop-s head, st paul's church yard, st giles in the fields, religious teaching, christian teaching, christian doctrine, walter kettilby bookseller, walter kettilby publisher

Cream blue feint lined writing pad paper with blue handwritingletter, rock-street, ivanhoe, talbot, newstead, daylesford, mining, baragwanath

Keith Edwin Rash was a Ballarat signwriter and local historianTwo blues sheets of K.E. Rash letterhead. 1.Faded blue sheet of paper with letterhead printing. 2.Blue piece of paper with Letterhead printing. .) Verso M. Pinney 11 Stafford Court, Ocean Grove, 3226 Watermark says WYNYARD BONDkeith edwin rash, sign writer, artist, advertising, ballarat, rash, keith rash

Keith Rash was a Ballarat signwriterTwo blue sheets of paper with K.E. Rash letteread details. .1) 2 Victoria Street, Ballarat East address .2) 75 Humffray Street South, Ballarat addresskeith edwin rash, sign writer, artist, advertising, ballarat, rash, keith rash, keith edwin rash, sign writer, artist, advertising, ballarat, rash, keith rash

A flare, also sometimes called a fusee, is a type of pyrotechnic that produces a bright light or intense heat without an explosion. Flares are used for distress signalling, illumination, communication or defensive countermeasures in civilian and military applications. Flares may be ground pyrotechnics, projectile pyrotechnics, or parachute-suspended to provide maximum illumination time over a large area. Projectile pyrotechnics may be dropped from aircraft, fired from rocket or artillery, or deployed by flare guns or hand held percussive tubes. Signalling flares have been in use by all branches of the military services since the 1920s also by the maritime services to signal other ships or for distress purposes. The earliest recorded use of gunpowder for signalling purposes was the 'signal bomb' used by the Chinese Song Dynasty as the Mongol-led Yuan Dynasty besieged Yangzhou in 1276. These soft-shelled bombs, timed to explode in mid-air, were used to send messages to a detachment of troops far in the distance. Another mention of the signal bomb appears in a text dating from 1293 requesting their collection from those still stored in Zhejiang. A signal gun appears in Korea by 1600. The (Wu I Thu Phu Thung Chih or Illustrated Military Encyclopedia) written in 1791 depicts a signal gun in an illustration. The item was used to carry and store flares for signalling use as the inscription on the canvas cover suggests. Given the method of storing flares is in a wicker basket that is non conducting of an electrical charge that may accidentally set of explosive materials. The writer assumes the basket was used from the early 20th century and most likely by maritime or military services to store it's flares.Basket cane square with metal locks & rope handles each end. Canvas reinforced on vertical sides with a canvas cover on top. Canvas cover has leather straps. Stencilled on canvas in white paint "SIGNALLING STORES" flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, basket, cane basket, signalling stores

James Henry Steward (1817–1896) established J.H. Steward in London in 1852. As “Head Optician” he would have been a qualified oculist but little is known about the founder’s early life and scholastic achievements. However, given the variety of disciplines for which he undertook he was also an accredited instrument maker,he clearly was a gifted scholar and quickly gained professional recognition in a full range of fields for an instrument maker of his day. J.H Steward became incorporated as J.H. Steward Limited on 1st February,1913. The business grew from modest beginnings. Steward would sell pocket watches and assorted items at the annual competition days of "The National Rifle Association of the United Kingdom(NRA)" from a stall. As the governing body for full bore rifle and pistol shooting sports in the UK. The Association established in 1859 with the aim to improve the shooting skills of the newly formed corps of volunteers to meet the perceived threat of an invasion by the French. J.H. Steward advert first appeared in the NRA competition program of 1865. The NRA meetings were held at first on Wimbledon Common, Surrey until 1889. Then because of pressure by the local community, the NRA along with its buildings and its flourishing meetings moved further south to Brookwood, Surrey. By now the Steward operation had grown from a modest stall into a large marquee selling various optical and scientific instruments at these meetings. Throughout its long trading history the J.H. Steward company and many members of the family maintained strong ties to the NRA and competition shooting events. The NRA records show that at the end of the 19th century the NRA bestowed a Life Membership on 7 Steward family members. First presented by J. H. Steward Ltd. in 1902 was the “Steward Trophy” that is still an annual competition for teams of four from any rifle club affiliated to the NRA. There is also evidence that many family members were fine shots.The item was made by a significant instrument manufacturing company that concentrated during the middle 19th century on supplying the British military. This items pattern & design is still available as a reproduction, available on the internet. However this original seems unique as the writer cannot find another for sale or in a collection to date. The assumption is that this type of compass was made for the British artillery units given the sun dial. Further research is ongoing as the writer regards this item as rare and social significant.Brass Compass and Sundial manufactured by J H Steward 407 & 406 West Strand, London. Can be used in both hemispheres. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, compass, sundial, combination compass and sundial, steward strand london, j h steward

Self-government publication comprising 314 pages with some black-and-white photographs.non-fictionOn September 11, 1944, the British submarine "Porpoise" slipped quietly from Fremantle Harbour, bound for Indonesia. It was carrying the 23 Australian and British members of Operation Rimau who, under the leadership of the remarkable Lieutenant-Colonel Ivan Lyon of the Gordon Highlanders, intended to repeat the successful Jaywick raid of 1943 by blowing up 60 ships in Japanese-occupied Singapore Harbour, 19 days later, the preliminary part of the operation successfully completed, the submarine commander bade farewell to the raiders at Pedjantan Island, promising to return to pick them up in 38 days' time. A handful of Chinese and Malays and the conquering Japanese were the only people ever to see the 23 men again. According to the scant official post-war record, the mission was an utter failure. All of the party were captured of killed - ten of them beheaded in Singapore only five weeks before the Japanese surrender in, it was claimed, a ceremonial execution. The fate of eleven of the others remains officially unknown. After a 31 year search, Major Tom Hall, with the assistance of writer Lynette Silver, has overturned the official version and uncovered the truth. Aided by thousands of Japanese and Allied documents and by the first-hand accounts of several Indonesians and Malays, sole witnesses to the events of 1944, they have established the fate of every member of the party and unravelled the story of "The Heroes of Rimau" - a story that has for 45 years been all but lost, distorted by hearsay and fantasy, by military cover-ups and conspiracy, by official bungling, ineptitude and apathy. This book not only chronicles a feat of extraordinary daring in the face of overwhelming odds - a gripping tale of inspired courage, self-sacrifice and eventual tragedy - it also exposes the appalling sequence of events which has, until now, resulted in the shameful suppression of the truth about one of the most amazing stories to emerge from World War II.

This Edison Ediphone voice recording electronic business machine is manufactured to suit a small office and is light enough to carry between work and home for use outside normal business hours. It is a dictation machine, also called by the competitor’s brand name ‘Dictaphone’, and is used for recording spoken words that would later be transcribed and typewritten. A wax cylinder would be installed onto the machine’s drum and the Reproducer on the machine would be lowered onto the cylinder. The user would speak a message into a microphone and the reproducer would then convert the sounds to scribed marks on the cylinder. Later, the cylinder could be played and the Reproducer would enable the sound to be amplified through an attached speaker. This machine is currently without its power cord, microphone and speaker horn. Thomas A. Edison extended the technology of the telegraph to his phonograph machine, invented in the late 19th century. It could record and play back sounds of music and voice on a manually operated mechanical machine that used wax cylinders to store the sound. He envisaged the way this technology could be an asset in the office, and he was right! However, most of his phonograph machines were used for entertainment, some for playing lessons, and some for-teaching languages. In 1916 Edison introduced the Ediphone, which grew in popularity after the First World War and into the late 1920s until flat round records replaced the wax cylinders. This Edison Ediphone is significant for improving the way business administration was carried out in the early 20th century, freeing up precious time for professionals and administrative personnel. It was the forerunner of audio tapes and digital technology. The Ediphone enabled letters to be dictated when the time and place suited and reduced the time professionals needed to spend with their secretaries. Secretaries were able to type the letters as they played the recording and they could replay the message if necessary.Voice recorder; a dictation machine; desktop model Edison Ediphone. The electronic machine is in a medal case with remnants of the original grey colour. It has a rectangular base with an A4-sized footprint and a domed hood that retracts halfway into the back of the base. The corners of the base have metal reinforcing, and a short metal bar is on the front centre edge of the lid and the base. A long metal drum is mounted inside the machine. A round device called a ‘reproducer’ is mounted above the drum. There is a folding handle on the left front of the machine and an angled stand with paper guides in front of the drum. A rear cover has the maker’s name stamped on it. An electrical socket with eight pins is recessed beside the cover. Made by Edison.In white letters; “EDISON”flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, edison, ediphone, dictating machine, office equipment, voice recorder, usa, dictation, communication, office machine, dictaphone, speaking phonograph, thomas edison, ediphone voicewriter, voice writer

12 photocopied pages. Page four has acknowledgements, Page five mentions Pen-Portraist by Raly Wallace and Kevin Vallence, Page 14 mentions some rich areas: White Hills, Red Hill (now Virginia Hill), Eaglehawk, Golden Gully, New Chum Gully, Long Gully, Spring Gully, Derwent Gully, California Gully, Sailors Gully and Peg Leg Gully. There are two sketches on the page: Windless, by W. Ralston, Australasian Sketcher 20/12/1879 (D O'Hoy Collection) and a sketch of some miners in a tent with some mining equipment in front of it. There are two men in front of a fire at the front of the tent. Page 16 has a sketch of an old brick house with iron lace on the veranda and a picket fence at the front. Page 17 mentions the school and some Friendly Societies and Church. Page 22 mentions Quartz Mining. There is a Lithograph of a Quartz outcrop, New Chum Gully 1852 by George Rowe and a View of Surface Workings 1861, a Batchelder Photo. Page 23 mentions Edward Nucella Emmett, a pioneer gold digger who became involved in many important public issues. Page 25 mentions Company Mining and Crushing. It has a sketch of a Primitive Quart Crusher. Page 37 Mentions Richard Pope, a Miner who tramped from job to job in Bendigo and eventually followed the rush to Broken Hill. Page 38 mentions the Eaglehawk Brass Band and Friendly Societies in Eaglehawk. Page 39 is headed Miner's Cottage. It mentions stone miners' cottages. Page 40 has a sketch of a Georgian Style Sandstone Cottage Harvey Town. Page 41 mentions men sweeping the road to get gold, Bull Family grocery shop and a blacksmith. Page 42 is headed St. Augustine's. Page 43 has a sketch of St. Augustine's Church. Page 59 is headed Bendigo Amalgamated Goldfields (B.A.G.) Edward Clarence Dyason was largely behind a new company set up in 1917 to work the Bendigo field in an entirely new way. (B.A.G.) wished to take over all existing mining companies, and place them under a single management structure.bendigo, history, long gully history group, the long gully history group - some historical information, mr l hooley, mr l bennetts, mr w watson, mr w heraud, mr d m davies, mr w perry, mr h harvey, mr a llewellyn, mr e oates, chook temple by mr alan llewellyn, mr f cusack, tracey ipsen, ray wallace, bendigo field naturalists' club, eaglehawk tree lovers' society, bendigo historical society, university of melbourne, kevin vallence, monash university, bendigo technical college, south australian writer's fellowship, windlass, w ralston, australasian sketcher 20.12.1879, d o'hoy, mechanics institute, california gully school, bell topper hill, i.o.r. (rechabites), cobden tent, refuge tent, sutton tent, m.u.i.o.o.f.'s loyal darling, bible christian church, california hill wesleyan methodist church, saint jude's anglican church, quartz mining, e n emmett, jonathan harris, haris' claim, j hustler, george rowe, batchelder, la trobe library, cave, amos, new chum line of reef, edward nucella emmett, bendigo city council, all saints, william westgarth, latham and watson, hustler's line of reef, bell and irons, ballerstedt and son, young and company, nicholas and bassit, ensor, thomas carpenter, quartz crusher, goldfields and mineral districts of victoria, richard pope, daniel webster mine, isaac dyason, old chum mine, north old chum mine, young chum mine, george lansell, lazarus, silicosis of the lungs, eaglehawk brass band, victoria hotel, mr williams, eaglehawk branch of the australian natives association, loyal catherine lodge, mr james, odd fellows in the loyal catherine lodge branch no 4935, richard harvey, thomas harvey, moonta copper mines, harvey town, national trust of australia, eaglehawk tree lovers society, saint mungo's methodist church, clark's beehive battery, world war 1, kee-young, lady barkly hotel, prankhurst, bull family, cousin jack, st augustine's, myers, nicholls, john o'brien, around the boree log, the rev dean hayes, st kilian's, bendigo amalgamated goldfields (b.a.g.), edward clarence dyason, r h s abbott, hercules and energetic, south new moon, new chum goldfields, central red white and blue consolidated, brown john, the life and times of long gully, bendigo press, val white, megan snoop

A book titled 'The Life of Charles Dickens the Great English Novelist. The fearless denouncer of meanness, tyranny and wrong. The eloquent advocate of gentleness, justice and right, who could unite with genial mirth the deepest lessons of wisdom and truth.' London : Ward, Lock & Co., Salisbury Square, E.C. 513 - 528 pgs. This booklet is one of a series of 53 ' Ward & Lock's Penny Books for the People.' 'Biographical Series.' Price one penny. Advertisements are of note.books, biography, charles dickens, lydia chancellor, collection, charles dickens, the life of charles dickens, person, individual, male, english literature, literature, writer, novelist, author, ward & lock's penny historical series, ward & lock's penny books for the people, biographical series, biography, penny books, advertisements

A pink book titled 'The Life of Charles Lever the Irish National Novelist. The chronicler of Ireland's gallantry; the genial and kindhearted novelist whose wit and humour were combined with wisdom.' London : Ward, Lock & Co., Salisbury Square, E. C. 337 - 352 pgs. This booklet is one of a series of 53 ' Ward & Lock's Penny Books for the People.' 'Biographical Series.' Price one penny. There are advertisements of note.books, biography, charles lever, lydia chancellor, collection, charles lever, male, individual, person, famous people, irish history, writer, writing, irish novelists, ward & lock's penny historical series, ward & lock's penny books for the people, biographical series, advertisements, penny books

A File relating to Anna Cohn, Sculptor from New South Wales, it contains articles she's written and articles about her work from the 1960s to 1984. It is available for loan to members of Women's Art Register and visitors to richmond Library. This file is significant in that it is one of 3000 such files that are invaluable to Art ResearchersManila Folder with three booklets containing copies of letters, newspaper articles, invitations 57 pages all toldCohn, Anna (1921- ) on folder and on each bookletsculptor, art writer, sculptors society, , anna cohn

Slides of works produced by sculptor Anna Cohn between 1970 and 1984. It is available for loan to members of Women's Art Register and visitors to Richmond Library. These slides are significant in that the set is one of around 1000 such sets that are invaluable to Art ResearchersSet of twenty slidesEach slide has a sticky label with a number, the inscription Cohn, Anna, a title and other information including date, location and sizecohn, sculpture, sculpture society, arts writer, anna cohn

Black and white text on cover and throughout non-fictionOverview of funded and non-funded organisations focused on women's rights, and the diversity of the South Australian Women's Liberation Movement through interviews and social history. Essays written by artists, writers and women working in women's services.suffrage, voting rights, violence, communism, activism, pascifism

Booknon-fictionSixteen illustrated essays by various writers on the works and practice of women surrealists working in Europe, the United Kingdom and the United States in the 20th century.surrealism, merit openheim, leonora carrington, valentine hugo, remedios varo, leonor fini, elléouët

Booknon-fictionAn anthology of essays by significant writers, critics and artists, edited by Catriona Moore, examining contemporary women's art in Australia. Includes definitions of women's and feminist art, reviews and critiques of exhibitions and individual artists. The first section includes articles reprinted from publications including Lip and Refactory Girl.Projects include 'The D'oyley Show', "Mothers, Memories and Others' Memories", and Lucy Lippard's visit in 1975.feminism, feminist arts practice, australian artists, community arts, the women's art register

bookIndividual focus on 47 women artists, predominantly from the UK, USA and Europe, in photographs and brief text prepared by various critics and writers.marina abramovic, louise bourgeois, guerrilla girls, cindy sherman, adrian piper, georgia o'keefe, portraiture, perfomance, political art, tracey emin, hannah hoch

booknon-fictionCollected cartoons by Melbourne cartoonist and writer Judy Horacek, who believes "humour is a fantastic way of changing the world." ( from biographical noes). The introduction was written by Dale Spender.political art, community art, indigenous rights, racism, discrimination

non-fictionEssays on feminist art, art history, criticism and museum practices in 1990s Australia by writers, academics, artists.indigenous art, political art, gender, represenation, museology, photography, installation, graphic design, collaborative practices

Index, bibliography, notes, ill, maps, p.266.non-fictionStephen Bungay's Alamein is a trenchant re-examination of an event now cloaked in myth. Though the propaganda of the time focused on personalities, this was a desert war, he reveals, determined largely by logistics. In a conflict that for two years had ebbed and flowed along the North African littoral, victory was always going to go to the side that mastered its supply lines - in Britain's case not least by withstanding the epic siege of Malta. He also gets beyond the polemics and eulogies of many past writers in re-assessing Alamein's chief protaganists, Montgomery and Rommel, to show how it was precisely the most unattractive side of Montgomery's character that was needed to transform the Eighth Army into a force capable of fighting a battle it could win.battle of alamein - 1942, world war 1939-1945 - campaigns - north africa

Ill, p.303.non-fictionAll over the world during World War II, thousands of young men who had never so much as been near an aeroplane left offices, farms and classrooms to learn to fly and fight in the greatest conflict the world has ever seen. They fought over deserts, cities and jungles, in-single-engine fighter aircraft, heavy bombers, transport planes and flying boats. How do they feel about their dramatic days in the air? What is it they remember, and what do they choose to forget? In these candid and moving stories, Michael Veitch, writer, broadcaster and aeroplane fanatic, uncovers some of the untold stories of World War II: Australian, British and even German. He captures the events that defined a generation of men before these stories are lost forever. world war 1939 – 1945 – aerial operations - australia, world war 1939 – 1945 – personal narratives – australia

notes, 350.p.non-fictionThis anthology reveals the many ways in which going to war has formed a cultural bridge between Australia and the world. From the Sudan in 1885 to Afghanistan in 2001, the connection of war to travel is illustrated in the observations of many writers.war and literature - australia, travel writing - military - australia

ill, map, p.319.fictionThe novel that launched the astonishing career of one of the 20th century's greatest writers of action and suspense - an acclaimed classic of heroism and the sea in World War II. The story of men who rose to heroism, and then to something greater, HMS Ulysses takes its place alongside The Caine Mutiny and The Cruel Sea as one of the classic novels of the navy at war. It is the compelling story of Convoy FR77 to Murmansk - a voyage that pushes men to the limits of human endurance, crippled by enemy attack and the bitter cold of the Arctic. world war 1939-1945 - fiction, russian convoys - fiction

p.255.non-fictionIn World War II James Leasor was commissioned into the Royal Berkshire Regiment and posted to the 1st Lincolns in Burma and India, where he served for three and a half years. His experiences inspired him to write such books as Boarding Party (filmed as The Sea Wolves). He later became a feature writer and foreign correspondent at the Daily Express. Here he wrote The One that Got Away. franz von werra, prisoners of war - germany - escapes

Index, bibliography, notes, ill, maps, p.722.non-fictionVietnam became the Western world's most divisive modern conflict, precipitating a battlefield humiliation for France in 1954, then a vastly greater one for the United States in 1975. Max Hastings has spent the past three years interviewing scores of participants on both sides, as well as researching a multitude of American and Vietnamese documents and memoirs, to create an epic narrative of an epic struggle. He portrays the set pieces of Dienbienphu, the Tet offensive, the air blitz of North Vietnam, and less familiar battles such as the bloodbath at Daido, where a US Marine battalion was almost wiped out, together with extraordinary recollections of Ho Chi Minh's warriors. Here are the vivid realities of strife amid jungle and paddies that killed 2 million people. Many writers treat the war as a US tragedy, yet Hastings sees it as overwhelmingly that of the Vietnamese people, of whom forty died for every American. While all the world has seen the image of a screaming, naked girl seared by napalm, it forgets countless eviscerations, beheadings and murders carried out by the communists. The people of both former Vietnams paid a bitter price for the Northerners' victory in privation and oppression. Here is testimony from Vietcong guerrillas, Southern paratroopers, Saigon bargirls and Hanoi students alongside that of infantrymen from South Dakota, Marines from North Carolina, Huey pilots from Arkansas.vietnam war 1961-1975 – history, vietnam war 1961-1975 – personal recollections

Index, bib, ill, maps, p.476.non-fictionHMAS Sydney's hunt for the German raider, Emden. When the ships of the new Royal Australian Navy made their grand entry into Sydney Harbour in October 1913, a young nation was at peace. Under a year later Australia had gone to war in what was seen as a noble fight for king, country and Empire. Thousands of young men joined up for the adventure of having 'a crack at the Kaiser'. And indeed the German threat to Australia was real, and very near - in the Pacific islands to our north, and in the Indian Ocean. In the opening months of the war, a German raider, Emden, wreaked havoc on the maritime trade of the British Empire. Its battle against the Australian cruiser HMAS Sydney, when it finally came, was short and bloody - an emphatic first victory at sea for the fledgling Royal Australian Navy. This is the stirring story of the perilous opening months of the Great War and the bloody sea battle that destroyed the Emden in a triumph for Australia that resounded around the world. In the century since, many writers have been there before Mike Carlton. Most were German, some of them survivors of the battle, others later historians, and they have generally told the story well. British accounts vary in quality, from good to nonsense, and there have been some patchwork American attempts as well. Curiously, there has been very little written from an Australian point of view. This book is - in part - an attempt to remedy that, with new facts and perspectives brought into the light of day.world war 1939 – 1945 – naval operations - australia, world war 1939 – 1945 –naval operations - germany

Ill, p.140.non-fictionAward-winning ABC-TV documentary maker, writer and Gallipoli historian, Harvey Broadbent has collected the haunting and often harrowing memories of the boys who came home...Australian and New Zealand soldiers who returned from the devastating campaign at Gallipoli in April 1915.world war 1914-1918 - campaigns - gallipoli, gallipoli campaign - personal recollections