Prize certificates on card awarded to Golden City Choral Society Bendigo, for second prize in their second annual Musical, Literary and Elocutionary Competition for Choir Competition, Printed in gold on off white card, bordered with butterflies, flowers and vines. Markings - Sands & McDougall Ltd. Printers Melbourne.performing arts, elocution, choral society

Also at same location, the Australasian Officers Club, established 1916Cream card that has discoloured with age. On the front, Australia's coat of arms and the text are printed in gold/brown, and they are surrounded by a border in green, red and blue (representing shamrocks, Scottish thistles, red roses and elements of the UK flag). Personnel of the Australia Club are listed on the back of the card in blue.Front signed by Sylvia Fenwickaustralian cub - london

1. Press - daily seat ticket. Printed on blue paper and pasted to white card. Press pass to the 1956 Olympics in Melbourne. 2. Daily Staff Duty Pass. Printed on white (now yellow) paper pasted on card. Daily Staff Duty Pass with no seating allocated.Logo on left hand side: XVII OLYMPIAD / MELBOIURNE 1956 (Olympic Rings & Torch in middle.) 1. MAIN STADIUM - M.C.G. / PRESS / DAILY SEAT TICKET / DATE.............................. SEAT NO............................ / No. 1247 / £1-1-0 (Inc. Tax). 2. VENUE...Roof 1 Front. No. 26 / DAILY STAFF DUTY PASS / NO SEATING RIGHTS / THE BEARER IS ENTITLED TO / ADMISSION ON ..............(DATE) / FOR DUTIES AS ............................................... / Authorised by ...........................................melbourne olympics, 1956, press pass, daily staff duty pass

In 1917, this was called the Bendigo Frankfurt, Sausage and Bacon Company operating from the Rex factory on the corner of Mitchell and Hargreaves St, where W G Webb was the proprietor.W. G. Webb, Ham and Bacon Depots, 305 Hargreaves & 224 Mitchell Strs, Bendigo Blotter flyer, includes B&W photo of The Old Boat-House Business card - gold writing on purple card, rear has Railway Time-Table (unknown date)w.g.webb, business card., ham and bacon depot

The Australian Tramway Employees Association commissioned in 1915, a banner for use in marches or events. It was painted in 1916 by George Grant with its first public appearance at the Eight-Hour Day Diamond Jubilee on 10 April 1916, celebrating the 60th anniversary of the introduction of an eight-hour working day in Victoria. The reference gives a detailed history of the banner, it significance and the background to its painting. It is now held in the collection of Museums Victoria. The ATEA was the forerunner to the Australian Tramway and Motor Omnibus Employees' Association, now part of the Rail Tram and Bus Union. Image provided by Museum's Victoria to the donor - Peter Jewell. The image demonstrates the artists work and the use of symbols in the roles of a union.Framed Image - old gold coloured metal frame, Artglass, with red colour card surround with bevelled gold card inlay containing a high resolution image of the Australian Tramway Employees Association banner. Fitted with a metal hanging wire and a white surround, tape and the framers lable.tramways, unions, atea, atmoea, rtbu, banners, george grant, eight hour day

Card with decoration of blue abstract electric lines on pale blue background. White square in centre of card with dark blue printing. Ticket is printed with details of an official ceremony, street procession, a banquet and a fancy dress ball to celebrate the connection and switching on of electricity to the township of Linton in 1939. Text: LINTON'S / GRAND SWITCHING-ON CARNIVAL / ON / THURSDAY, SEPTEMBER 7, 1939 / Official Ceremony 7.30 p.m. Street Procession 8 p.m. / BANQUET IN FIRE BRIGADE HALL 8.30 p.m.electricity, celebrations

The white rubber mask indicates it is a post war / cold war production.Post war production item . Commonly used as dress up or cosplay attire Gas Mask kit complete in carry canister. Includes screw on steel filter canister, cleaning rag. Mask is made from white rubber with glass eye pieces. Drager 65G

Late WW2 or early post-war wire-cutters with webbing pouchKhaki webbing pouch containing a pair of steel wire cutters Wire Cutters marked M R Lwire-cutters, webbing pouch

Dixibelle was a common brand of margarine during post-war twentieth centuryPale green plastic box with white plastic lidDixibelle Table Margarine 1 lb. net, manufactured by Provincial Traders Pty Ltd Australia, moulded into box. Provincial Traders ceased operations on 17/10/1979 in when taken over by Henry Jones (IXL) Limited.dixibelle margarine

These machete's were issued to military personnel posted in jungle like conditions.The machete would have been used by military personnel during WW2 and during the 1950s.Steel blade machete with wooden double sided handle. The handle is attached to the wood with four steel rods. There is an olive green scabbard made of cotton material oil impregnated. The scabbard has a pocket on the front to hold a sharpening stone and has steel on the top opening to keep the opening firm, there is a steel catch for attachment to webbing and a cloth loop with press stud to hold the handle of the machete in place when in the scabbard. There is a cotton fabric loop through the handle.On the handle of the machete MA67. The item number on the scabbard is not readable.army, military, machete.

Tropical Dress Trousers for use by members of the AIF posted to 'Desert' Conditions.These uniforms were issued during WW2 to members of the AIF.Khaki colour trousers, cotton material, metal belt buckels x 2. One pair of the trousers has large map pockets.Pair 1 - V54 1945 Made in Australia, Size 35, hand written in ink on right hand inside pocket 2832. Pair 2 - Q7 1943 Made in Australia, Size 30, there is a tag for Regimental No and Name.aif, khaki, trousers tropical, ww2

Published post Second World War in March 1947. For commercial aircraft water injection, commercial aircraft, pratt and whitney, 1947

Found at Camp 13 POW site post war by Wartime guardMetal cigarette lighter, no stopper in base. No igniter on the top.cigarette lighter, camp 13

Found at Camp 13 site post war by wartime camp guardGlass cylindrical bottle. Summit Ague mixture, registered no. 3159.Summit Ague Mixture India. IFD Co. Made in Germanymedicine, medicine bottle, camp 13 glass bottles, mr darley

1st post war confirmation ( St. Vid ) Podnanos, Markic childrenBlack and white photoconfirmation markic children

Given to Grant Matterley's aunt by Post Office Karramonas on her retirement.Large Metal ink well with heavy round base with ink well and hinged lid in centre. Holes for pens. Ink well lifts out.domestic items, writing equipment

Colour photo 1976 Looking East Post Office Hotel on Rightstawell streetscape

Three of the Telephonists at the telephone exchange in the Post office building in Sackville Street.Black and white photograph of two males and a female gathered around the telephone exchange deskTELE EX PF 1927_0001telephones, telephonists, port fairy, telephone exchange, equipment

John ROJO A Post Graduate Student at the Gippsland Centre of Art and Design. Wheelthrown woodfired earthernware urn.john rojo, ceramics, jan feder memorial ceramics collection, gippsland campus, earthernware

As a potter I enjoy the fluidity of the clay and the ability to create beautiful forms from this plastic, sensuous material. It is a journey of discovery especially using local clays and materials to create timeless artifacts. The process of making an object from a fluid material, applying a liquid glaze then firing these works in a wood fired kiln for 45 hours is still fascinating to me. The magic of the results can be both exhilarating and disappointing. (https://www.yarramcourthousegallery.com/calendar-of-exhibitions, accessed 09 July 2021) In 1982, I moved to the Tarra Valley in South Gippsland to build a house, studio and gallery. My main passion at the time was wood fired pottery. I was fascinated with the natural colours and unpredictability of the process. This lifestyle means long hours of work, many failures and a life of poverty. Having a young family meant I had to supplement my income working as a teacher. Wood fired pottery is ancient and seldom practiced art form. The beauty of wood firing is that nature has its way with manmade articles and it is this combination that makes each one of these works totally individual and impossible to reproduce. All works have been fired in a tunnel style wood fired kiln and a down draught wood kiln. The use of terrasigilata sourced from local clays and materials and traditional Japanese glazes help to create highly individual pots that are unique. The use of native hardwood for firing the kiln and creating ash glazes also gives the work a special quality. Many works have been fired multiple times. The use of seaweed and shells help to give each of these ceramic works a luminous natural beauty. These pieces have their imperfections the same as human beings who withstand the rigors of time. These pots are not always perfect, but it is these imperfections that make them individual, unique and intrinsically special. My kilns are like a painter’s palette: they allow me to paint the surfaces of my pots with flame and colour. I love the subtle qualities of the local clays and I have experimented with many types of clay from the local area. Kiln firing can be between 30 to 100 hours. The movement of the flames, the incredible colour variation and the unexpected results make this demanding process rewarding when all goes well. When purchasing my work you are purchasing part of me and 45 years of passion, creativity and individuality. (https://www.yarramcourthousegallery.com/calendar-of-exhibitions, accessed 09 July 2021) John ROJO John Rojo was a Post Graduate Student at the Gippsland campus.Ceramic pot.ceramics, gippsland campus, alumni, john rojo, jan feder memorial ceramics collection