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Kew Historical Society IncProgramme - Theatre Programme, Heaven and Charing Cross / by Audrey Danvers-Walker, 1957
From the early 1950s, the Kew Repertory Players performed more substantial, if less spectacular fare in the Recreation Hall, and later in the new Kew City Hall, after the former’s demolition in 1960. Their repertoire ranged from plays by Noel Coward to J.B. Priestley. Many of their programmes, the earliest from 1953, and the last from 1965, form part of our collection.Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1970s.The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. Programme issued by The Kew Repertory Players for a performance of Heaven and Charing Cross by Audrey Danvers-Walker. The performances took place in the Kew Recreation Hall in March 1957. The 4-page programme includes a cast list, a synopsis and advertisements for local businesses.heaven and charing cross, audrey danvers-walker, kew repertory players, arthur dear collection, performing arts -- kew -- victoria, kew recreation hall -- wellington street, theatre memorabilia -
Geelong GalleryWatercolour - Buckley acting as interpreter at Indented Head, YOUNG, Blamire, 1901
Watercolour -
National Wool MuseumBook - Text Book of Whiteley Self Acting Mule, Wm. Whiteley and Sons Limited, July 1923
Bound book with red cloth spine containing approx. 170 pages. -
University of Melbourne, Burnley Campus ArchivesPhotograph - Black and white print, Selsey Spotted Prince, 1942
On reverse, "Selsey Spotted Prince School of Horticulture-Burnley Feb. 1942 J.L. Provan Actg. Princ."selsey spotted prince, school of horticulture, burnley, 1942, j.l. provan, acting principal, bull, bull paddock -
Royal District Nursing Service (now known as Bolton Clarke)Photograph - Photograph, Portrait black and white, c.1930
This portrait photograph of Dame Mary Herring is a visual record of her taken during the time she was offering advice to Melbourne District Nursing Society After-Care Home (later Hospital)' as a member of their Committee from 1931. She was a Vice-president from 1943-1957 and acted as President in 1953. As a Medical practitioner she was involved with the formation of the MDNS After-Care Ante-Natal clinic in 1930 and the establishment of the Women's Welfare Clinic at the MDNS After-Care in 1934. Dame Mary Herring was born in Carlton on the 31st of March 1895. She graduated as a Bachelor of Medicine and Surgery (MB. BS) at the University of Melbourne in March 1921. During her training she went out with the Melbourne District Nursing Society (MDNS), where she visited many in poor circumstances and through this decided she wanted to improve the lives of women and children. She married Edmund Herring on the 6th of April 1922 and he supported her to continue her Medical career. She established an Ante-Natal Clinic at the Prahran Health Centre in 1926 and assisted MDNS After-Care Home in the establishment of its Ante-Natal clinic in September 1930. In 1931, as Dr. Mary Herring she became a member of the Committee of the now named ‘Melbourne District Nursing Society After-Care Home’ (later Hospital), and as Lady Herring became a Vice-president from 1943 until 1957 and acted as President in 1953. In 1934, along with Dr. George Simpson and Dr. Victor Wallace, she established the Women’s Welfare Clinic at the MDNS After-Care Hospital for patients of the Society; the first of its kind in Melbourne. After its opening in October 1934 she was the Hon Secretary of the Welfare Clinic, which operated from a room in the Ante-Natal Clinic of the After-Care. Dr. Herring pioneered family planning services. The clinic ran until 1940 when women could now obtain this advice from other establishments. In 1953, as Acting President, Lady Herring was involved with the discussions of the District Division of MDNS relocating to ‘Airlie’, 452 St. Kilda Road, Melbourne and the separation of Melbourne District Nursing Society and After Care Hospital, with the District Division now a separate entity, known as Melbourne District Nursing Service with its Headquarters at 452 St. Kilda Road, Melbourne. In 1966 with Royal patronage, this became the Royal District Nursing Service (RDNS). Though asked to be President of the Hospital division of the MDNS Society, she declined due to her many activities. In 1940 Dr. Mary Herring was a founder of the A.I.F Women’s Association and served on the Women’s Welfare Subcommittee to assist the families of soldiers and now as Lady Herring, she became President from 1943-1946. She was a a founding member and first president of the Victorian Council of Social Service 1946, chairman of the Vera Scantlebury Brown Memorial Trust 1946-1979, Deputy-president of Victorian division of the Australian Red Cross 1944-1963, and of the Victoria League 1945-1972 and the Australian council of the Save the Children Fund from 1962-1967. Lady Herring was a tireless worker for many charities particularly charities for children. On the 10th of July 1953 she was made Commander of the Order of St. John in recognition of her charity work and on the 11th of June 1960 was made Dame Commander of the Order of the British Empire for “services to nursing in Victoria” In 1949 the Argus Newspaper (https://trove.nla.gov.au/newspaper/article/22776603) described her as “one of the finest examples of Australian women in our State, with a record of selfless devotion to the service of others. Calm, kindly, clear-minded, and intensely logical”,..... “she has taken all this in her stride without once stopping out of her aura of cool, unruffled efficiency, an efficiency which is tempered by her warmth and understanding, her approachability, and her human sympathy.” Dame Mary Ranken Herring died in Camberwell on the 26th of October 1981. This black and white photograph is a portrait view of Dame Mary Herring. She has curled light coloured hair. Only a portion of her scooped neck dark coloured frock which falls in soft folds can be seen. There is a light colour brooch attached on the left hand side of her frock near the shoulder. She is wearing a string of pearls around her neck. A curtain can be seen in the background of the photograph.Stuart Tompkin Studiomelbourne district nursing society, ante-natal clinic, women's welfare clinic, rdns, royal district nursing service, dame mary herring -
Carlton Football ClubScrap Book, Dedicated to Carlton Player John Goold
John Goold double Premiership PlayerA scrap Book dedicated to twice Premiership Player 1968 - 1970 John Goold Career : 1963 - 1970 Debut : Round 7, 1963 vs Footscray, aged 21 years, 338 days Carlton Player No. 754 Games : 108 Goals : 3 Last Game : Grand Final, 1970 vs Collingwood, aged 29 years, 90 days Guernsey No. 11 Height : 184 cm (6 ft ½ in.) Weight : 76 kg (12 stone, 0 lbs.) DOB : June 27, 1941 Premiership Player 1968, 1970 Carlton Hall of Fame All Australian 1966 A brilliant, flamboyant, two-time Premiership player for Carlton during the Barassi years in the ‘swingin’ sixties,’ John William Crosbie Goold became almost as famous for his dapper appearance off the field, as for his exploits on it. At the height of his football career, he was also a prominent ladies fashion designer – which led to him being dubbed ‘Mr Elegance’ by leading football commentator Lou Richards. Supporters and team-mates however, called him ‘Rags’ or ‘Ragsy,’ because of his involvement in the clothing, or ‘rag’ trade. Goold first came under notice as an outstanding junior athlete at Melbourne Grammar School. A true all-round sportsman, he shone at tennis, athletics, football and cricket. He was also a keen horseman who loved the game of polo and the rough and tumble of fox hunting. While at school he was a fervent Melbourne supporter, but strangely, never had much confidence in his football ability. “If I thought I was good enough, I would certainly have gone to Melbourne,” he said many years later. “But I honestly didn’t think I would ever amount to anything in this game. Cricket and tennis were the games that really interested me.’ However, after graduating from MGS, Goold went home to Healesville to star in the Bloods’ 1962 Yarra Valley Football Association Premiership team – an achievement that brought tempting offers from more than one VFL club. “Incentives were offered elsewhere,” he recalled, “but I gravitated to Carlton – partly because the deep blue of their guernsey attracted me, but mostly because of the good advice I got from people who even then were longsighted enough to predict that big things were ahead for this club.” The Blues were confident enough in Goold’s potential to offer him the guernsey number 11 previously worn with distinction by the likes of Jack Hale, Jim Knight, Ron Hines and Laurie Kerr, and his first senior game came in round 7, 1963 against Footscray at the Western Oval. He played on a half-forward flank alongside Brownlow Medallists Gordon Collis and John James on that Saturday afternoon, and kicked his first career goal in an 8-point win. Little did he know though, that it would be another six seasons before he would again experience the thrill of sending a football spinning between the big posts, because his future lay in defence. By his own admission, Goold struggled to find his feet in VFL football during his first two seasons, until the shock appointment of Ron Barassi as captain-coach of Carlton in 1965 began steering his career back on track. “I think you could say that 1965 was my first year of League football,” he said, “That’s the way I felt - that’s the way I reacted to Barassi.” Under Barassi, Goold rapidly developed into a superb running half-back flanker. Tenacious, and an often freakish high mark, he was unmistakable on the field thanks to his mane of dark hair, his loping running style and somewhat awkward kicking action. Furthermore, he had boundless courage. There is no doubt that he would have played many more games had he not been regularly pole-axed under the high ball – a fact he later freely admitted. “I was always getting knocked out,” he said, “and spent half my bloody time in hospital.” In the second half of 1965, an injury to centre half-back Gordon Collis forced Barassi to use Goold in the key defensive post. While it curtailed his rebounding instincts somewhat, ‘Ragsy’ rose to the challenge and rarely lowered his colours. Testament to his improvement, he finished third behind John Nicholls and Sergio Silvagni in Carlton’s 1965 Best and Fairest award, and followed up by being selected in the Victorian team for the 1966 Hobart Carnival. There, he had a superb series in which he was runner-up to West Australian Barry Cable in voting for the Tassie Medal, and capped it off by being named on a half-back flank in the All Australian team. Barassi’s influence at Carlton bore fruit in his third year, when the Blues returned to finals football at last. Richmond, Carlton, Geelong and Collingwood fought out the 1967 Premiership, and Ragsy Goold won the hearts of the Carlton faithful with two lion-hearted performances. Although Carlton was knocked out of contention by successive losses to Richmond and Geelong, Goold was tireless throughout both games, and it was obvious that he thrived on the added pressure of finals football. Precisely twelve months later, the bitter taste of those defeats was washed away when Barassi’s Blues edged out Essendon by 3 points in the 1968 Grand Final, and ended 21 years of despair at Princes Park. To win Carlton’s ninth VFL flag, the Blues had had to defeat the minor premier Bombers twice during the finals – and did so, thanks to a watertight defence led by Goold, and a dominant ruck division headed by John Nicholls. In round 5, 1969, Carlton hosted South Melbourne at Princes Park in a match significant for a number of reasons. As he regularly did, Ron Barassi swung his team around prior to the opening bounce, and Goold found himself in the unaccustomed role of ruck-rover. While the Blues set about establishing a good break on the scoreboard, Ragsy relished the freedom to kick two first half goals - his first majors for 78 games. Just before half-time however, he was flattened in a pack, concussed again, and replaced during the long break by Barry Gill. Alex Jesaulenko was substituted at the same time – by a shy, ambitious youngster named Bruce Doull, making his senior debut for Carlton in guernsey number 4. In September, 1969 the Navy Blues began their third straight finals campaign with an impressive 6-goal Semi Final win over Collingwood in front of more than 108,000 fans at the MCG. A fortnight later, Richmond stunned the flag favourites with a withering last quarter in the Grand Final, and knocked Carlton out of the Premiership race again at the last hurdle. Half-way through the year, Carlton's club doctor discovered that Goold had been playing with shin splints in both of his lower legs. The pain they caused was considerable, but Ragsy soldiered on and held down centre half-back throughout the season. John Goold’s VFL career at Carlton culminated in the fabled 1970 Grand Final triumph over Collingwood. What is not so well known is that Ragsy was only cleared to play in that game on the morning of the match. After narrowly losing to Collingwood in the second Semi Final, the Navy Blues destroyed St Kilda by 62 points in the Preliminary Final, and earned another shot at the Magpies in the decider. But one of Carlton’s problems was that Goold had been kicked on a shin against St Kilda, causing a burst blood vessel and serious swelling. Despite the best efforts of the club medical staff, Ragsy had only a slim chance of playing in the Grand Final right up until game day, when his worried coach reluctantly allowed him to take his place in the side. Later, Barassi justified his decision by saying that in his opinion, a less than fully fit Goold was still worth his place in the team. By half time in the Grand Final however, he was probably questioning that judgement - because Carlton had been totally outplayed, and trailed an impressive, cohesive Collingwood by 44 points. Therefore, Carlton’s magnificent comeback – orchestrated by Barassi, and sparked by the fairytale exploits of 19th man Ted Hopkins – is one of the greatest of all football stories. Against enormous odds, the Navy Blues fought their way back into the contest, and eventually, rolled over the top of the frantic Magpies to snatch victory by 10 points in the last few minutes of the match. Hopkins ended up with four goals, Barassi was hailed a genius, and Ragsy Goold was carted off to hospital immediately after the game to have further urgent treatment. While there, he decided that there was no better time to end his VFL career – especially because his burgeoning business interests were demanding more and more of his time. In the years after his football career ended, John Goold created a remarkably successful business empire. In 1971 he sold his fashion label and took up farming at Mortlake in western Victoria, where he coached the local football team for three seasons. Later, he formed a diversified pastoral company, and purchased a magnificent complex called Ballangeich Run at nearby Ellerslie. While his passion for farming and livestock grew, he began breeding top quality polo ponies, and represented Australia in international competition. During the 1997 and 1998 seasons, John's son Ed Goold played reserve grade football for Carlton. MEMORIES.... Ragsy Goold; the name stirs memories form my long ago childhood. Ragsy, with his unique kicking style, where he'd hold the ball (always a drop punt - in a time when the drop kick and the torpedo punt still reigned supreme) at the point of the ball, elbows bent and he'd lavishly drop the ball, his right arm then flinging back and up dramatically. That was the thing about Ragsy (so named because he worked in the clothing, or 'rag' trade), he was always dramatic. He always ensured his ankle guards and wrist guard were glowing white to match the great white CFC monogram he wore proudly on his chest, and with his long flowing locks, cut a dynamic figure through a young boy's mind. Ragsy was my idol. I loved his dashes from half back, his long accurate drop punts, most of all I loved his flair for the game. Ragsy played the game as an entertainer as well as a sportsman - he leapt high to punch or mark, and always seemed to have a bit of the thoroughbred about him - which is probably why after he retired, he took up fox chasing, polo, and riding his beloved thoroughbreds across the paddocks and over the fences of his property, I think he may have even represented Australia at the sport – really, that’s sort of how he played as a footballer. All sinewy muscle, long legs and famous leaps for the saving punch. Ragsy was part of the great backline that helped revive Carlton's fortunes. Legendary players Wes Lofts, Ian Collins, Kevin 'Racehorse' Hall, Vinnie Waite among them. All great teams have a great defence and the defence that Ragsy was an integral part of was no different. Where others provided the biffo, the muscle or the defensive pressure, Ragsy provided the dash, the flair, the sense of adventure that all great backlines must have. AND MORE.... I have had many favourite players while following the Blues, but there will always be a special spot for Ragsy Goold - running the lines, all long hair and flashing white guards. As a young man I moved to Carlton and began acting in a place called one-c-one. One night after a play, I was walking home. It was winter, and I was wearing my favouritte overcoat, a genuine ankle length tweed affair I had picked up in an Op Shop in Oakleigh for three dollars. As I strutted across Lygon Street, a deep male voice behind me called, 'hey laddie, how much for the overcoat?' I turned, and there was my childhood idol, Ragsy Goold, two beautiful women in tow, smiling and waiting for my answer. I loved that coat too much to part with it, even to Ragsy, so I shook my head - and he smiled, then walked off. I stood for a moment in the middle of the street shaking my head in disbelief. Ragsy bloody Goold had just offered to buy my overcoat! I knew at that point, as a young man of about twenty three, that life was going to be full of surprises and very entertaining - a bit like John ‘Ragsy’ Goold. ONE MORE.... A cold, wet day in the mid 1960's at the MCG and Victoria were playing South Australia (?) The ball that day was like a piece of soap, with players finding it impossible to mark. Just before half time a long kick sailed toward the mud heap that was the centre of the ground, and the pack rose to meet it. From this group of players an arm shot straight up, and the ball instantly came to a dead stop. The footy stuck in the player's palm as if the hand was coated in Tarzan's Grip. After all these years, it's the only recollection I have of that match, and that player was 'Mr. Elegance' John Goold. HUMOROUS HUNGRY.... Former opponent Richmond's Kevin Bartlett on Radio SEN in 2012 received a phone call from John. After the call Kevin told his listeners how "Mr Elegance" would always be dressed in a nice suit, shirt-tie and highly polished shoes. He then cracked a joke saying something like; "You know, John was so 'posh' that he used to play football wearing a cravat!" Milestones 50 Games: Round 15, 1967 vs Melbourne 100 Games: Round 13, 1970 vs Geelong Career Highlights 1965 - Percy Bentley Trophy - 3rd Best & Fairest 1966 - 5th Best & Fairest 1967 - Maurie Sankey Memorial Trophy - 4th Best & Fairest (on count back) 1968 - Premiership Player 1970 - 7th Best & Fairest 1970 - Premiership PlayerFoolscap Scrap Book -
Glen Eira Historical SocietyBook - Carnegie Primary School No. 2897
Carnegie Primary School centenary book (96 pages x 2 copies) ‘The First Hundred Years NO2897. Carnegie Primary School 1888-1988’ compiled and edited by Isabel Couper and Deidre Lynch. A detailed history of the school’s beginnings. Many informative memories and recollections from school’s first students and teachers; includes social history of area and people, football teams, debutante sets and school. Also a reprinted newspaper article from school’s Golden Anniversary and photo of school band; and a couple of social history photographs.anderson james, murrumbeena, glen huntly railway station, carnegie state school, wesleyan hall, neerim road, railway stations, carnegie primary school, rosstown, toolambool road, lynch deidre, mcvey claire, ross william murray, findlay francis, couper isabel, brown wesley, rosstown state school, brisbane w, carnegie uniting church, liddelow m.h., evans thomas, selboskar phyl, centenaries, margaret street, caulfield, brewster mr., taylor mr., draper mrs., mcfarlane mr., rule thomas, teachers, campbell ada, ‘ava’, campbell aubrey, campbell vera, matthews ben, hewitts road, matthews funeral service, funeral parlours, leo amy, leo alfie, rudge family, rudge mr., transport, phillips store, general store, phillips corner, emily street, hamlya family, pitt family, sheppard family, pemberton mr., pemberton mrs., dunlop misses, preschools, whitlam family, whitlam gordon, woods family, woods lorna, swaggie, swagman, liddelow amy, anderson mr., anderson archie, dunlop bill, phillips linda, hansen alice, lodge laura, fox arthur , hamlyn eric, hansen dagmar, cooper lina , woods lorna, waite family, cove family, johansen family, koornang road, market gardens, sheppard ernie, wood a.m., ‘nisava’, wood family, wood bill, evans rachel, evans thomas, wood millicent, whitfield mr., griffiths mr., wood malcolm, wood forest, wood joe, roxburgh miss, grange road, clifton street, lord street, wood frederick geo, egan miss dressmakers, whitlam fred, whitlam christine, whitlam george, whitlam gough, whitlam freda, whitfield mr., patterson road, graceburn avenue, griffiths r.h., koornang road, scales mr., reid athol, lording dr., mernda ave, farmstead, lord reserve, leman’s swamp, koornang park, cobby harry, larkin aircraft company, dawson howard, rosedale avenue, spencer reg, turner ruth, turner jack, turner noreen, turner marie, morton alan, morton barney, gardiner martin, frogmore estate, oakleigh road, frogmore road, koornang park, hunt club kennels, raeke miss, morgan miss, pitt winnie, jiggins mr., smith mr., blundy violet, ryall ray, mimosa road, wolseley mr., wolseley family, wolseley ted, brunstein madge, murrumbeena cricket club, sinclair alan, sincliar tinny, thomas ted, walker alec, bone bob, footballers, middleton colin, farquahson mrs., eddy family, eddy rose, wolseley jack, buswell stan, buswell doug, buswell. stan jnr., irving nell, brims ethel, bailey bruce, eason sisters, hands hilda, windlow isabel, madden road, glenhuntly road, griffiths rita, jackson jean, scott mr., ward ‘cap’, caulfield grammar school, kokaribb road, carnegie traders, cricket teams, carnegie south, ward marjory, ryan mr., phillips tony, phillips bessie, buckley street, phillips harriet, phillips marion, phillips ernest, phillips hilda, phillips david, phillips florence, phillips linda, lihou miss, jersey parade, meake family, skewe family, mansfield family, fraser jean, collister alma, sturges millie, retallick girls, lillywhite family, mason nellie, johns nancy, bowsfield family, jenner family, chisholm emma, chisholm doris, chisholm ivy, chisholm netta, chisholm beryl, chisholm eileen, wadsworth ethel, luke mr., plummer t.w., raecke miss, sargent ron, sarkie family, reid family, meake violet, collett reg, mcneil miss, scales mr., carmody thomas william, steele miss, young mac, young margaret, cooper cyril, cooper bill, whiteside d., broadbent neil, broadbent mr., carnegie theatre, theatres, morton family, clarke family, quickand neals grocery store, grocers, billy guyatt’s, shops, spencer the removalist, removalists, collister harold, collister bill, caulfield band, bands, carthews the drapers, drapers, mccarrons alec blacksmiths, skewes keith, oliver frank, pitt ‘squeaker’, knevitt ‘skeeter’ harry, jockeys, britter jack, stanistreet family, gear rita, culleen billy, tailors, sherwoods butchers, butchers, jersey parade, riley didlo, verne harry, cooper horace, cooper linda, cooper martin, cooper claude, cooper reginald, cooper stanley, cooper gladys, cooper muriel, cooper percival, cooper cyril, beaumont w.a., whittfield joe, beaumont eileen, major mary anne sister, major myrtle, major bessie, major alma, stagholl walter, stagholl margaret, stagholl eric, robertson bessie, robertson fred, robertson norman, robertson donald, robertson alma, robertson alan, baird neil, baird john, baird rosemary, dunn helen, baird ian, baird heather, baird dianne, petrie stuart, petrie richard, bailey ron, gaunt mabel, reading harold, reading marge, irwin joyce, dickson margaret, dickson jennifer, dickson peter, wood malcolm, wood millicent, wood forest, wood joe, sinclair ‘trinny’, roberts ‘fly’, footballers, malcolm mr., henderson reg, henderson alice, brew l., rule mr., philbrick mr., wood mr., trembath mr., keogh mr., plummer tom, lane a., fox ernest, souters, market gardeners, fox belle, fox bella, fox vern, couper margaret, couper sandra, couper peter, couper narelle, couper clare, couper jarrod, scott mr., doughty will, doughty tom, lloyd miss, islingworth master, adams joyce, hogan mr., markus jean, cosgrove joan, cosgrove mrs., cosgrove mr., marshall jim, kellow fred, fretwell elizabeth, fretwell betty, shepparson ave, singers, edmonson miss, butters shirley, harwood vera, bracher lloyd, dewhurst irene, dewhurst jack, boyle mr., gow jack, welch len, stanistreet harry, stanistreet jack, stanistreet kathleen, stanistreet frank, stanistreet kingsley, ‘ray sullivan’s harmony boys’, carnegie memorial hall, st. anthony’s hall, welch len, gibbons norm, ashley sylvia, crosswell edna, marks peggy, worth phyllis, cleal jean, tabner edith, jenkins elva, mcintosh gladys, worth reg, waters cyril, downard rex, wild mavis, wild darby, hill roland, eason jean, tyers noel, tyers clive, witten hope, strickland doris, chisholm beryl, harwood family, battershill sid, battershill walter, dixon mavis, boyle mr., ford hilda, forsythe miss, edmonsen miss, ryan mr., grimsley mr., allaway mrs., grant mrs., bone bob, bone bruce, w. bone & son nursery men, bone norman, bone jack, bone william, railway road, green kevin, paris marjorie, mimosa road, green joan, allaway winnie, elliot miss, mcburney mr., purdy mrs., allaway suzanne, barron shirley, hogan mr., rutherford mrs., curtin mr., mckee’s, stores, whelan’s, coles, koornang road, gardiner marty, grange road dairy, dairies, mcwhinney’s tuck shop, shops, williams dorothy, kennedy irene regina, rigby miss, grimsley steve, grimsley muriel, grimsley jack, grimsley margaret, grimsley aimee, grimsley bill, blinkinsop steve, blinkinsop jeannie, mathers max, howie rex, major mr., flatmans paddock, crossover, reid eric, reid athol, lowe margaret, lowe dorothy, lowe ian, poliomyelitis epidemic diseases, forsythe miss, cuddihy miss, dougall keith, grace miss, hattam’s, stores, driver wally, perry max, perry don, perry jack, meagher j., ‘hostile’, racehorses, edney jack, carthews the drapers, fretwell elizabeth, kellow fred, muddyman bill, graceburn ave, caulfield junior citizens band, bands, luke mr., luke percy, luke maise, luke nessie, luke geoff, luke ross, luke jan, luke lynette, bolton douglas, anderson mrs., mcburney mr., hogan mr., scott mr., tyers s., ross j., ryan j., irvine j., muirhead mrs., muirhead j., mcnab m., buller l., emmanuel p., buller m., paton v., moor j., condron a., bibby d., matthews n., holman l., cotterell m., whelan j., jennion g., walker b., taylor e., green a., turner r., matthews e., smith joan, gardiner marty, dairies, hanson family, cove family, gallop family, barrett family, barrett w.a., bolch family, bolch b., burke w., burke bill, burke s., mobbs h., young g., young c., burke m., ward c., hopwood g., gordon mr., milk bars, cooper cr., phillips t., swindell mr., grogan mr., wadsworth mrs., bourke mrs., lewis mrs., worsley mrs., quickenstead mrs., brown wesley, musicians, purdy h., curtain les, jenner’s dairy, riley’s wood yard, occupations, jenner vic, jenner les, grant noel, parker george, connolly keith, purdy mr., glen huntly picture theatre, picture theatres, irvine jack, law christie, hatter bob, joppick les, driver geoff, curtin mrs., frederick street, ormond, waters ron, carnegie junior citizens band, carnegie salvation army band – bands, whelan evan, irwin ray, balgleish jack, cowen laurie, smyth wally, lambeth margaret, kind lorraine, bondini joy, tredennick miss, linton miss, heath graham, shiell bill, shiell myrtle, archard bess, bull joan, craig ida, collins dorrie, collins doreen, diggans jess, cornthwaite h., cripps e., dougall n., dixon joyce, francis d., evans mrs., glass peg, greene jess, grace merle, hocking freda, jillings mrs., price mrs., day kitty, kerr may, mason marge, kind sylvia, muirhead d, mcconchie netta, needham nancy, nickless w, o’connor linda, pilven mrs., ryall h., strother ivy, singleton mrs., kelly phyl, waters von, usher mrs., trotter maude, watson mrs., williams mabel, withers olive, aarsmann norma, shiell norma, close peter, ‘wild cherry’ cake shop, rudi miss, anderson miss, eddy mr., hunter jean, nelson vera, fisher john, hunter ron, read jean, smith brian, newsreaders, nelson miss, singleton billy, quon miss, mchutchison george, valma smith, millar royal r., donoghue nora, lester mr., roberts tom, andreisen colin, miles alec, hine mr., baker mr., clements george, bracher lloyd, dimick miss, muir judy, dunn margaret, sant richard, myring miss, ryan mr., armstrong margaret, share wally, howie rex, barclay bob, rockman udo, hoult david, eisfelder kevin, jacques mr., smith mr., magee mr., stehle belinda, wallace mr., james mrs., main mr., wood miss, verso mr., mcpherson mrs., felotico miss, stehle john, howards mrs., collard mrs., webster vivian, stehle siggy, truong le sen, mcpherson barbara, mitchell eva, moutsos mark, chan benjamin, wilson del, jewell christopher, mitchell keith, grant marilyn, caskie alastair, dixon dennis, armstrong john, lucas edward, clark deanne, coutts natalie, flood zivanja, derham peter, momandwall shaper, couper jarrod, heslop joanne, breeze ginaya, caskie fiona, filippone nadya, mcmahon nina, hedges nigel, williams shae, grimm karen, mcgregor clare, vagenes john, gallagher glenn, mcalister rob, varga marilyn, hunter debbie, courtney cathy, booth carol, mcmahon mary, brown danielle, burska maciej, campbell jason, chryssis aris, d’arcy michael, delaney matthew, doukas vivian, dower samantha, fournarakis andrew, genoli amanda, grammatos jimmy, harrington melanie, karamoshos john, karim sadruddin, kennedy russel, lalani zahra, lightfoot kylie, looby mark, louange veronica, park sung mi, perera dennis, pozvek julie, scurry kate, sievers sarah, smith matthew, svarnas dennis, vassiliou denise, wright tracey, zouzounis spirros, adahall jojie, agar jude, anderson lynette, black renae, bobrowski ursula, caskie catherine, devon hayley, diakoumis maria, duljas kristie, evans lindsay, faucett ebony, filippone annette, fournarakis jimmy, francese sean, gibson jay, gordon michelle, guslitser dora, king jane, lianos villi, lorkin christopher, macleod cheryl, maggs amberley, mitchell keith, mucic renae, o’brien jessica, park matthew, pozvek richard, psarras nancy, rhodes suzanne, simons emma, smith christopher, spokes melanie, tia michael, timewell amanda, vavoudis peter, abbott kristi, allender daniel, bobrowski jacob, carey rebecca, carter daimein, catramados john, christou eugenia, couper jarrod, healey michael, kalaitzakis nick, kennedy rebecca, macleod suzanne, mavridis angelo, morosini amanda, mowforth dustin, okolicsanyi george, park sung chul, pemberton michael, reisman elizabeth, richards kylie, savrone leah, tia charlie, tran paul, wiseman derek, wright dean, wyatt marilyn, andre ryan, breeze ginaya, brown james, campbell chad, charles benjamin, devon john, diakmoumis stacey, diamantis chris, duljas michael, grammatos harry, hill bradd, karim salim, lindsay amanda, lynch jennifer, marrello sol, momandwall shaker, moutsos ireni, oram scott, o’sughrue kristy, panevin david, park catherine, pozvek louise, stratton alisa, timewell rebecca, tsigos stam, yeow sook ling, anderson peter, batson tracey, black craig, brain jason, breeze benjamin, brown kylie, carrington harata, caskie fiona, catramados hercule, chan daphne, christou chris, clarke simone, diamantis anthony, faucett sara, flood natalia, holmes gavin, kotrotsos tony, kuk robin, mitchell david, okolicsanyi steve, pemberton samuel, soos melinda, stephenson gabrielle, tran pauline, vassiliou evan, agar natalia, bennett tracey, buhmann wayne, couper clare, faucett sean, filippone nadya, filippone marie, gallagher glenn, gelman roman, grant shawn, hill tania, jewel chris, kaliappa danny, kiss robert, liacopoulos aris, louey david, macleod mike, malamas voula, oram michelle, scurry ivan, wardley amanda, zouzounis sam, anderson robert, antoniou nick, carey tamara, derham peter, diep dianne, filippone danielle, flood zivanja, frangos katina, handley scott, harrison robin, heath cheryl, hedges megan, hedges nigel, hudson raelene, jacovou daniel, katrotsos george, kuk maggie, leung tracy, lightfoot wendy, mcmahon nina, taylor stephen, vassiliou litsa, liddelow e., anderson james h., boardman thomas h., rule thomas, whitfield j.p., griffiths r.h., scales e., boyle j.b., ryan owen w., eddy h.m., millar royal r., lester russel a., donoghue r., bracher a. lloyd (acting principle), o’brien john d., moller henry r., monahan t.v., barclay robert l., somerville albert v., magee frank c. (acting principle), wallis keith, laing allan i., verso ron (acting principle), wood moira (acting principle), tonkin ernest, share wallace (acting principle), howie rex, harding malcolm (acting principle), crowe brian, schmidt david (acting principle), lynch deidre (acting principle), o’keeffe leo, brierley bob, brierley marjorie, couper isabel, couper peter, lindsay janine, lynch deidre, selboskar phyl, stehle siggy, webster jennifer -
Healesville Sanctuary Heritage Centre
Newspaper - Newspaper Cutting, Report, The Age, Melbourne, Sanctuary in Need of Funds, 23 September 1948
Mr McDonald (Acting Premier) to recommend to Cabinet a grant to the Sanctuary to meet costs of fencing and transport of birds and animals.photocopyMr McDonald (Acting Premier) to recommend to Cabinet a grant to the Sanctuary to meet costs of fencing and transport of birds and animals.1940s -
Healesville Sanctuary Heritage Centre
Newspaper - Newspaper Cutting, Report, The Herald, Melbourne, 'Must Keep Sanctuary', 23 September 1948
Mr McDonald (Acting Premier) to ask Cabinet for funds to keep Sanctuary open. Membership tickets mentioned in article.photocopyMr McDonald (Acting Premier) to ask Cabinet for funds to keep Sanctuary open. Membership tickets mentioned in article.1940s -
Melbourne Tram MuseumBadge - "Messenger"
Item to indicate that the person was an authorised Messenger. Possibly a commercially available item. Not know whether the MMTB or The Met used this item though it was donated by a person who worked for both organisations.Demonstrates a method of indicating that the person was acting as a Messenger.Badge - nickel plated or silver finish, rounded with two lugs on rear for clipping onto a cap or a uniform - has the word "Messenger" stamped or engraved. Two copies held, one with a single brass clip.public transport, transport, badges, messenger, uniform -
Flagstaff Hill Maritime Museum and VillageFunctional object - Bellows, 1862-1875
This bellows was used at the Warrnambool Racecourse by Master Farrier, Brian Chapman (1931-2017), during the 1970s but its history before then is still being investigated. The bellows have continued to be used from 1978 at Flagstaff Hill's blacksmith's workshop. Even today, in 2021, this same bellows are used by a volunteer blacksmith as he demonstrate the skills and tells of the importance of the blacksmith trade to colonial Australia. This 1860s double-action bellows is a typical form of blacksmith's or shipsmith's bellows. The end is forge-fitted with an iron nozzle or tube, called a tuyere or Tue iron, which concentrates the air to fan the fire or furnace. Tuyeres were traditionally made of cow horn. The double-action design of this bellows efficiently moves air both in and out of the chambers in the one movement of the long handle. The bellows was manufactured by John C. Onions of Birmingham, England, between 1862 and 1875. The stamp with the text, Gold Medal 1862, was also used on the business’ advertising. In 1875 the company was registered and began using the name John C. Onions Limited. JOHN C. ONIONS - John C. (Collingwood) Onions (1841-1904) was the son of a bellows maker of the same name. Onions (born 1841) and his wife Helen married in 1867 and they named one of their children John Collingwood Onions (1868-1913), as was the family tradition. He was well known as a Birmingham manufacturer of patented bellows and other forge-related equipment. He sold to the wholesale and retail markets for both local and overseas customers, including the British colonies. An 1862 advertisement points out that John C. Onions was a “Bellows manufacturer and contractor to Her Majesty’s Honourable Board of Ordinance” and His Imperial Majesty the Emperor of the French [Napoleon Bonaparte]”. The advertisement includes a sketched portrait of the Emperor Napoleon III, and an Imperial Autograph Letter dated May 23, 1854, from Napoleon, Palace of the Tulleries to Mr J C Onions of Bradford Street, Birmingham. In 1863 the company registered a patent on portable forges. In 1871 there were eight employees. John C. Onions Limited became a registered company in 1875. In 1876 an advertisements included that the company were smiths for hearths and tools in general and showed a row of six medallions including one with “Napoleon III, Emperor” and his portrait, and another “ _ _ _ 1862 MEDAL”. Their advertising motto was “For Excellence of Quality”. In 1885 the company merged with William Allday and Sons to become Allday and Onions. This mid-19th century bellows has local historical significance as it were once used by blacksmiths at the Warrnambool Racecourse in the annual racing event that continues today. This bellows is significant as a working example of equipment used in the 1800 and 1900s in the trace of blacksmiths and other metal working smiths. The bellows is technologically significant as it shows the progress from simple bellows to the double-action bellows, a time saving and efficient improvement. The manufacturer John C. Onions is historically significant as a family business that began in the 1600s and continued up until the 1980s.Bellows; large, oval, mechanical double-action smith’s bellows, manually operated, in working condition. The paddles of wood that form the top, middle sections and base of the bellows have flexible leather pieces attached firmly between them, forming airtight double lungs. Cut-outs in the panels allow the bellows to fill with air then force it out. A long handle is connected to pump the bellows and control the quantity and force of the air. The blasts of air are forced through the metal nozzle or tuyere at the end of the bellows and into the forge’s fire. Inscriptions are impressed into the wood on the upper paddle or board of the bellows. There are three circular stamps containing text. Text impressed in the wooden upper paddle of the bellows has been assumed to read “JOHN C. ONIONS, PATENTEES & MANUFACTURERS, BIRMINGHAM””?” “EXTRA” “AWARDED FOR EXCELLENCE OF QUALITY”, made from the following readable text :- “JOHN C ONIONS“ “PATENT - - - & MAN - - - - - - - - -“, “BIR - - - - HAM“, “ _ ERA - - - - “- XTRA-“, “- - - - - - - FOR EXCELL-“ “OF - - - - ITY” Text in the stamp “ - - ECE - - “, “ - - - - - / 1862 / MEDAL”, “- ITY” flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, john collingwood onions, john c onions, allday and onions, bellows, smith’s bellows, 19th century bellows, double-action bellows, double-acting bellows, double lung bellows, double chamber bellows, blacksmith tools, blacksmith trade, blacksmith craft, blacksmith equipment, forging equipment, john c onions patented double-action bellows, brian chapman, warrnambool racecourse, blacksmith, shipsmith, iron smith, mechanical bellows -
Hymettus Cottage & Garden BallaratAdministrative record - Time sheet carbon book, 1935
This book of carbon copies of a railway Station Master's timesheets demonstrates the nature of work, and movement required for the position of Station Master before the subject was appointed to and allocated a station.ballarat, donald, maryborough, creswick, creswick north, acting station master -
Federation University Historical CollectionDocument - Document - Magazine, Kruse Collection: Ballarat University College: Performing Arts; Ad Lib Magazine Number 1, 1992
What was distinct about the Performing Arts Course at the University of Ballarat is it had students from a wide range of back grounds with an age range from 17 to 53 years. Students are keen to not only act but to write, design, direct, production manage, stage manage, design lighting and sound and create their own theatre. They also take responsibility for a large percentage of the decision making and administration. Artistic Director and Course Co-ordinator was Peter Tulloch. Ad Lib is a magazine produced by the students. It outlines the work they have produced during the 1st Season, 1992. 1st, 2nd and 3rd Years sections outlines what is ahead. Whats On! lists what is happening in the theatre world in Ballarat - local and touring.Six A3 sheets, folded to make 24 page magazine. Items include Editorial, Contents and Introduction from Peter Tulloch. Signature of Peter Tullochperforming arts, write, design, direct, production manage, stage manage, lighting and sound, training, acting credits, skills, peter tulloch, director and co-ordinator, directing, theatre, screen, ad lib, magazine, 1992, editorial, drac's daughter, the passion and the paradise, first years, second years, third years, lamb of god, cancer, goldilocks, whats on, kruse collection -
Federation University Historical CollectionDocument - Document - Magazine, Kruse Collection: Ballarat University College: Performing Arts; Ad Lib Magazine Number 3, 1992
What was distinct about the Performing Arts Course at the University of Ballarat is it had students from a wide range of back grounds with an age range from 17 to 53 years. Students are keen to not only act but to write, design, direct, production manage, stage manage, design lighting and sound and create their own theatre. They also take responsibility for a large percentage of the decision making and administration. Artistic Director and Course Co-ordinator was Peter Tulloch. Ad Lib is a magazine produced by the students. It outlines the work they have produced during 1992. 1st, 2nd and 3rd Years sections outlines what is ahead. Profiles of three final year students - Miranda Crellin, Sandra Moon and Fiona Bennett.Four A3 sheets, folded to make 16 page magazine. Items include Editorial, Contents performing arts, write, design, direct, production manage, stage manage, lighting and sound, training, acting credits, skills, peter tulloch, director and co-ordinator, directing, theatre, screen, ad lib, magazine, 1992, editorial, first years, second years, third years, exhibition, miranda crellin, sandra moon, fiona bennett, lock up your daughters, too much punch for judy, community road safety, vic health, kruse collection -
Federation University Historical CollectionDocument - Document - Programme, Kruse Collection: Ballarat University College: Performing Arts Students; Third Year Graduate Exhibition, 1993
What was distinct about the Performing Arts Course at the University of Ballarat is it had students from a wide range of back grounds with an age range from 17 to 53 years. Students are keen to not only act but to write, design, direct, production manage, stage manage, design lighting and sound and create their own theatre. They also take responsibility for a large percentage of the decision making and administration. Artistic Director and Course Co-ordinator was Peter Tulloch. This is a Performing Arts Department Final Year presentation to Industry representatives and the general public. It features the work of William Saroyan, William Shakespeare, John Godber, Jane Thornton, Matthew Cahoulin, James Saunders, Stephen Sondheim and Anton Chekhov. The course combines formal teaching and practical experience aimed towards the development of artists. An attempt is made to foster secondments to theatre, theatre companies and arts bodies. Cream A3 sheet of cover paper, folded in half. Front half is folded again. Maroon and black print.performing arts, write, design, direct, production manage, stage manage, lighting and sound, training, acting credits, skills, peter tulloch, director and co-ordinator, directing, ballarat university college, graduate exhibition, 1993, third years, william saroyan, william shakespeare, john thornton, matthew cahoulin, james saunders, stephen sondheim, anton chekhov, michael dickinson, rebecca moore, amanda davis, david whiteley, richard jeziorny, simon power, damien muller, jay strybosch, donna brunt, james edwards, tony marsh, ron hinkley, martin newton, michael gibbins, john bateman, clare o'sullivan, adam turnbull, curtis barnot, vicki pollock, warren muschailli, cristin schwanker, kristian pithie, libby tanner, ruth greenberg, peta brady, christine bennett, brett edgington, kruse collection -
Federation University Historical CollectionDocument - Document - Programme, Kruse Collection: University of Ballarat: Performing Arts Students; "The Wizard of Oz", 1996
What was distinct about the Performing Arts Course at the University of Ballarat is it had students from a wide range of back grounds with an age range from 17 to 53 years. Students are keen to not only act but to write, design, direct, production manage, stage manage, design lighting and sound and create their own theatre. They also take responsibility for a large percentage of the decision making and administration. Artistic Director and Course Co-ordinator was Peter Tulloch. "The Wizard" is the first of a program of theatre works for this year. Programme includes an outline of the story, list of the cast, musical numbers, production staff and the list of school children playing M unchkins. They are divided into two groups. Band members are listed. Four A3 sheets of glossy paper folded in half to make sixteen pages. Front cover with rainbow and black shapes of Witch, Dorothy, Tinman and Lion. PhotographsSymbols of sponsorsperforming arts, write, design, direct, production manage, stage manage, lighting and sound, training, acting credits, skills, peter tulloch, director and co-ordinator, directing, the wizard of oz, melissa casey, amanda sandwith, sam ritzkoff, matthew lotherington, david mashiko, renee wilner, paul fitzpatrick, john bolger, wookie and muff - dogs, andrew arney, andrew lane, james mclaverty, jeff parker, annie kerr, kylie lockwood, liesl morris, narrell werner, jamie robertson, grant hickey, angela coad, michael mcliver, tim blundell, ruth butler, kathy lucas, rashelle mchugh, anthony wallace, natalie zappulla, laura hill, linda judd, kruse collection -
Federation University Historical CollectionDocument - Document - Programme, Kruse Collection: University of Ballarat: Performing Arts Students; Third Year Exhibition, "Sanctus"
What was distinct about the Performing Arts Course at the University of Ballarat is it had students from a wide range of back grounds with an age range from 17 to 53 years. Students are keen to not only act but to write, design, direct, production manage, stage manage, design lighting and sound and create their own theatre. They also take responsibility for a large percentage of the decision making and administration. Artistic Director and Course Co-ordinator was Peter Tulloch. Third Year Exhibition was "Sanctus" written by Chris Dickins. Director was Peter Tulloch. Names of all those involved in the production and publicity are listed. The centre spread shows the 15 scenes and those appearing in each. A student could be involved in both production and performing. Sponsorship provided by a number of local businesses and people. Father Martin Hislop provided Ecclesiastical Advise for the production. Two A3 sheet glossy paper folded in half to make eight pages. Front cover dark blue with white and orange print Symbols of sponsors on back coverperforming arts, write, design, direct, production manage, stage manage, lighting and sound, training, acting credits, skills, peter tulloch, director and co-ordinator, directing, third year exhibition, sanctus, chris dickens, author, sanctus crew, elissa anson, amanda sandwith, renee willner, rocky paul fitzpatrick, john bolger, lara hogg, martin cole, david mashiko, liesl morris, andrew lane, mark wilson, kylie lockwood, katrina hampson, annie kerr, brad flynn, stewart chandler, kirsten marr, father martin hislop, ecclesiastical advisor, kruse collection -
Federation University Historical CollectionDocument - Document - Card, Kruse Collection: University of Ballarat: Performing Arts Students; Third Year Graduating Company, "Maelstrom", 1997
What was distinct about the Performing Arts Course at the University of Ballarat is it had students from a wide range of back grounds with an age range from 17 to 53 years. Students are keen to not only act but to write, design, direct, production manage, stage manage, design lighting and sound and create their own theatre. They also take responsibility for a large percentage of the decision making and administration. Artistic Director and Course Co-ordinator was Peter Tulloch. Card advertises the University of Ballarat 3rd Year Performing Arts Graduating Company's presentation of "Maelstrom". Writer Chris Dickins was commissioned by the graduates to write this contemporary piece. "Maelstrom" deals with a generation lost in a world of mobile phones, electronic gadgets, bright lights and gambling phenomenon.Postcard, black, with illustration on one side and written information on reverse in maroon and whiteSymbol of Malthouse theatre.performing arts, write, design, direct, production manage, stage manage, lighting and sound, training, acting credits, skills, peter tulloch, director and co-ordinator, directing, third years, 1997, third year graduating company, maelstrom, chris dickins, contemporary piece, lost generation, malthouse, kruse collection -
Federation University Historical CollectionDocument - Document - Course Outline, Kruse Collection: Ballarat University College: Courses in Visual and Performing Arts
What was distinct about the Performing Arts Course at the University of Ballarat is it had students from a wide range of back grounds with an age range from 17 to 53 years. Students are keen to not only act but to write, design, direct, production manage, stage manage, design lighting and sound and create their own theatre. They also take responsibility for a large percentage of the decision making and administration. Artistic Director and Course Co-ordinator was Peter Tulloch. Visual and Performing Arts courses include Bachelor of Arts - Visual Arts; Bachelor of Arts - Performing Arts; Graduate Diploma of Music Education; Graduate Diploma of Visual Arts. An outline of what each course provides is given. Selection process outlined. A3 sheet glossy sheet folded in half Coloured sections and print. Photographs Symbol of BUCperforming arts, write, design, direct, production manage, stage manage, lighting and sound, training, acting credits, skills, peter tulloch, director and co-ordinator, directing, theatre, ballarat university college, buc, visual and performing arts, courses, general information, selection process, bachelor of arts - performing arts, bachelor of arts - visual arts, graduate diploma of music education, graduate diploma of visual arts, applications, kruse collection -
Federation University Historical CollectionDocument - Document - Poster, Kruse Collection: University of Ballarat: Ballarat Academy of Performing Arts presents Season 99, (1999)
What was distinct about the Performing Arts Course at the University of Ballarat is it had students from a wide range of back grounds with an age range from 17 to 53 years. Students are keen to not only act but to write, design, direct, production manage, stage manage, design lighting and sound and create their own theatre. They also take responsibility for a large percentage of the decision making and administration. Artistic Director and Course Co-ordinator was Peter Tulloch. Poster outlines the productions planned for 1999, First Year, Second Year and Third/Graduate Year. Poster - purple background with orange and white printperforming arts, write, design, direct, production manage, stage manage, lighting and sound, training, acting credits, skills, peter tulloch, director and co-ordinator, university of ballarat, season 99, third year graduate company, second year music theatre company, first year productions, second year theatre company, third year music theatre company, a midsummer night's dream, capricornia, sing for your supper, tonight at 8.30, an month of sundays, noises on, not so grimm, under milk wood, marvelous m g m, spring awakening, kruse collection -
Federation University Historical CollectionDocument - Document - Student profiles, Kruse Collection: University of Ballarat: Performing Arts; Graduate Exhibition, 1994
What is distinct about the Performing Arts Course at the University of Ballarat is it has students from a wide range of back grounds with an age range from 17 to 53 years. Students are keen to not only act but to write, design, direct, production manage, stage manage, design lighting and sound and create their own theatre. They also take responsibility for a large percentage of the decision making and administration. Artistic Director and Course Co-ordinator was Peter Tulloch..1: Four page program .2 to .18: Individual profile sheet, two sided - photo and profile of work. Sheets in cream gloss card folder.Signature of Peter Tulloch - back cover of folder.university of ballarat, u of b, performing arts, graduate exhibition, 1994, student profiles, program, donna brunt, naomi duryea, deanne lee clapton, james edwards, katherine elisa evans, bella goyarts, anthony marsh, suzanne martin, hilary paige mills, kylie moroney, matthew robert posetti, lawrence price, stuart pursell, aaron michael richardson, kirsty novak-russell, francisco antonio seguin, jessie watson, emma wray, write, design, direct, production manage, stage manage, lighting and sound, training, acting credits, skills, peter tulloch, director and co-ordinator, directing, kruse collection -
Federation University Historical CollectionDocument - Document - Student profiles, Kruse Collection: Ballarat University College: Performing Arts; Student Profiles, 1993 Graduate Exhibition
What was distinct about the Performing Arts Course at the University of Ballarat is it had students from a wide range of back grounds with an age range from 17 to 53 years. Students are keen to not only act but to write, design, direct, production manage, stage manage, design lighting and sound and create their own theatre. They also take responsibility for a large percentage of the decision making and administration. Artistic Director and Course Co-ordinator was Peter Tulloch.Small white booklet with black type. Each student has photograph and information over two pages Circular symbol - Season Graduate Company - 93performing arts, student profiles, write, design, direct, production manage, stage manage, lighting and sound, training, acting credits, skills, peter tulloch, director and co-ordinator, directing, theatre, screen, buc, ballarat university college, graduate exhibition, 1993, curtis barnott, john bateman, peta brady, amanda davies, michael gibbins, ruth greenberg, ronald hinkley, rebecca moore, warren muschiali, martin newton, clare o'sullivan, kristian pithie, vicki pollock, simon power, shaun dumbrell, jay strybosch, libby tanner, cristin(tin) schwanker, adam turnbull, david whiteley, kruse collection -
Federation University Historical CollectionDocument - Document - Student profiles, Kruse Collection: Ballarat University College: Performing Arts; Student Profiles, 1992 Graduate Exhibition
What was distinct about the Performing Arts Course at the University of Ballarat is it had students from a wide range of back grounds with an age range from 17 to 53 years. Students are keen to not only act but to write, design, direct, production manage, stage manage, design lighting and sound and create their own theatre. They also take responsibility for a large percentage of the decision making and administration. Artistic Director and Course Co-ordinator was Peter Tulloch. 13 A3 size gloss paper sheets folded. Photograph on one side and profile information on other pages. Grey A3 cover paper sheet folded for program. Writing in red ink. All enclosed in grey and pink coloured folder.performing arts, student profiles, write, design, direct, production manage, stage manage, lighting and sound, training, acting credits, skills, peter tulloch, director and co-ordinator, directing, theatre, screen, buc, ballarat university college, graduate exhibition, 1992, fiona bennett, miranda crellin, peter ghin, andrea hearn, nerissa heath, joanne hyland, kimbra jeffries, brigid kelly, robert macleod, sandra moon, grainne o'boyle, howard tostivan, samantha trinder, kruse collection -
Federation University Historical CollectionDocument - Document - Student profiles, Kruse Collection: University of Ballarat: Performing Arts; Student Profiles, 1995
What was distinct about the Performing Arts Course at the University of Ballarat is it had students from a wide range of back grounds with an age range from 17 to 53 years. Students are keen to not only act but to write, design, direct, production manage, stage manage, design lighting and sound and create their own theatre. They also take responsibility for a large percentage of the decision making and administration. Artistic Director and Course Co-ordinator was Peter Tulloch.Yellow card folder 13 A4 size white gloss paper sheets. Photograph on one side and profile information on reverse.university of ballarat, u of b, performing arts, student profiles, write, design, direct, production manage, stage manage, lighting and sound, training, acting credits, skills, peter tulloch, director and co-ordinator, directing, theatre, screen, tanya burne, marijana dujmovic, hayley giemza, marley huxley, bertrand labonte, sophie lampel, belinda lees atcl, matthew molony, daniel tonzig, lyn cyrill, vicki matthews, casey norton, robert alan sowinski, kruse collection -
Federation University Historical CollectionDocument - Document - Student profiles, Kruse Collection: Ballarat University College: Performing Arts; Student Profiles, Third Year Exhibition Programme, 1991
What was distinct about the Performing Arts Course at the University of Ballarat is it had students from a wide range of back grounds with an age range from 17 to 53 years. Students are keen to not only act but to write, design, direct, production manage, stage manage, design lighting and sound and create their own theatre. They also take responsibility for a large percentage of the decision making and administration. Artistic Director and Course Co-ordinator was Peter Tulloch.One white A3 sheet, folded, with two white A4 sheets. Black and white photographs and black print performing arts, student profiles, write, design, direct, production manage, stage manage, lighting and sound, training, acting credits, skills, peter tulloch, director and co-ordinator, directing, theatre, screen, buc, ballarat university college, graduate exhibition, 1991, jennifer pacey, simon piening, bernadette lamaro, jacqueline port, stephen macklin, michal glickson, felicity hay, gregory wright, douglas knight, merran lisette, sadat-jon hussain, emily robinson, nicholas reid, richard sutherland, third year, monologues, scenes, kruse collection -
Federation University Historical CollectionDocument - Document - Student profiles, Kruse Collection: University of Ballarat: Performing Arts; Student Profiles, Final Year Company Performance, 1995
What was distinct about the Performing Arts Course at the University of Ballarat is it had students from a wide range of back grounds with an age range from 17 to 53 years. Students are keen to not only act but to write, design, direct, production manage, stage manage, design lighting and sound and create their own theatre. They also take responsibility for a large percentage of the decision making and administration. Artistic Director and Course Co-ordinator was Peter Tulloch.One white A3 sheet, folded Black and white photographs and black print Signature of Peter Tullochperforming arts, student profiles, write, design, direct, production manage, stage manage, lighting and sound, training, acting credits, skills, peter tulloch, director and co-ordinator, directing, theatre, screen, final year company, university of ballarat, momentum, savage/love, cast crew, tanya burne, marley huxley, marijana dujmovic, bertrand labonte, jayley giemza, matthew molony, sophie lampel, daniel tonzing, belinda lees, lyn cyrill, vicki matthews, casey norton, robert sowinski, kruse collection
