Part of a set of medals relating to old collegian James Albert Rintoule who entered Ballarat College 1888. Ornate silver medal inscribed on back; heavy silver chain attached to top of medal; medal is a shield shape with a further shield and scroll attached to front; small shield engraved with figures of two men; backing shield engraved with floral patterns. Verso: ALBION / FOOTBALL CLUB / 1893 / Best Place Player / won by / James Rintoulejames-rintoule, ballarat-college, albion-football-club, old-collegians, 1893

The “S” on the patch denotes the airmen was a Signaller..1) Ribbon, "Pacific Star" mounted on brass plate with pin. .2) Badge, cloth, RAAF, dark blue background with light blue floral arrangement with letter "S: in white. Out to the right is a single white wing on dark blue background.ribbons, accessory, pacific, raaf

Maurice Wright was the brother of Frank Wright. Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a man standing in a formal pose holding the back of an ornate chair. The backdrop is a dark curtain and the man is standing on a floral carpet. The man is wearing a suit and light coloured hat with a dark hat band. The man is Maurice Wright.Hand written on back - With best wishes from Maurice Nov. 1919 Printed on back - The 'Tesla Studios', Wanganui, N.Z.maurice wright, frank wright, new zealand

Embroidered floral pattern make up case / ladies evening bag/ with metal frame and chain / printing on inside cream silk interior / small mirror inside the case / gold clasp closure/ multi coloured flowers on cream & black background.made in Australiacostume accessories, female

Black & White studio photograph.seated woman. Floral bouquet at neck of ball buttoned blouse above full length dress. Choker necklace above central bar brooch. 'With Love' caption written on reverse. Bartlett Bros Sandhurst printed on cover.Bartlett Bros Sandhurst.photograph, person, female

Small antique German porcelain doll from the late 1800's with porcelain face & hands, body of leather. Dressed in a cotton floral print frock with lace collar, blue waistband, undergarments include, pantaloons, petticoat, stockings, shoes of leather.AM.4/0.DEP.3200toys, dolls, porcelain

Textiles, brown cream lace tablecloth. Machine made. Large flower in centre 67 cm diameter, Floral patterns in corners and along sides. Two opposite sides have scalloped edges. Other two sides have straight sides.textiles, domestic, lace tablecloth

Certificate of Appreciation from the Council of the Borough of Eaglehawk to J Green Esq upon his retirement from the Mayoral Chair mounted on card and printed in black, red, blue and gold. Bordered with handpainted floral decorations, a mine scene, and topped with an eagle.person, individual, john green

The books main focus is about a social relationship. It contains the memoirs of an Australian woman who meets an older Italian man.2 paper back books. Covered in a floral pattern that is bold and dark red, which goes darker on the back cover in an ombre style. Inside one book is two paper bookmarks, one completely white and laminated and the other with the books details on it.The title and authors name printed on the books covers. The inside of one of them has written "To the Tatura Museum with best wishes Vivian Achia".vivian achia, autobiography

Part of the Running Stitch Collection. Possibly made at Ballarat.Patchwork quilt, made with small rectangular pieces of printed cotton dress fabrics in predominant shades of blue. Machine quilted and filled with woollen handknitted garment pieces. Backing is a cream cotton fabric printed with blue and green and brown floral pattern.quilting quilting - history, running stitch group, running stitch collection, quilting, quilting - history

Soldiers’ Memorial WW1 with the Stawell Guest House (Coffee Palace formerly Castlemaine Hotel) and roof of weighbridge in the background. The photo is a copy of the original owned by Mrs. Gwen Reeve. Black and white photograph of the WW1 Soldiers Memorial with a large floral wreath at the base. The photo shows the gate and fence Infront of the memorial. The Stawell Guest House also called the Coffee Palace and roof of the Weighbridge can be seen in the background. c.1935stawell ww1

Part of dinner set owned by Donor's grandmother Martha Edwards, 42 Husband Road, Forest Hill.Founded in 1851 under the name Hulme & Booth and it was not until 1877 that the name was changed to Burgess & Leigh. Until 1999 Burgess & Leigh was still being run by the family.|In August 1999 the factory was rescued from receivers by R&W Darling and the name changed to Burgess, Darling & Leigh.|As the business grew it was moved to a new factory in the rural district of Burslem. As with all industries, potteries have seen great changes and Burslem & Leigh adapted and modernised.|The business continues to this date. See supplementary file for more information.Cream crockery dish with lid. The dish and lid have a gold rim edging and black key patten and brown floral band on the dish and lid. The dish has scalloped edge handles with gold trim and the lid has a handle with gold trim.Burleigh Ware, Brugess & Leigh, Burslem, Englanddomestic items, crockery

Belonged to Skey Margaret, donorSquare ecru coloured pot pourri sachet. Centre is a square pocket containing pot - pourri and has floral spray of green leaves and red and cream flowers hand painted on it. Wild Strawberry is also printed on it. Edging is of ecru Nottingham LaceHand painted pot - pourri drawer sachet, Made in Englandhandcrafts, hand painted, lacemaking

A Magnan Rex badminton racquet, with plastic whipping around shoulders and shaft, and leather handle grip with large floral-patterned perforations. Materials: Wood, Nylon, Leather, Glue, Lacquer, Metal, Paint, Cloth, Adhesive tape, Plastic, String, Inktennis

This hand embroidered fire screen was embroidered by Winifred Caroline Henty Hindson (1887–1967), Elsie May Eliza Hindson (1880–1968) and Louisa (Louie) Charlotte Frances Hindson (1885–1963) three of the daughters of Alice Henty and John Hindson. Their grandfather, Francis Henty, was the youngest son of Thomas Henty, who with his family, their retainers and property moved to the Australian colonies between 1829 and 1832. In 1834, Francis’ older brother, Edward, sailed from Launceston in Van Diemen’s Land to what was to become Portland in the western part of Port Phillip District [Victoria]. Francis, together with the first flock of Merino sheep [in Victoria], followed some months later. The first and second generations of the Henty family established vast pastoral properties in the Western part of the Port Phillip District. Francis Henty managed ‘Merino Downs’ near Casterton, while also living in his retirement at ‘Field Place' in Kew.The Henty Collection of nineteenth and twentieth century clothing, including outerwear and underwear, was collected, stored and exhibited over time by female family members descended from Francis and Mary Ann Henty. During the twentieth century, items from the collection were modelled in two fashion parades by various descendants [1937, 1959]. The items in the collection are historically and aesthetically significant, with provenance provided by oral and written tradition within or held by the family. A number of the items in the collection are very rare survivors, and provide researchers with the evidence needed to reconstruct the lives of notable women in the Port Phillip District [later Victoria] during the nineteenth and early twentieth century. Multicoloured silk embroidered floral composition on a black fabric background created by Louisa, Elsie and Winifred Hindson. The embroidery is held behind glass and is protected by blackened wood at the back. The screen is suspended in an ebonized and gilded frame with two rows of spindle decoration. fire screens, women's work, embroidery - 20th century, elsie hindson, louisa hindson, winifred hindson

Comparatively few weatherboard houses in Kew survived from the early years of settlement into the second half of the 20th century. One such property was ‘Reno’, which once stood on the east side of St John’s Parade. Its earliest recorded owner was the architect Samuel Cocking who lived there from c.1865 until his death in 1888. The original landholding was bordered by Cotham Road, Glenferrie Road, Wellington Street, and Charles Street. The southern portion of this land included a fine orchard, with many imported trees. The old summer house, at first in the orchard, was later removed to the house garden. The MMBW Detail Plan No.1576 (1904) shows the remaining portion of the original land holding, including a semi-circular pathway at the front, and garden features such as an aviary, a fountain and grotto, and a fernery. None of these are apparent in photographs dating from the 1960s, where the garden, which once included rare plants provided by Baron Von Mueller, surrounds the cottage in a tangled frenzy. Despite a ‘local significance’ classification by the National Trust, the house was demolished in 1977. Wallpaper fragment from ‘Reno’. These three boldly designed samples from a single room are in shades of green and brown, highlighted by yellow and red floral sprays. While more accurately printed and coloured, the fragment lacks the freedom of design of the earlier samples.wallpaper, reno, st john's parade, kew, samuel cocking

Clothing. Beautiful cream, floral, lace - probably linen, 10 cms deep. Each of the four layers of floral lace is overlapping a 3 cm wide, permanently pleated, band of cream silk, which is edged with a narrow 5 mm band of black velvet. The linen lace has a scalloped lower edge alternating five circles .8 cm diameter and four circles 1.2 cm - this edging forms the scalloped effect. Flowing scrolls and leaves fill in between the flowers. Presumably this four frill flounce has been removed from another garment to be recycled.costume, female, four frill layered garment trim

Yields information about the tram decorated for the Ballarat Floral Festival of 1939. Original print of this photograph.Mounted photograph on black light weight card, of the Ballarat (SEC 1st) No. 29 decorated for the 1939 Floral festival. Paper flowers made by the wives of the tramway staff members. Photographed at depot junction. See also Reg. item 1369 for another photograph of the tram at the Depot. Tram showing "SPECIAL". On lower edge white label in ink "Decorated Tram Car. Ballarat Floral Festival. 1939". On rear of sheet has label "Official Switching on - Learmonth". Photo glued to sheet. See Reg Items 1363 for larger prints of these photographs for further details of this photograph.trams, tramways, secv, illuminated trams, decorated trams, floral tram, tram 29

This is a program for a local theatrical performance. It was produced and directed by Frances Sinclair and contains a number of dance and musical items. There are a number of local Warrnambool names among the performers such as K T Swinton, Rex Fotheringham, Mavis MacDonald, Miss Rooney, W Goodall, John Reid, George and June Philpot. The dancers ranged from tiny tots, Petite ballerinas, Corp de ballet to the belles De Paris. Some of the other items on the program are the Scottish Samba, Tut and Khamen and Fiesta in Granada by Ferdinande Del Campo Caravani111 and Monty Bellow the Atomic Bull & Co which would suggest that it around the time of the Atomic testing in the Montebello Islands in the 1950’s. A program which shows the artistic side to the city and associated humour and talent. It has a large number of names of those involved in the production and performance and would be typical of concerts performed around the country at that time. It predates the Warrnambool Theatre company which commenced production of musical items in the 1960’s.Dusty blue paper with red text running at an angle down the front cover. Diagram of a lady sitting and stitching. Brown floral border down the edge of the front and middle page. Back cover is plain apart from printer’s name on bottom centre.Kaye & Sons Printers Warrnambool.

The Uebergang family came from Silesia to Australia in 1848 and were early settlers in the Allansford area. The sons and other descendants also purchased farms in the area. The Percy Uebergang family lived at Tooram Park, Allansford from 1912 until 1992. Percy and Myrtle Uebergang's children were twins, Ray and Joyce born in 1926 who lived at Tooram Park until their deaths, Ray in 1986 and Joyce in 1992 after which the property was sold. Neither Ray nor Joyce married and following the death of her brother Joyce set up the Ray and Joyce Uebergang Foundation which supports the local community. The collection of items from their property was put into store for a number of years before being given into the care of the Cheese World Museum. The family often re-used, recycled and repaired items and examples can be seen in the museum. This photograph is part of the collection of items given into the care of the Cheese World Museum. Studio portrait of Ray and Joyce Uebergang standing in front of the draped curtain. Joyce is wearing a floral dress and long coat with matching hat. She has a handbag over her left arm and is carrying gloves. Ray is wearing a double-breasted suit.Ray and Joyce Uebergang (on reverse)allansford, uebergang, tooram park, ray uebergang, joyce uebergang

Cream coloured paper music book with a brown printed design, inc. a floral border and small silhouette of violinist. "Golden Hours for Violin and Piano, Easy Transcriptions, Classical & Popular". Contents are listed beneath. Published by Keith Prowse & Co. Ltd., London.

Clothing. Large collar of linen Bobbin lace. High round neckline, with two 16 cm deep peaks at the front. A floral design of five petalled flowers. (in groups of three) surrounded by scroll effects. Scalloped edges of the lace surround the outer edge.costume accessories, female, linen lace collar.

This vest was probably used in both China and Australia during the 1940s as a procession garment. It is linked to the Young Chinese League.This vest is significant for its links to the Chinese Young League. The League was formally established on 4 October 1932 to to promote free social intercourse and goodwill among its members and their mutual improvement. Membership was open to all persons, with one or both parents or grandparents born in China. Wives of Chinese members were permitted as members with the same privileges. It was a significant social organisation for Chinese-Australians in Melbourne in the mid to late twentieth century.Child's apricot coloured tunic with blue, floral embroidered border. Circular panel with red Chinese characters adorn the front and back and the tunic itself buttons up on right-hand side. Garment has a square neck and is lined with red striped panel.Chinese characters in the centre circle read: '軍' and above this in smaller characters '御林'. The large character means 'soldier'. The smaller characters may refer to the rank of the soldiersyoung chinese league, processions, melbourne, victoria, china

Donated by Barbara Keene to whose mother, Mrs Osborne, the fan had belongedLadies' wooden folding fan made of 24 leaf. The fan is painted to resemble a black lacquered surface with gilded curlicue decoration and a hand painted motif of a pink floral bouquet. Small paper label on back of end stick reading: Made in SpainMade in Spaincostume accessories, female, handcrafts, woodwork

A Court King tennis racquet, with hide shoulder reinforcements, string whipping around shoulders and shaft, and leather handle with floral perforations. Materials: Wood, Ink, Glue, Lacquer, Metal, Enamel, Leather, Cloth, String, Adhesive tape, Fibre, Hide, Nylontennis

A 1991 photographic copy of an original c.1895 black and white photograph of a young girl posing with a tennis racquet. The image is mounted, and held in a deep set frame, featuring delicate floral carvings. Materials: Paper, Ink, Cardboard, Metal, Photographic emulsiontennis

Blue silk parasol with cream silk printed with floral design in beige, brown, turquoise and terracotta. Metal spokes tipped with horn coloured bakelite. Wooden handle with traces of iredescent paint. Dark brown twisted cotton cord hanging from handle. Cast in metal spokes: THE ARMSTRONG REGD BRITISH MAKEparasol, art deco, printed fabric, 1920s, the armstrong