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Federation University Art Collection
Oil and acrylic on canvas, Channing, Ian, 'Gondolas - Venice' by Ian Channing, 2000
This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007. If you are able to assist with information on this painting or artist please make contact via the comments link below. School of Human Movement Collectionart, artwork, ian channing, human movement collection, venice, gondola, water -
Federation University Art Collection
Painting - Oil on Canvas, Shane Jones, 'Untitled #75' by Shane Jones, 2000
... , Gippsland (Churchill), Stawell and Horsham. goldfields Oil on Canvas ...Shane JONES (1955- ) Born Melbourne Shane Jones is a graduate with a Masters in Fine Arts from Monash University, He practices art 'en plein air' and in the studio. Shane Jones' realist works feature the trompe l’oeil (trick the eye) tradition and he is considered one of Australia's foremost artists in this technique. The hyper-realist style of art creates an illusion that the objects depicted are the real thing while not being photographic. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.A painting of a long white cloth being held by a white and a black hand. The identity of the subject is hidden, and the figure is absent. The unknown rather than the anonymity inhibits Shane Jones' imagery. art, artwork, shane jones, oil, oil on canvas, visual arts -
Federation University Art Collection
Painting - Artwork - Painting, Margaret Burns, Arapiles View
Framed landscape in oil. If you can provide information on this artist and artwork please use the link below. landscape, arapiles, horsham, margaret burns, horsham student collection -
Federation University Art Collection
Painting - Oil on linen, Moller, Vera, 'Colette' by Vera Moller, 2003
... , Gippsland (Churchill), Stawell and Horsham. goldfields Oil on linen ...This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Painting art, artwork, vera moller, moller, imaging the apple, fruit -
Federation University Art Collection
Oil & acrylic on linen, 'Guitar 2003' by Robert Jacks, 2006
Robert JACKS (1943-2014) Jacks studied sculpture at Prahran Technical College from 1958–1960 and painting at RMIT in 1961–62. His first solo exhibition was held to great acclaim in 1966 and in 1968 his work was included in the landmark exhibition, The Field, at the National Gallery of Victoria. Beginning in 1968, Jacks spent ten years living and working in Canada and the United States. It was during this period that his unique visual language matured, incorporating influences from the major exponents of contemporary abstraction, minimalism and conceptual practice. In 2001 the Bendigo Art Gallery established the Robert Jacks Drawing Prize. In 2006, he was named an Officer of the Order of Australia (AO) This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, robert jacks, the field, abstraction, contemporary art -
Federation University Art Collection
Oil on Canvas, Henderson, Daniel, 'View' by Daniel Henderson, 2007
Daniel HENDERSON In 207 Daniel Henderson won a Ballarat Arts Foundation Award. After graduating from University of Ballarat Arts Academy (now Federation University) Daniel Henderson has worked as the City of Ballarat Manager of Arts & Culture. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Large paintingart, artwork, daniel henderson, available, abstract -
Federation University Art Collection
Oil on masonite, 'Bird Lover' by Neville Bunning
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed painting of a woman in red dress with a magpie.art, artwork, neville bunning, bird, magpie, woman -
Federation University Art Collection
Oil masoniate, Neville Bunning, 'The Road to Dalveen' by Neville Bunning
This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Painting on masoniteart, artwork, bunning, neville bunning, needs framing -
Federation University Art Collection
Oil on board, 'A Way of Life' by Neville Bunning
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed painting in an aluminium frame of six people relaxing around a green beach umbrella.signed lower right "Neville M Bunning"art, artwork, neville bunning, available, beach umbrella, bar -
Federation University Art Collection
Oil on masonite, 'Song Bird' by Beville Bunning
This item is part of the Federation University Art Collection. The Art Collection features over 2 000 works and was listed as a 'Ballarat Treasure' in 2007.Painting of a bird with a red tail framed in aluminium. art, artwork, neville bunning, bird, available -
Federation University Art Collection
Oil on masonite, 'The Fantastic Ship' by Neville Bunning
Neville Bunning taught Sculpture and Ceramics at the School of Mines and Industry, Ballarat between 1945 and 1964. During that time he formed the Ballarat Artist’s Society, a group that sponsored art and invited modernist artists to visit Ballarat to speak to students and the public. Bunning wrote a weekly art column in The Courier, where his insightful comments made readers aware of significant trends in Art. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Painting of a sailing ship framed in a aluminium frame. art, artwork, neville bunning, ship, boat, sailing, sea -
Federation University Art Collection
Painting - Oil on masonite, 'The Hungry Bird' by Neville Bunning
... , Gippsland (Churchill), Stawell and Horsham. goldfields Oil ...This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed painting of a bird.artwork, art, neville bunning, bird, available -
Federation University Art Collection
Oil on canvasboard, 'The House Wife No.2' by Neville Bunning
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed painting of a woman in green dress holding a vacuum cleaner.art, artwork, neville bunning, domestic goddess, available -
Federation University Art Collection
Painting, 'The Artist's Self Portrait' by Neville Bunning
Neville Mirvane BUNNING (1902-1990) During World War Two Neville Bunning served with the Royal Australian Air Force (RAAF). He was an Art Teacher at the Ballarat Technical Art School (a division of the Ballarat School of Mines) from 05 February 1946 to 22 September 1964. Neville Bunning formed the Ballarat Artist's Society (later the Ballarat Society of Artists), a group that sponsored art and which invited modernist artists to speak to students and to the public of Ballarat. He also wrote a weekly column in the Ballarat Courier. Bunning produced a bust of Australian Prime Minister, The Right Honourable J.A. Lyons from Tasmania, who died in office. Neville Bunning died in Subiaco, Western Australia on 29 April 1990. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Small framed self portrait of the artist Neville BunningLL Neville M Bunning signature in red oil paint art, artwork, neville bunning, available, self portrait, portrait -
Federation University Art Collection
Painting, 'Apple' by Maryanne Coutts, 2003, 2008
Maryanne COUTTS (1960- ) Born Australia Maryanne Coutts studied at the Victorian College of the Arts (VCA), The University of Melbourne, 1979 -1981, the University of NSW (UNSW),1984 and achieved a PhD at Federation University Australia in 1999. She has exhibited extensively throughout Australia and internationally including UK, Spain and Thailand and is currently Head of Drawing at the National Art School, Sydney. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.An apple depicted in oil by Maryanne Coutts. This work was created specifically for the 'Imaging the Apple' Touring Exhibition curated by John R. Neeson. It was also exhibited in 'Telling Tales: Maryanne Coutts' at the Ballarat Fine Arts Gallery in 2008. Donated by the Australian Cultural Gifts Program, 2008art, artwork, maryanne coutts, coutts, apple, alumni -
Federation University Art Collection
Painting - Oil on canvas, Paul Lambeth, 'Untitled [from If I belong here ... series]' by Paul Lambeth, 2009
... , Gippsland (Churchill), Stawell and Horsham. goldfields Oil on canvas ...Paul Lambeth was Head of the TAFE Program at the University of Ballarat when this work was undertaken. It formed part of his Master of Arts (Visual Arts) exhibition in 2009. The purpose of Lambeth's study was to contribute a non indigenous perspective to current discourse on sense of place in contemporary Australia. The research employed a number of strategies to investigate current response to our geographic and historical time position. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Abstract paintingSigned verso 'Paul Lambeth '08'art, artwork, paul lambeth, place -
Federation University Art Collection
Oil on canvas, Lost in the Bush, 1999
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Large painting in canvasart, artwork, kelly mcneice, school of business collection, alumni -
Federation University Art Collection
Painting - Oil on board, 'Jack Barker' by Geoff Mainwaring, 1987
... , Gippsland (Churchill), Stawell and Horsham. goldfields Oil on board ...Geoffrey MAINWARING (29 October 1912-13 April 2000) Born Adelaide South Australia Geoffrey Mainwaring studied at the South Australian School of Arts and Crafts before becoming an art teacher at Thebarton Technical School (1928-36). Mainwaring was adept at depicting a variety of subjects, from landscapes to portraits, and was very competent using a variety of media, including pencil, oils, and watercolour. He was a confident draftsperson, and completed many sensitively rendered portraits that give an insight into the character of the sitter. In June 1941 Geoffrey Mainwaring (SX13471) joined the 2nd Australian Imperial Force, and after five months was transferred to the Engineers and employed as a Sergeant-Instructor, specialising in demolitions. In late 1942, he was sent to New Guinea as an Australian army artist on probation. On 27 May 1947, Mainwaring was discharged from the Army, having served for five and a half years. He was appointed as an artist on a civilian basis until his paintings were completed in March 1948. In 1949 he was appointed Head of the Art School at the Ballarat School of Mines (now Federation University Australia). He continued to paint commissioned portraits for the Australian War Memorial until the late 1950s. Geoffrey Mainwaring died at Ballarat in April 2000. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed portrait of Jack Barker, Principal of the Ballarat School of Mines, and inaugural Director of the Ballarat Institute of Advanced Education (later Federation University Australia).art, artwork, e.j. barker, jack barker, mainwaring, geoff mainwaring, geoffrey mainwaring, portrait, school of mines, ballarat school of mines, australian war memorial, australian war artist -
Federation University Art Collection
Oil on canvas, 'Vaironcana – A Variation on Theme 45' by Alun Leach-Jones, 1974
Alun LEACH-JONES (1937- 24 December 2017) Born Maghull, Lancashire, United Kingdom Arrived Australia 1960 Alun Leach-Jones is recognised as one of Australia's leading abstract colour painters. He spent his childhood in the Welsh village of Glasfryn, Denbighshire. At the age of 14 he started a three year apprenticeship with the Solicitors Law Society, Liverpool illuminating manuscripts and hand copying legal documents. While working with the law society Leach-Jones studied painting and drawing in the evenings at the Liverpool College of Art between the years 1955-57. He immigrated to Australia in 1960, settling in Adelaide and attending the South Australian School of Art, after which he travelled and exhibited throughout Australia and abroad. In 1966 Leach-Jones celebrated Noumenon series was shown with Australian Galleries in Melbourne and he was immediately recognised as being part of what was then labelled as ‘the New Abstraction’ in Australian art. Later in 1968 his work was included in the influential exhibition "The Field" held at the National Gallery of Victoria. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. Purchased by the Council of State College of Victoria, Ballarat, 1974art, artwork, leach-jones, alun leach-jones -
Federation University Art Collection
Painting - Oil on Canvas, Johnson, George, 'Symbols of Life' by George Johnson, 1965
... , Gippsland (Churchill), Stawell and Horsham. goldfields Oil on Canvas ...George JOHNSON (18 August 1926- ) Born Nelson, New Zealand Arrived Australia 1953 George Johnson's formalised abstractions usually feature a pattern of small related geometrical shapes which give life, luminosity and fluidity to forms which might be mechanical and lifeless. Later his forms become become much larger and more architonic. The work of George Johnson debuted at the Herald Outdoor Art Show in 1953. The George Johnson Mural was commissioned by the Ballarat Teachers' College Students' Representative Council in 1965. It was purchased with funds raised by staff and students. At the unveiling of this work at the Ballarat Teachers' College Johnson's work was described at belonging to the "Hard Edged" school of abstract painters who had set themselves far above the mass of abstract painters by the vitality and artistic ability displayed in their work. Of the work John JOhnson said "We are all part of life and are growing and developing in many different ways, the process of development is often taking place without us even being aware of it. In my painting the embryo shapes appear and grow. I have tried to make the mural symbolic of life and growth. I do not thank that anything has been left to chance in the mural. Everything is working, and, I feel, working well. It has balance and harmony - and perhaps discord, as does life - one malfunction or imbalance throws everything out." This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.A painted mural in three panels, including hession collage. art, artwork, george johnson, johnson, ballarat teachers' college art collection, mural, hard edged -
Federation University Art Collection
Painting - Artwork, Trudi Harley, 'Fallen' by Trudi Harley, 2009
Trudi HARLEY Born Korumburra, Victoria Born in country Victoria Trudi Harley graduated with a Bachelor of Education (Art and Craft) at Victoria College, Burwood. After teaching for 10 years in both Government and Independent schools in Melbourne she worked as a Sales Executive and Art Educator for Cavalier Art Supplies for 16 years. Recently Trudi Harley completed a Bachelor of Arts (Visual Arts) (Honours) with Distinction between 2008 – 2009, and a Master of Arts (Research), Visual Art between 2010 – 2012 at the University of Ballarat (now Federation University). Maintaining an artistic practice while in a business partnership Trudi Harley owns and runs Atelier Art Supplies in Williamstown, Victoria, which is a major supporter of the arts in the western suburbs of Melbourne/ This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Artist's Statement: As an artist am continually drawn to ‘what makes us who we are’ and as a result the work, whatever it may be, is a reflection on what makes me who I am. In this I refer to perception, experience and memory as aspects that contribute to our sense of reality. By using these references I intend to engage the audience and develop a sense of connection and community through the visual image. ‘Fallen’ was not necessarily a reflection on my own life but of life in general as I recall at the time I had a family member who was struggling to cope with their own reality. I can also recall at the time reflecting on the adage ‘walk a mile in my shoes’ and the pressures we all face in life. Added to this were my own influences of upbringing, I have always been particularly drawn to fabrics and patterns as my mother was/is (getting a little old now) a seamstress and my father was a bit of a ‘perfectionist’. During my honours study I came across the term ‘Esperpento’ which included such visual elements as exaggeration and unusual viewpoints. Fallen was a comment on the psychology associated with expectations in life, or more importantly those expectations placed on offspring by their parents. This painting reflected the consequences of not living up to those expectations. It is unfortunate that in life, by the time you get to the point of realising that you have the opportunity to set your own standards, that you’ve probably embodied a great many set of values by osmosis and that you’ve now claimed them as your own. The view is from above to dramatize the subject, the figure placed compositionally in the top right hand corner to open up the picture plane and allow for the narrative to continue outside the visual area of the canvas. It was also in this painting that I rubbed back some of the darker oil paint to allow the lighter underpainting to show through.art, artwork, trudi harley, harley, carpet, portrait, self-portrait, alumni -
Federation University Art Collection
Painting - Oil on panel, Harmer, Emma, [Pears]
... , Gippsland (Churchill), Stawell and Horsham. goldfields Oil on panel ...This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed drawing of nine pairs.art, artwork, pears, horsham campus art collection -
Federation University Art Collection
Oil on canvas, 'Creswick and Camp Hill' by Victor Litherland, 1968 /1984
Victor LITHERLAND (16 April 1897 - 1978_ Born Odessa, Russia (of English parents) Born in Odessa, Russia to British parents, Victor Litherland migrated to Australia in 1926 and moved to Creswick in 1932. Victor Litherland, who initially trained as a carpenter and cabinet maker, not only made most of his furniture and clothes but also his painting equipment. Victor Litherland is self taught himself. In 1943 he used books in the Sydney Public Library to teach himself painting, and produced a number of works of the environment in which he lived. Litherland's work has a disregard for perspective, unmodelled faces and cool fresh colours. He often made an elaborate frame for this work. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, victor litherland, naive art, creswick, acrylic on canvas -
Federation University Art Collection
Oil on board, Neville Bunning, The Moon Bird [related to a larger painting]
This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Painting of a woman doing her hair in front of a bulldingart, artwork, neville bunning -
Kew Historical Society Inc
Painting, W Nicholls Anderson, Adeney Avenue, Kew, 1906
William Nichols Anderson (1873-1927) was an Australian painter, one of whose works from the 1906 series River + Rail is in the Kew Historical Society’s art collection (donated 1984). A separate archive file contains correspondence, biographical information (written by his niece), and locations in Kew where he lived. Much of the correspondence between the Society and the City of Kew relates to the painting and its location in the Mayor’s Room at the Kew Civic Offices, Charles Street, where it was on loan from the Society. Lucy M (Jean) Hornby, the artist’s niece and the donor of the painting was a resident of 5 and 20 Queens Street, Kew (Vic). Australian ImpressionismGift of Lucy Hornby, 1984Framed oil on canvas by W. Nicholls Anderson of Park Street, Kew (now Adeney Avenue) looking uphill in a southerly direction towards Cotham Road. The painting is dated to 1906. The two storey house at left was known as 'Eborensis'. The house is still extant on the corner of Adeney Avenue and Parkhill Road. On sticker on back of frame - Adeney Ave./1913/ £3.3.0/ 13th Annual/ Exhib. V.A.S [Victorian Artists Society]/1911 Aust Art Exhib/the Guidlhall/Swanston st Melb./ Adeney's Paddock/ Kew. £3.0.0.artists - kew - victoria - australia, victorian artists society, william nicholls anderson (1873-1927), adeney avenue kew, australian art exhibition 1911, victorian artists' society, w. nicholls anderson -
Kew Historical Society Inc
Painting, Park Street [Adeney Avenue] Kew, c. 1896
‘Adeney Avenue’ was the title given to this painting following its donation to the Kew Historical Society, yet the work’s origins predate the naming of Adeney Avenue in 1907 [originally gazetted as ‘Park Street’ (1865) and ‘Park Street South’ (1875).] Park Street ran between High Street and Parkhill Road beside what was later to become ‘Victoria Park’. This area was described in 1851 as “…a dense forest of gums and wattles which were to be largely cleared by 1888 after the naming of a recreation reserve”. The Reserve was still bisected by an unnamed creek in 1896, when the area was surveyed by the MMBW. The panoramic vista selected by the artist would appear to include ‘Eborensis’ (c.1895) on the corner of Parkhill Road and what was then Park Street, with views across cleared land towards the distant ranges. In the 19th century, north Kew was largely undeveloped farms stretching down to the Yarra. Oil on canvas by an unidentified artist of a panoramic view depicting what is now known as East Kew with mountains on the horizon. In the foreground is a two storey brick residence - Eborensis - located on the northeast corner of Parkhill Road and what is now Adeney Avenue. The view of the landscape and its rolling hills resulted from farming practices adopted following colonisation and settlement. Trees in the foreground and in the distance include remnant Eucalypts and introduced exotics.Label on rear of frame states "House on corner of Adeney Ave & Parkhill. [Regd. 254"]. Otherwise unsigned and undatedadeney avenue (kew), eborensis, park street (kew) -
Kew Historical Society Inc
Painting, Farmyard Scene, 1900-1920
... Painting Painting Farmyard Scene Oil on canvas mounted ...The painter of the work is unidentified. While the frame was made in Brisbane, the artwork is likely to be European in origin. The framer, William Lewis Hamilton, trading as A.L. Hambleton is listed in a Commonwealth of Australia Gazette of 1917. (No.113) in an application for copyright. The donor's ancestors, who included a number of amateur artists, lived in Coorparoo, Queensland.Oil on canvas mounted in an elaborate gilt wooden frame. The painting depicts a donkey and chickens in a barn. Donated by Rosemary Vaughan-Smith. A label on the frame is partly readable. It indicates that the frame was supplied by A.L. Hambleton, Kents Building, cnr Adelaide and Albert Streets, Brisbane.See note on label abovevaughan-smith collection, farmyard scenes, oil paintings -
Kew Historical Society Inc
Painting, Neapolitan Fisherman and Dog, 1841-1861
NeoclassicalOil on board of a Neapolitan fisherman his dog. A label inside the frame states that the painting is mounted on "Prepared Mill Board / Windsor & Newton / Artists' Colourmen / to Her Majesty / and / His Royal Highness Prince Albert / 38, Rahbone Place, London." This would indicate that the artist was British and working between 1841-61. Handwritten on the label is the name W.O. Harland. Modern frame. The painting may have been donated by Rosemary Vaughan-Smith who was a neighbour of Mrs Dorman (sic). artwork, neapolitan fisherman -
Flagstaff Hill Maritime Museum and Village
Photograph
Black and White Photograph of a painting of Falls of Clyde Inscription on the reverse side reads "taken from a painting in the office of Associayrd Oil Co in San Francisco. She is shown here as I have described her even showing the smokestack from the pump room with the black A on a white stack. She is shown here passing Point Bonita northern entrance to the Golden Gate. from a negative loaned to me by the San Francisco Maritime Museum.". SH 096 Ships F - H.On the back of the photograph "taken from a painting in the office of Associayrd Oil Co in San Francisco. She is shown here as I have described her even showing the smoke stack from the pump room with the black A on a white stack. She is shown here passing Point Bonita northern entrance to the Golden Gate. from a negative loaned to me by the San Francisco Maritime Museum."flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, falls of clyde, associayrd oil co, point bonita, golden gate, san francisco maritime museum, painting, russell & co. -
Flagstaff Hill Maritime Museum and Village
Painting
HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only nine in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Painting of The Loch Ard oil on board depicting wreck. It shows stormy sea and coastline in background. Ship appears to be capsized.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, painting