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Bendigo Military Museum
Book - BOOK, WW1, GALLIPOLI, Gallipoli Diaries, 2008
" Gallipoli Diaries/ The ANZACS' own story day by day"Soft cover book. Soft cover - cardboard, gold, grey, cream coloured print on front, spine and back. Front and back covers illustrated in colour. Front Gallipoli beach landing scene, book three troops in a trench scene. 413 pages, paper, cut, plain, white. Illustrated, black and white photographs.books, history, ww1, gallipoli, diaries -
Bendigo Historical Society Inc.
Photograph - FOSTER AND WILSON COLLECTION: PICTURE FOLDER OF BENDIGO
Picture folder with 12 black & white scenes of Bendigo. Scenes include: Rosalind Park, Boatsheds on Lake Weeroona, The Conservatory, Panorama of Pall Mall, Interior of the Conservatory, Pall Mall, Queen's Gardens, The Lookout Tower, Pall Mall, Panorama from the Lookout Tower, Lake Weeroona, and The Fountain, P. O. and Soldiers' Memorial.place, bendigo, picturesque views of bendigo., foster & wilson collection, rosalind park, boatsheds on lake weeroona, the conservatory, pall mall, interior of the conservatory, queen's gardens, the lookout tower, panorama from the lookout tower, lake weeroona, the fountain, p.o. and soldiers' mem -
National Wool Museum
Currency - One Pound Note, 1938 - 1948
John Ash succeeded Thomas Harrison as the Australian Note Printer in 1927 and oversaw the printing of a new series of banknotes, known as the Ash Series. First issued between 1933 and 1934, the new banknotes sought to improve the currency's resistance to counterfeiting. A special watermark was created to increase the security of the new series. Shaped as a medallion, the watermark showed the profile of Edward, the Prince of Wales. A new portrait of the King was also introduced, depicting him frontally rather than in profile as he had appeared in the prior banknotes of the Harrison Series (1923-1925). The back of each denomination contained an individual vignette that reflected a sector of the country's economy. The wool and agricultural industries were represented, as they had been in the first series of the nation's banknotes (1913-1914), and they were joined by manufacturing and commerce. The prominent British sculptor, Paul Montford, contributed to the design of the new series. Recognised for his sculptural works on the exterior of Melbourne's Shrine of Remembrance, Montford was commissioned to produce relief sculptures that formed the basis of the banknotes' vignettes. His sculptures were translated into wash drawings by Frank Manley, the artist and engraver for the Commonwealth Bank's Note Printing Branch. Manley accentuated the sculpture's three-dimensional qualities with deep shadows and touches of illusionism. A sheep in Montford's pastoral scene, for example, stands forward from the frame as if entering the viewer's space to escape branding and Manley preserves this visual conceit in his drawing. Whereas the printing of the previous series of Australian banknotes had been criticised for its poor definition, the sculptural basis of the Ash Series clarified the banknotes' imagery. During a period of record unemployment, the scenes emphasised the strength of the human figure in gestures of labour, evoking classical, heroic qualities in their poses. The sculptural forms suggested stability in the turbulence of the Great Depression and imparted a sense of solidity to paper currency. - museum.rba.gov.auCommonwealth of Australia paper one pound note in green and white tones depicting graphics and text. The obverse has a framed design with a blank portal to the left and King George VI in the right portal. The centre shows the Australian Coat of Arms, serial number, and detail over one pound symbol on a mosaic background, with signatories below. The reverse features a framed pastoral scene with farmers tending sheep, with a blank portal to the right.Obverse: ONE / 1 / 1 / ONE / COMMONWEALTH OF AUSTRALIA / K / 58 / 790230 / K / 58 / 790230 / This Note is legal tender for / ONE POUND / in the Commonwealth and in all / Territories under the control of the / Commonwealth. / [signature] / GOVERNOR / COMMONWEALTH BANK ON AUSTRALIA / [signature] / SECRETARY TO THE TREASURY Reverse: 1 /1 / 1 / 1 / PASTORALcurrency, money, pound note, pastoral scene, industry, commonwealth of australia, paul montford, king george vi, frank manly, john ash -
National Wool Museum
Currency - One Pound Note, 1938 - 1948
John Ash succeeded Thomas Harrison as the Australian Note Printer in 1927 and oversaw the printing of a new series of banknotes, known as the Ash Series. First issued between 1933 and 1934, the new banknotes sought to improve the currency's resistance to counterfeiting. A special watermark was created to increase the security of the new series. Shaped as a medallion, the watermark showed the profile of Edward, the Prince of Wales. A new portrait of the King was also introduced, depicting him frontally rather than in profile as he had appeared in the prior banknotes of the Harrison Series (1923-1925). The back of each denomination contained an individual vignette that reflected a sector of the country's economy. The wool and agricultural industries were represented, as they had been in the first series of the nation's banknotes (1913-1914), and they were joined by manufacturing and commerce. The prominent British sculptor, Paul Montford, contributed to the design of the new series. Recognised for his sculptural works on the exterior of Melbourne's Shrine of Remembrance, Montford was commissioned to produce relief sculptures that formed the basis of the banknotes' vignettes. His sculptures were translated into wash drawings by Frank Manley, the artist and engraver for the Commonwealth Bank's Note Printing Branch. Manley accentuated the sculpture's three-dimensional qualities with deep shadows and touches of illusionism. A sheep in Montford's pastoral scene, for example, stands forward from the frame as if entering the viewer's space to escape branding and Manley preserves this visual conceit in his drawing. Whereas the printing of the previous series of Australian banknotes had been criticised for its poor definition, the sculptural basis of the Ash Series clarified the banknotes' imagery. During a period of record unemployment, the scenes emphasised the strength of the human figure in gestures of labour, evoking classical, heroic qualities in their poses. The sculptural forms suggested stability in the turbulence of the Great Depression and imparted a sense of solidity to paper currency. - museum.rba.gov.auCommonwealth of Australia paper one pound note in green and white tones depicting graphics and text. The obverse has a framed design with a blank portal to the left and King George VI in the right portal. The centre shows the Australian Coat of Arms, serial number, and detail over one pound symbol on a mosaic background, with signatories below. The reverse features a framed pastoral scene with farmers tending sheep, with a blank portal to the right.Obverse: ONE / 1 / 1 / ONE / COMMONWEALTH OF AUSTRALIA / K / 58 / 790230 / K / 58 / 790230 / This Note is legal tender for / ONE POUND / in the Commonwealth and in all / Territories under the control of the / Commonwealth. / [signature] / GOVERNOR / COMMONWEALTH BANK ON AUSTRALIA / [signature] / SECRETARY TO THE TREASURY Reverse: 1 /1 / 1 / 1 / PASTORALcurrency, money, pound note, pastoral scene, industry, commonwealth of australia, paul montford, king george vi, frank manly, john ash -
Brimbank City Council Art Collection
Photograph, Footpaths each side of Kororoit Creek, 1989
Local SceneLocal SceneFootpaths each side of Kororoit Creek facing north in Deer Park - AR 0016 -
Brimbank City Council Art Collection
Photograph, Industrial Drive Facing West in South Sunshine, 1990
Local sceneLocal sceneColour Photograph - looking down a road at sunset - stacked pipes in foreground. Made as a series of three plates - AR0009 -
Bendigo Military Museum
Album - ALBUM, PHOTOGRAPHS BCOF, c. 1947 - 50
The photos re BCOF relate to William H Owen, the unit he is with appears to be RAAMC (Royal Australian Army Medical Corp)Photo album covers heavy cardboard black background with scenes of Japan in colour, sections are inlaid with Mother of Pearl. 18 sleeves with B & W photos both sides relating to service with BCOF Australian Forces in Japan. There are some civilian photos re scenes of Bendigo Victoria. BCOF. British Commonwealth Occupation Force (Japan)albums, bcof, photographs -
Bendigo Historical Society Inc.
Document - MALONE COLLECTION: GREETING CARDS
Beige vellum card with white insert. Insert has 3.8mm coloured circular scene of 4 men in a red row boat with sailing boats in the background. The vallum outer has a cutout to show the scene. On the right is 'Greeting' printed in Brown & gold. Some thistle flowers around the G. Card and insert held together with a mauve cord.British Manufactureperson, greeting cards, malone collection, malone collection, greeting cards -
Orbost & District Historical Society
black and white photograph, late 19th - early 20th century?
Bunga Creek is approximately 5km east of Lakes Entrance.This is a pictorial record of horse-drawn transport of the late 19th century used in East Gippsland.A black / white photograph of a bush scene with a horse - drawn coach running along a track beside a creek.. It is on a cream coloured buff card.on back - "No. 5" on front - "At Bunga Creek"bunga-creek horse-drawn-coach -
Bendigo Military Museum
Card - XMAS CARD, C.1969 - 71
Hand written inside. "Murray, I will never forget you, how are you? I hope you are always well! My regards to your mother. I hope to one day see you again in V.Nam. Sister Augustine". The card relates to Geoff Murray No 3411521, 3 Cav Regt Vietnam 27.11.67 to 22.10.68, Survey Corp Vietnam 15.10.69 to 15.10.70. On his 2nd tour with Survey Corp Geoff procured a lot of food etc for the Baria Orphanage. Refer 610.2P, 611.8, 1866.3 re the Orphanage and Sister Augustine also 638P.Christmas card with river scene painted on front. .1) Heavy card outer pages. .2) Fine tissue paper inner pages..1) "Greetings" .2) "Merry Christmas and Best Wishes for a Happy New Year"cards, xmas, vietnam -
Phillip Island and District Historical Society Inc.
Photograph, 23/04/1925
Photographs taken by Jessie "Girlie" Smith of San Remo who owned the Penguin Cafe in Thompson Avenue, Cowes. Isle of Wight Hotel was built in 1870.Two photographs of the scene during fire at Isle of Wight Hotel 23/4/1925. Tall chimney and tank in centre. Smoke behind.Post Cardphillip island, isle of wight hotel fire, jessie smith -
Phillip Island and District Historical Society Inc.
Photograph, Shetland Heights, 1890's
This Photograph was donated by Jessie Smith to Stanley Joseph McFee.Sepia Photograph of farming scene at Shetland Heights, probably branding. Jessie Smith's father, Mr. Small, shown with his hands on the fence.local history, photographs, scenes of san remo and shetland heights, sepia photograph, san remo, shetland heights -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Rural Scene two men standing on bank of waterway, n.d
Black and white photo attached to heavy card. Lighter area around print. Rural scene, two men standing on bank of waterway.Back: 'largo/fargo Class 1' - black ink -
Halls Gap & Grampians Historical Society
Photograph - Sepia, C 1900
Mt William Gold MiningLooking towards Sugar Load and Mason's house from Spion Kop Six men in foreground with 2 covered wagons snow scene1 copy B/W, 1 copy sepia 1 copy on display mining, gold mining, mafeking -
Ringwood and District Historical Society
Photograph, Outside the Ringwood Market in Maroondah Hwy. 1925
Black and white photograph of street scene showing unmade road with horses and carts at roadsides and wooden buildings to left of photograph. (2 copies)Typed below photograph, "Outside the Ringwood Market in Maroondah Hwy. 1925. Shop in centre (is) at corner of Ringwood Street. ... ". -
Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: STRIPPED
Bendigo Advertiser ''The way we were'' from 2000. Stripped: a scene across the goldfields, note landscape stripped of trees.. The clip is in a folder.newspaper, bendigo advertiser, the way we were -
Bendigo Historical Society Inc.
Decorative object - HAND PAINTED PLATE
Hand painted china dinner plate with rural scene of Gumtrees, hills, creek & a bunch of wattle and mauve flowers in foreground, gilt edging.Zena Cohn Bendigodomestic equipment, food consumption, plates -
Bendigo Historical Society Inc.
Document - PROGRAMME: ''WIZARD OF OZ'' (BENDIGO THEATRE COMPANY), September
Programme for ''Wizard of Oz'' (Bendigo Theatre Company) - September 2005.Details of Production Team; Principals; Scenes and Musical Numbers; Orchestra; Ensemble.entertainment, theatre, bendigo theatre company, bendigo theatre company, mandty ellison, gael emond, cynthis holsworth, liza gellel, kyrilee hohnstone, emily tucker, rebecca turton, nelson gardner, the capital, bendigo performing arts centre -
Bendigo Historical Society Inc.
Ephemera - JONES ADVERTISING FAN
Cardboard fan advertising T.R.Jones The Hargreaves St Pharmacy with a scene of a mill and waterwheel on front, T.R.Jones services and details on back, with wooden handle.Steele Melbourne 2340 FAS Made in USAcommerce, advertising, fan -
Bendigo Historical Society Inc.
Negative - COHN BROTHERS COLLECTION: NEGATIVES OF THE BENDIGO FACTORY, 1957
Cohn Bros.Collection. 5 strips of 12 negatives of the inside and outside of the factory. Delivery horses and wagons. Street scene with a lady walking on the footpath.bendigo, history, cohn brothers, cohn bros. collection, brewers, cordial & aerated water manufacturers -
Victorian Interpretive Projects Inc.
Photograph - Digital, Daylesford at Night, 2013, 07/07/2013
Daylesford is a Central Victorian town known for mineral water and hospitality..1) Rainy, night scene looking down Vincent Street, Daylesford towards Hepburn Springs. .2) Former Daylesford Post Officedaylesford, post office, vincent street -
Dutch Australian Heritage Centre Victoria
Decorative Cake Slide (Sier Taart Schep)
A much decorated filigreed silver-coloured cake slide. The main scene is a detail from Rembrandt's "The Night Watch" worked in relief on the slide. -
National Vietnam Veterans Museum (NVVM)
Functional object - Postage stamps
Various South Vietnamese Postage Stamps. Twenty two colourful stamps depicting scenes, soldiers, farmers, tradtional figures, flowers and buildings.stamp, south vietnam, postage -
Clunes Museum
Artwork, other - ARTWORK
OIL PAINTING BY RICHARD FORD, PAINTED ON CANVAS FRAMED IN CREAM COLOURED ORNATE FRAME CREEK SCENE, CREEK SURROUNDED BY TREES AND SHRUBSrichard ford, oel painting -
Tatura Irrigation & Wartime Camps Museum
Photograph - copy, 1989 copy
Copy of original black and white photograph. Names on headstones indicate Italian section of cemetery.Copy of black and white photograph. Burial scene at Murchison cemetery. Indexed as "burial of a German Comrade" - one officer and five O/r's.camp 13, murchison victoria, internment camps, murchison cemetery, german graves, italian graves -
Tatura Irrigation & Wartime Camps Museum
Binder, Locals & Former Residents Personal Recollections
Various stories written by local and former Tatura residents. Includes trip by school children to 1956 Olympic Games, Township of Tatura 1879, Matt Patterson's life story, Dhurringile Mansion history by J Lowry, W Doller and R NewnhamPlastic cover, black and white cartoon like characters and grave yard scene on front. Contains plastic sleeves each with printed material.tatura and district, documents, history, tatura residents, 1956 olympic games, tatura 1879, matt patterson, dhurringile mansion history, j. lowry, w. doller, r newnham -
Tatura Irrigation & Wartime Camps Museum
Book, History of Irrigation in Australia
Produced to cover hisstory of development of irrigation in AustraliaConstruction scene on front cover in black and white. Main Colour marooh. White printing on dark background and black printing giving details.books, history, local -
Tatura Irrigation & Wartime Camps Museum
Book, Heart of the Valley - Toolamba 1840 -1983, 1983
Toolamba district history, including local families, school rolls, churchs' history 1840-1983Dust jacket, cream, included copy of bush scene, wood carving by the late nicholas Bartels. Brown card cover, gold lettering.toolamba, heart of the valley, morvell s, crawford a, tatura, agriculture, goulburn river, books, history, local -
Tatura Irrigation & Wartime Camps Museum
Woodcut, 1941
Created by L. Hirschfeld-Mack while interned in Camp 2.Black framed print of a woodcut picture. Scene depicts the end of 11 huts. 2 people and a cart in the picture. Black & cream colourings.Tatura 1941. L. Hirschfeld-Macktatura, camp 2, ww2, illustrations, prints -
Tatura Irrigation & Wartime Camps Museum
Book, Times Have Changed. Nathalia & Barmah, 1991
Stories and poems written by local people and compiled into a book by students and staff of Nathalia Secondary CollegeWhite soft covered book, red printing and black and white river scene on front cover. Includes photographs and sketches. 83 pages.nathalia and barmah, nathalia secondary college