Printed form on off white paper title "Passenger Count", form 3/201 enabling the recording of passenger counts on tramcars - has space for count number, route, where taken, taken at, counted by and date. Each count done by Run Number, route, time, passengers arriving and passengers departing. Two further copies added 5-4-17 from G. Young. pad of forms added, source unknown 11/6/2022trams, tramways, mmtb, passengers, forms, routes

Colour post card of A 231 decorated for the 50th anniversary of the Australian Electric Traction Association in 1993, also with a panel for the 75th anniversary of the Balwyn Shopping Centre. Tram has logos of the Met, MMTB and AETA. Tram has destination of North Richmond. On rear gives details of the AETA event, location (Chapel St Balaclava) and AETA address. Published by Scancolor. Has space for writing, address and stamp. 2nd copy added 30/8/2020trams, tramways, melbourne, postcards, aeta, chapel st, tram 231

This is a book of 48 pages. The cover is white with a colour image of a water fountain. The pages contain printed text and small images of the front cover fountain.non-fictionFriends of Warrnambool Botanic Gardens historywarrnambool botanic gardens, history of warrnambool gardens, friends of warrnambool gardens

Norman JELBART (1916-1984) Norman Thomas Jelbart studied Historic Ornament Parts I and II as part of his training at the Ballarat Technical Art School to become an architect. These are some of his notes. The study of Historic Ornament spanned time and space to inform and inspire designers. Students studied the influences of history, geography, culture and climate on ornamental aesthetics, including the tools, materials and methods applied to decorative objects, interior design and architecture.Handwritten and drawn notes from the Ballarat Technical Art School by N.T. Jelbartn.t. jelbart, ballarat technical art school, historic ornament, art history

These are not original cushions in the photos by Mark Strizic in 'Living in Australia' p 83 and p129. Penleigh Boyd recalls: "the upstairs living room in the 1980s and 1990s was a much more colourful space. Arthur Boyd’s large paintings dominated the south wall and the Phillip Fox paintings as well as Tony Wood's 'In the Studio Psychologically Challenged' coloured the north wall. Patricia Boyd was experimenting with colour". These cushions were on the bed in Walsh St until around 2019.Indian cotton turquoise, rust, charcoal, mustard, beige stripe with tassels along centre. Zip on opposite side through centre square.walsh st furnishings, robin boyd

These are not original cushions in the photos by Mark Strizic in 'Living in Australia' p 83 and p129. Penleigh Boyd recalls: "the upstairs living room in the 1980s and 1990s was a much more colourful space. Arthur Boyd’s large paintings dominated the south wall and the Phillip Fox paintings as well as Tony Wood's 'In the Studio Psychologically Challenged' coloured the north wall. Patricia Boyd was experimenting with colour". These cushions were on the bed in Walsh St until around 2019.Indian cotton red, emerald green, mustard, white. Tassels and white stripes along centre. Zip on opposite side through centre square.walsh st furnishings, robin boyd

Digital copy of an artistic event catalogue 142 pages.non-fictionCatalogue for an artistic discovery Ttail during Open House 2022.open house melbourne, 2022, ying-lan dann, circular temporalities, norla dome, exhibitions, video installation, cultural events

J. Miners was a cash draper and outfitter in Koroit Street , succeeding Thomas Nayler. The shop sold millinery in the "Elite Millinery' department . The known date for this business is 1907. The delivery docket tells us that delivery costs were covered for an item costing over one pound. .These labels are of some significance as little is known about this store..1, White rectangular label on adhesive paper with white and dark blue text and space for writing. Some of the text is contained in the borders. It is damaged. .2 Identical to .1 but undamaged .3 Identical to .1 and stained .4 Identical to .1 but undamaged and stained .5 Identical to .4. .6 Identical to .1 .7 Identical to .1 .8 Identical to .1 .9 Identical to .2 .10 Cream rectangular folded card with gold coloured text and a decorative border of leaves. .1,.2,.3,.4,.5,.6,.7,.8,.9.. From J. Miners KOROIT STREET DRAPER, WARRNAMBOOL ELITE MILLINERY. MEN'S CLOTHING. BOOTS AND SHOES Carriage Paid on all Parcels from ( one pound ) upwards. .10 Elite Millinery MODES DE PARIS No.........j miners, draper

The programme relates to National Service Training, Parades cover RHQ, P Battery, Q Battery, LAD (Light Aid detachment), R Battery. front has the Adjutants name, Capt G.S.BOLITHO.Programme of Parades 22 Field Regiment, pink card, all type in black, folds out to 3 sections, top front cover has “Australian Military Forces” over a badge depiction featuring a cannon, parade times for half year ending 31st Dec 1956, space at bottom for card holders name and rank and number, inside has information then 2 pages of parade dates and times, over is one page of same then one of information relating to 12 items.On front in black typing, Army No “3/752697”, Rank,”Bdr”, Name, “RANDALL R.G”parades, programmes, 22 field regiment

.2 & .3) these are issued to next of kin of soldiers who never returned from the Great War. Refer Cat No’s 1794, 1791.2, 1792P. Walter was from Bendigo Victoria and enlisted in NZ..1) Certificate re the award of "Mention in Despatches" to Lce-Cpl W Peake in a gilded wood frame. .2) Memorial Scroll re W Peake. Parchment paper with Coat of Arms at the top, the text is standard for all Scrolls with space at the bottom for individual names. Mounted in a wood frame with a section at the bottom for more details. .3) Memorial letter from the King on cream coloured paper, red coat of arms at the top, text is standard for all these letters. Mounted in a wood frame. .1) "New Zealand Force, No 6/1688 Lce-Cpl W Peake, 1st Bn Canterbury R" .2) "Cpl Walter Peake Canterbury Inf Regt N.Z.E.F". "Died of Wounds 1.6.1917" .3) " Buckingham Palace, George I"documents - certificates, letters, military history, memorial scroll, mention in dispatches

Composing Stick, is an instrument used to assemble pieces of metal type into words and lines which are later bound into a forme, set in a galley and printed. Some composing sticks had one adjustable end allowing the length of the lines and consequent width of the page or column to be set, with spaces of different sizes being used to make up the exact width. Other early composing sticks were fixed to the width of a newspaper column, when newspapers were still composited by hand.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Composing Stick, is an instrument used to assemble pieces of metal type into words and lines which are later bound into a forme, set in a galley and printed. Some composing sticks had one adjustable end allowing the length of the lines and consequent width of the page or column to be set, with spaces of different sizes being used to make up the exact width. Other early composing sticks were fixed to the width of a newspaper column, when newspapers were still composited by hand.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, composing stick

This wall section was part of the original Warrnambool Lighthouse Keeper's Assistant's Quarters built in the late 1800s. The frame was found in 2023, when the non-heritage cabinets built in the 1970s were removed as part of conservation works.The wall section is significant for being part of the original Warrnambool lighthouse keeper's quarters on the western wall. It is an example of the building materials and methods used in the late 19th and early 20 centuries.Wall frame section; a sample of the original inner western wall frame from the Warrnambool Lighthouse Keeper's Residence, Assistant's Quarters. Vertical timber slates of uneven size are fixed with short flat head metal nails to more substantial upper and lower horizontal rails. There are remnants of a sand and clay-like mortar between and in front of the slats. There are two spacers n the rear of one of the rails, made of timber and fixed with thick square handmade nails; the timber of one is rotting.flagstaff hill maritime museum and village, warrnambool, great ocean road, shipwreck coast, warrnambool lighthouse keeper's quarters, 1800s wall lining

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of an ornate bandstand built on a grassed area and set high with seven wooden steps leading up to the platform. Under the domed roof, wrought iron lacework extends between the six supporting columns and an ornate, waist-high lacework balustrade encloses the space. At ground level, the bandstand is enclosed by a fence and in the background are leafy trees. Within the bandstand a brass band can be seen performing. The band is the St. Hilda's Band with Frank Wright as its conductor. The place is Windsor.Written in pencil on the back - St. Hilda's, Frank Wright Conductor, Windsor, 24/5/34frank wright, conductor, brass band, st hilda's band, windsor, bandstand, wrought iron lacework

These photographs were taken just before structural modifications and connecting overhead walkways were commenced in 1978.1: Art School opened in 1915 on the site of the original SMB building.It was converted from the abandoned court house. Also Administration building including the teaching and other spaces. .2: "Old Chemistry building" showing the south side and west end. .3: Art school on the left, Ballarat Brewery boiler chimney stack in centre background, Administration building on the right. .4: Entrance on the north side of Art School building .5: South side entrance of Administration building.ballarat school of mines, buildings, a building, administration building, lydiard street south, smb campus

Small white booklet with blue printing inside and gold and blue printing with gold border and the Masonic emblem at the top. 125th Anniversary of the Golden & Corinthian Lodge No. 7 Bendigo 1854 - 1979. Installation of Bro. Ronald Hammer S. W. and Investure of Officers. Masonic Temple Bendigo Tuesday, September 11th 1979. Inside the booklet is a Short History of The Golden and Corinthian Lodge No. 7 of Bendigo; Ceremonial; List of Officers 1979 - 80; List of Members; toasts and Harmony and a space for autographs.organisation, masonic lodge, investure of officers, installation of bro ronald hammer, golden & corinthian lodge no 7 bendigo, criterian hotel, freemasons hotel, view point hotel, pembroke house, black swan hotel, golden lodge of bendigo, corinthian lodge of sandhurst, vahland, getzschmann, zenith lodge, 'a history of freemasonry in the bendigo district diring the firt 50 years of its existence', a h stone, k r grabasch, r hammer, m j luxford, t c k secombe, a g mcarthur, c c maskell, f a turpie, c m phillips, t k griffiths, b marett, g f turpie, r j m berry, f j palmer, l s shepherd, g e adams, w h shay, w s clemens, s n gillam, g a fraser, s b webster, j g penberthy, a k rollinson, k j beale

Document. Greeting Cards. White card with brown spine. Four spaced black vertical lines with gold leaves on each side. At the top the lines are broken and 'Greetings on Your Birthday!' is printed in black. A bay horse is pictured standing on green grass on the front. On the inside left at the top is part of a tree branch and at the bottom are two dogs, one red and one white standing in the grass. Card is unused and has envelope. Card and insert held together with a red ribbon.Murfett Publishersperson, greeting cards, malone collection, malone collection, greeting cards

Black and white photograph, multiple people, organized photograph of 7 people lining up for a photograph at an office space, the people in the photo left to right are David Flint, Rob Gaylard, Neil White, Tim Borchers, Steve Kelly, Mark McLean, John Livermore. Bendigo Advertiser description on back of photo : 28/10/93 L to right David Flint Rob Gaylord Neil White Tim Borchers Steve Kelly Mark McLean John Livermorerecreations, sports, awards

Clothing, cream coloured silk child's pants. Part of a two piece suit (see 11401.7Jacket ).Fully lined with white cotton fabric. Buttons attached at waist for braces. 4 X 1.6 cm evenly spaced across the front. 2 X 1.6 cm at centre back on either side of centre seam.5 cm opening 3 cm above the crotch. Separate piece of fabric stitched inside opening as a covering flap. Old box 524.costume, children's, pants.

Given away at 2013 City of Whitehorse Spring Festival, Whitehorse Civic Centre, Nunawading.Ecru calico carrybag printed on one side with 'Explore Whitehorse - Arts & Culture' in red headline. Underneath is a green map with numbers marking 1. Box Hill Community Arts Centre; 2. Whitehorse Art Space at Box Hill Town Hall; 3. Box Hill Library; 4. Blackburn Library; 5. Nunawading Library 6. Whitehorse Centre; 7. Vermont Library 8. Schwerkolt Cottage and Museum Complex; Contact details for Whitehorse City Council & Logo.City of Whitehorse; Explore Whitehorse-Arts & Culturecivic mementoes, souvenirs

Yields information about the style and printing of tickets used in Ballarat and Bendigo tramways and how they were presented.Yellow cloth backed paper ticket with white front, printed in black ink with fare value of $3.50. Blank or Unused Scholar's monthly ticket for use by under 18 years students, number No. 003111. Has form number "TYE 3-580" in top left hand corner. Space for an expiry date to be stamped on the ticket and name, address and school of the student. The 1969 Schedule of Fares and Charges shows these tickets. 1969 Schedule of Fares and Charges for the Ballarat Tramways - Reg. Item No. 704.trams, tramways, secv, ballarat, schools tickets

Demonstrates the Museum's ticketing systems and ongoing production of tickets.Yellow index board - printed as an "All Day Ticket" for the "Ballarat Tourist Tramway" - issued by the BTPS with space for the date to be written in and signature of the conductor who issued the ticket. Produced at the start of operations for the BTPS Dec. 1974 or Jan. 1975. Used until 31/10/1975 when next series of all day tickets introduced. Items collected for archives 1975. Five samples held. See Reg Item 4775 for one issue on the day of the official opening 1/2/1975.trams, tramways, btps, all day tickets, tickets

3257.1 - Colour photograph printed onto white card as a BTM Membership card for 2000 - 2001. Photo of tram No. 26 in Sturt St. West with words "Ballarat Tramway Museum Inc" on front. Back blank. Photo from Reg Item 1169. 3257.2 - as above, with a printed label and details for members on rear with validity period and space for Member's signature. Issued to W. Doubleday, Member 85. 3257.3 - ditto for C.Dean, 42 - has been signed on rear.Has printed label "W. Doubleday / 85/ June 2001" on rear. 3257.3 - ditto for C.Dean, 42 - has been signed on rear.trams, tramways, btm, membership cards

3259.1 - Colour photograph printed onto white card as a BTM Membership card for 2002 - 2003. Photo of No. the Gold Tram, No. 45 at St Aidans Drive with Len Millar and passengers standing alongside. Has words "Ballarat Tramway Museum" in white along the bottom edge. Has a printed label and details for members on rear with validity period and space for Member's signature. Issued to P. Winspur, Member 76. 3259.2 - ditto for C.Dean, 42 - has been signed on rear. 3259.1 - Has printed label "P. Winspur /76/ June 2003" on rear. 3259.2 - ditto - for C.Dean, 42 - has been signed.trams, tramways, btm, membership cards, gold tram

Yields information about the operation of horse tram trailers behind electric trams and the appearance of Ballarat Sturt St c1906.Postcard - looking north west from the Town Hall clock tower, c1905 - 06 - with an ESCo electric tram hauling a loaded ex horse tram trailer. Has the Snows and the buildings on the north side of Sturt St in the view, including Anderson Morse Coach builders. Has the title "Sturt St Ballarat looking North West" in the bottom left hand corner. On the rear - divided back type with space for stamp, address and correspondence and the printer's name "Litho Coy, Ballarat". "$16" in stamp position in pencil.trams, tramways, sturt st, trailers, horse trams, esco

Used as pattern to cast crown wheel of drive on water wheel. Actual drive has since been sold, only mold remainsCircular wooden pattern, raised centre circular area surrounded by four wide, flat spokes at regular intervals (the interim spaces being cut out with rounded corners) which are in turn surrounded by a rim which tapers back from the centre of the piece and has fixed to it regularly interleaved slats. Slats of protruding oblongs tapered from attachment to top and also central end to outer point. Light coloured wood 1 & 2 are Broken off pieces of back.

The wooden patterns are part of a set that are stored in a strong wooden crate. It was used at Briggs’ Brass Foundry for making sand casts. It may fit together with one of the other patterns with a similar outline. The traditional craft of sand casting is over 2000 years old. The handcrafted process produces brass and copper alloy goods that are well suited to marine use; bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. Briggs’ Bronze mixture is a copper-based alloy made from local ingots of copper, tin, zinc and lead in carefully measured quantities. The finished product is non-ferrous and can last indefinitely. The crate of patterns was donated by the Briggs family in the early years of Flagstaff Hill, along with other related items such as brassware, tools and machinery. The donated items were displayed in a simulated Brass Foundry in the Village along with other working crafts, trades and services found in a Maritime town. The items were on show from the completion of the building in 1986 until 1994 when the building was repurposed. The patterns represent the trades of foundering and metalwork, both supporting maritime industries such as shipwrights and boatbuilders. Farmers, manufacturers and other local industries also needed the castings made by foundries. The Brass Foundry included a historic Cornish chimney set up as a working model, to tell the story of smelted metal heated in furnaces then be poured into the sand moulds. This chimney was made from specially curved bricks and is now about two-thirds of its full height when originally located at the Grassmere Cheese factory. The craft of sand-casting from carved wooden patterns to create metal is an example of skills from the past that are still used today. The foundry pattern set is significant for its association with brass foundries locally and generally in coastal areas of Victoria. Marine industries such as ship and boat building rely on good quality castings for their machinery, equipment and fittings. Briggs Brass was especially formulated using non-ferrous metals to ensure their longevity. The patterns are associated with the long-running firm Briggs Brass Foundry that specialised in cast goods for the marine industry, ready to supply the needs for once-off or mass-produced items. Their products would have been fitted to sail and steam vessels along coastal Victoria including Warrnambool. Briggs Marine was also a bell-founder specialist and is also associated with the Schomberg Bell at Flagstaff Hill, having restored it to is former state as a fine example of the bell from a luxury migrant vessel from the mid-19th century. Pattern; a pair of blocks that form a rectangle with a carved centre hole and disc shape inside. The block is made from laminated pieces of wood with cut corners. Both sides have four drilled holes in a square configuration but in different positions. The cut faces and the space carved into them are painted red; one piece has two dowel pins that fit into two drilled holes on the other. The pattern is part of a set of foundry patterns from Briggs Brass Foundry.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, briggs' bronze, traditional method, trade, sand cast, cast, brass alloy, copper alloy, pattern, mould, foundry, brass foundry, metal foundry, casting, sand mould, sand casting, marine equipment, marine tools, marine fittings, copper tin zinc lead, non-ferrous, non-corrosive, brassware, metalware, foundering, metalwork, maritime, bell founders, ship chandlers, marine products, biggs, briggs family, herbert harrison briggs, h h briggs, george edward briggs, cyril falkiner mckinnon briggs, cyril briggs, briggs & son brass foundry, h h briggs & sons foundry, briggs marine, alliance casting & engineering solutions, grassmere cheese factory, cornish chimney, curved bricks, collingwood, moorabbin, collingwood foundry, moorabbin foundry, 1912

Sign - engraved brass sheet, with black lettering and lining on the outside and screw holes in each corner with the words. "Passengers are not allowed in this Compartment / By-Law No. 5 Maximum Penalty Five Pounds" Copy 1 - has been trimmed around the edge and slightly curved to fit the tram car space and holes redrilled. Copy 2 - has the edge lining around the sign. Copy 3 - added 13/8/2020, ex Keith Kings - duplicate of copy 2.trams, tramways, signs, tramcars, tramways, passenger signs, behaviour

Full colour postcard featuring Colonial Tramcar Restaurant Tram No. 442 with a background of Luna Park, Flinders St station and the Arts Centre with the words "Tramcar Restaurant - Tripping the Light Fantastic". On the rear is a divided back arrangement with space for stamp and an address, the company logo and name and contact details - no web site. Card c1985. See Reg Item 3955 for the same image on a poster. See also Reg item 4569 for another production using the same image.trams, tramways, restaurant tram, colonial tramcar restaurant, melbourne, tram 442

Colour postcard of Melbourne all over advertising tram A 237 for Victoria Police, Travel Safe campaign, departing Malvern Depot. Photo Ray Marsh, March 1994. http://vicsig.net/index.php?page=trams&article=adtrams - gives the date of 19/3/1994 for entry into service for this advertising - accessed 13/4/2017. Postcard produced by Railcard for the Association of Railway Enthusiasts, ARE No.13/07. Has ARE logo, shop details and hours, space for small message, address and stamp.trams, tramways, melbourne, a class, malvern depot, advertising trams, decorated trams, tram 237