Aerial photograph wall panel of 1 Aust Field Hospital Vung Tau, features layout and labelled building of hospital complex1 Australian Field Hospital Vung Tau South Vietnam1st australian field hospital

Tourist booklet of Hue in English and French. Ancient capital of Vietnam with Hue written above picture of boats on river through walltourist, booklet

School Photo Circa 1954 Mr A.K. Boyd, Head Teacher Pearl Mitchell, Dawn Shuttleworth, Jean Cray, Amy Cray, David Perry, Richard MItchell, Keith Mitchell, Evelyn Cray, Dorothy cray, Robert Cray, Tom Cray, Edwin Perry, Betty shuttleworth, Barry Cromwell, Bruce Richards.B/W Photo Students and Teacher outside trees in background Brick building wall to Left of Photo and wire fence to right.deep lead school, education

Colour Slide, showing the Base of Lake Bellfield, with two people in the mid distance, and more on the far wall. Also with three vechiles.grampians

Black & white Kodak print of a young dark haired girl in a white dress sitting with a doll and teddy bear on the wall of a verandah.till

Colour photograph of a 'ghost sign' on the walls of the Macaroni Factory in Hepburn Springs. The hepburn Democratic Club met at the Hepburn Democratic Club.macaroni factory, hepburn springs, swiss italian, lucini, italo-australians, giacomo lucini, pietro lucini, pasta, hepburn democratic club

Colour photograph brick wall with plaque explaining establishment of forecourt at Lakes Entrance WW1 Memorial on Esplanade. Lakes Entrance Victoriaworld war 1914-1918, memorials

Colour photograph of the historic Suggan Buggan school showing timber table and benches with slatted timber walls. Suggan Buggan Victoriahistoric buildings, schools

B & w photo interior Belgrave Post Office, 1997. Photo shows counter and seating for the public use. Posters are on the walls.

Copy of photo: shows Violee Myers Davey ( OAM) looking at photo hanging on wall, presumably at Golden Square Primary 1189.education, primary, golden square laurel st p.s., violee myers davey.

Wall mounted hand operated drill press. Flywheel on LHS. Drill lowering hand wheel on top. Painted green and black.Cast in relief on frame "Champion ......... & Forge Co./ Lancaster" on LHS, "Warranted" on RHS.trades, metal working

Black and white arial photograph of the Moyne river entrance, the original signed by R.W.Golding.Black and white aerial photograph of Griffith island showing the lighthouse keeper’s compound, the large flagstaff and the river training walls in the foregroundHand written on the back "Port Fairy Moyne River Entrance R. W. Golding Handwritten on the back of the copy "Port Fairyb Harbour 1925"local history, photography, photographs, slides, film, arial, moyne river

Built at Old Gippstown from secondhand materials during the 1970sRectangular-shaped timber shed, with a corrugated iron roof. It has a back and two side walls, while the front is open for access.shed, old gippstown, west gippsland, gippsland, gippsland heritage park, goldfields, coal mine, victorian era, moe, historical village, bushy park, old gippstown heritage park, latrobe valley, farm shed, latrobe city council, gunaikurnai

See NP4151Sepia-toned photograph of the Mitcham Football team and supporters beside the wall of the clubhouse. Written on the bottom is MITCHAM FOOTBALL CLUB 1929.mitcham football club, sporting clubs, football clubs

White, single card with a lady and a man at a garden wall. The lady is standing in front of the archway on the other side of the wall. She is wearing a pink skirt, white blouse, brown jacket and black hat with pink flowers. The wall is grey stone with a creeper growing on the top. On the front side of the wall a man is standing waiting holding a cane in both his hands. He is wearing light grey trousers, white shirt and waistcoat and a long knee length black coat. He has black shoes and a black top hat which is on an angle. He also has a monacle and a long black moustache. Across the bottom 'A merry Christmas to you both' is printed in light brown. The card has rounded corners.Castell Brothersperson, greeting cards, malone collection, malone collection, greeting cards

Original walls and portholesScammell housePhotocopyNil

This broderie perse' wall hanging was donated to the Kew Historical Society in 1980 by Mrs Joy Ivory. The hanging had belonged to her mother - Amy Grigg - and was used by the latter to demonstrate skills in darning (the red stitching). Provenance includes a certificate dating from 1889 which records an award to Amy Grigg of Pakington Street (Kew) for skills in needlework, issued by the Kew Floral Industrial & Art Society. Amy Grigg later married Albert Watson, the son of John Watson. The latter was an early pastor of the Kew Methodist Church in Highbury Grove, Kew. Both the Watson and Grigg families were early pioneers of Kew. While the hanging was modified by Amy Grigg in 1889, the original textile dates from an earlier period when 'Broderie Perse' (Persian embroidery) was used to create quilts and wall hangings. It is estimated that the hanging dates from the first half of the 19th century. An exact dating will require a detailed examination of the cotton chintz fabrics used to embroider the hanging. This appliquéd wall hanging is one of the earliest textiles in the Kew Historical Society's fashion & textiles collection. Similar examples are held in major international collections such as the Victoria & Albert Museum. This example of broderie perse is significant for the cross-cultural influence of Indian textiles on European taste, not unusual given the English foothold in India during this period. Additional interest is due to the mixing of Indian and European textiles in the design, while staying true to the derivation of the design. The textile is both well-provenanced and rare. While it is unlikely to be Australian-made, it is probably an example of a textile brought to Australia during the colonial period that indicates a desire to decorate interiors using items created in and for the English home. On another level, the wall hanging is a fine example of 'women's work' in the first half of the nineteenth century.Small wall hanging, comprised of five panels that are each appliquéd by hand in herringbone stitch using a range of decorative figurative motifs including flora and fauna. The design is based on an Indian palimpore representing a tree of life design. The base textile is a cream linen while the appliquéd figures or shapes are cut from cotton chintz. These additions are probably a mix of Indian and European designs. The quality of the herringbone stitching is very fine. Later stitching in red wool was added in the 1890s to demonstrate skill in darning. The main panel is bordered by a narrow green and ecru braid. It has a narrow tan braid at the top and bottom of the two side panels. A surrounding tan braid around the entire textile is missing in some places. textiles, applique, broderie perse, amy grigg, wall hangings, migration

The Maroondah System was first and foremost developed as a functional component of Melbourne's Water Supply System. In addition to functionality, the Melbourne and Metropolitan Board of Works (MMBW) envisioned the Maroondah Reserve to be enjoyed aesthetically and recreationally by the public. This souvenir illustrates the realisation of the Maroondah System as a local recreational and tourist attraction in the early 20th century. The Maroondah Reserve gardens were landscaped with English-style ornamental stonework, exotic trees, flower beds and rose gardens. All features of the water supply system became widely celebrated as beauty spots that continue to be very popular to this day with tourists and locals alike. This souvenir is a product of that flourishing tourist trade. These water supply sites continue to enhance Melbourne’s charm and liveability and are now recognised as places of cultural and historic significanceThese photographs are invaluable in providing insight into many aspects of the Maroondah Reservoir’s early development. The dam wall is a distinctive example of early engineering techniques, with its gravity arch design and concrete construction. The construction of the dam wall represents an important advancement in the technology of dam-building.These images are part of a series of eight photographs which document the construction of the Maroondah Dam in the 1920s.melbourne metropolitan board of works, mmbw, melbourne water, photograph, water, maroondah dam, construction, wall

Interior of house original wallsScammell HouseScammmell Houseshipwrecks great ocean road victoria

East Beach Groyne wallseast beach, groyne, dune, sea, ocean

The Duncan family have occupied 'Glencoe' since 1888 when John Duncan purchased it from M. O'Brien. In 1972 Glencoe was the site for the Sunbury Pop Festival.A coloured photograph of the front facade of a sandstone building. A double hung 8 pane sash window is on the LHS of the wall and a doorway with a 2 panelled and glass door is in the foreground. The woodwork is painted cream. A tea trolley is near the door. The verandah roof is lined with fibro cement. At the extreme end of the porch there is a doorway. Farm implements are hanging on the wall.sandstone buildings, duncan, george, glencoe homestead, sunbury pop festival, george evans collection

Back L-R Norma Maloney, Pearl Wall, Nance Wall, Anne Newton, Peg Abbott, Nancy Crawford, Fat Abbott Front L-R Phyllis Roeby, Lilly Newton, Mrs Sharpley, Mrs Freeland, Mrs Lindsay, Silvia Vance, Mavis East Presented To Lord and Lady Huttingfield at Stawell Town Hallsocial

Acquired by Portland Council for the Encouragement of Music and the Arts (CEMA) as a winner of its annual Art Price in 1964; later presented by CEMA to Portland Town Council.View of the interior of a cave. In foreground is a triangular pool of dark blue water with lighter highlights. The walls of the cave curve up both sides of the water, meeting at the back of the cave. At back of cave is a ledge with 7 seals on it. One seal is diving into the water. The walls are painted in brown and dark blue, the seals in pale blue with highlights in white.Front: Malseed (lower right, red paint) Back: Nancy Malseed "Seal Cave" Portland Art Gallery Trust, c/c C. Woolcock (upper and mid left, black felt tip pen).sea, seals, coastal, seascape

This set of photos is from a leather bound album bearing the inscription "HUME RESERVOIR AUSTRALIA" plus 'The Rt. Hon. L. C. M. S. Amery, P. C., M .P.' all inscribed in gold. It was presented to The Rt. Hon. L. C. M. S. Amery, P. C., M. P, Secretary of State for Dominion Affairs on the occasion of his visit to the Hume Reservoir on 2nd November 1927. This album is of local and national significance as it documents the planning and development of the Hume Reservoir up to 1927. It was the largest water reservoir in the British Empire. The album records the pioneering engineering work that went into its construction.DEPARTMENT OF PUBLIC WORKS, N.S.W. RIVER MURRAY WATERS SCHEME. HUME RESERVOIR. 26. Work proceeding inside the coffer dam. This view was taken from the edge of the cut for the South Wing Wall foundations looking from the opposite direction to that of the preceding photograph, the curving downstream face of the main wall being seen beyond the steam navvy. This view shows the way in which the concrete paddocks are stepped and broken jointed vertically and horizontally. In the distance is the North Wing Wall and Power House stack beyond it. New South Wales, August 1927.hume reservoir australia, river murray waters scheme, hume reservoir construction

This is a photograph of the home of Hamilton Reed who was an early settler at Goongerah. In 1868 Hamilton Reed and John Locke both of Bendoc secured a grazing area of 60,000 acres at Goongerah. About the year 1878 Hamilton Reed and C. W. Nicholson decided to, if possible, to go from Bendoc to Orbost via Goongerah, they accomplished the task in 4 days from Goongerah. (more info. Newsletter September 2004) Councillor Hamilton Rutherford Reed represented North Riding 1918 - 1936.This item is associated with Hamilton Reed an early settler of Goongerah who was a long -time member of Orbost Shire Council.A black / white photograph of a settler's wooden home surrounded by a garden. The house is made of upright slabs for the walls and has a stringy bark roof.reed-hamilton goongerah