Photograph of Bendigo bogie tram 18 at Charing Cross prior to its conversion by the SEC to a one-man tram in 1952. Tram has the destination of Quarry Hill. In the background is an advert for Plume petrol. Photo taken in 1951.Yields information about Bendigo tram 18 prior to conversion to a one-man tram.Black and white photograph by Peter Duckett.Details the image on the rear of the print in ink.bendigo, tramcars, bendigo tramways, quarry hill, charing cross, tram 18

Print of No. 23 as the Gold Tram at Victoria St to meet the Cobb and Co coach (See Reg Items 5321 and 5323 and 7868 for the negative.) Taken by Wal Jack 20-8-1951. Many people on the street attending the event.Yields information about celebrations to welcome the Cobb and Co coach from Melbourne during the Centenary of Gold in Ballarat.Photograph, black and white - plain black with Wal Jack's note on rearWal Jack number stamp and number T23PC.tramways, trams, gold tram, victoria st, special trams, cobb & co, tram 23

School Guests Book, Presented to the Bendigo North Primary School Mother's on the occasion of their fiftieth Anniversary. Signed Margaret Bouch Tan vinyl cover Guest's signatures date between 19/10/84 to 14/03/07 42a Guests Book cover 42b Guests Book frontice piece dedication 42c first page of signatures begins 19/10/84 42d last page of signatures 11/11/04 - 13/03/07

This is the 1951 prospectus of the new company known as Leahy’s Electrical Industries Limited and formed from the previous business of Jim Leahy, Electrical Engineer. The business was then and remains today at 82 Fairy Street, Warrnambool . The business of Jim Leahy had been operated in conjunction with Leahy’s Hire Cars and commenced in 1946. This was initially a good business with 25 employees but the building stock and plant were destroyed by fire in 1950 with the business continuing on a limited scale until the new company in 1951 was formed. Jim Leahy purchased the freehold at the corner of Liebig and Koroit Streets and the business prospered from there but today it is based back in Fairy StreetThis prospectus is of some significance as it signals the start of the important business in Warrnambool today of Leahy’s Electrical. The prospectus shows that the original directors were Leahy, Dwyer, Walter, Croft, White and Affleck and they were prominent Warrnambool and district people at that time. This prospectus also has a good summary of the history of the Leahy business up to 1951 and the financial statements etc are of considerable importance to researchers and other readers. This is a typed prospectus of six pages printed back to back and with a buff-coloured cover of lightweight card. The printing on the cover is dark blue. Front Cover: ‘Prospectus of Leahy’s Electrical Industries Ltd, Warrnambool, Vic, Collett & Munday, Printers, 254 Timor Street, Warrnamboolleahy’s electrical, jim leahy, leahy's electrical prospectus, warrnambool

Congues and Mowlam families Images of two families who lived in Cruikshank Street from the 1930s to 1950s. .07 - John (Johnnie) Congues in full army uniform. John was awarded the Military Medal in 1916.families, congues family, mowlam family, john (johnnie) congues

Wall Hanging; 3 parts looped red fabric. Featuring a sun. Was located @ Stockyard Galley - Curatorial Officer Shirlee McPherson to collect 10/07 & relocated to storage @ Korumburra Old Council Cahmbers

A 10 page document detailing the history behind the importance of the local paper's monthly charity report and the significance of it with the local Chinese settlers. Lecture notes by Carol Holsworth for lectureto BHS on 07/02/2003.

Printed commemorative drinking glass. Text: 'U.S. CHAMPIONS/MEN'S SINGLES' and lists all winners from 1936 to 1951. Materials: Glass, Inktennis

Black and white photograph. 2 female students identified by T.H. Kneen 10 June 1992 as Kath Kenna (1950) and Pat Fleming (1951).kath kenna, pat fleming, students

Photograph of a horse drawn cart with one man and five women seated on the cart, the women are all in costume with large bonnets. There is a large model of a tomato sauce bottle on the back of the cart, the sides and front are decorated with crepe paper flowers, with the letters CB worked in on the right hand side (left in photo). Written on the back in blue pen is ' Swan Hill Show Exhibit 1951'organization, business, show exhibit, cohn brothers, swan hill show

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: ABBOT BAGGY / B'WORTH / CARRIAGE MUSEUM Reverse: B7 / Beechworth Nostalgia / BW - 07 B (crossed out) / 008ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program

The Grave of Alfred Mapleton, aged 4 months (died 14/07/1879), Maberly Ann Ellis (died 14/10/1883), Ann Mapleton (died 24/12/1884) and Frederick William Ellis (died 28/09/1890), St Helena Cemetery.St Helena Cemetery was originally the burial place of the Beale family and friends. The first burials took place in the 1850s. There are now over 200 burials.Digital copy of colour photograph (grave)st helena cemetery, mapleton family, ellis family

Biography of a BCOF Soldier and his daughter. Soldier - Noel John HUGGETT NX 101125. Enlisted 12 August 1942 aged 21 years. Discharged 14 December 1950. Corporal. B.C.O.F Labour unit, KureFolder- cardboard, green plastic covering with 4 ring (metal ) spine. Paperwork collection- paper in plastic A4 sleeves Copies of - letters, certificates, photographs and documents containing autobiography and biography information. Entry of marriage- Noel John HUGGETT and Ruth Reiki YAMAMOTO on second April 1951. Daughter Kathleen Ruth HUGGETT D.O.B. 3rd December 1951 Tokyo Japan Front of folder- adhesive label, white paper,handwritten black pen. “NOEL HUGGETTS’S STORY FOR THE WAR MEMORIAL “album, military history, bcof, japan, biography

Yields information through letters to the Editor about the impact of tram fare rises on Ballarat Residents, noting wages at the time.Photocopy, of the Letters to the Editor Column, The Courier, 20/6/1951 titled "Fare Rises". Photocopied onto A3 size sheet of paper. J. Edmends - suggesting the trams be boycotted, looks at the inflationary impact of costs in 1951. 100 Per Cent Rise - costs or running the services, the doubling of fares for a weeks travel. Howler - general comment about the fare rises.trams, tramways, public transport, fares, sec

Desmond TutuThere are five couriers 05/01/1987 07/01/1987 08/01/1987 09/01/1987 10/01/1987 12/01/1987 One copy of the Age 12/01/1987Articles on the visit of Desmond Tutu

Various typed sheets of language study Vienamese translation for English. Dated 27-07-1964. US logistic systems Army Intelligence Centre. Helpful expressions in Vietnamese from Army Forces Language Schoolvietnam

Feb 1973 flood Charlton, Victoria. Old Ive's house with floodwater to front fence on the Calder Highway opposite Charlton Park Gates. Mrs Gloria Jordan.B/W Photograph of February 1973 flood. Old Ive's house with floodwater to front fence on Calder Highway opposite Charlton Park gates. Photo used in Charlton Tribune on 09/07/1973 P4.flood, charlton, calder highway, local brick

This badge, a good quality one, was produced for the year 1951 and has been in our collection for many years. However it is unclear what the W.B.B.C. stands for – Warrnambool Baseball Club, Warrnambool Basketball Club, Warrnambool Bias Bowls Club??? It may not be a local badge at all. This badge is retained with the hope that someone in the future may be able to tell us what it signifies. This is a round metal badge with blue and gold lettering on a white background and a decorative upper edging. There is a number inside a small red circle at the top of the badge. The badge has a metal clip at the back. W.B.B.C. 51 history of warrnambool, warrnambool baseball club, warrnambool bias bowls club, warrnambool basketball club

Yields information about the relay of the track at the corner of Main Road and Barkly St.Negative and Digital images of the Wal Jack Ballarat Negative file of trackwork to relay the outer rail at the corner of Barkly St and Main Road. Shows the methodology of the work. Has the compressor connected to the overhead in the view. Done at the same time as Bridge St and Main Road - see Reg Item 7731? See Reg Item 5294 for the first tram over the curve - 21/10/1951trams, tramways, main road, barkly st, trackwork, track repairs, welding truck, rails