These minutes contain information on attendees, meeting chairs, apologies, correspondence, subscriptions, donations, legacies and general business. Reports are also included from Auxiliaries, Auditors, Library and Home teacher, Directors, The Black and White committee, Victor Maxwell House, Helen Keller Hostel, The Victor Maxwell Kindergarten, The Sandy Robertson Kindergarten, Alexis Albert House, Silver Lighthouse committee, 'Heathfield' and other Woollahra properties. 20/1/1958 it was noted that considerable developments were taking place with respect to the recording of books on discs to tape and the Society will adopt system of recording set out by R.N.I.B. 24/2/1958 an order for 100 small silver plated lighthouses had been decided on to be presented to outstanding benefactors of the Society. 15/8/1959 'Lighthouse', home for aged Blind women was opened. 5/9/1958 The President welcomed the first 6 residents to Alexis Albert House, home for aged Blind men. 6/9/1958 The Newcastle Blind Centre was opened. 23/9/1963 it was unanimously resolved that 5 Lots comprising of the estate left by the late Mrs F. I. Skovronksi were to be sold. 1 volume with sheets pasted on to pagesroyal blind society of new south wales, alexis albert hostel, victor maxwell kindergarten, sandy robertson kindergarten, helen keller hostel

A folder of newspaper cuttings about White Cane Day in 1994. These include personal stories about people who use white canes and the various schools and organisations who helped the Royal Blind Society of New South Wales sell confectionary white canes to help raise money for the Society.Various pages of newspaper cuttings royal blind society of nsw, white cane day

In 1986 the Royal Blind Society of New South Wales commissioned Quest films to make commercial about the Society and it's programs.93 colour transparencies, 84 black and white transparencies and 7 printed proof sheetsroyal blind society of nsw, quest films, fundraising

Small lapel pin, in gold, blue and white.Front includes a gold silhouette of a wheelchair athlete wielding javelin, inset on a white background in the shape of the state of New South Wales, on a gold a background. Above and below the image is the text "THE PARAPLEGIC SPORTS CLUB N.S.W." Back is plain, except for A.E. PATRICK, SYDNEY, likely the maker of the badge,

silverton, nsw

royal hotel, hill end, nsw

Manik’s referential language maintains a fundamental connection to derided or “low-brow” sources, spanning popular and visual culture sources such as graffiti, google image searches or YouTube clips. In this work, Manik aestheticises a conspicuously framed police photograph, reproducing the sensationalist image with a considered painterly quality. Attending to the ways in which wide dissemination leads to a clouding and blurring of meaning, Manik challenges conventional ideas of authenticity, circulation, and so-called high/low modes of production. Artist Bio Gian Manik is a Naarm-based artist whose dextrous approach to image-making is characterised by an irreverence for genre and driven by a compulsion to paint. Interested in undermining the colonial properties arming the buttresses of historical painting, Manik ambiguates tradition through the representation of multivalent or tangential subjects. Informed by a childhood spent voraciously copying reproductions of old master paintings, a subsequent indifference to the polarities of high and low culture has rendered his work resistant to traditional stylistic categorisation. Instead, Manik’s practice can be read as an ongoing investigation into the boundaries of representation which often sprawls into the modalities and enviornments of fashion, music and performance. His compositions interweave both carefully distilled and intensely gestural passages, forming a layered palimpsest that references and registers the quotidian fabric of his social and cultural surroundings. Distinguished by an interminable mix of nostalgia and desire, drama and tragedy, his work reverberates an uncertainty of meaning. Strategies such as repetition and mimicry blur the intended resonance or ‘truth’ attributed to each object, place, scene or character. As a result, Manik’s paintings often function as parafictions, interpolating personal experience within constricted frameworks of historical narrative. Gian Manik (b. 1985 in Perth/Boorloo) received a BFA (Honours) from Curtin University in 2011. After relocating to Naarm/Melbourne, the artist completed a Master of Fine Art (Honours) at Monash University in 2012. Since then, he has exhibited widely across Australia and Aotearoa New Zealand in institutional and commercial contexts. He has received institutional commissions by the Australian Centre for Contemporary Art (2022) and the Perth Institute for Contemporary Art (2024). Additionally, his work has been featured in significant exhibitions at the Museum of Contemporary Art Australia, Sydney; Art Gallery of Western Australia, Perth/Boorloo and the Art Gallery of South Australia, Adelaide.

A collection of 17 photographs recorded on DVD. These have been copied to "Master Images". One image has been selected for this entry.Donated by Laurie Allen and Clive Manly, members of the Probus Club, in May 2024. This item was part of a two large box collection given to RDHS to catalogue and store, after the Club closed.

A brief history of the Lidgerwood family, including their businesses and civic roles in Box Hill from 1871 through 1900's.non-fictionA brief history of the Lidgerwood family and pioneer businesses in Box Hill from 1871 through 1900's.lidgerwood family, box hill shops, early 20th century, lidgerwood robert, croucher mary ellen, lidgerwood percival

History of the Williams - Magor Family Cream Textured Card cover with green drawing featuring building in the distance and soldiers on the right.Williams - Magor Family in Australia 1840 - 1982stawell

The Slouch Hat became standard issue headdress in 1903 and its brim position was mostly standardised. The slouch hat became a famous symbol of the Australian fighting man during World War One and continued to be worn throughout World War Two. Its use since that time has made it a national symbol. https://www.army.gov.au/our-history/traditions/the-slouch-hatStandard uniform issue for the Australian Army.Khaki slouch hat, has pleated hat band, brim upturned with badge on upturned brim. Crown of hat pinched inwards. Leather crown liner and leather chin strap with adjustable clip.MOUNTCASTLE 1994 Made in Australia (Broad arrow) 56 Black pen handwritten. Fullerarmy, uniform

Book prize awarded to John Tanner for excellence in History in the third form; accompanying volume awarded as First Prize for Scripture in the third form (000095)Mid-brown calf binding with decorative black embossing on cover and spine; gilt title and publisher statements on spine and school crest on front cover; book plate on front cover verso; plain green endpapers; pages gilt-edged and sight foxing; black and white frontispiece;Book plate in front cover verso: Ballarat College crest / History / First prize / Third form / Awarded to / J Tanner / Christmas 1884john-tanner, 1884, ballarat-college, first-prize, history, book-prize

Official history of WW2

Official history WW2

Official history of WW2

Official history of WW2