L to R -Mrs Woolrich, nee Kate Hand with her widowed mother Eliza Hand and an unnamed woman.Sepia photograph showing three women sitting on a bench. All dressed as if for an outing.eliza hand, kate hand, kate woolrich

Photographs of transports travelling to and from Darwin. Outside theatre. Soldier in summer dress.

Grace James, the creator of the items in the Grace James collection, designed and created costumes over a 19 year period (1969-1988) for her daughter Ceri. The collection of clothing ranges from evening wear to knitted garments. All the items display exemplary dressmaking skills. The designs are of the period and reflect evolving fashions of the time. Some items are copies of published designs whereas others are original creations. The collection was donated in 2006.While most of the items in the Fashion & Design Collection of the Kew Historical Society are commercially designed items of clothing, there are also items made by home dressmakers. Many of these exhibit outstanding design knowledge and technical skills. A large and important group of these items of women's clothing is contained in the Grace James collection of outfits created for the dressmaker's daughter. The items have additional significance due to information about the purpose of the creation and the date when it was constructed.Long mauve dress of a heavy crepe like fabric incorporating floral embroidery.grace james, women's clothing, dressmakers - surrey hills (vic), fashion -- 1960s, fashion design

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. The outfit was owned, worn and donated to the collection by Dione McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Cream coloured taffeta wedding dress with long leg of mutton sleeves and bustle women's clothing, fashion and textiles collection - kew historical society, wedding dresses, mcintyre collection, dione mcinytre, fashion design, fashion -- 1960s

Women's striped cotton dress with lace detailing. Materials: Cotton, Thread, Metaltennis

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This item was owned and worn by Dione McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1980s. 1920s style red coloured dress of Indian cotton, tucked, and embroidered with beading.mcintyre collection, australian fashion - 1980s, women's clothing, day wear, dione mcintyre

Florence Jane McDouall Stuart (1867 - 1936) married George Hudson Grant (1864 - 1910) in 1899. He was a surveyor and they lived in Albany Crescent, Surrey Hills.A black and white photograph of a lady and two young girls dressed in Edwardian clothes.florence grant (mrs), mollie grant (miss), mona grant (miss), jessie mona stuart grant (miss), jessie mona stuart webster (mrs), mona webster (mrs), clothing and dress

Mr Edmund Holt From 1913 he and his wife made their home at 9 Beatrice Avenue. Both were involved with the Methodist Church and its activities. Mr Holt was a railways officer and retired while in charge of the Stores Branch at the Newport Workshops where the workload was vastly increased because of wartime demands for increased production as well as necessary maintenance. He died 1945. A black and white photograph of a man, dressed in a waistcoat, shirt and tie, and not much hair.(mr) edmund holt, methodist church, surrey hills, railways officer, beatrice avenue, choir member, liedertafel choir

John William (Jack) was the son of William and Mary Sneddon and brother of Alan. William Sneddon was a postman in Surrey Hills for many years. His father James ran an estate agency in Surrey Hills established by his father in the 1880s. William's wife was Mary Sneddon (nee Bird). Jack was born in 1908 in Camberwell. In 1937 his address was 19 Albert Street, Surrey Hills. The donor Robin da Costa-Adams is related to the Sneddon family through her first marriage.Formal sepia head and shoulders photo of Jack Sneddon dressed in a suit and tie. 'Crown/ Studios/ Melbourne' impressed on original in lower RH corner.jack sneddon, john william sneddon, (miss) mary bird, (mrs) mary sneddon, james sneddon, crown studios

Sepia photograph of gentleman with large sideburns dressed in academic gown with white jabot portrait, pioneer, settler, people, church official

Side-on view of man's head and shoulders. Man dressed in military uniform with cap.prince edward, hms renown

In the 2000s Legacy released a range of Legacy Bears to expand the merchandise available for sale during Legacy Week and at other fundraising opportunities during the year. This bear is in an Australian World War 1 uniform and slouch hat. He was given the name Digger. The term "digger" was military slang for Australian and New Zealand soldiers. It became closely linked with the principles of mateship during World War I. This Digger bear reminds us of the endurance, courage, ingenuity, good humour, hardiness, and resourcefulness the ANZAC forces showed during the Gallipoli campaign and other WW1 campaigns. This was a special edition of the bears. In 2021 the price was increased to $20 per bear.An example of the type of products sold along with Legacy Badges for fundraising in the 2010-2020s.Legacy bear dressed in a World War 1 uniform with a printed cardboard tag.Printed tag gives the price as $20.legacy appeal, fundraising, legacy bear

6th Battalion, The Royal Melbourne Regiment Battle Dress Jacket C.1950,

Battle Dress Post War Royal Victorian Regiment Jacket with SGT rankClass 8405-66-025-6412 Mill Size of Chest 37/38S Matching Trouser 32 Waist, made by Oxford Clothes Pty Ltd South Australia 1968

For Legacy's 100th Anniversary there were three limited edition bears released. This bear was new in 2023 and is in the World War 1 Navy uniform of the type worn in 1923.An example of the type of products sold along with Legacy Badges for fundraising in 2023.Legacy bear dressed in a Navy uniform from 1923 and a printed cardboard tag. Printed tag gives the price as $25. The feet have '1923-2023' and 'Legacy' printed on them.fundraising, legacy bear, 100th anniversary

Black and white image of Norman McSwain (1838-1908), Councillor of Shire of Moorabbin 1882-1893. Norman was born in Skye Scotland and arrived in Australia with his parents Ewen and Margaret (nee McLeod) McSwain & five brothers & sisters on the 'Miltiades'. He married Margaret Mary Macdonald, daughter of Isabella and Alexander McDonald, and later in their marriage, they moved to Western Australia.Norman McSwain standing between a chair and a table, dressed in a three piece suit.

Elizabeth Jane Blamire, b. 1865 and Rary Emelia Isabel Blamire, b. 1863, were two of the eight children of William Blamire and Mary Ann Blamire (née Green). The Blamire family lived at Linton, where William worked as a blacksmith and painter. In 1874 they purchased Allotment 8, Section 2, Township of Linton (now 48 Sussex Street, Linton) and built a house there which was their home for many years (now demolished).Oval sepia portrait of two young ladies dressed in high necked gowns."Jane Elizabeth Blamire (Lily)(left) Mary Isabel Blamire (Millie) (right) daughters of William Blamire of Linton (No) 1632"jane elizabeth (lily) blamire, mary isabel (millie) blamire

Photograph is part of Old Lintonian collection ; No. 6Portrait of a mature well dressed lady, seated, wearing a hat and holding a book.mrs william hodge, old lintonian collection, mary hodge nee jenkin

Sepia photograph of a young child in a long dress, seated with hands together on lap.lyle grace

Portrait of Mollie Riches (1896-1979), co-founder of the Rheumatism and Arthritis Association of Victoria (RAAV). This photo appears on page 1 (cover page) of the Vol 14, September 1979 issue of RAAV's quarterly newsletter, News Review, to commemorate the death of Mary "Mollie" Riches' on the 29th of August of that year. It accompanies a brief obituary by Dr Leslie Koadlow (1920-2006), co-founder of the RAAV. A more detailed obituary was published in the following issue of the newsletter. B&W portrait of a woman wearing a dress in a bold geometric-patterned fabric.[On photo, in blue ink] Courtesy of Lincoln Institute 10/5/78 [On a MOVE-branded sticky note, in blue ink] RAAV News Vol. 14 1978 Mollie Richesmollie riches, founders, co-founders, rheumatism and arthritis association of victoria, raav, royal talbot rehabilitation hospital, action house, action centre, news review, lincoln institute, lincoln institute of health sciences, update, 1978

From 5827 Book. The George Seaman story Page 5 Mee Young Lowe migrated from Canton China in 1870's and Married Mary Sue Wong also migrated from Chinna Age 12. in Brighton. The Lowes established a market garden in Stawell in O'Callaghan Street in 1911 living opposite.Asian Heritage lady in black dress seated in chair surrounded by three boysL/R Daniel, Samuel , William and Mary Lowe. Stawellchinese

PHOTOGRAPH FOUND IN THE HOME OF THE LATE LAURA HUDSON HOUSE IN LOWER FRASER STREET, CLUNES. [NOW BLACKMORE ROAD] THIS HOME WAS LATER OWNED BY MR. G. WILTSHIRE.PHOTOGRAPH OF YOUNG WOMEN [ NAME UNKNOWN] IN DARK DRESS, STANDING BESIDE BALUSTRADE.local history, photography, photographs, hudson, laura

A SEPIA PHOTOGRAPH OF GROUP OF LADIES IN EARLY DRESS, MISSES KATE AND ELSIE PATIENCE.MISS KATE PATIENCE + MISS ELSIE PATIENCE.local history, photography, photographs, costumes, female

BLACK & WHITE STUDIO PHOTOGRAPH OF A MAN DRESSED AS A SWAGGIE HOLDING HIS SWAGWITH COMPLIMENTS FROM HARD TIMES 1916 J. HORNBYlocal history, document, postcard, crick, shrigley, mc lennan & lazarus

Mid-length shift dress in light grey-blue. Dress consists of two breast pockets, each with rounded flap closure held in place by two press studs. Dress is fastened down centre with three silver buttons held in place with a metal ring (only two buttons remain). From waist line down, dress is fastened by a hidden zipper and hook and eye. Waist line is pleated and carries two loops on the back, through which a fabric belt (0030.2) is threaded. Two fabric loops on each shoulder may have been used to hold epaulettes or similar. Dress sleeves are rolled up by 40 mm. Collar is notched. Interior label on left side at waist height reads "IYD CLO CO/VIC./8410-66-000-000/SIZE 18/ARMY NO........../NAME............"

This outfit from Sydney-based wearables label Iordanes Spyridon Gogos (ISG), was designed by Founder and Creative Director Jordan Gogos in collaboration with Akira Isogawa and other creative partners. The outfit comes from the ISG x Akira 2023 Afterpay Australian Fashion Week (AAFW) collection show presented at Carriageworks, Sydney 16 May 2023. Jordan Gogos is one of Australia's most innovative multidisciplinary artists. Preferring to describe his current designs as 'non normative', 'wearables for the imaginative' Gogos' work and practices have been influential in changing the conversation around clothing design, production and presentation by embedding co-collaboration, sustainability, diversity, and inclusivity in all aspects of his label. Born and raised in Tokyo, Japan before immigrating to Australia in 1987, Akira Isogawa is regarded as one of Australia's most innovative and successful fashion designers. In a career spanning over 25 years, Akira is perhaps best known for his contemporary interpretations of traditional Japanese clothing, and the quality of his craftsmanship. Isogawa has worked on a range of creative collaboration projects over the course of his career and was named Australian Designer of the Year at the Australian Fashion Industries Awards in 1999. The ISG x Akira collection show presented at AAFW resulted in a collection of 40 looks featuring digitally printed, compressed and patchworked garments with applique, embroidery, beading and origami. Made from deadstock and archival fabrics, accessorised with unique headpieces and footwear designs, the looks were presented in a theatrical collection show amid a colourful runway piled high with upcycled textile artworks and trojan horses signifying Gogo's Greek heritage, signed by Akira in red calligraphy. The models included people with diverse gender identities and body shape and size. - Kristina StankovskiOutfit consisting of a dress, underskirt and shoes (pair). The underskirt is made of tulle, while the dress is origami style with black, red, white, gold, green, yellow and orange fabric. The dress has two sets of press studs under each shoulder strap. Shoes are lace up boots with black, white and yellow patchwork fabric, with rubber soles and vinyl lining. This record includes seventeen pieces of test/sample fabric. 9013.1 Dress 9013.2 Underskirt 9013.3 Boots & White laces 9013.4 Fabric samplesjordan gogos, iordanes spyridon gogos, akira isogawa, 2023 afterpay australian fashion week, design, fashion, art, sustainability, innovation, trojan horse

By the 19th century, porcelain had become the favored material for doll heads, and starting in the 1830s, high-quality china dolls hit the market. Most of these were made in central Europe, and often the assembly work was done by individual families, which is why many antique china dolls are not marked. German-made china dolls usually have black molded hair and blue eyes. The most common china dolls are Low Brow china dolls, made in the millions in the 1890s (so called because their hairdo has bangs and lays low on their forehead, giving them a "low brow").This doll is a good example of a late 19th century china doll.China-headed doll with soft body. It has a low brow,moulded black hair and is wearing a black dress with a white collar and cuffs. Over the dress is a white pleated, embroidered pinafore. It has a broderie Anglaise petticoat.doll toys china-doll