See Cat 7003.2 - Greenwood.1. This is a lightweight medal. It is based on a gold wreath. It has a red wedge at top and in centre is a cold war era East European soldier with AK47. He is wearing cold war vintage helmet. Cyrillic word above the soldier and with the letters "CABO" in a rectangle at bottom. It has 5 pointed star tips protruding, the top one has a holding ring. 2. A rectangular piece, it has gold borders with the inside divided into three sections. They have two red and one enamel fill ins It has a mounting clip on the rear and a mounting ring on the top border.east europe, badges, greenwood

Miniature model of a WW2 era Avro Anson twin engine aircraft mounted on an ashtray. The aircraft is supported by a curved arm attached to the circular ashtray base. The base has a small metal RAAF 'winged eagle' insignia attached to the front edge. The items have been made from chromed metal materials. The RAAF was equipped with Avro Anson aircraft in the late 1930 period prior to WW2. These aircraft were used by the RAAF for general and maritime reconnaissance and training throughout WW2 and into the early 1950s. The first version of the Avro Anson was developed in 1935 by the British Avro aircraft company.Chromed metal RAAF 'winged eagle' insignia on the front edge of the base.plane, trench art, ashtray, aircraft, souvenir, avro anson

Demonstrates what can be lost and found on a tramcar - though odd given its location on the tram. Yields information about how coins were handled and carried in the 1950's.A lost and found item comprising 1 - blue plastic purse with heat pressing sides and a push button steel clip 2 - Australian half-penny, coin, dated 1949 with King George VI on rear 3 - Australian penny, coin, dated 1949 with King George VI on rear 4 - Australian sixpence coin, dated 1951 with King George VI on rear. Items found behind silt behind the side frame of tram 671, - advised by Neville Britton 20/6/2019. Items from the era when the tram would have been running in Melbourne.tram, trams, coins, lost and found

Magazine - 20 A4 pages centre stapled - titled "MetLines - Vol 1, No. 9 December 1985", staff newspaper of the Metropolitan Transit Authority. Has a number of "Santa Claus" on the front cover. Contains an article on page 8, "Keeping tram lines clean" and "Scrubber Cars" - featuring Frank Reale-Key posing in front of Scrubber 8W. Also has a photo of scrubber No. 11. Gives a background to the cars, when they are used, operated by Civil Branch. Gives hours of use and crews. On page 3 is a follow up to a question on a MTOC conductor with the large safety pins of the era.trams, tramways, scrubber tram, the met, conductors, track, mto co

Seven colour printed A4 sheets used on the "Law & Order" Exhibition at the depot and the CHHA fair. No. 1 to 5 Printed onto graduated colour paper (Geo Paper - Geo Blue) and printed with a HP6P printer. 777.1 - Title poster - "Law & Order on the Trams" 777.2 - "Relations with the Police" (mounted onto a cardboard sheet) 777.3 - "The Last or Cash Tram" 777.4 - "Tramway Closure - out with a Bang!" 777.5 - "Acknowledgments" 777.6 - "Policing Employees" 777.7 - "The Horse Tram Era" See also items 778, and 713 for further objects for this exhibition. Items printed using a HP6P printer and PowerPoint.trams, tramways, law and order, exhibitions, employees, police

Yields information about the storage of trams in the City area during peak periods, and the buildings on the south side of Sturt St. A copy of the newspaper cutting would add to the significance.Black and White copy photograph of a newspaper photograph taken by The Courier of No. 35 parked at Sturt St loop or City Loop, following motorists complaining it was a traffic hazard). Photo taken - 19/3/1965, published 20/3/1965. In the background are Hartley's Sports Center, The Ballaarat Gas Company buildings'. The tram, side on view, has a "Switch to Electric Cooking" Roof advertisement. Collected by Alan Bradley from the Ballarat Courier early 1980's. See Excel file "Record of Ballarat Courier Photos SEC era" (Archive Documents) for source of details.On rear stamped "Copyright, The Ballarat Courier Proprietary Limited."tramways, trams, sturt st, city loop, tram 35

Yields information about the way the trams were used in Ballarat by ladies undertaking their shopping, their clothes and the condition of the trams, reflection in the paintworkBlack and White copy photograph of a newspaper photograph taken by The Courier of Shoppers boarding No. 35, Sturt & Lydiard St corner, following a tram strike. Photo taken 11/02/1966, published 12/02/1966. No. 35 has an "Electric Cooking Serves you best" roof advertisement and has a Sebastopol destination. The lady shoppers (passengers) are carrying their shopping in baskets and are dressed in summer clothes. Collected by Alan Bradley from the Ballarat Courier early 1980's. See Excel file "Record of Ballarat Courier Photos SEC era" (Archive Documents) for source of details.On rear stamped "Copyright, The Ballarat Courier Proprietary Limited."tramways, trams, sturt st, strike, passengers, shoppers, tram 35

Yields information about the seemingly frequent derailment of bogie trams at this intersection although this one was an in bound tram. Also details information about the streetscape, and buildings.Black and White copy photograph of a newspaper photograph taken by The Courier - No. 39 derailed, Bridge & Main Sts corner, in bound from Mt. Pleasant. No. 11 awaiting passengers. Photo taken 25/4/1966, published 26/4/1966 Location Stones Corner. Has Bridge St buildings in the background, including Stones signs, Gear Chemist, advertisements for Astor, Turf, Pye, and Suppland. Collected by Alan Bradley from the Ballarat Courier early 1980's. See Excel file "Record of Ballarat Courier Photos SEC era" (Archive Documents) for source of details.On rear stamped "Copyright, The Ballarat Courier Proprietary Limited."tramways, trams, stones corner, bridge st, derailments, accidents, passengers, tram 39

Yields information about Ballarat's the perils of operating a tramway system in decay, derailments at a major intersection.Black and White copy photograph of a newspaper photograph taken by The Courier, photo taken 15/7/1969, published 16/7/1969 of No. 32 derailed, Sturt & Lydiard Sts corner, after rounding the corner from Lydiard St Nth in the early evening. Tram has the destination of City. Crew members and Inspector observing the scene. The tram has a roof advertisement for Wilkinson Sword razor blades. Collected by Alan Bradley from the Ballarat Courier early 1980's. See Excel file "Record of Ballarat Courier Photos SEC era" (Archive Documents) for source of details.On rear stamped "Copyright, The Ballarat Courier Proprietary Limited."tramways, trams, derailments, sturt st, lydiard st nth, tram 32

Yields information about the incidents that can occur on a street tramway system - collisions resulting in derailments than can affect other people as well.Black and White copy photograph of a newspaper photograph taken by The Courier - photo taken 20/6/1970, published 2/6/1970 of No. 13 after derailment & collision with car, Drummond St North. Shows tramcar behind in the crossing loop, Inspector talking to the police and people looking at a damaged vehicle. Note the pole is still on the overhead - hopefully the power had been turned off. Collected by Alan Bradley from the Ballarat Courier early 1980's. See Excel file "Record of Ballarat Courier Photos SEC era" (Archive Documents) for source of details.On rear stamped "Copyright, The Ballarat Courier Proprietary Limited."tramways, trams, drummond st nth, accidents, derailments, collision, tram 13

Yields information about the tramcars and the street scenes at particular locations and how the tramway fitted with its streetscape at the time with a crossing loop behind the tram.Black and White copy photograph of a newspaper photograph taken by The Courier - unpublished, probably Sept. 1971 of No. 43 in Barkly St Mt Pleasant (could have been taken on the same date as Reg. Item 3769). Has the Grant St loop in the background. On the right hand side is a shop with a "Vincent's Cold and Flu" poster. See Reg Items 2907 for the actual newspaper cuttings. Collected by Alan Bradley from the Ballarat Courier early 1980's. See Excel file "Record of Ballarat Courier Photos SEC era" (Archive Documents) for source of details.On rear stamped "Copyright, The Ballarat Courier Proprietary Limited."tramways, trams, mt pleasant, barkly st, grant st, tram 43

Yields information about the construction of the Trackwork on the depot fan and some of the people who undertook the work.Black and White copy photograph of a newspaper photograph taken by The Courier of Trackwork on BTPS depot fan (left-right) Bill Kingsley, Noel Forster, Gavin Young, Clyde Croft, Stuart Lodington. Photo taken 7/5/1973? published 8/5/1973. No. 27 appears in the view with the "million mile" banner on the tram. Copy of newspaper clipping photo appeared in, not held by Museum at date of cataloguing. Collected by Alan Bradley from the Ballarat Courier early 1980's. See Excel file "Record of Ballarat Courier Photos BTM era" (Archive Documents) for source of details.On rear stamped "Copyright, The Ballarat Courier Proprietary Limited."tramways, trams, ballarat, access track, btps, begonia festival, tram 27

Yields information about the recovery of ESCo No. 12 and its transportation from the site.Set of two Black and White copy photographs of a newspaper photograph taken by The Courier of ESCo No. 12 moved from Nerrina to BTM depot, following its recovery by BTPS staff. Photo taken 5/11/1990 and published (3837.1) on 6/11/1990. See Reg item 1131 for the newspaper cutting the photograph was used in. Collected by Alan Bradley from the Ballarat Courier early 1980's. See Excel file "Record of Ballarat Courier Photos BTM era" (Archive Documents) for source of details. Hi Res of image added 15/7/2014.On rear stamped "Copyright, The Ballarat Courier Proprietary Limited."tramways, trams, 12, esco, tramcar acquisition, btps, preservation, tram 12

Yields information about the launch of the horse tram and the display area in the depot in 1992 through a series of photographs that a published one would have subsequently been selected from.Series of two Black and White newspaper proof photographs of the launch of the horse tram and museum display area at the depot from The Courier newspaper - Photo taken 7/11/1992 and published 9/11/1992. Photograph C6445 (in red) was selected. Richard Gilbert and Professor Weston Bate. See Reg Item 1105 for the newspaper clipping this photograph was used in. Collected by Alan Bradley from the Ballarat Courier early 1980's. See Reg Item 3838 for the print of C6445 and See Excel file "Record of Ballarat Courier Photos BTM era" (Archive Documents) for source of details.tramways, trams, horse trams, btm, launch of horse tram, museum, tram 1

Yields information about the construction of the access track across Wendouree Parade, the methods used and some of the people who undertook the work.Black and White copy photograph of a newspaper photograph taken by The Courier of the laying the BTPS depot access track across Wendouree Parade. Photo taken 25/11/1974? published 26/11/1974. Has Bob Prentice, Rolf Jinks, Peter Winspur and others in the photograph. Copy of newspaper clipping photo appeared in, not held by Museum at date of cataloguing. Collected by Alan Bradley from the Ballarat Courier early 1980's. See Excel file "Record of Ballarat Courier Photos BTM era" (Archive Documents) for source of details. See Reg Item 6834 for the newspaper cutting.On rear stamped "Copyright, The Ballarat Courier Proprietary Limited."tramways, trams, ballarat, access track, btps, track laying, depot junction

Yields information about the arrival back in Ballarat of No. 13 from Lake Goldsmith, prior to unloading.Black and White copy photograph of a newspaper photograph taken by The Courier of No. 13 unloaded at BTM depot (left-right) Peter Winspur, Garry Wood, Peter Allen, Warren Doubleday. Photo taken 5/12/1983, published 6/12/1983. See Reg Item 825 for the newspaper clipping the photograph was used in and further details.. Collected by Alan Bradley from the Ballarat Courier early 1980's. See Excel file "Record of Ballarat Courier Photos BTM era" (Archive Documents) for source of details. .1 - Duplicate print of the same photograph.On rear stamped "Copyright, The Ballarat Courier Proprietary Limited." and a label with "Front cover, 6 5/8" x 4 1/2". .1 - stamped "Copyright, The Ballarat Courier Proprietary Limited." on rear.tramways, trams, tram recovery, 13, btps, tram 13

BHS CollectionCopy of a Bendigo Advertiser 20/11/1976 article titled Historically Speaking A gully with a past - and a present - Long Gully with Amy Huxtable. Mentioned is a study carried out by the consultants Ashton and Wilson, the people who settled in the areas and the houses and miners' cottages. Photos include a miners cottage with a hip and valley roof construction, the Truscott Family home, Rutland House, built for the Koch Family during the quartz era of Bendigo's mining days is now Crusade House, a timber miner's cottage with a kangaroo roof construction and a cottage in William Street. There are also advertisements from various businesses on the page.bendigo, history, long gully history group, the long gully history group - long gully, bendigo advertiser 20/11/1976, amy huxtable, bendigo city council, commonwealth government's national estate program, ashton and wilson, henry koch, truscott family, rutland house, hip and valley roof construction, kangaroo roof construction, vahland villa, helen lang's beauty salon, cane & kitchen, bazulas, myer, kangaroo flat newsagewncy, margaret kean, corrigan's pharmacy, w p bissett, rob vains, golden hills motel, gale's carpet steam cleaners, ray gale, dungey's bendigo travel service

The Ruyton Reporter (formerly known as Ruyton Reports) captures the essential Ruyton Girls' School experience for the broader school community. It has been produced since 1986.The record has strong historic significance as it pertains to one of the oldest girls' school in Victoria, Australia. Ruyton was founded in 1878 in the Bulleen Road, Kew, home of newly widowed Mrs Charlotte Anderson (now High Street South). Thus, the record can be used as a reference example for research into Victorian school history. It also gives insight into the types of activities and events undertaken at Ruyton Girls' School during the period of its production. The record's significance is further enhanced by its exceptionally well-documented provenance, having remained the property of Ruyton Girls' School since its production.Colour publication printed on paper with staple binding. 16 pages.Front Page: Edited by Deborah Forster / 2 / 0 / the RUYTON / REPORTER / 0 / autumn / 0 / farewell to our Queen of Hearts / THE END OF / AN ERA / INSIDE: / PRINT POST APPROVED / PP 341999 00026 / ENTER results 12 Selbourne Rd / Sinatra by Starlight Kew VIC 3101 / R / News from Pre-Prep & Kinder RECTE ET FIDE LITER Tel: 9819 2422 / New Staff / Fax: 9818 4790 / Email: [email protected] Web site: www.ruyton.vic.edu.au /ruyton girls' school, ruyton, school, students, newsletter, ruyton reports, ruyton news, kew, victoria, melbourne, girls school

This item is a good example of a pre 1960's school science reference books. It contains sketches of experimental apparatus and not colored photographs of later text books. Although the sketches are very instructional they do not show the various colours obtained when mixing some compounds. The history of reprints demonstrates the quality of the information and the ease of study for students using this book. The era of this publication was a time when sources for knowledge in schools was restricted to mainly school books and teacher demonstrations. The student in the 2 Millennium has a far greater reference source available e.g. the internet. This book is significant to the Kiewa Valley as the Davies family (Tas Davies, penned on the first page), belong to the early settlers of the valley. The book acknowledges that although the region was relatively isolated up to the mid 1900s, the good teaching methods of local schools did not suffer in this rural area. This region was not in the backwaters of scholarly development and modern progressive thought. As with "school of the air" distances in rural areas, between centres of learning and recipients, became irrelevant provided that the social stimulant to learn exists. The "local school" mind set within rural areas was, even before the improvement of the communication "explosion" of the early 1900s followed by the internet facilities of the late 1900s, the greatest drive in cutting the anomalies between city and rural learning facilities. Government decentralising higher education facilities into regional centres (Wodonga - Albury) provided greater access for the learned mind.This item (book) has a faded red colour, hard cover with black print and rectangular design. Within this design is an encircled double "M" and "&" (in the left inverted V of the M) and a "Co" (in the right inverted V of the M). On the front cover "MACMILLAN'S SCHOOL CLASS BOOKS CHEMISTRY" and on the spine "ELEMENTS OF CHEMISTRY" underneath "REMSEN" and at the bottom"MACMILLAN & Co"school, chemistry, text books, science experiments

E B Browning: Elizabeth Barrett Browning was an English poet of the Victorian era, popular in Britain and the United States during her lifetime. Born in County Durham, the eldest of 11 children, Elizabeth Barrett wrote poetry from the age of eleven. J H Ingram: John Henry Ingram was an English biographer and editor with a special interest in Edgar Allan Poe. Ingram was born at 29 City Road, Finsbury Square, Middlesex, and died at Brighton, England. His family lived at Stoke Newington, recollections of which appear in Poe's works.Re publishing of Elizabeth Barrett Browning's poems with a Memoir by John H. Ingram well known biography & editor, item is significant as it was a new edition published in 1887 of works by a famous poet with also the involvement of J H Ingram.Book with red cover with title of Mrs Browning in gold letteringTitled "The Poetical Works of Elizabeth Barrett Browning". From 1836 to 1844, edited with a Memoir by John H. Ingram. Published in London, New York and Melbourne, by Ward, Lock & co. Limited. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, flagstaff hill maritime village, the poetical works of elizabeth barrett browning, book, elizabeth barrett browning, poetry

A colour slide of 9 girls at a ballet barre in a senior girls class probably taken at the same time as The Rose dance formation in 1958 (02853). That would make it the dance room at Legacy House Swanston St. The blue and red walls haven't been seen in other photos of that era as they are normally in black and white. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image is the best available.A record of the dance room at Legacy House.Colour slide of girls at a ballet barre in Legacy House, in a brown Super Anscochrome cardboard mount.Handwritten on front '3' and 'Girls class' in blue pen and '13 in pencil'.girls classes, ballet, dance

Map of Melbourne's Tram and Bus routes, route destinations, MMTB Guest houses, all-night bus routes, depots, golf links and sporting grounds, rail lines, and location of major places of interest. Titled - "Tramway Map of Melbourne and Suburbs" - c1952, after the La Trobe or Latrobe St lines opened. Not known who produced the map. Does not give route numbers. See also Reg Item 2300 for an MMTB Map of the same era, 7315 for a similar version but without the guest houses, and 4525.1 for an MMTB Photograph.Yields information about Melbourne tram routes prior to Bourke St being built.Fold out map (6 sections), two colours. Has been removed from a book with the remnants of other paper in the top left-hand side.trams, tramways, melbourne, map, tram & bus services, all night services, mmtb, guest houses

This photograph from 1998 captures the Banksia Gardens Estate in Broadmeadows, a significant public housing development of the time. The image provides valuable insight into the architectural design and living conditions within the estate during the late 1990s. Banksia Gardens was established to offer affordable and accessible housing, reflecting the social and economic priorities of the era. The estate served as a crucial community hub, fostering social connections and providing essential support to its residents. This photograph stands as a historical record of the efforts made to create stable and inclusive communities through public housing initiatives.This photograph of the Banksia Gardens Estate in Broadmeadows, taken in 1998, holds significant historical value. As a public housing estate, Banksia Gardens played a crucial role in providing affordable and accessible housing to the community. The image captures the essence of the estate's development during that period, reflecting the social and economic priorities of the late 1990s. Banksia Gardens served as a vital community hub, fostering social connections, providing essential support, and enhancing the quality of life for its residents. This photograph stands as a testament to the importance of public housing in creating stable and inclusive communities.Black and white photograph on glossy paper.Public Housing Estate/Banksia Gardens 1998/(Upside down bottom left corner) 28banksia gardens estate, broadmeadows, 1998

This image depicts people walking down the street in the early 1900s, giving a glimpse into everyday life of the Edwardian era in rural Australia. The image also captures the Beechworth Post Office, located on the corner of Ford and Camp Streets. The stone post office building was built in 1858 to replace the inadequate wooden building on the same location. It was built from granite sourced from the area and features Architectual designs of the era including a hipped slate roof and a colonnaded entrance surmounted by a parapet. Lantern slides, sometimes called 'magic lantern' slides, are glass plates on which an image has been secured for the purpose of projection. Glass slides were etched or hand-painted for this purpose from the Eighteenth Century but the process became more popular and accessible to the public with the development of photographic-emulsion slides used with a 'Magic Lantern' device in the mid-Nineteenth Century. Photographic lantern slides comprise a double-negative emulsion layer (forming a positive image) between thin glass plates that are bound together. A number of processes existed to form and bind the emulsion layer to the base plate, including the albumen, wet plate collodion, gelatine dry plate and Woodburytype techniques. Lantern slides and magic lantern technologies are seen as foundational precursors to the development of modern photography and film-making techniquesThis glass slide is significant because it provides insight into Beechworth's social amenities and religious infrastructure in the late Nineteenth Century. It is also an example of an early photographic and film-making technology in use in regional Victoria in the time period.Thin translucent sheet of glass with a square image printed on the front and framed in a black backing. It is held together by metals strips to secure the edges of the slide.burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, 1900s, edwardian era, architecture, granite building

United States Army standard issue infantry heavyweight webbing waist belt as worn in World War 1. This is an example of a 'trophy' belt, complete with a souvenir collection of metal insignia, badges and buttons which are attached to the belt. The belt has brass fittings however the original buckle is missing. There are a total of 83 various allied military insignia, badges and uniform buttons from the World War 1 era, 56 metal insignia and badges and 27 metal buttons which are mostly of Australian, New Zealand, Canadian or British origin. Belt manufactured by M W & S Limited of England in 1915.The reverse side of the belt is stamped "M W & S LTD., 1915" and has an "L" stamp and the Defence Department "/|\". The belt reverse also has the following name in black handwriting "A Paxino 9781 2211". Note A Paxino was associated with Frankston RSL Sub Branch for many years.

Red cloth hard cover photo album with Art Nouveau design on cover and green paper pages, containing black and white photographs from the World War One era of soldiers abroad and family. Some formal studio photography. Subject matter includes: Middle East, France, Egypt, Horses, Zoo visit, well digging, horse in a hammock, hotels and souvenir cards, North Africa, camels, camps, tents, donkeys, ships, portraits, sports teams, Ypres in Belgium, Folkestone UK, Camp at Burrumbeet 1913 and another dated photograph reads 30th May 1916. Photographs are stuck down onto pages. Cover reads: SCRAP ALBUMwwi, world war one, soldiers, aif, anzac, portraits, photo albums, grand continental cairo, jb ballardie, william harrigan, ypres, cairo, 54th bn, t.s.s. borda, la rue au beurre, leas bandstand & parade folkestone

The toy soldier is a relic from the shipwreck of the LOCH ARD in 1878. It has a companion piece in the Flagstaff Hill collection. The toy soldier is unpainted, but the style of uniform, and the weapons carried (a musket and a basket-handled cutlass), indicate it is a representation of the Napoleonic Wars period from the beginning of the nineteenth century. Mass-produced toy soldiers made of cast metal (lead or tin) became popular during the 1800s. Heyde of Germany manufactured silhouette-shaped flat toy soldiers early in the century. Mignot of France released three-dimensional solid figures and later around 1893 W. Britain, a toy company became known for its die-cast lead toy soldiers. These innovations were designed to make sets of toy soldiers more affordable for middle and lower-class children, extending the market beyond the intricately made and hand-crafted replicas that were the preserve of the rich in the eighteenth century. Wooden military figures, specially carved and unpainted ones, were therefore not particularly common at the time when the Loch Ard foundered on Victoria’s southwest coast. Mignot was the first to sell unpainted soldiers, leaving their customers to fill in the colours according to their own patriotic preferences. It is, therefore, possible the two figures in the Flagstaff Hill collection were part of a new set intended for sale, rather than part of a passenger’s existing collection. Loch Ard History: The Loch Ard got its name from ”Loch Ard” a loch that lies to the west of Aberfoyle, and the east of Loch Lomond. It means "high lake" in Scottish Gaelic. The vessel belonged to the famous Loch Line which sailed many vessels from England to Australia. The Loch Ard was built in Glasgow by Barclay, Curle & Co. in 1873, the vessel was a three-masted square-rigged iron sailing ship that measured 79.87 meters in length, 11.58 m in width, and 7 m in depth with a gross tonnage of 1693 tons with a mainmast that measured a massive 45.7 m in height. Loch Ard made three trips to Australia and one trip to Calcutta before its fateful voyage. Loch Ard left England on March 2, 1878, under the command of 29-year-old Captain Gibbs, who was newly married. The ship was bound for Melbourne with a crew of 37, plus 17 passengers. The general cargo reflected the affluence of Melbourne at the time. Onboard were straw hats, umbrellas, perfumes, clay pipes, pianos, clocks, confectionery, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were other items included that were intended for display in the Melbourne International Exhibition of 1880. The voyage to Port Phillip was long but uneventful. Then at 3 am on June 1, 1878, Captain Gibbs was expecting to see land. But the Loch Ard was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4 am the fog lifted and a lookout aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head-on into the wind, the ship lost momentum, the sails fell limp and Loch Ard's bow swung back towards land. Gibbs then ordered the anchors to be released in an attempt to hold their position. The anchors sank some 50 fathoms - but did not hold. By this time the ship was among the breakers and the tall cliffs of Mutton Bird Island rose behind. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves subsequently broke over the ship and the top deck became loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of Loch Ard and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as Lochard Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael a passenger had raced onto the deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke the open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a complete state of exhaustion, he told the men of the tragedy. Tom then returned to the gorge while the two men rode back to the station to get help. By the time they reached Loch Ard Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost her family in the tragedy. Ten days after the Lochard tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of Lochard still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some items were washed up into Lochard Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced in March 1982. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton majolica peacock- one of only nine in the world. The peacock was destined for the Melbourne 1880 International Exhibition. It had been well packed, which gave it adequate protection during the violent storm. Today the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck, it has now become Australia's most valuable shipwreck artifact and is one of very few 'objects' on the Victorian State Heritage Register.The toy soldier represents a 19th-century child's interest in military history. The item is one of two toy soldiers recovered from the Loch Ard in Flagstaff Hill's collection. The shipwreck of the Loch Ard is of significance for Victoria and is registered on the Victorian Heritage Register ( S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulations of artefacts from this notable Victorian shipwreck of which the subject items are a small part. The collections of objects give us a snapshot of how we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history, allowing us to interpret Victoria's social and historical themes. Through is associated with the worst and best-known shipwreck in Victoria's history.An unpainted, cream-coloured toy soldier, recovered from the Loch Ard. The figure wears a Napoleonic Wars-era uniform, a plumed helmet, a short jacket with tails, bib-front trousers with button closure, straps crossed at the front and back, and epaulettes. The figure is in marching posture with one foot extended forward, and is bearing a musket at the slope-arms position, with a sabre or cutlass slung behind. It is unable to stand on its own. There are reddish-brown and orange-brown stains on the head and body. The body has seams along both sides that are uneven at the lower leg. There is a hole in the back and the inside is hollow. The material has a rough texture.flagstaff hill, warrnambool, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch ard, toy soldier, napoleonic uniforms, military toy, moulded soldier

Diggers & Mining. Diggers and miners. After 1861, many new fields were discovered - e.g., Walhalla (1863), Landsborough (1864), Alexandra (1867), Rheola (1868), Turton's Creek (1872; and new diggings were established on some of the older fields - e.g., Cathcart (near Ararat) in 1864, and at Fiddler's Creek (Avoca) in 1868. But these rushes do not belong to the gold era proper. And both before and for many years after 1861, there were scores of small diggings - after 1861, there were scores of small diggings - too numerous to mention - in Victoria. Markings: 16 994:LIF I. Used as a teaching aid.hanimounteducation, tertiary, goldfields