The donation was accompanied by the following letter from the donor: "Hi. I found these in with family photos. Taken by family as Mamie McLeod was living in Fellows Street, Kew, so would be near there. Retain (or discard) as you see fit." [Donor's name and address withheld from public view]. To gain an insight into the flood levels at Kew, it is worth reading newspaper accounts of the event. The Age published an article - Valuable Gardens Destroyed at Kew - on 25 September 1916: "VALUABLE GARDENS DESTROYED AT KEW. From the heights of Studley Park, Kew, a splendid view of the flood waters can be obtained, and yesterday afternoon, despite continuous rain, crowds of citizens assembled there to witness the spectacle. There is a vast stretch of water some 300 or 400 yards broad, above the foot bridge connecting Gipps-street, Collingwood, and Studley Park. The river is only about 3 feet from the top of the embankment connecting with the ramp of the bridge on the Studiey Park side. When the upper llood waters come down it is almost a certainty that tne embankment will be submerged and the bridge rendered impassible. Below the bridge the waters again stretch out, and have submerged all the low-lying land on the Collingwood side and invaded the back premises ot the Kodak Co., Phoenix Biscuit Factory, a tannery adjoining thereto, the Shamrock Brewery, and Chinese gardens in the vicinity. At Walmer-street-bridge, at the end of Studley Park, the low-lying land on the Kew side is covered with water to the depth of many feet. Tlie land in question is owned in a great part by Mr Frank Lavers who haa gone in for intense culture on a pretty liberal scale on both the slopes of the hill and on the river flat. On the latter he is cultivating many acres of asparagus, and has at a considerable cost spent three years in preparing the ground and installing an irrigation system, reticulated from the Yan Yean water supply. This year the asparagus was put down, and the plants were in a promising condition. Tlie flood waters are now flowing fast over the land. The crop is ruined, and three years' work and expenditure destroyed. Mr. Laver's private residence fortunately is high above flood level, but two houses he owns off Young-street have been flooded out. Having been warned in time, the tenants removed their furniture hefore the water came down to Mr. Laver's residence, where they themselves have been given accommodation in the meantime. All the river flats in East Kew are under water. One or two low-lying houses have been flooded. Chipperfield's boat shed at Willsmere is nearly covered, and some Chinese gardens in the vicinity are several feet under water."This, and the other three photographs donated of floods in Kew are believed to be the earliest in the collection. Together with our original MMBW River Yarra map showing flood levels, these items, when compared allow researchers to gain a visual perspective of the extent of the flood in 1916. Black and white photograph of flooded trees in Kew with rising dry ground in distance.Inscription on reverse in pencil: "Flood River Yarra Kew Vic"river yarra, kew, floods 1916

See 405-01Sepia photograph of 5 women and a young girl sitting on a bench and the ground outdoors. Girl is eating fruit and a basket of fruit is on the ground.Fruit Gardens French Islandphotographs, french island, fashions

Anderson Hunt vividly remembers the hard-core, hard-working supporters. "I see The Final Siren as a homage to those hard-working Collingwood fans who stood in the outer and barracked their hearts out. Without the hard-core supporters, the club would be nothing. I hope the sculpture gives Collingwood fans a sense of pride; pride that’s like wearing a tight footy jumper with big numbers on the back. I feel honoured to have had the chance to create this sculpture, knowing that what was there beforehand stood for so much.”Victoria Park, the former home of the Collingwood Football Club, was transformed into a major community recreation space in 2011. Yarra City Council and the Australian Government jointly funded the $7.2 million redevelopment of the Abbotsford ground. As part of the redevelopment, Council commissioned multiple works of public art. The intention of these artworks is to recognise the park’s important history and to provide interesting and educational focal points for park. visitors. This work by Anderson Hunt is in place of the original scoreboard which was demolished on 10 February 2011. Anderson Hunt remembers going to Collingwood games as a boy and wondering how the numbers on the scoreboard appeared and disappeared. He remembers being in awe of the size of the scoreboard. “It was like a huge monolith,” he recalls. He remembers a story of how the scoreboard operator, Bob Hill, would change the scores quick as a flash when the Magpies kicked a goal.Large black and white steel sculpture inspired by the form and imagery of the ground’s former scoreboards and clocks. Stylised wing and colours acknowledge the Collingwood Football Clubsport, collingwood football club, afl, history, victoria park, collingwood

Ground of Bendigo Psychiatric Centre. 1985slide, bendigo, psychiatic centre, grounds of bendgio psychiatric centre

Ground of Bendigo Psychiatric Centre. 1985slide, bendigo, psychiatic centre, grounds bendigo psychiatric centre

Stabilising the ground at the Stawell Gold minegold mining

Hard and soft ground etching with aquatint.Signed 'Bonnie Quirk' lower right under printed image. Title 'Suburb Shifting' middle centre beneath image. Edition 9/50, lower left corner under printed image.

Use: Fashion item. Possibly ecclesiastic.Bobbin lace with needle made ground.

Unknown Location - Pipe in the ground, LadderPolaroidorganisation, industry, gas and fuel, unknown location - pipe in the ground

Date and Location Unknown. Pipe in the groundAgfaorganisation, industry, gas and fuel

Date and location unknown - Pipe in the groundAgfaorganisation, industry, gas and fuel

Inspired by the opening lines of Percy Bysshe Shelley’s 1820 poem of the same title, The Cloud has grace of line that epitomises the model of classically informed beauty. Richardson’s figure successfully follows the serpentine line of Art Nouveau sculpture while also echoing the influence of British New Sculpture with its focused attention to bodily detail and surface articulation. A bronze version of The Cloud was cast in 1987 and can be seen in the formal garden between the Brighton Town Hall and the Brighton Library.Art Nouveauplaster patinated with paint and ground coppersculpture, female figure, charles douglas richardson, the cloud, cd richardson, c douglas richardson, percy bysshe shelley, poem, art nouveau, new sculpture, flowers

German 1867 - 1945Soft - ground Etching K. 58

German 1867 - 1945Soft-ground etching K.68Inscribed in type under image

German 1867 - 1945Soft ground etching K. 77Signrd l.r in pen; appears to later version of woman downcast

This razor is made by Joseph Rodgers of Sheffield, England. This business existed from 1682 to 1975. It would have been a common-place item in households in Australia in the 19th century and the first half of the 20th century up to the widespread use of shavers containing razor blades and the advent of electric shavers. This razor has no known local provenance but is retained as an example of the type of razor in use in the 19th and early 20th centuries. It will be useful for display. .1 This is a razor, much rusted but still very sharp, which fits into a bean-shaped cover which is made of bone. The blade has the maker’s name on it. The cover has two screws. .2 The container is made of thickened cardboard in two parts and has an inner covering, also made of cloth and cardboard. The top part of the container may not the original one for this razor. The bottom end of the container is missing. The outer container is much scuffed. ‘Extra Ground Hollow’ “Joseph Rodgers Clun St. Sheffield’ social history, history of warrnambool, razor

The Minimax conical fire extinguishers were manufactured until 1960 and then removed from the company’s product range. The earliest model had been produced with a simple handle made of folded pressed metal that is similar if not the same as that on the Point Hicks extinguisher. Later handles were moulded and had more substance to the way they were cut and then folded to form a solid grip. The Point Hicks Minimax extinguisher is an early model that probably dates from the years when these devices were demonstrated across parts of Australia. While numerous examples of the extinguishers survive in public and private collections in northern hemisphere countries, few appear to exist in Australian museum collections. However, the auction house records confirm that some do survive in private collections. The Point Hicks extinguisher was found by lighthouse keepers in 1974 buried in the sand in a flattened but surprisingly intact condition. It was beaten back into its original shape but the body still retains various dents. In 2010, AMSA located the extinguisher at the National Trust’s Polly Woodside historic ship museum and it is now at the Point Hicks Lightstation. The Minimax conical extinguisher has first level contributory significance as a historic item of early fire-fighting equipment from the lightstation that dates from the early twentieth century.Conical shaped brass fire extinguisher painted red with small nozzle at one end and a pump section at the other end. There is a handle on one side with closely spaced rivets down one side. Brass plaque with instructions attached to the body. There ia a square hook to hang the object form a wall or similar." ...ANKS ... / QUENCH.../ FOR FIRE / DRIVE IN PLUNGER / AT BIG END / ...ON GROUND /..../..../..."

On 31 July 1948 a football match was played at the South Melbourne Cricket Ground between sides from Victoria and South Australia. The event was organized by the RSL Victorian Branch. The RSL Victorian Branch Football Association was originally formed in 1947 and was affiliated with the Victorian Football Union. The purpose of the Football Association was to provide organized football for Returned Servicemen. The were 14 teams and 650 players registered in the inaugural competition which was won by Williamstown Sub-Branch.The Program, Order of Weekend Events and Admit Ticket are originals from the weekend 30 July 1948 to 01 August 1948, the game was played on 31 July 1948.1 x Souvenir Program RSL Interstate Football - Victoria vs South Australia, 1 x Order of Weekend Events, 1 x Admit Bearer Entry Tag.Souvenir Program - RSL Interstate Football Victoria vs South Australia at South Melbourne Cricket Ground, 31 July 1948. Order of Program - Victorian Branch RSL 1948 South Australian Footballers' Visit to Victoria, forward by G W Holland, President 1948. Admit Bearer Entry Tag - RSS&AILA Victorian Branch, Victoria v Sth Aust, Football, Admit Bearer South Meld Ground 31 July 1948. Printed by Renwick Pride. rsl victorian branch, football, 1947, 1948, interstate football, victoria, south australia

William Gray was the President of the Whitehorse Historical Society during the 1980s and this was the property of his wife Beryl GrayDoyly. Oval, 38cm x 27cm, Needle Lace. Inner ground surrounding the flowers, is on French Argentinian ground or mesh with cotton handmade lace.manchester, table linen