John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) Furry possum clinging to a branch with dense foliage in the backgroundA.P. King per 82/100keith wingrove memorial trust, australian bookplate design awards, printmaking, bookplate

Four limited edition prints mounted in one frame.artwork, artist, printmaking, gippsland campus, thoonen, churchill, j. thoonen

Linocut of a yacht and dogs.linocut, printmaking, alumni, dog, yacht, bird, fauna, requires framing, n. roberts, j. pittard

After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. The competition includes a design award for secondary schools students.3/4 signed S Gillespiebookplate, printmaking, australian bookplate design award, keith wingrove memorial trust

Black & white photographshire council, local government, mayor, belfast

Councillor James Jellie came to Melbourne from Ireland in 1841 and moved to Belfast in 1843. he then relocated to Warrnambool in 1849 where he worked as a farmer. He later entered into business as an auctioneer, loan and estate agent and valuation and several large properties passed through his hands. He was one of the partners in the auctioneering firm that sold Atkinson’s Crown Special Survey. His municipal activities extended to the Shire of Warrnambool as well as the Borough of Belfast.Black and white portrait government, belfast, president, portrait, shire, municipal, local-government, auctioneer, james jellie

He was chairman when the ill fated fire occurred at the Shire Office in Sackville Street, and which later led to the conviction of the Engineer, Mr D.J.Howes who was soon after reprieved, upon a potion by 758 ratepayers and residents of the district.Black and white portraitbelfast, meagher, president, portrait, government, shire, municipal, local-government, howes

p.325.non-fictionThe collected verse of A. B. Patterson.australia - poetry, australia - literary works

Ill, glossary, p.219.fictionThe selected verse of C. J. Dennisaustralia - literary works, australia - poetry

Store opening at Bakery Squaremisc.

The untimely death of Principal Keith Jones paved the way for the appointment of decorated Vietnam veteran Neville Clark who valued the School’s character-building ethos and, whereas Jones saw academic results and sport as paramount, Clark believed these were only part of the education of a well-rounded individual. To this end he extended the function of the House system which now had a leading role in pastoral care, rather than just being for sporting purposes. The arts became more prominent and the Gregory Fish Library and a new swimming complex were built. (taken from '90 Years in the Making')

Unique certificate signed by General Sir Dallas BrooksCertificate in Wooden frameSee photo for full Details

Murray Comrie Collection. A bottle label for goods from J.Pierce's Southern Cross Store in Tarnagulla. Unused.tarnagulla, pierces southern cross store store, j. pierce, pierce, stores, commerce, food, wine, businesses

Murray Comrie Collection. A bottle label for goods from J.Pierce's Southern Cross Store in Tarnagulla. Unused. A handwritten note on reverse reads: 'Mrs Fred Harwood left a couple of chickens in fridge, Ross See you sometime this afternoon if possible. Left about quarter to twelve. Key to the till will be with Keys to the Garage on table'.tarnagulla, pierces southern cross store store, j. pierce, pierce, stores, commerce, food, wine, businesses, harwood

Mezzotint, Finberg 81vInscribed in typescript

Engraving

An Account of the English Colony in NSW, 1798Engraving

Index, ill, p.404.non-fictionA biography of Joseph Bevan Braithwaitejoseph bevan braithwaite 1818-1905, quakers - biography

This microscope belonged to James William Manifold Aitkin (1835-1905) who was born in Tasmania and came to Warrnambool in 1852. He was a shopkeeper, produce merchant and flour miller who came to live at the property of Carracoorte, Grasmere in the late 1880s. He was a member of the Warrnambool Municipal Council from 1861 to 1868 and was Chairman of the Borough in 1863 when Warrnambool was declared a town and an early Mayor. The microscope was an improved model of a design by Benjamin Martin, an 18th century instrument maker considered one of the greatest designers and manufacturer of microscopes of his time. This microscope is of great significance because: 1. It is a beautiful object with high antiquarian and scientific interest 2. It has strong local significance as it belonged to James William Manifold Aitkin, a prominent Warrnambool and district businessman and farmer 3. It has social significance as it demonstrates the interest in natural history by the more affluent and educated men of the time. This microscope is in a polished wooden box with a metal lock (no key). The microscope is an English Martin Improved drum microscope (c. 1850) and made of brass. Inside the box there are two divisions, one to house the microscope. The other has a drawer containing six slide samples made of ivory or bone and five glass slides (with the listed material missing) and five other small items. On top of the drawer is a section for the microscope attachments contained in ten small inserts. The ten attachments are made of brass. There are also six items not in any particular inserts. There are two small slots for the pincers and slides etc. The only writings are the names and information on the slidesjames aitkin, microscope, benjamin martin, benjamin martin microscope, warrnambool

Part of S E Surman collection (album) page 28 top left.Sepia portrait of a bearded mature gentleman wearing suit with bow tie.j. shepherd, surman collection