Showing 12232 items
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Tennis Australia
Tournament Programme, 1961
Programme for Wimbledon Lawn Tennis Championships Materials: Paper, Inktennis -
Tennis Australia
Advertisement, Circa 1946
Advertisement for Barnet Glass Tennis Balls Materials: Paper, Inktennis -
Tennis Australia
Score card, 28-Dec-83
Official Scorecard for 1983 Davis Cup Materials: Paper, Inktennis -
University of Melbourne, Burnley Campus Archives
Photograph - Colour prints, Plant Materials, 1996-1998
26 photographs of plants for Plant Materials I Week 12.plants, plant materials, degree i -
Mont De Lancey
Hat
Worn by Mrs. H.N. Lord during the 1970's.White straw hat with brim, veiling and white material flowers.hats, cocktail hats -
University of Melbourne, Burnley Campus Archives
Plan, Atrium Planting, 1991
Student assignmentTracing paper copy of Plant Materials III Assignment 1991.atrium planting, planter box, garden design -
Warrnambool and District Historical Society Inc.
Ledger, Letters on Suspension Bridges, 1890s
This book contains information on the building of suspension bridges and dates from the 1890s. It belonged to John William Crawley Junior, an engineer, surveyor and architect in private practice in Warrnambool and also the engineer for the Shire of Warrnambool from 1895 to 1935. The information in the book comes in the form of lectures on suspension bridge making and these were sent to John Crawley by his tutor or coach, Arnold Lilley (Lilly). Arnold Lilley was an Oxford mathematician working in Victoria and it is said that he coached or trained 95% of the municipal surveyors in Victoria in the 1890s. John Crawley has obviously had this material bound into a book and it was passed on to his son, Rolf, who was the engineer for the Shire of Warrnambool from 1935 to 1968. It then came into the possession of Michael Hand who took over the private surveying business of Rolf Crawley in Warrnambool. The Warrnambool and District Historical Society acquired the book, along with several Crawley ledgers and letter books, from the estate of Michael Hand. This book is of interest as it contains lectures and other material on the building of suspension bridges and belonged to John William Crawley Junior, an engineer for the Shire of Warrnambool for 40 years. It also is a memento of the work of Arnold Lilley who produced the material on suspension bridges and coached John Crawley in his surveying studies.This is a hard cover book with a purple cover. The cover is slightly faded. The book contains handwritten material regarding the building of suspension bridges and includes sketches, lectures on suspension bridges and pages with postage stamps on them. There are three loose pages. ‘’Letters on Suspension Bridges Arnold Lilly Esq. Coach J Wm. Crawley Pupil’john william crawley junior, warrnambool, rolf crawley, warrnambool, shire of warrnambool, arnold lilley, teacher of surveying. -
National Vietnam Veterans Museum (NVVM)
Book, Chien Cu, 1/02/1966 12:00:00 AM
Book. Front Page Heading "Chien Cu". Two Badges - one in top left hand corner, the other in bottom right hand corner. Vietnamese writing under "Chien Cu" heading and english writing next to bottom shield. Book shows line drawings of arms, vehicles and other equipment available to the Viet Cong and North Vietnamese. Specifications and descriptions of weapons and equipment in both Vietnamese and English. 184 pagesweapons, vehicles, military, vietnam - military, vietnam war - artillery, vietnam war, 1961-1975, armoured vehicles, military - vietnam, language: vietnamese, vietnam war, 1961-1975 - equipment and supplies, vietnam war, 1961-1975 - weapons -
National Wool Museum
Photograph, Views of the Collins Bros Mills
Views of the Collins Bros Mills.COLLINS BROS PTY LTD / WOOLLEN MANUFACTURERS GEELONG/ VIEWS OF THE WEAVING AND FINISHING MILLS/ MAKERS OF THE FAMOUS PHYSICIAN BRAND/ BLANKETS, FLANNELS, LADIES' DRESS MATERIALStextile mills - history, collins bros mill pty ltd -
Bendigo Military Museum
Headwear - STEEL HELMET, Post WW2
American style helmet used by the Australian Army.Helmet, steel with fibreglass lining, leather band & green webbing on inside of lining. Green material chin strap secured with metal buckle. Helmet covered with strips of camouflage material & hessian.Inside: “WHI869 Cat No 8415.50.758.5792”uniforms - army, costume - male headwear, trades-leatherworking -
Tatura Irrigation & Wartime Camps Museum
Functional object - Jewellery Box, 1940's
Jewellery box presented to Vincent Villarroya, an Army Guard/Interpreter for Italian POW's, by POW Vincenzo LongoEight sided wooden jewel box with paneled lid of light and dark wood with a small round knob on top. Lid is lined with blue material. Box is padded and lined with blue materialjewellery box, villarroya, camp 13, tatura, ww2, handcrafts, woodwork, italian pow's -
Tennis Australia
Racquet, Circa 1990
Two unstrung Head Competition squash racquets (.1-.2), with open throat, and synthetic handle grip. Materials: Graphite, Ceramic, Fibre, Synthetic material, Adhesive tape, Plastic, Inktennis -
Tennis Australia
Racquet, Circa 1983
An ATP Fox oversize tennis racquet, with Gosen 'Hy-Sheep' netting, and Prince 'Duraperf' handle grip. Materials: Graphite, Synthetic material, Ink, Adhesive tape, Gut, Plastic, Painttennis -
Tennis Australia
Racquet, Circa 1993
A Prince 'Lightning' Extender 730 Power Level tennis racquet, with Prince 'Softzorb' synthetic handle grip. Materials: Synthetic Gut, Graphite, Plastic, Adhesive tape, Ink, Synthetic materialtennis -
Tennis Australia
Racquet, Circa 1990
A Pro Kennex 'Power Innovator' tennis racquet, with widebody design, and vibration absorber. Materials: Graphite, Paint, Plastic, Adhesive tape, Synthetic material, Ink, Adhesive label, Nylon, Metaltennis -
Tennis Australia
Racquet & cover, Circa 1993
A Wilson 'Rakattak 23' junior racquet with cardboard retail label affixed to net and plastic wrap on handle. Materials: Metal composite, Plastic, Adhesive tape, Nylon, Cardboard, Synthetic materialtennis -
Tennis Australia
Demonstration panel, Circa 2000
Demonstration panel for explaining how tennis balls are manufactured. Shows raw materials and components of tennis balls in downward sequence to a complete ball. No text. Materials: Felt, Rubber, Metal, Woodtennis -
Tennis Australia
Ball container, Circa 1965
A sealed Wright & Ditson by Spalding domed-top can of three 'Championship Tennis balls'. Key attached to base of can. Materials: Metal, Ink, Rubber, Natural fibre, Synthetic materialtennis -
Tennis Australia
Ball container, Ball, Circa 1995
A sealed can of four Slazenger (U.K.) 'Wimbledon' tennis balls. Has intact ring-pull lid, and a plastic reclosure lid. Materials: Metal, Ink, Rubber, Synthetic material, Plastictennis -
Tennis Australia
Ball container, Ball, Circa 1975
A can of three Sears 'Butch Buchholz Autographed' tennis balls. Metal ring-pull seal perforated but in place. Ring-pull missing. Materials: Metal, Ink, Rubber, Synthetic materialtennis -
Tennis Australia
Ball container, Ball, Circa 1975
An unsealed Super Tournament (Czechoslovakia) tennis ball can. Missing seal strip & key winder. Contains all three original balls. Materials: Metal, Ink, Rubber, Synthetic materialtennis -
The Beechworth Burke Museum
Geological specimen - Fossiliferous Mudstone, Unknown
This specimen was found in Cape Patterson, Vic. Cape Paterson is a cape and seaside village located near the town of Wonthaggi, 132 kilometres southeast of Melbourne, in the Bass Coast Shire of Gippsland, Victoria, Australia. These dark, fossiliferous Mudstones were deposited in slow-moving water associated with sedimentary basins & continental shelves. They are rich in carbon which makes them almost black. This is typical of an anoxic, reducing environment such as deep water or stagnant conditions where carbon-rich material would remain unoxidised during subsequent deposition & diagenesis. it has an imprint of a leaf in the rock itself, displaying the fossil of the plant. This specimen is unique due to the leaf impression within the stone itself. Imprint fossils are formed from an organism moving in some way, leaving behind a trace or track. These tracks are preserved when the clay/silt dries slowly and is covered by other sediment. Plants can also leave imprint fossils when they are covered by sediment. The leaf tissue degrades, leaving an imprint of where the leaf once was. This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study.These dark, fossiliferous Mudstones were deposited in slow moving water associated with sedimentary basins & continental shelves. They are rich in carbon which makes them almost black. This is typical of an anoxic, reducing environment such as deep water or stagnant conditions where carbon rich material would remain unoxidised during subsequent deposition & diagenesis. FOSSILIFEROUS MUDSTONE / Locality: Cape Patterson, Victoria | Descriptive catalogue / Pg 27 No 95 / "Grey Clay, / Cape Paterson with leaf impressions' / 15/4/21 C. William /mudstone, cape patterson, leaf imprint, fossilised leaf, fossiliferous mudstone -
Flagstaff Hill Maritime Museum and Village
Instrument - Scale, 1900-1930
The basic balance scale has been around for thousands of years and its accuracy has improved dramatically over the last several centuries, the principle behind this tool remains unchanged. Its parts include a fulcrum, a beam that balances on it, a pan at the end of the beam to hold the materials to be weighed, and a flat platform at the other for the counter-balancing weights. Balance scales that require equal weights on each side of the fulcrum have been used by everyone from apothecaries and assayers to jewellers and postal workers. Known as an unequal arm balance scale, this variety builds the counterweight into the device. Counter scales used in dry-goods stores and domestic kitchens often featured Japanned or (blackened) cast iron with bronze trims. Made by companies such as Howe and Fairbanks, the footed tin pans of these scales were often oblong, some encircled at one end so bulk items could be easily poured into a bag. Seamless pans were typically stamped from brass and given style names like Snuff (the smallest) and Birmingham (the largest). Some counter scales were designed for measuring spices, others for weighing slices of cake. In the 18th century, spring scales began to appear and would use the resistance of spring to calculate weights, which are read automatically on the scale’s face. The ease of use of spring scales over balance scales. These scales are significant as they identify one of the basic preparation items for the weighing of foodstuff in the family kitchen to prepare everyday meals. This item is significant as it gives a snapshot into domestic life within the average home in Australia around the turn of the twentieth century and is, therefore, an item with social relevance. Black cast iron, medium weighing scales, with a fulcrum which the beam that balances on, there is a scoop or large bowl at one end for the material to be weighted and a flat platform at the other end that holds the weights. Around the cast iron base is an embossed strip weight and bowl missing.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Bendigo Military Museum
Badge - YMCA BADGE, C. 1950’s - 2000
The badge was worn by YMCA representatives while on service supporting the Australian Army.Badge rectangular shape, metal for with stretched white material over sewn at back, rear has a pin and loop for clothing attachment, the lettering in red “YMCA” is sewn onto the white material background.badges, accessory’s, ymca -
Sir Reginald Ansett Transport Museum
Headwear - Hat, Side cap, c. 1950
Part of hostess/stewardess uniform of 1950's era.Complements the collection of air flight crew attire.Navy blue hostess beret. Crown is folded, creating a pleat. Has a scalloped turned brim. Wool gabardine material outside. Black cotton interior lining. Damage to material at front of hat.hostess, stewardess, ansett, navy, side cap, flight attendant -
Tennis Australia
Racquet, Circa 1980
A Dunlop Graduate, wood/composite squash racquet, with string whipping around shoulders, and cotton handle grip. Materials: Wood, Composite Materials, Nylon, Ink, String, Adhesive tape, Cotton, Plastictennis -
Tennis Australia
Racquet, Circa 1985
A rare Dunlop Mad Raq, graphite/composite squash racquet with open throat, and 3-way stringing pattern. Materials: Graphite, Plastic, Nylon, Leather, Adhesive tape, Ink, Composite Materialstennis -
Tennis Australia
Racquet, Circa 1987
A painted tennis racquet; composite materials; no visible model or maker markings. Marked post-maufacture with silver ink on butt: 'HB'. Materials: Metal composite, Plastic, Adhesive tape, Nylon, Painttennis -
Tennis Australia
Racquet, Circa 1987
A Dunlop 'Blue Max' mid-size, split shaft tennis racquet, with black plastic bridge. Materials: Leather, Adhesive tape, Synthetic material, Ink, Plastic, Metal, Graphite, Kevlar, Painttennis -
Tennis Australia
Racquet, Circa 1986
A Dunlop 'Max LT' tennis racquet, with netting strings bearing inscription: 'TOA STRINGS LEOINA 86'. Materials: Graphite, Composite Materials, Paint, Plastic, Leather, Ink, Nylon, Adhesive tapetennis