Bendigo Advertiser "The way we were" from Thursday, August 21, 2003. Class of '69: St Vincent's College matriculation class, 1969.newspaper, bendigo advertiser, the way we were

Shire of Blackburn and Mitcham specification and standard for reconstruction of sections of Canterbury Road at Blackburn 'Tunstall' (now Forest Hill) and Mitcham, 21 December 1932.canterbury road, blackburn, canterbury road, forest hill, canterbury road, mitcham, shire of blackburn and mitcham, road construction and maintenance

Antonio Park Primary School planned on holding its annual fete on 21 Mar 2020 which marks its 60th birthday year.Antonio Park Primary School planned on holding its annual fete on 21 Mar 2020 which marks its 60th birthday year.antonio park primary school no.4844

Polished wood carved honour board. Titled Roll of Honour for Mardan State School No. 2516. features gold painted names totalling 21.

Yields information tram 21 at Gardens Loop during Nov. 1970Photograph of No. 21 nearing Gardens Loop, with destination of Gardens via Sturt St West. Photo taken by Campbell Duncan 15/11/1970.trams, tramways, wendouree parade, tram 21

Bendigo, trams 28, 30, 21, 7, and 19 in Pall Mall heading for Charing Cross, on 20-10-1962, as part of a ARHS tour.'Pall Mall, 28,30,21,7,19, 20-10-1962'tramways, trams, bendigo, pall mall, charing cross, tram 28, tram 30, tram 21, tram 7, tram 19

Construction of the Colac-Beech Forest railway line commenced in 1900 and the first activities were the work gangs and their camps. About 100 men were engaged in laying and ballasting the track while others formed the earthworks and the building of culverts and bridges. The first camp was established eight kilometres from Colac, the second 12 km south, and the remainder spaced at similar distances as the work progressed. The camps were served by butchers and bakers from Colac that visited them as many times each week to satisfy the mens' requirements. Many of the men had their families with them. They all lived in tents that consisted of a wooden floor around which the canvas cover was built. A calico partition divided the eating and sleeping quarters, and all cooking was done in camp ovens or at open fires.B/W. 158mm x 203mm. Near Colac, a narrow gauge construction camp comprising 21 workmen, a horse, and two tipping trays.construction camp; railways; colac;

Black & white photograph, Bert Graham Collection, Frank Chalkley is presenting a trophy to ? Campbell. 1973/74. No 21 is on r/h side in ink.bendigo, clubs, bendigo east swimming club

Coloured photo taken on the 21/3/82 of a crane about to hoist the centre section of the first canopy in front of Woolworths Variety Store into place.bendigo, streetscape, hargreaves mall, building of hargreaves mall canopies - march 1982, woolworths variety, myer

Kodachrome Transparency - 35mm slide - cardboard mount, with one side with red border and words "Kodachrome Transparency / Processed by Kodak" top and bottom. Photo taken by Ben Parle 5/4/1958. Has slide No. "16" stamped in red in top corner and date stamped on slide. Photo of the No. 41 and 21 on an AETA tour, at the Sebastopol terminus, with another single trucker waiting at the end of the track. Note the new houses in the background, the lamp guard around the street lamp to the right of No. 21. No. 21 has the destination of Sebastopol and the AETA special tram sign. For high resolution scan see btm2845h.tif"Sebastopol terminus" "-5 APR 1958"tramways, trams, aeta, sebastopol, albert st, tram 41, tram 21

A cylindrical mould-formed white opaque glass jar that possibly originally contained Marmite, a yeast extract, made as a by product from beer brewing. It has a threaded lip to fit screw-on lid. Base of the jar has 'PROPERTY OF SANITARIUM HEALTH FOOD CO' AGM 21 V888jar storage container sanitarium-health-food-co. australian-glass-maunufacturers

An early black and white photograph of Steavenson Falls in Marysville in Victoria.An early black and white photograph of Steavenson Falls in Marysville in Victoria. The Steavenson Falls is named after the Victorian Assistant Commissioner of Roads and Bridges, John Steavenson who arrived in Victoria in the early 1860's.Stevenson's Falls Marysville 21/5/35 J 562 Kodak/ Print VELOXsteavenson falls, stevenson's falls, marysville, victoria, waterfalls, photograph, john steavenson

Item re Capt Gladys Mole VX17199 A.A.N.S. Refer Cat 1901.4 for other service details.Newspaper cutting, copy of original detailing Capt Gladys Moles military career.“Riverine Herald Features” “Page 2 Riverine Herald Friday October 21 1994”newspaper, nurses

Vinyl gas mask with webbing straps & transparent eye pieces attached to a metal canister. Instructions for use & maintenance are printed on the side of canister.Imprinted into vinyl: “Med Adult” Stamped in black on vinyl: “Lot 21-3-SG”military equipment, passchendaele barracks trust, gas, masks

Item relates to Herbert Edgar HEWSTON No 40 3rd Pioneer Battalion AIF. Refer Cat No 2759.2 for his service history. Part of the HEWSTON collection WW1 & WW2.Photo, black & white, showing 3rd Pioneer Battalion on parade receiving their colours. Photo is on greyish cardboard background.“Presentation of Colours to 3rd Pioneer Battn” “Melbourne Cricket Ground 21 May 1916”photography-photographs, military history - army, colours

Written on back of photograph,"21/4/82. Work on Staley Gardens, looking west."

Written on back of photograph, "21/4/82. No.5 Menzies Drive, North Ringwood".

Written on back of photograph, "21/4/82. No.3 Menzies Drive, North Ringwood"

Written on back of photograph, "21/3/73 - Eastland across Aird's house block."

In 1861 the Lake Tyers Mission Station was established by the Church of England missionary Reverend John Bulmer, to house some of the Gunaikurnai survivors of the conflict. The peninsula, which has a lake on each side, was known to its traditional owners as Bung Yarnda.A black and white photograph of an older, bearded Aboriginal man. He is sitting outdoors in front of a leafy bush. He is wearing a suit.Black Andy of Lake Tyers ORBOST 1/3/21 L.G.W. photo 741lake-tyers photograph

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. WHAT IS SIGNIFICANT? [From Victorian Heritage Database citation for Former Labassa Conservatory - H2005 Victorian Heritage Register http://vhd.heritage.vic.gov.au/places/result_detail/12504 (25/01/2021)] The former Labassa Conservatory is believed to have been built as part of the extensive reworking of the Labassa estate in c1890 for the new owner Alexander Robertson, proprietor of the Cobb and Co line. Robertson commissioned the architect JAB Koch to remodel the house, and Koch may have been responsible for the conservatory as well. Alternatively, the conservatory may have been imported. The gates installed at Labassa in 1890 were manufactured by the MacFarlane foundry of Glasgow, Scotland, a firm known to have manufactured conservatories. Around 1917 the glass house from 'Labassa', Caulfield was offered for sale to Malvern Council for its own gardens but the offer was declined. Following subdivision of the Labassa estate in the 1920s the conservatory was converted into a residence. The structure has a simple rectangular plan, with a brick base and superstructure of cast iron columns and roof trusses. The hipped roof is surmounted by an elaborately decorated gable structure. Most of the original glass has been replaced by metal sheeting. The decoration comprises pressed metal fascias including an egg and dart style cornice moulding, mullion mouldings and gable end panels with a rising sun motif. Cast iron ridgework and finials add to the lively roof form. Internally the floor appears to have been raised as part of the conversion work to a residence, and stained timber panelling introduced to provide room spaces. Boilers probably heated the conservatory in the colder months, but these do not survive.From Victorian Heritage Database citation for Former Labassa Conservatory - H2005 http://vhd.heritage.vic.gov.au/places/result_detail/12504 (25/01/2021) HOW IS IT SIGNIFICANT? The former Labassa Conservatory is of historical and architectural significance to the State of Victoria. WHY IS IT SIGNIFICANT? The former Labassa Conservatory is historically significant for its associations with the Labassa estate. Subdivision of the estate separated a number of outbuildings from the mansion. The former conservatory is significant as part of the large scale improvements carried out to the estate in the 1890s. The nineteenth century was the great age of conservatory designs, enabled by technological developments in heating, glazing and iron. Whilst conservatories were common in botanical gardens and universities, where they were primarily used for cultivating, studying, and experimenting with plants, they had also become an accessory of the wealthy on private estates. The former Labassa conservatory is architecturally significant as a rare example of a building type. Many Victorian mansion houses had attached conservatories, but detached conservatories were much less common. The only other detached example associated with a residence known to survive on its original site in Victoria is an earlier example at Warrock homestead, near Casterton. Conservatories attached to nineteenth century mansions are far more numerous. The Labassa example is very ornate, and its decoration draws on the versatility of pressed metal and cast iron. This highlights the dual purpose of the conservatory, as both a functional structure and a picturesque building on the Labassa estate. This building is unusual as an example converted to residential use. Page 130 of Photograph Album with one portrait photograph of Labassa's conservatory.Handwritten: "Labassa" conservatory 21 Manor Grove [top right] /130 [bottom right]bracketed eaves, caulfield north, labassa, balaclava road, orrong road, sylliott hill, alexander william robertson, ontario, john a. b. koch, john boyd watson, mouldings, 1920's, la bassa, manor grove, st kilda east, architects, john koch, greenhouses, gardens, plants, land subdivisions, gates, macfarlane foundry, brick, cast iron work, hipped roofs, gables, 1890's

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a man wearing trousers and a white trimmed blazer. He is standing on the platform at the Goulbourne railway station. The man is Frank Wright.Written in pen on the back - Frank Wright 21, on Goulbourne station N.S.W., Easter 1923frank wright, cornet, conductor, ballarat, goulbourne railway station, blazer