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Carlton Football Club
Scrap Book, Dedicated to Carlton Player John Goold
John Goold double Premiership PlayerA scrap Book dedicated to twice Premiership Player 1968 - 1970 John Goold Career : 1963 - 1970 Debut : Round 7, 1963 vs Footscray, aged 21 years, 338 days Carlton Player No. 754 Games : 108 Goals : 3 Last Game : Grand Final, 1970 vs Collingwood, aged 29 years, 90 days Guernsey No. 11 Height : 184 cm (6 ft ½ in.) Weight : 76 kg (12 stone, 0 lbs.) DOB : June 27, 1941 Premiership Player 1968, 1970 Carlton Hall of Fame All Australian 1966 A brilliant, flamboyant, two-time Premiership player for Carlton during the Barassi years in the ‘swingin’ sixties,’ John William Crosbie Goold became almost as famous for his dapper appearance off the field, as for his exploits on it. At the height of his football career, he was also a prominent ladies fashion designer – which led to him being dubbed ‘Mr Elegance’ by leading football commentator Lou Richards. Supporters and team-mates however, called him ‘Rags’ or ‘Ragsy,’ because of his involvement in the clothing, or ‘rag’ trade. Goold first came under notice as an outstanding junior athlete at Melbourne Grammar School. A true all-round sportsman, he shone at tennis, athletics, football and cricket. He was also a keen horseman who loved the game of polo and the rough and tumble of fox hunting. While at school he was a fervent Melbourne supporter, but strangely, never had much confidence in his football ability. “If I thought I was good enough, I would certainly have gone to Melbourne,” he said many years later. “But I honestly didn’t think I would ever amount to anything in this game. Cricket and tennis were the games that really interested me.’ However, after graduating from MGS, Goold went home to Healesville to star in the Bloods’ 1962 Yarra Valley Football Association Premiership team – an achievement that brought tempting offers from more than one VFL club. “Incentives were offered elsewhere,” he recalled, “but I gravitated to Carlton – partly because the deep blue of their guernsey attracted me, but mostly because of the good advice I got from people who even then were longsighted enough to predict that big things were ahead for this club.” The Blues were confident enough in Goold’s potential to offer him the guernsey number 11 previously worn with distinction by the likes of Jack Hale, Jim Knight, Ron Hines and Laurie Kerr, and his first senior game came in round 7, 1963 against Footscray at the Western Oval. He played on a half-forward flank alongside Brownlow Medallists Gordon Collis and John James on that Saturday afternoon, and kicked his first career goal in an 8-point win. Little did he know though, that it would be another six seasons before he would again experience the thrill of sending a football spinning between the big posts, because his future lay in defence. By his own admission, Goold struggled to find his feet in VFL football during his first two seasons, until the shock appointment of Ron Barassi as captain-coach of Carlton in 1965 began steering his career back on track. “I think you could say that 1965 was my first year of League football,” he said, “That’s the way I felt - that’s the way I reacted to Barassi.” Under Barassi, Goold rapidly developed into a superb running half-back flanker. Tenacious, and an often freakish high mark, he was unmistakable on the field thanks to his mane of dark hair, his loping running style and somewhat awkward kicking action. Furthermore, he had boundless courage. There is no doubt that he would have played many more games had he not been regularly pole-axed under the high ball – a fact he later freely admitted. “I was always getting knocked out,” he said, “and spent half my bloody time in hospital.” In the second half of 1965, an injury to centre half-back Gordon Collis forced Barassi to use Goold in the key defensive post. While it curtailed his rebounding instincts somewhat, ‘Ragsy’ rose to the challenge and rarely lowered his colours. Testament to his improvement, he finished third behind John Nicholls and Sergio Silvagni in Carlton’s 1965 Best and Fairest award, and followed up by being selected in the Victorian team for the 1966 Hobart Carnival. There, he had a superb series in which he was runner-up to West Australian Barry Cable in voting for the Tassie Medal, and capped it off by being named on a half-back flank in the All Australian team. Barassi’s influence at Carlton bore fruit in his third year, when the Blues returned to finals football at last. Richmond, Carlton, Geelong and Collingwood fought out the 1967 Premiership, and Ragsy Goold won the hearts of the Carlton faithful with two lion-hearted performances. Although Carlton was knocked out of contention by successive losses to Richmond and Geelong, Goold was tireless throughout both games, and it was obvious that he thrived on the added pressure of finals football. Precisely twelve months later, the bitter taste of those defeats was washed away when Barassi’s Blues edged out Essendon by 3 points in the 1968 Grand Final, and ended 21 years of despair at Princes Park. To win Carlton’s ninth VFL flag, the Blues had had to defeat the minor premier Bombers twice during the finals – and did so, thanks to a watertight defence led by Goold, and a dominant ruck division headed by John Nicholls. In round 5, 1969, Carlton hosted South Melbourne at Princes Park in a match significant for a number of reasons. As he regularly did, Ron Barassi swung his team around prior to the opening bounce, and Goold found himself in the unaccustomed role of ruck-rover. While the Blues set about establishing a good break on the scoreboard, Ragsy relished the freedom to kick two first half goals - his first majors for 78 games. Just before half-time however, he was flattened in a pack, concussed again, and replaced during the long break by Barry Gill. Alex Jesaulenko was substituted at the same time – by a shy, ambitious youngster named Bruce Doull, making his senior debut for Carlton in guernsey number 4. In September, 1969 the Navy Blues began their third straight finals campaign with an impressive 6-goal Semi Final win over Collingwood in front of more than 108,000 fans at the MCG. A fortnight later, Richmond stunned the flag favourites with a withering last quarter in the Grand Final, and knocked Carlton out of the Premiership race again at the last hurdle. Half-way through the year, Carlton's club doctor discovered that Goold had been playing with shin splints in both of his lower legs. The pain they caused was considerable, but Ragsy soldiered on and held down centre half-back throughout the season. John Goold’s VFL career at Carlton culminated in the fabled 1970 Grand Final triumph over Collingwood. What is not so well known is that Ragsy was only cleared to play in that game on the morning of the match. After narrowly losing to Collingwood in the second Semi Final, the Navy Blues destroyed St Kilda by 62 points in the Preliminary Final, and earned another shot at the Magpies in the decider. But one of Carlton’s problems was that Goold had been kicked on a shin against St Kilda, causing a burst blood vessel and serious swelling. Despite the best efforts of the club medical staff, Ragsy had only a slim chance of playing in the Grand Final right up until game day, when his worried coach reluctantly allowed him to take his place in the side. Later, Barassi justified his decision by saying that in his opinion, a less than fully fit Goold was still worth his place in the team. By half time in the Grand Final however, he was probably questioning that judgement - because Carlton had been totally outplayed, and trailed an impressive, cohesive Collingwood by 44 points. Therefore, Carlton’s magnificent comeback – orchestrated by Barassi, and sparked by the fairytale exploits of 19th man Ted Hopkins – is one of the greatest of all football stories. Against enormous odds, the Navy Blues fought their way back into the contest, and eventually, rolled over the top of the frantic Magpies to snatch victory by 10 points in the last few minutes of the match. Hopkins ended up with four goals, Barassi was hailed a genius, and Ragsy Goold was carted off to hospital immediately after the game to have further urgent treatment. While there, he decided that there was no better time to end his VFL career – especially because his burgeoning business interests were demanding more and more of his time. In the years after his football career ended, John Goold created a remarkably successful business empire. In 1971 he sold his fashion label and took up farming at Mortlake in western Victoria, where he coached the local football team for three seasons. Later, he formed a diversified pastoral company, and purchased a magnificent complex called Ballangeich Run at nearby Ellerslie. While his passion for farming and livestock grew, he began breeding top quality polo ponies, and represented Australia in international competition. During the 1997 and 1998 seasons, John's son Ed Goold played reserve grade football for Carlton. MEMORIES.... Ragsy Goold; the name stirs memories form my long ago childhood. Ragsy, with his unique kicking style, where he'd hold the ball (always a drop punt - in a time when the drop kick and the torpedo punt still reigned supreme) at the point of the ball, elbows bent and he'd lavishly drop the ball, his right arm then flinging back and up dramatically. That was the thing about Ragsy (so named because he worked in the clothing, or 'rag' trade), he was always dramatic. He always ensured his ankle guards and wrist guard were glowing white to match the great white CFC monogram he wore proudly on his chest, and with his long flowing locks, cut a dynamic figure through a young boy's mind. Ragsy was my idol. I loved his dashes from half back, his long accurate drop punts, most of all I loved his flair for the game. Ragsy played the game as an entertainer as well as a sportsman - he leapt high to punch or mark, and always seemed to have a bit of the thoroughbred about him - which is probably why after he retired, he took up fox chasing, polo, and riding his beloved thoroughbreds across the paddocks and over the fences of his property, I think he may have even represented Australia at the sport – really, that’s sort of how he played as a footballer. All sinewy muscle, long legs and famous leaps for the saving punch. Ragsy was part of the great backline that helped revive Carlton's fortunes. Legendary players Wes Lofts, Ian Collins, Kevin 'Racehorse' Hall, Vinnie Waite among them. All great teams have a great defence and the defence that Ragsy was an integral part of was no different. Where others provided the biffo, the muscle or the defensive pressure, Ragsy provided the dash, the flair, the sense of adventure that all great backlines must have. AND MORE.... I have had many favourite players while following the Blues, but there will always be a special spot for Ragsy Goold - running the lines, all long hair and flashing white guards. As a young man I moved to Carlton and began acting in a place called one-c-one. One night after a play, I was walking home. It was winter, and I was wearing my favouritte overcoat, a genuine ankle length tweed affair I had picked up in an Op Shop in Oakleigh for three dollars. As I strutted across Lygon Street, a deep male voice behind me called, 'hey laddie, how much for the overcoat?' I turned, and there was my childhood idol, Ragsy Goold, two beautiful women in tow, smiling and waiting for my answer. I loved that coat too much to part with it, even to Ragsy, so I shook my head - and he smiled, then walked off. I stood for a moment in the middle of the street shaking my head in disbelief. Ragsy bloody Goold had just offered to buy my overcoat! I knew at that point, as a young man of about twenty three, that life was going to be full of surprises and very entertaining - a bit like John ‘Ragsy’ Goold. ONE MORE.... A cold, wet day in the mid 1960's at the MCG and Victoria were playing South Australia (?) The ball that day was like a piece of soap, with players finding it impossible to mark. Just before half time a long kick sailed toward the mud heap that was the centre of the ground, and the pack rose to meet it. From this group of players an arm shot straight up, and the ball instantly came to a dead stop. The footy stuck in the player's palm as if the hand was coated in Tarzan's Grip. After all these years, it's the only recollection I have of that match, and that player was 'Mr. Elegance' John Goold. HUMOROUS HUNGRY.... Former opponent Richmond's Kevin Bartlett on Radio SEN in 2012 received a phone call from John. After the call Kevin told his listeners how "Mr Elegance" would always be dressed in a nice suit, shirt-tie and highly polished shoes. He then cracked a joke saying something like; "You know, John was so 'posh' that he used to play football wearing a cravat!" Milestones 50 Games: Round 15, 1967 vs Melbourne 100 Games: Round 13, 1970 vs Geelong Career Highlights 1965 - Percy Bentley Trophy - 3rd Best & Fairest 1966 - 5th Best & Fairest 1967 - Maurie Sankey Memorial Trophy - 4th Best & Fairest (on count back) 1968 - Premiership Player 1970 - 7th Best & Fairest 1970 - Premiership PlayerFoolscap Scrap Book -
Thompson's Foundry Band Inc. (Castlemaine)
Document - Sheet Music for Concert Band, Hal Leonard et al, Blueberry Hill, 1940
Blueberry Hill is considered a blues standard, made popular by Fats Domino. The song was first published in 1940 with the music composed by Vincent Rose (1880-1944), and lyrics written by Larry Stock and Al Lewis. This arrangement is by Johnnie Vinson and is a special edition series released by Hal Leonard. The tune was originally written for the 1941 western film "The Singing Hill" where it was first performed by Gene Autry.Blueberry Hill is considered a blues standard, made popular by Fats Domino. The song was first published in 1940 with the music composed by Vincent Rose (1880-1944), and lyrics written by Larry Stock and Al Lewis. This arrangement is by Johnnie Vinson and is a special edition series released by Hal Leonard. The tune was originally written for the 1941 western film "The Singing Hill" where it was first performed by Gene Autry. This arrangement is for Big Band and has 21 parts: 1st Bb Cornet 2nd Bb Cornet 3rd Bb Cornet 1st Eb Horn 2nd Eb Horn C Woodwinds 1st Bb Clarinet 2nd Bb Clarinet 1st Eb Alto Saxophone 2nd Eb Alto Saxophone Bb Tenor Saxophone/Bass Clarinet Eb Baritone Saxophone 1st Trombone 2nd Trombone Basses Percussion I (Snare Drum) Percussion II (Bass, Drum, Cymbal) Electric Bass 1st F Horn 2nd F Horn Baritone B.C. non-fictionBlueberry Hill is considered a blues standard, made popular by Fats Domino. The song was first published in 1940 with the music composed by Vincent Rose (1880-1944), and lyrics written by Larry Stock and Al Lewis. This arrangement is by Johnnie Vinson and is a special edition series released by Hal Leonard. The tune was originally written for the 1941 western film "The Singing Hill" where it was first performed by Gene Autry. fats domino, rock and roll, 1950s, rhythm and blues, blues, vincent rose, larry stock, al lewis, hal leonard, chappell & co, gene autry -
Royal Brighton Yacht Club
Memorial, Bushy Beavis
Bushy Beavis (no actual trophy) Donor: No Deed of Gift: No Bushy Beavis was a well-known member of RBYC having raced in a number of classes and divisions at RBYC. He was also a very keen gardener and regularly looked after the rose garden at the entrance to the club. A memorial plaque was placed there after his death. The Bushy Beavis race is a mid-distance race sailed on AMS handicap and is also part of the Ingénue Series. First Winner: Not known bushy beavis, garden, ams -
Tarnagulla History Archive
Box of Murray Comrie's Research Notes (Set 2), Murray Comrie's Research Notes (Set 2), circa 1960s-80s
Murray Comrie Collection. Murray Comrie, born in Tarnagulla in 1912 also became a policeman and later a Chief Superintendent, retiring in 1972 and passing away in 1983 after a long illness. Murray Comrie's son Murray Jnr., to avoid confusion became known by his middle name, Neil. Neil Comrie also joined Victoria Police and rose through the ranks to become Chief Commissioner of Victoria Police from 1993 to 2001. Blue-grey archive box containing research notes of Murray Comrie. Contains: A series of 17 notepads in which Comrie has annotated historical information from local newspapers. A very long rolled up piece of paper on which is printed the Comrie family tree A yellow envelope containing photogrpahs which are low-quality and/or duplicates of other images in the Murray Comrie Collection. A ledger in which Comrie has listed every Police Station in Victoria and its establishment date. Four vinyl non-archival document binders in which Comrie's research notes and photographs were housed when donated. Material was transferred out of these for preservation reasons. The contents of this box were compiled or used by Murray Comrie during his research for a book about Tarnagulla. tarnagulla, comrie, research, banks, lodge, gold & mining, war/military, local people, buildings, businesses, local government, post offices, policing, recreation reserve, railway, clubs & societies, band/music, hotels, churches, schools, fire brigade, laanecoorie, names -
Clunes Museum
Book, AUTHOR ROSE PORTER, THE YEAR THAT WAS TOLD, CIRCA 1891
PRESENTED TO GEORGE HUDSON FOR REGULAR ATTENDANCE STATE SCHOOL 136. CLUNES. XMAS 1891NOVEL PRESENTED TO GEORGE HUDSON, CHRISTMAS 1891THE YEARS THAT ARE TOLD ROE PORTER. THE LILY SERIESlocal history, book, novel, hudson laura -
Bendigo Historical Society Inc.
Photograph - BENDIGO BUTTER FACTORY
Black & white photograph of the Bendigo Butter Factory in Mundy St., mounted on cardboard. It appears to have been part of a display, with explanatory notes attached to each photograph. See 11011.10. On the reverse of the Title photograph is the date 1950-1955 and a blue registration stamp with the words 'Pure creamery, Australia, Victoria regd'. An interior photograph in the series shows a calendar with the date March 1957. This photograph shows one female and two male workers at a machine cutting and wrapping blocks of butter. The workers are identified on the reverse of the photograph from left - Rose McDonald, Harold Speechly and Ken Melling.bendigo, industry, bendigo butter factory, rose mcdonald, harold speechly, ken melling -
Melbourne Tram Museum
Album - Photo Album, Transit Australia Publishing, "TAP - Part A - Pre MMTB or W class – sheets A1 to A29", 1950's to 1990's
Photo Album - titled "TAP - Part A - Pre MMTB or W class – sheets A1 to A29 ", from Transit Australia Publishing. Photos used in the Destination City and other publications series. For a detailed list of photographs see htd4600i.pdf. For individual photo images see: \dbtext\hawthtramcoll\photo collections\htd4600-TAP-PartA, images TAP1 to TAP65. TAP01_Malvern Depot-assembling-trams.jpg TAP02_M1_Union Rd. Ascot Vale.jpg TAP03_Myer-Santa-tram_WilliamSt_MMTB.jpg TAP03_Myer-Santa-tram_William St_MMTB-obverse.jpg TAP04_8_Preston WS_Norm Cross.jpg TAP05_22-5_High St-Prahran_1910_CRC Field.jpg TAP06_31-36_High St-Armadale Rose Postcard.jpg TAP07_36_Dandenong Rd_c1917_Duckett Collection.jpg TAP08_Glenferrie Rd. Rose Postcard.jpg TAP09_52_Glenferrie Rd. Rose Postcard.jpg TAP10_53_Glenhuntly Rd_13Nov1913_Duckett Collection.jpg TAP11_93_Balwyn.jpg TAP12_163_Barkly St.jpg TAP13_177_Footscray_25Sep1953_W John Webster.jpg TAP14_177_Radiax Truck_Footscray_25Sep1953_W John Webster.jpg TAP15_181_Footscray_25Sep1953_WJ ohn Webster.jpg TAP16_185_Newmarket.jpg TAP17_197_SouthMelb_RJNowell.jpg TAP18_202_WilliamSt-late1920s.jpg TAP19_204_WilliamSt-late1920s.jpg TAP20_205_BowCollector.jpg TAP21_206_Preston_Mar1948_JackRichardson.jpg TAP22_ZooHorseTRam_TMSV-Postcard.jpg TAP22_ZooHorseTRam_TMSV-Postcard-obverse.jpg TAP23_16_Bendigo.jpg TAP24_456-others_Preston_Jul1947_JackStranger.jpg TAP25_180_WilliamstownRd.jpg TAP26_U_RacecourseRd.jpg TAP27_BoxHill-saloon.jpg TAP28_NMET-9-trailer_MtAlexanderRd.jpg TAP29_16_NicholsonSt-Coburgt_MMTB.jpg TAP30_26_CamberwellDepot_MMTB.jpg TAP32_47_MalvernDepot_MMTB.jpg TAP33_44-18_Bendigo.jpg TAP34_50_.jpg TAP35_60_KewDepot_MMTB.jpg TAP36_83_MalvernDepot_MMTB.jpg TAP37_275-6-93_Preston_RayPearson.jpg TAP38_99_KewDepot_Jan1937_RayPearson.jpg TAP39-122_McCraeSt_NormCross.jpg TAP40_137_HawthornDepot_MMTB.jpg TAP41_138_BourkeSt_20Oct1991_RayMarsh.jpg TAP42_140_PointOrmond.jpg TAP43_141_MalvernDepot_WJohnWebster.jpg TAP44_150_PointOrmond.jpg TAP45B_159_SwanstonSt_KSKings_14Mar1948.jpg TAP45C_159_SwanstonSt_KSKings_14Mar1948.jpg TAP46_171_SouthMelbourneDepot_MMTB.jpg TAP47_174_StGeorgesRd_JohnBeckett_1949.jpg TAP48_177_FootscrayDepot.jpg TAP49_177_FootscrayDepot_WJohnWebster.jpg TAP50_178_PointOrmond.jpg TAP51_178_ElsternwickRS_WJohnWebster.jpg TAP52A_179_LeedsSt-Footscray.jpg TAP52A_179_LeedsSt-Footscray_LCrow.jpg TAP52B_179_LeedsSt-Footscray_LCrow.jpg TAP53_187_SouthMelbourneDepot_MMTB.jpg TAP54_190_CamberwellDepot_GeoffGrant_7May1955.jpg TAP55_191_ElizabethSt-terminus_JohnBeckett.jpg TAP56_192_StKildaSA.jpg TAP57_200_MillerSt.jpg TAP58_205_LygonSt-into-BrunswickRd.jpg TAP59_208_EssendonDepot_MMTB.jpg TAP60_V214_MillerSt_1978_MMTB.jpg TAP61_15_EssendonDepot_MMTB.jpg TAP62_PrinceofWales-decoration_1920.jpg TAP63_EssendonDepot-PowerHouse.jpg TAP64_DoncasterTram_IllustratedAustrlianNews_9Nov1889.jpg TAP65_180_BourkeSt-at-SpencerSt.jpg Transit Australia Photos - Pre W class - sheets A1 to A29 -trams, tramways, transit australia, destination city, tramcars, depots, pmtt, htt, mbctt, nmetl, doncaster, bendigo, tram 1, tram 13, tram 9, 16, tram 8, tram 22, tram 5, tram 31, tram 36, tram 50, tram 63, tram 53, tram 93, tram 163, tram 177, tram 181, tram 185, tram 197, tram 202, tram 204, tram 205, tram 206, tram 84, tram 456, tram 180, tram 9, tram 26, tram 31, tram 36, tram 47, tram 44, tram 60, tram 83, tram 275, tram 93, tram 99, tram 122, tram 137, tram 138, tram 140, tram 141, tram 150, tram 159, tram 171, tram 174, tram 177, tram 178, tram 179, tram 187, tram 190, tram 191, tram 200, tram 205, tram 214, tram 15, tram 180 -
Melbourne Tram Museum
Postcard, SEMCO, "Princes Bridge Melbourne", mid 1900's?
Divided back postcard featuring a hand coloured black and white photograph of a view looking from Flinders St towards Government House, c1900, or from the roof of the Flinders St Station which could be under construction. Embossed Photograph enclosed within an artists palette, surrounded by roses. Note the buildings between the bridge and Government house - a former asylum? Card from the SEMCO Series Box 545 GPO Melbourne. Addressed to Miss V Hall of Blackwood.trams, tramways, princes bridge, cable trams, flinders st, flinders st station -
Phillip Island and District Historical Society Inc.
Postcard, Antique postcards of Phillip Island
Photos were taken from the Facebook page " Antique Post Cards". Permission was obtained form the administrator to use these.HistoricalA series of old sepia, black & white, coloured postcards, Rose, Robb brothers, Photo shop Series, Victorian Railways series, Valentines, Hislop, Punch, Airspy of Phillip Island and San Remo scenes.speke, genester house, newhaven, lover's walk, cowes baths, summerland beach, san remo pier, cowes beach, aerial photo, cowes 1950s, bridge 1940, san remo, shell tea rooms, ss genista, estelle star, churchill island, isle of wight hotel, lover's walk cowes -
Eltham District Historical Society Inc
Photograph, Gordon Ford House (1948-1970)
Image 5B Gordon Ford House - commenced 1948 Several extensions were added up to 1970 Designed and built by Gordon Ford Extensions by Graham Rose Original Gordon Ford courtyard and single storey building The Alistair Knox Collection The Alistair Knox Collection is a series of mounted enlarged photos of mud brick houses and related subjects. The collection is understood to have been put together by Alistair Knox although it is the work of several unacknowledged photographers. For some years it was held by the Building Department of the former Eltham Shire Council and was then passed to our Society for safekeeping. Some of the photos have been used in Knox's books and from time to time some of them have been part of various historical displays. As far as we know there has not been a public display of the whole collection which numbers about forty photographs. The collection has been copied on to slides for the purpose of this meeting and to be retained as part of the Society's pictorial collection. Alistair Knox 1912 - 1986 is acknowledged as the founder of Eltham's mud brick building movement. Many of the buildings shown in the collection are of his design and he was also involved with the construction of several of them. Others are the work of his contemporaries and associates such as Peter Glass, Gordon Ford, and John Harcourt. (EDHS Newsletter No. 145 July 2002)Handwritten notes in pencil re details of building, year of construction, owner, designer, builder, etcgordon craig ford, gordon ford house, graham rose, houses, mud brick construction, alistair knox collection -
Eltham District Historical Society Inc
Photograph, Gordon Ford House (1948-1970)
Image 5A Gordon Ford House - commenced 1948 Several extensions were added up to 1970 Designed and built by Gordon Ford Extensions by Graham Rose Original Gordon Ford courtyard and single storey building The Alistair Knox Collection The Alistair Knox Collection is a series of mounted enlarged photos of mud brick houses and related subjects. The collection is understood to have been put together by Alistair Knox although it is the work of several unacknowledged photographers. For some years it was held by the Building Department of the former Eltham Shire Council and was then passed to our Society for safekeeping. Some of the photos have been used in Knox's books and from time to time some of them have been part of various historical displays. As far as we know there has not been a public display of the whole collection which numbers about forty photographs. The collection has been copied on to slides for the purpose of this meeting and to be retained as part of the Society's pictorial collection. Alistair Knox 1912 - 1986 is acknowledged as the founder of Eltham's mud brick building movement. Many of the buildings shown in the collection are of his design and he was also involved with the construction of several of them. Others are the work of his contemporaries and associates such as Peter Glass, Gordon Ford, and John Harcourt. (EDHS Newsletter No. 145 July 2002)Handwritten notes in pencil re details of building, year of construction, owner, designer, builder, etcgordon craig ford, gordon ford house, graham rose, houses, mud brick construction, alistair knox collection -
Melbourne Tram Museum
Photograph - Black and white - Flinders St Station c1920's
... a Rose Series - Southern Cross Series No. 5. See State Library ...Shows H class tram number 57, east bound in Flinders St with the Flinders Street Railway station in the background. Has a number of horse drawn vehicles in the view along with motor cars and trucks, some of them doing a hook turn. A policeman is on point duty. Photo taken after Flinders St converted to electric trams from cable trams in 1927. Commercial print from a SLV photo.Yields information about the location, the streetscape and the trams and vehicles in use at the time. Original photo taken from a Rose Series - Southern Cross Series No. 5. See State Library of Victorian Collection - H2011.27DBlack and white photograph of Flinders St Station Melbourne, late 1920's with H class tram 57 in the view."RSCP 327" & "C1929" in pencil and "H57" in red ink on rear.tramways, h class, trams, tram 57, flinders st, flinders st station, horse drawn vehicles, mmtb -
Clunes Museum
Ephemera - COMPACT DISC, GEORGE ROSE
Stereo-graph images taken by George RoseDisc contains images of the Postcard Era "P series" postcards listed numerically and alphabetically in town order NO IMAGES, ONLY DOCUMENTS LISTING POSTCARDSNilgeorge rose, postcards, stereograph