Showing 1412 items
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Bendigo Art Gallery
Sculpture, Tony ALBERT, We come in Peace, 2013
sculpture, first nations, australian artist, playing cards, peace, game, australiana, southern cross -
Bendigo Art Gallery
Sculpture, Julia DEVILLE, Sentience, 2012
sculpture, australian artist, taxidermy, gothic, death, still born, deer, fawn, garnet, silver, platter -
Bendigo Art Gallery
Sculpture, Hany ARMANIOUS, African witch doctor, 2011
sculpture, totem pole, witch doctor, egyptian artist, australian artist, duct tape, plastic, woven -
Horsham Regional Art Gallery
Sculpture, Barbara HEATH, Land race 1: Apple, Land race 2: Briar, Land race 3: Aloe, 2012
Land race 1: Apple purchased through the Horsham Art Gallery Trust Fund with the assistance of the Horsham Gallery Trustees, 2014. Land race 2: Briar and Land race 3: Aloe both donated through the Australian Government's Cultural Gifts Program by Barbara Heath, 2014. -
Horsham Regional Art Gallery
Sculpture, Dónal MOLLOY-DRUM, Flutter, 2019
Purchased through the Horsham Art Gallery Trust Fund, 2020 -
Horsham Regional Art Gallery
Sculpture, Dónal MOLLOY-DRUM with Asher ERHARDT, Jake JOLLY, Piyada (Plang) KANSRIVEANG, Jack KEDDIE, Annika LIVINGSTONE, Felicity MACKLEY, Benita PAUL, Jo-Mari PRETORIUS, Matilda RIDDELL and Violet WILLMORE, Untitled, 2020
Commissioned by Horsham Regional Art Gallery for their Artist in Schools Program, a collaboration with Dónal Molloy-Drum and students from Horsham College. Funded by Creative Victoria through the Full House Audience Development Program, 2019 -
Horsham Regional Art Gallery
Sculpture, Ernst FRIES, Power within, 1975
Purchased through the Horsham Art Gallery Trust Fund, 1976 -
Horsham Regional Art Gallery
Sculpture, Clifford LAST, Mandalia, c.1970
Clifford Last Bequest, 1996 -
Horsham Regional Art Gallery
Sculpture, Jeff THOMSON, Untitled (spiral), 1997
Acquired with the assistance of Arts Victoria, 1998 -
Horsham Regional Art Gallery
Sculpture, Jeff THOMSON, Bouquet IV, 2004
Gift of the artist, 2004 -
Horsham Regional Art Gallery
Sculpture, Bruce ARMSTRONG, Knot, 1985
Donated through the Australian Government's Cultural Gifts Program by Bruce Armstrong, 2022red gum -
Horsham Regional Art Gallery
Sculpture, Bruce ARMSTRONG, Mr Stool, 1993
Donated through the Australian Government's Cultural Gifts Program by Bruce Armstrong, 2022red gum -
Horsham Regional Art Gallery
Sculpture, Bruce ARMSTRONG, Bast, 1997
Donated through the Australian Government's Cultural Gifts Program by Bruce Armstrong, 2022cypress -
Horsham Regional Art Gallery
Sculpture, Bruce ARMSTRONG, Bird and man, 2010
Donated through the Australian Government's Cultural Gifts Program by Bruce Armstrong, 2022cypress -
Horsham Regional Art Gallery
Sculpture, Bruce ARMSTRONG, The cricketer, 1987
Donated through the Australian Government's Cultural Gifts Program by Bruce Armstrong, 2022red gum -
Horsham Regional Art Gallery
Sculpture, Troy EMERY, big softie hopping mouse, 2022
Purchased through the Horsham Art Gallery Trust Fund, 2022polyester, epoxy, aluminium, adhesive -
Wangaratta RSL Sub Branch
Souvenir - Wooden artefacts
Wooden artefacts from the Sepik River region in Papua New Guinea. Different tribes living along the river produce magnificent wood carvings, clay pottery and other art and craft. Kundu is the Papuan general name used for drum. It is an hour glass shaped drum made of wood with a snake's skin as membrane. A handle is placed on the narrowest part of the drum. Often, the kundu is decorated with animal figures on its edges. - donated by John Nelson TAYLOR QX25010,2900269,3108420 who served in the AIF 19/1/1941 to 7/12/1945 - Regular Army Special Reserve 30/1/1952 to 29/1/1955 and the CMF 1/8/1959 to 2/1/1960. Rank on final discharge - Trooper 8/13 Victorian Mounted Rifles. John was deployed overseas to New Guinea from 17/10/1943 to 23/2/1945 and 5/5/1945 to 26/10/1945 and served in Korea and Japan from 5/3/1953 to 6/4/1954. A member of the Wangaratta RSL he passed away in January, 2021.Wooden artefacts from the Sepik River region in Papua New Guinea. The Sepik area is well known for its sculpture masks shields and other artifacts. Many tribes use drums in rituals. Two decorative wooden face masks, one wooden Drum and one wooden Crocodilepapua new guinea, artefacts, wood, ww2 -
Clunes Museum
Sculpture - CHEMIST AT WORK, A. HEAP
A FAREWELL PRESENT TO JIM KERIN LEAVING THE CLUNES PHARMACY IN 2000SAND CLAY MODEL OF A CHEMIST AT WORK. BENCH WITH "CLUNES PHARMACY" ON FRONT. CHEMIST STANDING BEHIND COUNTER WORKING WITH MORTAR AND PESTEL, OPEN BOOK ON HIS RIGHT, PHARMACEUTICAL CONTAINERS ON HIS RIGHTpharmacy, chemist, sculpture -
Tatura Irrigation & Wartime Camps Museum
Sculpture - Sitting monkey
Item from an Italian POW held in Camp 13, 1942 to 1946A profile of a monkey sitting with its knees bent and arms resting on the knees Hand painted in brown with ochre face, red lips, ears and fingernails. Inscriptions in White 28-4-42 in front and PARINELLO N. on one side and PRISONER.OF.WAR on the other28-4-42, PARINELLO N., PRISONER OF WARitalian pow's, camp 13 murchison, hand made objects -
Tatura Irrigation & Wartime Camps Museum
Lamp, 1943
Made by Hans Knorr, sculptor, ex Arandora Star and Dunera. He was interned in camp 1 Tatura Group and later in POW camp 13, when status for merchant seaman changed to POW. Hans was, postwar, well known sculptor of wood and metals in Victoria.Wood turned lamp stand and material shade with electrical cord and plug attached. Stand has circular base on 3 feet and coiled central stand. Shade is shaped, scalloped at base of yellow and white (interior) nylon and wire frame.H/Lhilda knorr, hans knorr, camp 13, camp 1, internment camp sculptures, camp woodcraft -
Tatura Irrigation & Wartime Camps Museum
Folio, Hilde Knorr, A Profile of Hans Knorr, 1986
A profile of Hans Knorr, sculptor, ex Arandoora Star and Dunera. Interned in camp 1 Tatura Group and later POW camp 13 when status for merchant seamen changed to POW.Black plastic cover, ring binder, spine. 8 plastic pockets contain A4 sheetshans knorr, hilde knorr, arandora star, dunera, internment camp sculptors, wooden sculptures -
Tatura Irrigation & Wartime Camps Museum
Sculpture - Mould - concrete/death mask, Death Mask, 1940's
Death mask mould found in Camp 13 POW rubbish tip by former Army Garrison guard on a return visit to the camp.Concrete casting/death mask of a face, pitted, soiled, part of nose missingdeath mask, death mask mould, camp 13 rubbish tip -
Tatura Irrigation & Wartime Camps Museum
Sculpture - Wood Carving, Kurt Lewinski, My Boys Can Do It, 1945
Depicting five tiny carved figures doing different jobs transferring goods at Tocumwal Railway Gauge Change. Made by former camp 2 Tatura internee after his release in 1942 to the 8th Employment Co. at Tocumwal. Kurt Lewinski was a former Dunera Boy, originally from Berlin, refugee in England in 1938 and transported to Australia in 1940.Wood carving of 5 tiny carved figures - 1 stacking cases, one carrying large filled bag on his shoulders (piece missing when items delivered), one wheeling pallet of large timber boxes, one pushing barrel and one carrying heavy box. Several folded canvases on foreground.8th E.C. Tocumwal My Boys can do it. K. Lewinski 1945 (on back) Base features inlay plaque with inscription.kurt lewinski, wood carvings, dunera boys, refugee in england, tocumwal railway -
Tatura Irrigation & Wartime Camps Museum
Sculpture - Statue, Carved figure, 1940's
made by internees and given to Monte Punshon as a gift. Monte was an Australian warden who had oversight of the women and children in one of the compounds. She spoke fluent Japanese which she had learnt in the 1930's pre the war.Carved wooden figure of a Japanese man in a suit. Attached to a wooden base.internee wood work, monte punshon, statue -
Tatura Irrigation & Wartime Camps Museum
Sculpture - Sandstone Maps of Australia, 1940
2x hand carved sandstone maps of Australia with space for penny in one & metal kangaroo in other. 1. Space for penny in centre. Markings for state boundaries. Creamy coloured stone. 2. Metal (copper?) kangaroo in centre. Pink tinged stone.1. Tatura 1940 2. 1940 Taturatatura;, handcrafts, carving -
Tatura Irrigation & Wartime Camps Museum
Bust
The bust of Major William Tackaberry was in the possession of the late Mr. Eric Streitbert, a nephew of major Tackaberry. Mr. Streitberg lived with his Aunt, Mrs. Linda Tackaberry and Uncle, William (Bill) Tuckaberry prior to and after WW2. Mr. Streitberg, who died in 1998 at the age of 86, was a member of the 2nd AIF during WW2. He spent 3 1/2 years as a POW on the Thai-Burma railway. Mr. Streitberg gave the bust to his relative, Mr. Stephen Anderson, the Grandson of his cousin the Late Pery Nott, also a nephew of William Tackaberry. It would be appreciated if this information could be kept with the bust of Major Tackaberry and the family association noted. The Australian Service Records of Major Tackaberry during WW1 are also attached. Stephen Anderson donated this to the Tatura Historical Society and PERMISSION FOR THE REMOVAL OF IT FROM THIS SITE WOULD NEED TO BE DISCUSSED with him and his permission granted. LETTER DATED 1st MAY 2001Large plaster cast of head and shoulders of Major William Tackaberry, wearing his Lieutenant Colonel Rank Insignia awarded after his service at Camp 1. The plaster cast bust is mounted on a wooden basebust, tackaberry, major w, 17th army garrison, see restrictions, camp 1, tatura, ww2 camp 1, handcrafts, sculpture -
City of Ballarat
Sculpture - Public Artwork, George Grant, Thomas Moore Memorial Statue George Grant, 1889
Irish poet and balladeer Thomas Moore, best-known for penning The Minstrel Boy and The Last Rose of Summer, is honored in this statue prominently located in Sturt Street created by sculptor George Grant from white Carrara marble. George Grant was trained at the School of Art associated with the National Gallery of Victoria, apparently in the 1880s, and then worked as an artist, specialist house painter, and banner artist. Several of his paintings are held by the Ballarat Art Gallery. Moore`s writings range from lyric to satire, from prose romance to history and biography. His popular "Irish Melodies" appeared in ten parts between 1807 and 1835. Moore was a good musician and skillful writer of songs, which he set to Irish tunes, mainly of the 18th century. This statue is of historic and aesthetic significance to the people of Ballarat.Marble statue of Thomas Moore above a large sandstone pillar West: Presented to the City Council of Ballaarat by the following citizens: H.F. Elliot, The Honorable E. Morey M.L.C., Cr C.R. Retallick, Cr J. Heinz. South: R.S. Mitchell, P. Papenhagen, T. Elliot, J. Snow, G.K. Coutts, C. Bailey, J.J. Goller & Co, W.E. Ballhausen, G. Thompson, W.H. Figgis. North: S. Seward, F.G. Haymes, Craig Williamson, R. Giddings, G. Berry, R. Inge, J.A. Pittard, L. Lederman, H. Bremer, D. Jones. thomas moore -
City of Ballarat
Sculpture - Public Artwork, Ruth by Charles F. Summers, 1899
Statue of Ruth is a religious reference to the harvest and to the importance of motherhood. Ruth was sculpted by Charles Summers a central figure in Australian art from the mid 19th Century. Summers was a founder of the Victorian Society of Fine Arts in 1856 and in 1863 he became a member of the commission of inquiry into the promotion of the fine arts in Victoria. He created many portraits and busts and is known for his bronze depiction of Burke and Wills in MelbourneThe sculpture is of historic and aesthetic significance to the people of BallaratMarble sculptural depiction of the biblical figure RuthPresented to the City of Ballaarat by the following citizens./ H F Elliot Mayor/ The Hon E Morey MLC/ Cr C B Retallack/ Cr J Heinz/ Cr C C Shoppee/ J N Wilson/ T Stoddart/ ruth, harvest -
City of Ballarat
Sculpture - Public Artwork, Hebe by Charles F. Summers, 1899
This statue of Hebe standing tall in Sturt Street is a religious reference to the youth. She holds aloft the cup of youth while the flask or jug of knowledge hangs in her fallen arm. Both Hebe and Ruth as iconic figures face each other across their garden beds forming a part of the sculptural vista of Sturt St. Hebe, Greek Goddess of Youth and the biblical figure Ruth, were the gift of wealthy local benefactor John Permewan, who owned carrier firm Permewan & Wright. He commissioned Charles Summers to sculpt both of the women figures. The artwork is of aesthetic and historical significance to the people of Ballarat.Marble sculptural depiction of the Greek goddess Hebe Presented to The City Council of Ballaarat by John Permewan J.P. 1899/ Unveiled 3 April 1889. / This wealthy gentleman of the firm of carriers Permewan & Wright, was also an investor.hebe -
City of Ballarat
Public Artwork, Eternal Flame by Peter Blizzard, 1995
Eternal Flame was created by Ballarat sculptor Peter Blizzard as a marker of the end of WWII in the Pacific. Engraved into the bluestone shaped tile across the base of the statue is details about conflict areas where Australian Troops were active. The metal structure mimics a moving flame with it's polished golden hue, a feature included in many war memorials around the world. Peter Blizzard also designed the Prisoner of War Memorial in the South Gardens, Ballarat Botanic Gardens. The metal structure mimics the moving flame of polished golden hue that is present in war memorials around the world. Eternal flame is aesthetically and historically significant to the people of BallaratMetal construction on bluestone tile baseConflict areas for Australian Troops are engraved into bluestone shaped tile across the base of the statue. eternal flame, world war ii, conflict, peter blizzard, australian sculpture