This banner was one of five banners gifted to the Beechworth Chinese community in recognition of their support of the Hospital and Benevolent Asylum in 1875, from the Carnival Committee. These banners had been purchased in China by a social envoy from Beechworth then presented to the Chinese community during the Beechworth Fine Arts Exhibition in May of that same year, by Donald Fiddes, President of the Ovens District Hospital. The Burke Museum's Chinese Collection presents the history of Chinese settlement in Beechworth from 1856 and its involvement in local community affairs in the second half of the 19th century. In settling in the area they formed their own community with distinctive Chinese cultural traditions, forming their own 'camps' with laid out streets, housing a Temple, Chinese Theatre and restaurants, hotels, stores, gambling houses and dwellings. Members of the Chinese community took an active interest in town affairs and were generous donors to the appeal to build the Ovens District Hospital in 1856/7. The vibrant colours and dynamic graphics of the silk embroidered Chinese banners were a highlight of Beechworth Charitable processions that took place in the main street. Two of the Chinese banners were conserved for the Burke Museum in 2006 by Carol Campbell of Phoenix Conservation Services with funding from Victoria’s Heritage Grants. In 2015, with the enormous support of the Copland Foundation and fundraising activities by the Friends of the Bur Museum Committee, conservation of the third banner was undertaken by Artlab Australia in Adelaide.The banners display traditional Chinese textile techniques and are visually beautiful and very rare and are considered of local and national significance, with the potential to be deemed internationally significant.Multi panelled banner with embroidery and applied design motifs on front. The front panels have been constructed using strips of various weaves and colours of silk that have been embroidered or had a design applied prior to the overall construction of the piece. The embroidery is predominantly gold work with both plyed and floss silk threads.beechworth, burke museum, chinese, benevolent asylum, ovens district hospital, beechworth carnival processions, carnival, processions, beechworth chinese community, beechworth fine arts exhibition, donald fiddes

This banner was one of five banners gifted to the Beechworth Chinese community in recognition of their support of the Hospital and Benevolent Asylum in 1875, from the Carnival Committee. These banners had been purchased in China by a social envoy from Beechworth then presented to the Chinese community during the Beechworth Fine Arts Exhibition in May of that same year, by Donald Fiddes, President of the Ovens District Hospital. The Burke Museum's Chinese Collection presents the history of Chinese settlement in Beechworth from 1856 and its involvement in local community affairs in the second half of the 19th century. In settling in the area they formed their own community with distinctive Chinese cultural traditions, forming their own 'camps' with laid out streets, housing a Temple, Chinese Theatre and restaurants, hotels, stores, gambling houses and dwellings. Members of the Chinese community took an active interest in town affairs and were generous donors to the appeal to build the Ovens District Hospital in 1856/7. The vibrant colours and dynamic graphics of the silk embroidered Chinese banners were a highlight of Beechworth Charitable processions that took place in the main street. Two of the Chinese banners were conserved for the Burke Museum in 2006 by Carol Campbell of Phoenix Conservation Services with funding from Victoria’s Heritage Grants. In 2015, with the enormous support of the Copland Foundation and fundraising activities by the Friends of the Bur Museum Committee, conservation of the third banner was undertaken by Artlab Australia in Adelaide. The banners display traditional Chinese textile techniques and are visually beautiful and very rare and are considered of local and national significance, with the potential to be deemed internationally significant.Multi panelled banner with embroidery and applied design motifs on front. The front panels have been constructed using strips of various weaves and colours of silk that have been embroidered or had a design applied prior to the overall construction of the piece. The embroidery is predominantly gold work with both plyed and floss silk threads.beechworth, burke museum, chinese, benevolent asylum, ovens district hospital, beechworth carnival processions, carnival, processions, beechworth chinese community, beechworth fine arts exhibition, donald fiddes

This banner was one of five banners gifted to the Beechworth Chinese community in recognition of their support of the Hospital and Benevolent Asylum in 1875, from the Carnival Committee. These banners had been purchased in China by a social envoy from Beechworth then presented to the Chinese community during the Beechworth Fine Arts Exhibition in May of that same year, by Donald Fiddes, President of the Ovens District Hospital. The Burke Museum's Chinese Collection presents the history of Chinese settlement in Beechworth from 1856 and its involvement in local community affairs in the second half of the 19th century. In settling in the area they formed their own community with distinctive Chinese cultural traditions, forming their own 'camps' with laid out streets, housing a Temple, Chinese Theatre and restaurants, hotels, stores, gambling houses and dwellings. Members of the Chinese community took an active interest in town affairs and were generous donors to the appeal to build the Ovens District Hospital in 1856/7. The vibrant colours and dynamic graphics of the silk embroidered Chinese banners were a highlight of Beechworth Charitable processions that took place in the main street. Two of the Chinese banners were conserved for the Burke Museum in 2006 by Carol Campbell of Phoenix Conservation Services with funding from Victoria’s Heritage Grants. In 2015, with the enormous support of the Copland Foundation and fundraising activities by the Friends of the Bur Museum Committee, conservation of the third banner was undertaken by Artlab Australia in Adelaide. The banners display traditional Chinese textile techniques and are visually beautiful and very rare and are considered of local and national significance, with the potential to be deemed internationally significant.Multi panelled banner with embroidery and applied design motifs on front. The front panels have been constructed using strips of various weaves and colours of silk that have been embroidered or had a design applied prior to the overall construction of the piece. The embroidery is predominantly gold work with both plyed and floss silk threads. beechworth, burke museum, chinese, benevolent asylum, ovens district hospital, beechworth carnival processions, carnival, processions, beechworth chinese community, beechworth fine arts exhibition, donald fiddes

These films were used c1940s and 1950s to educate students in Bogong and Mt Beauty Primary Schools. The visual experience enabled all students to see the same picture as the teacher read out the caption. Bogong and Mt Beauty Primary Schools are in the Kiewa Valley established as a result of the State Electricity Commission of Victoria's Kiewa Hydro Electric Scheme. As the schools were remote from large towns and cities these films were useful to enhance the students' education using a different media to that of books.450 - 500 Metal canisters with fitted lid and base soldered on. Each lid is marked with a number and / or title / subject of film. Film is rolled up inside canister. It is plastic and is in negative form - black and white. The number of frames and length of film varies. The edges have rectangular holes for threading onto a viewing machine.Varies with each canister - subject / title. Some have a number and some have a number and title / subject. Some are inscribed on and some are on paper attached to lid. photographic equipment, films, film canisters, education, schools, bogong primary school, education department of victoria, photography, mt beauty primary school.

Item received by John EDWARDS VX3857 2nd AIF. Refer Cat No 536 for his service details and Miss McLURE.Christmas stocking made from a Hessian bag. The bag is edged with red, white and blue wool threads. "AIF" is stitched in large large letters same colours. A large red, white and blue possibly silk letter "V" is also stitched in. A piece of white cloth is stitched on with address details hand written. "VX3857 L/Cpl J Edwards Gaurd Coy 2nd Aus Gen Hospital AIF Abroad". "from A McLure 40 York St Prahran Vic".handcrafts- sewing, manchester, fabric/trimming, xmas

Textiles. Basically circular in shape, but cut and hemmed in a geometric 16 sided manner. Edges are cut and hemmed in a drawn fabric manner, and this is repeated in a decorative way, in the centre of the doyley, echoing the outer shape of the doyley. ''Spots'' are embroidered in white thread, as are small flowers and leaves, in an arching shape on each side of the central square.textiles, domestic, pair of pink organza doyleys

Textiles, yellow cotton cushion cover. One side overlayed by tapestry weave fabric. Drawn thread work has created an all over 12 X 12 pattern of 3 cm squares. Each square has an embroidered wheel spoke pattern of yellow embroidery cotton. Machine made. Unfinished.textiles, domestic, cushion cover

Winner of Expressions 2004 Wool Quilt prize. The stitch as a measure of time is explored in this quilt. It is from a series i have been working on about my local environment. Shaped by time and the elements, Bow Wow Gorge us visited by more than 150 bird species.Quilt is a combination of silk, wool, baft, linen, and rayon thread. Two halves of the quilt have been hand sewn together and are a rusty red and grey in colour with small blue patches using plant dyes. Machine stitched, hand sewn, and applique, the quilt has long pockets and panels added to the back.Bow Wow Bowerbird 2004 Pamela Fitzsimonhandicrafts quilting textile, national wool museum, fitzsimons, ms pamela, geelong, victoria, handicrafts, quilting, textile

From the estate of Jenny LangCream hand made silk petticoat. Silk shoulder straps with hand embroidery on panel across front, back and under arms. Drawn thread around underarm and down bodice as waist. letter 'M' embroidered on left of bodice. Skirt is gathered on both sides of waist. A Maltese lace panel stitched as hem.costume, female underwear

A selection of 15 embroided silk postcards from a soldier named James (Jim). Edges are embossed and a central piece of silk is fastened to each postcard carrying various inscriptions in brightly coloured thread. The designs are mostly floral or patriotic. The silk portion of some postcards contains a pocket in which miniature cards are contained.Front: various including "To my dear mother", "A kiss from France", "To my dear sister" and "From your loving son" Back: various including "My best love to you all at home/from Jim". Postcards addressed to: "Mrs. J Corkish/no. 4 Marsden Terrace/Ramsey" and: "Miss M Corkish" appears to be "C/O Healin (?) Bank/ Revival (?)/Manchester"

This candle mould was used in the past to make six candles. Molten wax or tallow, together with a central thread or cotton, were poured into the columns and when set were removed from the moulds. Until the advent of electricity in the 1920s in Warrnambool, candles, lanterns and lamps were an important source of lighting in homes. Few homes had gas lighting. Many householders made their own candles from waste fat etc. This mould is retained as an example of the way householders in the past made their own candles to assist lighting in the home. This is a mould with a rectangular base and six cylindrical hollow columns with pointed ends affixed to the mould base. The columns are topped by a rectangular metal tray with the openings of the columns in the base of the tray. There is a metal clip attached to one end of the tray. The mould is very rusty warrnambool history, candles

Tatting is a form of knotted lace making using thread and a small shuttle. Twisted threads are tied around or through small, pointed shuttles that can be made of bone, mother of pearl, tortoise shell, steel or plastic. This produces a stable, strong lace using simple knots of two half hitches to make rings and chains embellished with picots. The origins of tatting are not clear but early versions of decorative knotting were used by the Egyptians on their ceremonial dress. Tatting also has elements of fishermen's net making techniques and the decorative knotting that was practiced by aristocratic women from the 15th century. Tatting, as we know it today, emerged in the first half of the 19th century. The new availability of mercerised thread from 1835 encouraged a burgeoning of lace crafts of all sorts. It was known in Italy as "occhi" and in France as "la frivolite". It looks fragile but is both strong and durable. An article in a column named "Wives and Daughters" published in the Star newspaper in May 1910 describes the durability of tatting lace - "there is edging and insertion still in existence that have outworn two sets of pillow slips." In the 19th century and well into the 20th century, tatting was used like crochet and knitted lace for decorative edgings, collars, doylies, tray cloths etc. At first, different tatting patterns were passed along by word of mouth from person to person, however in time, patterns regularly appeared in newspapers and magazines well into the 1950's. Paragon knitting, crochet and tatting books have been distributed throughout Australia since the 1930's, originally by "Paragon Art Needlework Pty Ltd" of Sydney, N.S.W. From 1946 these books were designed and printed in Australia from patterns provided by British and Australian thread companies. Consequently these patterns may also appear in similar British and American publications. Paragon Book No. 104 is an instruction book designed for the "beginner" whilst Paragon book No. 105 is designed for the more experienced tatter. The layout of these books was typical of the 1940s period when paper was in short supply. Most of the pattern books were approximately 18 cms wide by 24 cms high and some were smaller at about 13cm by 21 cms. The type used was small (about four lines of text per centimetre) which was difficult to read. This item is an excellent example of a needle work pattern book available to women in the 1940's in Australia.A soft covered, 16 page instruction book titled "Tatting Designs". It has black and white photographs and detailed patterns for tatted doilies, a tray mat, a chairback and arm rests, a cheval set, a luncheon set, collars and edgings for an underskirt, gloves and handkerchief. It is published by Paragon Art Needlecraft of Sydney.Front cover - "Paragon's No 105" "PRICE 1/3" "Tatting Designs" "Household Linens * Personal Wear" Plus a stylized drawing of a deerflagstaff hill maritime museum and village, great ocean road, warrnambool, shipwreck coast, tatting book, tatting patterns, craft, handiwork, handcraft, needlework, shuttle

Tatting is a form of knotted lace making using thread and a small shuttle. Twisted threads are tied around or through small, pointed shuttles that can be made of bone, mother of pearl, tortoise shell, steel or plastic. This produces a stable, strong lace using simple knots of two half hitches to make rings and chains embellished with picots. The origins of tatting are not clear but early versions of decorative knotting were used by the Egyptians on their ceremonial dress. Tatting also has elements of fishermen's net making techniques and the decorative knotting that was practiced by aristocratic women from the 15th century. Tatting, as we know it today, emerged in the first half of the 19th century. The new availability of mercerised thread from 1835 encouraged a burgeoning of lace crafts of all sorts. It was known in Italy as "occhi" and in France as "la frivolite". It looks fragile but is both strong and durable. An article in a column named "Wives and Daughters" published in the Star newspaper in May 1910 describes the durability of tatting lace - "there is edging and insertion still in existence that have outworn two sets of pillow slips." In the 19th century and well into the 20th century, tatting was used like crochet and knitted lace for decorative edgings, collars, doylies, tray cloths etc. At first, different tatting patterns were passed along by word of mouth from person to person, however in time, patterns regularly appeared in newspapers and magazines well into the 1950's. Paragon knitting, crochet and tatting books have been distributed throughout Australia since the 1930's, originally by "Paragon Art Needlework Pty Ltd" of Sydney, N.S.W. From 1946 these books were designed and printed in Australia from patterns provided by British and Australian thread companies. Consequently these patterns may also appear in similar British and American publications. Paragon Book No. 104 is an instruction book designed for the "beginner" whilst Paragon book No. 105 is designed for the more experienced tatter. The layout of these books was typical of the 1940s period when paper was in short supply. Most of the pattern books were approximately 18 cms wide by 24 cms high and some were smaller at about 13cm by 21 cms. The type used was small (about four lines of text per centimetre) which was difficult to read.This item is an excellent example of a needle work pattern book available to women in the 1940's in Australia.A soft covered 16 page instruction book with black and white photographs and detailed instructions explaining how to tat and eight tatting projects including how to make a collar and handkerchief edgings, published by Paragon Art Needlecraft of Sydney.Front cover - "PARAGON BOOK NO. 104" "PRICE 1/3" "Learn to/ TAT' Back Cover - "36/D5 E/A DO2" - handwritten in pencil flagstaff hill maritime museum and village, warrnambool, great ocean road, shipwreck coast, tatting, tatting pattern book, tatting instructions, handicraft, needlework, shuttle, tatting shuttle, paragon needlecraft, paragon craft book

The insignia on the collar of this jacket indicates that its wearer was a Marine Technical Propulsion Petty Officer in the Royal Australian Navy.Double breasted jacket in dark navy colour with notched lapels, chest pocket on left side and two hip pockets. Eight gold buttons fasten the jacket in front, each bearing Navy insignia of a crown above an anchor above the word "AUSTRALIA". Sleeves each bear navy blue patch on upper shoulder with the word "AUSTRALIA" embroidered in gold thread. Cuff of sleeves carry three gold buttons as previously described. Lapel collar has an embroidered patch on both sides which includes an ornately embroidered crown, above a propeller, above a six-pointed star above a "P"; all insignia is embroidered with gold thread. Jacket contains two interior chest pockets and is lined with synthetic material. Buttons carry embossed text "STOKES/MELB" Shoulder badges read "AUSTRALIA" Interior chest label reads, "A.G.C.F./VIC. 1981/8405-66-100-2323/SIZE. 104P/MATCHING TRS/SIZE 99P/R.A.N./MADE IN/AUSTRALIA." Handwritten on this label are the annotations "5114247/BAUMGARTEN"chief petty officer stoker, royal australian navy

The forty-two navigational flags appear to be a complete set. Their purpose-built, grey painted wooden locker is divided into forty-two pigeonholes, each holding one of the rolled up flags. It is simply built and stands on short legs and was originally open-fronted, but has since been covered with a protective clear Perspex panel. The set of alphabetic and numeric visual signalling flags (including substitute and answering pennants) are made of wool in various colour combination designs, with canvas sewn to one end that is threaded with hemp rope. Some of the flags have metal clips attached to the rope. The flags were used for communicating messages to passing ships. Knowledge of visual signalling was mandatory for all lightkeepers and all stations maintained a set of flags. Although used for centuries, visual flag signalling formally developed in the nineteenth century and was published internationally as a system in 1857. By the early twentieth century it had developed into an effective means of conveying all kinds of short range visual messages. Most flags are in good condition and their first level significance is enhanced by their completeness and integrity as a set still housed in their original locker, and by the signal charts that remain in the museum collection which offer further insights into visual signalling.1 - 42. Navigational flag set of 42 individual flags. Coloured linen with canvas sewn to one end which has hemp rope threaded through it. Some flags have metal clips attached to the ends of the hemp rope. 43. Wooden cupboard divided into sections with wooden divides. Used to house the 42 flags. • 1. navy & white. 2. navy & yellow. 3. navy & white. 4. white. 5. red & yellow. 6. yellow & navy. 7. yellow & navy. 8.red. 9.red & white. 10. white & navy. 11. red & navy & white. 12.yellow & navy & & red. 13.navy & white. 14. navy & white. 14. navy & white. 15.navy & white. 16. navy & yellow. 17. yellow & white. 18. white & red. 19. white & red. 20. yellow & red. 21. white & navy. 22. yellow & navy. 23. navy & white. 24. white & navy. 25.red & white. 26. navy & white. 27.red & white. 28.red & white. 29. red & navy. 30. white & navy. 31. yellow. 32.red 7 navy. 33. red. 34 navy,white,red & yellow.35. red & blue. 36. white & red. 37. navy & yellow. 38.red, yellow & white. 39. white. 40. white & red. 41. yellow & red. 42.navy. 43.custom built wooden open cupboard divided into sections to house flags.Yes

Items in the collection re Tom Glazebrook, refer Cat No 4330.2 for his service details.1. Jungle green shoulder boards for attachment on epaulette. Rank - Major. The crown is a sewn green thread with a little bit of brown cotton trim. 2. Jungle green cloth rank badge for attachment on epaulette. Rank - Major. The crown is sewn with white, red and brown cotton. The crown is set on a black felt background.1. On the rear, you can just make out the stamp “D (upwards arrow) D”aust army, rank badges, tom glazebrook

Items found with Mess Dress uniform issued to "Capt. McKenzie" R.A.M.C. Refer Cat No. 7874.2 and 7875.5.1. Spur - one metal horseshoe shaped spur with buckle attached via a ring. Two brown colour leather straps insitu. 2. Straps - pair of brown leather straps to be used with spurs. these are new with owners cardboard label attached. handwritten - black ink label tied on with yellow colour cotton thread.Owner information - black ink pen on cardboard label. "Capt McKenzie/ R.A.M.C." On reverse of cardboard - black ink print "YANKE/ Whiteaway, Laidlaw/ BOMBAY/ Made in US."uniform, ramc, british, ww1, mess dress, capt mckenzie

Insulates electrical wire/cable which is attached in the groove. Screwed into the cross arm of a power pole. Non conductive so electricity doesn't short out to the ground.Used on power poles in the Kiewa ValleyClear blue tinted glass insulator - bell shaped at the closed end. Deep, wide groove towards the wide open end. The wide end is inscribed and opens to a decorated edge of small balls around the circumference. Inside there is a cylinder which is threaded for screwing onto a power pole. This cylinder is shorter than the outside part."Hemingray - 19" "Made in U.S.A."electricity. power lines. insulator. hemingray.

This Christening gown belonged to William Edward Housden who was born in Castlemaine in 1890 and died in Warrnambool in 1972. He served in World War One and married Lucy Knowles in 1921. It was on occasions, and still is, a common practice to make a special dress for a baby's Christening or to use a gown that has been handed down over the generations. This is a fine example of a Christening gown made for a baby 130 years ago.This is a Christening gown made of cream cotton. It is high waisted with a gathered skirt and a pintucked bodice with hand embroidered leaves and fine drawn thread work. The draw string waist opens at the back. It has long sleeves with lace and embroidered cuffs. There is lace and draw string tape around the neck. The seams have been machined.william edward housden, christening gowns

Eight-day clock from a Kittyhawk aircraft flown by Flight Lieutenant Ian A. Lyons. Part of the Flight Lieutenant Ian A. (Joe) Lyons MBE Collection. See catalogue No 5374P for his service record.Analogue eight-day aircraft clock with square mounting and round face. Numbers 3, 6, 9 and 12 and hands are white in colour with a black background. A winding knob is located on the bottom left-hand corner. There are two threaded holes on opposite corners for attachment to the control panel of an aircraft. The casing is made from bakelite.Stamped on a plate on the back of the clock: 'ORDER No. AC26186, MFR'S. PART No. 1776, SPEC. No. 94-27970, SER No. AC42-17865, ELGIN NAT'L WATCH CO.'eight-day clock, aircraft clock, kittyhawk aircraft, flight lieutenant ian a. lyons

Vietnam era Australian Army small plastic insect repellent container. Olive green in colour with instructions for use printed in black ink on one side. The plastic container is manufactured in two pieces, with a screw threaded plastic cap. Under the cap, the top of the container contains a small hole to enable the contents to be squirted out.INSECT REPELLENT LOTION Instructions for use and warning label insect, repellent, lotion, plastic, australian army, vietnam

Made by Mrs McKeown (nee Ford) and used in her house.This item is an example of a handcrafted item and reflects the needlework skills of women in the early to mid 20th century. Embroidery was an affordable way to personalise and add aesthetic value to domestic linen and examples of embroidered and crocheted pieces could be found in most Australian homes,A small pillow sham, square shaped, made from a coarse weave cream fabric front and a backing of bright yellow fabric. Four sprays of pink & yellow flowers with green leaves are embroidered onto the front. Around the edge is a border of drawn thread work which allows the bright yellow backing to show through.table-linen home-manchester hand-embroidery

Clamp wooden set of (2) lengths of wood bevelled at one end and standing parallel. Has (2) long screws with handles and predominant thread that fits through wood lengths. Could be 855. 360mm x 55mm x 40mm Pins are each 405mm long. Diameter at handle 30mm for one and 40mm for other.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Mid-thigh length jacket of royal blue silk fabric with a metallic thread forming a tinsel like pattern. Fully lined with blue satin. Front opening has a 5 cm border of blue satin. No fastenings. Three quarter length sleeves have 5cm borders of blue satin at the wrist. See 11400.507 .costume, female evening, blue silk jacket

Clothing. Fine cream silk in a circular shape, 13.5 cms in diameter. Surrounding the silk is a 1.5 cm wide border of silk, four petalled flowers, as in 11414.26 and 11414.30. Then a band of lacework, 8 cms deep is extremely fine silk lace. A lacy looped edging, in one fine silk thread edges the handkerchief.costume accessories, female, silk handkerchief

Steel box holding syringe parts. There are four hollow metal rods resting in metal clasps attached to a baseboard inside the tin. Some of the rods appear to have metal wire threaded through (purpose unknown). There are a number of clasps attached to the baseboard and top-plate which indicate syringes would have been housed there.Maker's mark stamped into tin: THACKRAY / LEEDS

Used by Conductor's or one many operators to dispense tram tickets from, receive cash (notes and coins) and provide change. Also had space for their ticket journal and trip journals.Demonstrates the method in which conductors stored tickets and fares. Leather bag with outside pocket (for ticket wallet) with metal strips on openable section, fitted with steel catch, and adjustable shoulder strap. Has been fitted with a steel divider inside. Sewn heavy brown leather. White and brown cotton thread used. Four steel studs attached to the bottom to allow bag to be freestanding. btm, ballarat tramway museum, ballarat tramways, conductors, conductors bag, fares, cash bag, tickets

Booklet created by Caulfield City Council on the occasion of the visit of H. R. H. Prince of Wales' to Australia in 1920.Grey paper cover with gold printed text bound with purple wool thread. The booklet contains 5 pages with black and white facsimile copy of cover and pages from a book possibly presented to HRH Prince Edward of Wales on the occasion of his visit. Final page is a copy of a letter from H.R.H to the City of Caulfield.

Fabric belt with seven lines of topstitching running the length of the belt. Belt fastened by fabric covered metal buckle through which a pointed end of the belt passes. Pointed end bears press stud though no on corresponding fitting is evident; loose threads indicate where the complementary fitting may have once been. uniform, dress

Flag made to represent Mortar Platoon 1RVR in the late 1970s.This flag was created by the members of Mortar Platoon ( likely 1RVR) in .the late 1970s. It lists the names of the members of the platoon at the time. This item is well provinances Dark red cotton, rectangular flag with white satin pelican carrying two mortar bombs sewn on the obverse in the centre. The Pelican has black sitiching for details and the mortar bombs are oulined in black. The flag has gold coloured trim. "Mortar Platoon" and the names of the platoons members are embroidered in an orange/ gold coloured thread"Mortar Platoon" " John Barber" "Graham Hamilton" "Jeop Damen" " Ron Banks" "Ray Smart" "Tom Johnston TC" "Jim Campion" "Alan Single's" Bob Johnstone ( Johnno)" "Phil Dunk" " John Rees" "Oley Ok" " Rick Grant" " Bob Howe" "Reg Hayes" "Graham Davies"5/6 rvr mortar platoon, 5/6 rvr, 1rvr, army reserve, mortars, flag, 5/6 rvr bhq