Showing 8591 items matching "wools"
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Bendigo Military Museum
Uniform - COAT, RAAF
Item issued to Arthur Thomas MANLY, No 431130 RAAF. Refer Cat No 3710 for his service details.RAAF jacket, blue wool. No rank or job badges. Plain, black bakelite buttons. 2 Pockets.Written inside on rear bottom: MANLYuniform, raaf, jacket -
Phillip Island and District Historical Society Inc.
Photograph, 1900
One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandCopy of a Postcard of Horse Drawn Lorries carting wool along Thompson Avenue in the early 1900'slocal history, photography, wool carting, black & white photograph, horse transport, wool industry, thompson avenue cowes, john jenner, bryant west -
Glenelg Shire Council Cultural Collection
Photograph, Portland Wool Brokers Limited, Wool Store, n.d
Port of Portland AuthorityFront: (no inscriptions) Back: 177 (top left, pencil)port of portland -
Flagstaff Hill Maritime Museum and Village
Book, Romance of The Wool Trade
Romance of The Wool Trade Author: James Bonwick Publisher: Griffith, Farran, Okeden, Welsh Date: 1887Label on spine cover with typed text RA 636.31 BON Pastedown front end page has sticker from Warrnambool Mechanics Institute and Free Librarywarrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, warrnambool mechanics’ institute, romance of the wool trade, james bonwick -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Wool Bales, n.d
Port of Portland Authority ArchivesFront: Red half 120, in red pencil Back: 8486 - biro -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Wool, n.d
Port of Portland Authority Archivesport of portland archives -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Footwear, Spats, wool, 20thC
Spats, a shortening of spatter guards are a type of classic footwear accessory for outdoor wear, covering the instep and the ankle. Spats are distinct from gaiters, which are garments worn over the lower trouser leg as well as the shoe. Since the mid-19th century, soldiers of various nations, especially infantry, often wore leggings or spats to protect their lower leg, to keep dirt, sand, and mud from entering their shoes, and to provide a measure of ankle support.These spats are of a type commonly worn to protect good shoes early 20thC and may have been part of a soldiers uniform c 1914A pair of khaki wool spats with 4 buttons and leather strap, with metal buckle, to pass under instep.MADE IN ENGLANDfootwear, spats, army uniform, clothing, knitting, craftwork, wool, world war 1 1914-18, world war 2 1939-1945, early settlers, city of moorabbin, bentleigh, mckinnon, ormond, moorabbin, post war settlers, hunt ailsa, -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Trunk & Gear
Steel Trunk with Hutchi, wool blanket, Insect Screen, light blanket and Lilo (includes eq200 & eq285)equipment, vietnam, army -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Tunic
TUNIC khaki army Wool with colour patches (RAA 1 Aust. Corps, Land H Q.)uniform, 1949, army -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Academic cape associated with F J Browne
This item was designed to be worn with an academic gown, and was possibly worn by FJ Browne at University of Edinburgh.Hooded academic cape, with attachment for a standard academic gown. Red wool with grey grosgrain silk lining. browne fj, clothing -
Tatura Irrigation & Wartime Camps Museum
Book - handcraft, Zweiter Band, Schachenmayr Lehrbuch Der Handarbeiten Aus Wolle, 1937
Appears to be a book of patterns for hand crafts using wool. Written totally in German. Yellow hard cover.Schachenmayr Lehrbuch Der Handarbeiten Aus Wolle A Stamp - N. Arnot POG 573 Jerusalem - Palestinebook, handcraft, camp 3, internee, wool craft -
Yarrawonga and Mulwala Pioneer Museum
Bale Fasteners
100 Metal Hooks used to clip wool bales together contained in a brown cardboard box with instructions -
National Wool Museum
Souvenir - Pennant, Jeparit
Green wool felt pennant with stitched side seam and white cotton tape tie sewn in seam.Front: JEPARIT / VIC. / SIR ROBERT MENZIES PARK Back: Lake Hindmarsh / JEPARIT / VIC.jeparit, victoria -
National Wool Museum
Award - Best Female Bantam, Felt Ribbon
Awarded at Agricultural show.White and dark blue wool ribbon fragment. Remnants of red stripe seen at top of ribbon fragment.Best / FEMALE BANTAMagricultural shows, felt, award, poultry -
Whitehorse Historical Society Inc.
Clothing - Shawl
Hand knitted cream wool shawl. Garter stitch centre. Deep fan and feather stitch border.costume, infants' -
Whitehorse Historical Society Inc.
Tool - Button Hook
From the Betty McPhee sewing collectionHooked metal arm attached to a wooden handle for hooking wool through canvas or hessian to make a rug.handcrafts, equipment -
Whitehorse Historical Society Inc.
Leisure object - Knitting Doll
Peg shaped red and white doll with hooks on top which wool was wound around for basic 'knitting'toys, general -
Numurkah & District Historical Society
Celluloid doll
Given to Pat Finlayson's grandchildren by a friend - doll at least 60yrs old Celluloid Doll 21" tall dressed in nappy, pink bonnet, knitted wool dress, cotton dressdoll,celluloid, toy, baby clothes -
Moorabbin Air Museum
Uniform (Item) - US Army & Air Force Corporal Chevrons WW2
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Kew Historical Society Inc
Clothing - Brown Wool Coat & Dress, Merco Davron, 1960s
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This outfit was donated to the Fashion Collection by Val Goldsworthy.Brown wool coat with large silver buttons and fur trim to neck and sleeves. Matching brown dress.Label: Merco Davronmerco davron, australian fashion - 1960s, melbourne fashion designers -
National Wool Museum
Photograph - Wool Samples, J W Allen, 1900 - 1940
This item is part of a collection of six black and white glass lantern slides previously housed together in a glass plate box. The slides are part of a greater collection of around forty three black and white glass lantern slides, along with other photographs and photo albums related to this collection. This item is associated with the New South Wales Graziers Association world tour of merino sheep 1928/9. The slides were possibly used as supporting material in presentations made by J W Allen when on tour.Black and white glass lantern slide with paper edging depicting four wool samples next to a ruler.[printed] BLACKFACE SHETLANDagriculture, new south wales graziers association, travel, sheep, breeding, photography, glass lantern slides, j w allen -
National Wool Museum
Photograph - Wool Samples, J W Allen, 1900 - 1940
This item is part of a collection of four black and white glass lantern slides previously housed together in a glass plate box. The slides are part of a greater collection of around forty three black and white glass lantern slides, along with other photographs and photo albums related to this collection. This item is associated with the New South Wales Graziers Association world tour of merino sheep 1928/9. The slides were possibly used as supporting material in presentations made by J W Allen when on tour.Black and white glass lantern slide with paper edging depicting two wool samples near a ruler.[handwritten] B. Leicestzragriculture, new south wales graziers association, travel, sheep, breeding, photography, glass lantern slides, j w allen -
National Wool Museum
Photograph - Wool Samples, J W Allen, 1900 - 1940
This item is part of a collection of four black and white glass lantern slides previously housed together in a glass plate box. The slides are part of a greater collection of around forty three black and white glass lantern slides, along with other photographs and photo albums related to this collection. This item is associated with the New South Wales Graziers Association world tour of merino sheep 1928/9. The slides were possibly used as supporting material in presentations made by J W Allen when on tour.Black and white glass lantern slide with paper edging depicting four wool samples near a ruler.[handwritten] Wensleydaleagriculture, new south wales graziers association, travel, sheep, breeding, photography, glass lantern slides, j w allen -
Keilor East RSL Sub Branch
Uniform - Woollen Great Coat, Biowski, c. 1939-1945
Grey wool 3/4 length coat with grey satin lining, double breasted with brass buttons.clothing, wwii, second world war -
Charlton RSL Sub Branch
Uniform - Army tunic, Khaki Army tunis with cloth badges
Khaki Army tunic with sergeants strips, Royal Australian Artillery, Airbourne and Vietnam Campaign ribbon. Wool. -
National Wool Museum
Geelong Woolbrokers' Association auction notice, Geelong Woolbrokers' Association Sale No. G03G/15
Object was on display in museum foyer with other objects from the Queen's visit in 1988, so it was possibly acquired then. Item made in 1987.Geelong Woolbrokers' Association Sale No. G03G/15 will offer for auction at the first wool sale within the NATIONAL WOOL CENTRE- GEELONG Corner of Brougham and Moorabool Streets at 12:40pm on Tuesday 13 October, 1987 the following bale of wool to mark theauction -
National Wool Museum
Book, The Importance of Being Larry, pre 1990
Educational booklet for school children entitled "The Importance of Being Larry". The book is designed to teach children about the shearing of sheep and exporting of wool. Published by the Australian Wool Corporation, Melbourne.Educational booklet for school children entitled "The Importance of Being Larry". Written in cartoon style, black and white, with a colour cover, front and back. Inside the front cover is a lift out page titled "AUSTRALIAN WOOL CORPORATION. LIBRARY. THE WOOL INDUSTRY: A READING LIST OF STUDENTSwool growing, wool - transportation, wool sales - export -
Linton and District Historical Society Inc
Photograph, Woolshed at Linton Park, 1983
Black and white photograph which has been mounted on white card. The photograph shows a corrugated iron woolshed, with a bale of wool sitting on the top of the entrance steps. A man is at the front to the woolshed, walking towards a truck loaded with wool bales. A grain silo and trees are in the background.linton park [agricultural property] -
National Wool Museum
Sculpture - The Wreck of Hope, Michele Beevors, 2014
The Wreck of Hope (Long-nosed Common Dolphin skeleton, Delphinus delphis) featured as part of the exhibition Anatomy Lessons, shown at the National Wool Museum in 2024. The exhibition featured meticulously-sculpted, life size skeletons, making visitors question their place in this web of the living and the dead. From a towering giraffe stretching 4.4 metres in height, to an army of over 50 delicately rendered frogs, this exhibition was enthralling in scale. Each sculpture is an accurate portrayal of a real animal and is carefully measured, drawn, and moulded from steel, wire, and foam. The frame is then intricately knitted over to create these thought-provoking pieces. Each sculpture tells a story, one of the collection of animals by museums and collectors, of Western safari hunters, of human encroachment, and of the often-sad role of the animals in our lives. These underlying concepts are explored and reflected by the materials used. Wool, that speaks of warmth, of comfort, of care, meets the size, grace, and sheer breathtaking beauty of the pieces, clashing with the hard and complex stories beneath. This knitted dolphin skeleton was the start of Beevor's interest in comparative anatomy. Beevors recalls viewing a dolphin, one of many skeletons alongside a mouse and a lion in the Australian Museum's collection during a school visit in the 1970s. At the time, school children watched TV reruns of 'Flipper', which portrayed dolphins as intelligent and noble animals. Elsewhere, the conservation movement was growing, and appeals to protect marine mammals were gaining momentum through the 'Save the Whales' campaign. The fascination with live dolphin shows had grown throughout the 1960s and 1970s and the ethics began to be questioned. Some believe they played an important role in raising public awareness of cetaceans and their welfare. Others argued the performances glorified the dominance of heroic trainers over the subordinate dolphin, and offered little education about the dolphins' natural characteristics nor prioritised their welfare. Many of these facilities are now closed and all dolphin species are protected by international accords aimed at conserving wild populations. Despite this dolphins are still at risk of swallowing plastic waste, mercury toxicity, toxoplasmosis, boat impacts and being bycatch in commercial fishing operations. Originally from Australia, Michele Beevors has been practicing in New Zealand for the last 20 years. She is Head of Sculpture at Dunedin School of Art, Otago Polytechnic, New Zealand’s oldest, and one of its most prestigious, art schools. Beevors has exhibited in galleries, museums, and exhibition spaces in across New Zealand, Australia and Vienna with art that is defiant, unconventional, and moving.Life sized knitted skeleton of a dolphin, with white wool and internal steel, foam and wire frame. The dolphin is mounted on a wooden base, made from a desk, with books placed under the desk lid. The books and desk are painted black.knitting, art, dolphin, conservation, sculpture, skeletons, anatomy lessons, michele beevors -
National Wool Museum
Textile - Children's Jumper, Kathryn Knitwear, c.1975
Kathryn Knitwear, founded by Robert Blake, manufactured high quality children’s knitwear in Melbourne from the 1940s – 1980s. Robert Blake began manufacturing children’s knitwear in his bedroom in Strathmore using a hand powered machine in the late 1940s. The operation moved to Ascot Vale and Essendon, before eventually establishing a factory in Moonee Ponds in the early 1950s. The business continued to expand, necessitating a move to a new factory in Broadmeadows. By 1962, the Broadmeadows factory was producing an average of 20,000 garments per month, which increased to 24,000 by 1964. Robert Blake’s Son, Brendan recalls that “The Kathryn brand was famous around Australia, anywhere children needed to keep warm and dress smartly. It also won a number of wool fashion awards”, including the 1969 Wool Awards, which was held by the Australian Wool Bureau and published in Women’s Weekly. The Kathryn range was designed for durability, comfort and care, without sacrificing style. They used patterning techniques that increase stretchiness, comfort and fit, as well as integrating decorative elements into the fabric to prevent them from being bulky, uncomfortable or tight. Making longevity of style a priority, Brendan Blake remembers that “there was one particular garment that was in the range for at least thirty years”. He also recalls “In the past, when women have found out that I was associated with Kathryn Knitwear, they would often relate to me the story of a garment they had purchased or received as a gift and, when their child had grown out of it, they would hand it on to another child. Several ladies have told me of purchasing garments for their daughters’ glory box, or saving a particular garment after their daughter had grown out of it. Brendan Blake: “At the peak of their operation they employed approximately two hundred people, mainly women and girls. A family would often seek to send their daughter to work in this company because they knew they would be looked after and safe. One lady wrote to me telling me that working at the Moonee Ponds Factory prior to getting married was the happiest time of her life.” In 1963, workers at the Kathryn factory earned £13 per week, which was 8 shillings and 8 pence higher than the minimum weekly wage for female workers in the textile manufacturing industry (£12 11s 4d). By 1970, the Kathryn Knitwear brand expanded from children’s knitwear into womenswear under the brand name ‘Lady Kathryn’, and for boys and men under ‘Robert Blake’. Continuing to diversify their distribution, they also began exporting ‘Kathryn’ garments to New Zealand, the Pacific Islands, and Japan. ‘Kathryn Knitwear’ was well-known for their early adoption of modern materials and techniques that had broad appeal to their customer base. This is shown in their early use of the acrylic fibre ‘Orlon’ in the 50s and 60s and ‘Superwash’ wool in the 1970s. Many of Kathryn Knitwear’s styles, particularly those that were long running staples of the brand, were available in both wool and Orlon to suit the consumer’s preference. Wool has been renowned for its excellent properties for thousands of years, by people from all over the world. Not only good for thick winter woollens, it can help keep you cool in summer, as well as being durable and resistant to water, fire, ultraviolet light, stains and odour. Far from the humble origins of one man in his bedroom with a hand-cranked machine; at its closure in 1980, the Broadmeadows factory of ‘Kathryn’ housed more than 100 machines, including 53 sewing machines and 45 knitting machines. Robert Blake was “a passionate advocate for wool and Australian Made” throughout his whole life. A strong thread that ties through the lifespan of Robert Blake and Kathryn Knitwear is a balance between adopting new innovations without sacrificing the core values of durability, comfort, care and style that had made the brand so well known. Their legacy forms an integral part of both Australian social and manufacturing history.Orange jumper with multicoloured heathered tweed effect, white stripe accent on neck, upper arm and sleeve cuffs, two patch pockets mounted on diagonal outlined in thread matching accent colour .2 Sample tags with manufacturing information, including sizes and colours available, as well as knit swatch samples in colourways Blue Tweed/Sky/Magnolia and Cream Tweed/Magnolia/Pine.1) [tag stitched into back neck] KATHRYN REGD PURE NEW WOOL/ SIZE 6 HEIGHT 120cm MADE IN AUSTRALIA .2) [blue sample label] STYLE 589/Pullover S.47. Wool Tweed. SIZES: 2 4 6 8 PRICE: $9.80 [amended to $10.75 in blue pen] $0.35 [handwritten in blue pen] $11.40 COLORS: Pink Tw/Ochre/Mag, Blue Tweed/Sky/Magnolia Cream Tweed/Mag/Pine. [Crossed out in black ink] March on Del.children's knitwear, children's clothing, clothing, knitwear, jumper, manufacturing, fashion textile production, machine knitting, heathered yarn, tweed yarn, flecked yarn, colourwork