2 'Imperial Typewriter' calendars 1955 and 1958. Have flower decorated covers - one with red writing and one black and white. Published. By GEO Raitt & CO., Pty., Ltd. 15 McKillop Street, Melbourne, C.I. Victoria. Imperial Typewriter Company, Limited, Leicester and Hull, England. With flower illustrations by Margaret Stones.ephemera, mementoes, calendars, lydia chancellor, collection, calendars, ephemera, botany, flowers, illustrations, drawing

Black and white photograph, multiple people, photograph of Debbie Flintoff King, Craig White, and Ian Baker on stage. Bendigo Advertiser description on back of photo: 2 Debbie Flintoff - King Co-host M, Craig White Sportstar winner. Ian Baker Minister of Agriculture 15/3/91 Sportstar Awardsrecreations, sports, awards

Clothing. Light blue satin woman's panties with straight legs - no gussett. Legs trimmed with 3cm coffee coloured lace. One cm turn over hem at waist with 15 cm opening with placket on LHS. Shaping darts on either side of centre front. Two darts on either side of centre back. No fastenings.costume, female underwear, woman's light blue satin panties

Shows tracks up the hillside with passengers riding in carriage down the short course railway at Kalorama. The railway was built around 1950, initially to carry building materials. It was burnt in the 1962 bushfires. Phil McClure gave a talk to the Historical Society 15/8/2009. As a teenager he had assisted with 'Foxie's' operation of the railway.fox's point, scenic railway, stanley neil fox-croft, kalorama

Yields information about the correspondence between the SEC Ballarat and Bendigo offices about the opening of tram tracks for underground services.Carbon copy of a typed letter on quarto green paper, written by the Manager, Mr H. Hornabrook, to the Manager Bendigo ES, copy to Ballarat Manager Electricity Supply seeking information about Bendigo's procedures when excavation for services are made under tram track. Has an SEC date stamp of 15 April 1937.Various initials and notes in red pencil or ink.tram, trams, letters, sec, bendigo, tram track

Diggers & Mining: The Digging - The Diggers. Slide; shows the clothing style of the Gold Rush era, for both men and women. 15 images of people. Slide reads; (von Guerard ) Some Ballarat Diggers. As to dress, anything did on the diggings. Black and white slide. Markings: 51 994.LIF:6. Used as a teaching aid.hanimounteducation, tertiary, goldfields

Two red covered auction catalogues for an auction held at the Gold Mine, Clunes on 15 March, 1941. Sale comprised of Winches, boilers, pumps, wire ropes, piping, rails, poppet legs, cages, tanks, trucks and tools, etc. Contains descriptions of the larger machinery. J. H. Curnow & Son were the auctioneers.business, auctioneers, j h curnow & son pty ltd, ian dyett collection - auction catalogue - gold mines - clunes, clunes goldfields (1931) limited, j h curnow & son, j l jamieson, the cambridge press

Music Programme of the Bendigo Operatic Society. "The Arcadians", a musical comedy in three acts, production by Norman Lee. Tuesday, Thursday and Friday, 24th, 26th, 27th April, 1956 at 8pm. Approx 15 pages, printed in purple. Programme consists of advertisements, lists of people involved, back story to production, acknowledgements and synopsis of scenes.music, theatre, programme

The album originally started as a the Geelong album and remnants of photos hinges and notes left on the sheets. Has some 101 black and white photographs. All of the photographs would have been obtained from his correspondents. Cities include: Bendigo steam loco and carriage - tram 1895 Dusseldorf Bonn Essen Halle Hamm Herford Gladbach Hamburg Bremen Duisburg Wupertal Bamberg Koln Munich Wuppertal - schwebebahn Salzburg The Hague Amsterdam Montreux Geneva Athens Odessa Moscow Brux Onaden Berlin Augsburg Heilbron Waldenberg Darmstadt Mannheim Remscheid Belgium Hagen Lille Aachen Heidelberg Duren Bremen Worms Wurzburg LeipZig Copenhagen Linz Brussels Dortmund Nuremberg Hannover Letmathe Kustrin Leige Emden Amiens Trieste Rome Naples Le bourget-du-lac Grenoble Madrid valenciaHas a strong association with Wal Jack and his collecting of tramway history / developments until 1964.Brown covered bound album with word "Scrap Album on front cover, with dark brown paper inside covers holding some 15 sheets of card on which photos have been mounted using photo corners of various types, captions in black ink with some labels pasted under the photos in black ink. trams, tramways, europe

Map of 15 residential allotments for sale, with seven rubber-stamped SOLD and one with handwritten notation "$5650 1968". Subdivision includes Barrow Drive and Barnic Road, Heathmont. Agent - H.G. McLean & Associates Pty. Ltd., 166 Canterbury Road, Heathmont Vic., 3135, Telephones : 870-3422 A/hrs 870-5879.

"Hercynia" was the largest vineyyard in the Bendigo District. It was started by Carl Wilhelm Greiffenhagen (William) and his cousins, twins, Carl and August Heine. The first vine cuttings were planted in 1860. The partners owned 300 acres at Axe Creek and in 1862 had 24 acres under vines and an orchard of 4 acres. By 1884 they had expanded to 30 acres of vines. They produced many award winning wines. August Heine ( 1832 - 1898) was born in Germany and came to Australia in 1854 with his twin brother Carl and their cousin William Greiffenhagen. Initially the three took up mining successfully but then the partnership bought 300 acres at Axe Creek and planted a vineyard. They also grew fruit and crops to feed the working horses. In 1870 August sold his interest in the vineyard and set up his own smaller vineyard at Sheepwash Gully. He had several business interests before he took up the caretaker position at the newly dug Weeroona lake, a position he held until his death. Carl Heine sold his interest in the vineyard in 1873 and returned to Germany. WIlliam Grieffenhagen (1834-1916) continued his very successful vineyard until the region was hit with a highly infectious vine disease in 1893. Although his own vines escaped infection, he was within the 2 mile quarantine area and was forced to dig out all his vines. He never replanted but depended on his orchard instead. He was a founding member of the Bendigo Agricultural Society and a local Shire councillor for several years. In 1870 he married Margaret Boyd.Binder containing information relating to Greiffenhagen's cellar (Hercynia Vineyard) 1860 - 1991 including black and white photographs & maps, compiled by John Houlahan as a third year thesis whichnis pat of the assessment for a Bachelor of Arts (Social Science) degree. Donated to the German Society 15/2/96 by the Grandfather of author Jack Houlahan.John Houlahanbook, bendigo, wineries, bendigo-history-axe creek- wineries- german

Black and white photograph of Q class tram 198 at Preston Workshops c1948. The tram was built in 1923 at MMTB's Holden Street Workshops and was later converted to Welding Car Loco No 15 (later No 15W). See page 79 of Destination City 5th Edition for another photo of this tram in storage at Preston Workshops in 1958.trams, tramways, q class, preston workshops, tram 198

Newspaper cutting from The Age featuring a photo of the flying tram that was used at the opening of the Commonwealth Games in Melbourne 15/3/2006. See https://en.wikipedia.org/wiki/2006_Commonwealth_Games_opening_ceremony - accessed 7/8/2019. Set of two cartoons featuring a Petty cartoon over the Sydney Opera House and Golding cartoon and ticket inspectors.trams, tramways, commonwealth games, cartoons, events, museum, ticket inspectors, w class

Set of two Agfa Colour slide, cardboard mount, by Keith Caldwell dated undated, possibly March 1960, of: .1 - SW6 926 (City route 64) inbound St Kilda Road, with another tram behind outbound. The Shrine of Remembrance Gardens are on the left. .2 - W2 359 (Moreland Route 15), ditto.trams, tramways, st kilda road, route 64, sw6 class, w2 class, tram 926, tram 352, route 15

Five small booklets about the history of Cobham in Kent, England published by Edwin Harris in 1909 and 1910. Titles include 'Cobham Park and Estate, 'Cobham Church and its Brasses', 'Cobham College', 'Cobham Hall' and 'The owners of Cobham Hall'. Each booklet consists of about 15 pages of information and advertisements for local businesses.tui mitchell collection, cobham hall, edwin harris

Separate to the combined Visual Arts exhibition held at the Mt Helen Campus, the third year graphic design exhibition ran from 15 to 24 October 1996 at the ANZ Gothic Bank, Corner Collins and Queen Street, Melbourne. Exhibition opened by invitation on Tuesday 15 October 1996 at 6.00pm. The brochure features "mug shot" style photos of each student along with their name and (presumably) birth year. See item 29161.3 (CD Rom) for further information and screen captures.University of Ballarat, Bachelor of Art (Graphic Design) Graduate Exhibition and promotional material, 1996. 20pp concertina fold brochure, four colour process offset print plus varnish.university of ballarat, federation university, graphic design, mark molloy, hilario vila pouca, gavin nash, robert connelly, paul lynch, ross morgan, w hewitt, j patella, j jones, r braybrook, t roth, c dorrington, b tiley, k mibus, j rowland, k gration, b marshall

When this Charter was issued in 1958 J Green was the State Superintendent. The Methodist Girls' Comradeship was formed in 1918 with the first Branch being in Bondi, NSW. There were three sections: Junior Rays, 8 - 11 years; Senior Rays, 11 - 15 years and Comrades, 15 years and over. The aims of the MGC was to "challenge young people with the saving power of Jesus Christ and provide avenues of christian service" and "to provide for the spiritual, social, physical and educational welfare of the members". The MGC's motto was "The Utmost for the Highest".Cream coloured charter with blue and gold print and handwritten information.."Traveller's Joy Branch No 292" "J Green" "6th May 58"methodist girls' comradeship, methodist girls' comradeship rays' section, methodist church of australasia, j green state supt., traveller's joy branch no 292

The Methodist Girls' Comradeship was formed in 1918 with the first Branch being in Bondi, NSW. There were three sections: Junior Rays, 8 - 11 years; Senior Rays, 11 - 15 years and Comrades, 15 years and over. The aims of the MGC was to "challenge young people with the saving power of Jesus Christ and provide avenues of christian service" and "to provide for the spiritual, social, physical and educational welfare of the members". The MGC's motto was "The Utmost for the Highest". A gavel was part of the MGC Branch equipment. Small wooden handmade gavel.methodist girls' comardeship

The photo shows the Geelong scrubber on the front of No. 2 road with No. 16 behind and No. 19 alongside. One of a set of photos was taken between 15/2/1956 and 3/3/1956 when services operated only between Belmont and North before the final closure of the Belmont route on 25/31956 and that bogie tram 31 is not shown on the board, having gone to Ballarat on 15/2/1956 - see item 5554. See item 8213 for an article on the Geelong system by Keith Kings. Yields information about the Geelong operations toward the closure of the tram system and in particular the Geelong scrubber or track cleaning tram.Black and white Negative - 120 sizetramways, geelong, geelong depot, scrubber, geelong 16, geelong 19

Photo shows Tram 38 Mercer Street, near The Esplanade with the destination of Belmont. One of a set of photos was taken between 15/2/1956 and 3/3/1956 when services operated only between Belmont and North before the final closure of the Belmont route on 25/31956 and that bogie tram 31 is not shown on the board, having gone to Ballarat on 15/2/1956 - see item 5554. See item 8213 for an article on the Geelong system by Keith Kings. Yields information about the Geelong operations toward the closure of the tram system.Black and white Negative - 120 sizetramways, geelong, tram 38, mercer st

Photo shows Moorabool St, looking south at the Kardinia Park loop. One of a set of photos was taken between 15/2/1956 and 3/3/1956 when services operated only between Belmont and North before the final closure of the Belmont route on 25/31956 and that bogie tram 31 is not shown on the board, having gone to Ballarat on 15/2/1956 - see item 5554. See item 8213 for an article on the Geelong system by Keith Kings. Yields information about the Geelong tram system.Black and white Negative - 120 sizetramways, geelong, moorabool st, kardinia park loop

Reflections of the Sea was an exhibition of 10 framed montage of photographs from the mission's archive collection showcasing 10 stained glass windows from the St Peter chapel. This exhibition curated by Georgia Melville and Catherine McLay, and funded by PROV and Creative Victoria, was displayed in the World Trade Centre Wharf Gallery in June-July 2013 and toured to Queenscliff Maritime Museum. The photographs of the windows were taken by scientific photographer Justine M. Philip.For over 150 years the Mission to Seafarers in Victoria has continued to meet the welfare needs of seafarers who arrive on Australian shores from around the world. This exhibition presents a selection of stained glass windows and historical photographs from the Mission, to capture a glimpse of some of the people and scenes integrale to this relationship.Cream colour, medium size poster on foamboard with title of the exhibition, a quote by Walt Whitman, an illustration, a quote by Kverndal, statement, ackowledgement and sponsorsreflections of the sea, georgia melville, exhibition, 2013, world trade centre, wtc, justine m. philip, mission to seafarers, flinders street, creative victoria, prov, stained glass windows, arthouse, catherine mclay

Date is approximate. Two original post cards of this image - "Surrey Hills - looking East" - were donated by Stephen Wyatt on 10 March 2012. One is blank; the other has been sent to Mrs A Wyatt, C/O Mrs E Young, 'Grand View', Warburton from daughter Nellie from 'The Quantocks', Surrey Hills - postmarked 10 Dec 1906. There is also a reproduction of this image in a framed collage of Surrey Hills photos.This is the earliest known image of the Surrey Gardens. The layout was originally designed by William Guilfoyle, who also designed Melbourne’s Royal Botanic Gardens.Black and white photo taken from an early postcard. Taken from the roof of a house in Essex Road, it shows the development of housing between Essex and Union Roads and includes the section of land fenced off for the Surrey Gardens with paths roughly laid out, one existing tree but no tree planting. The houses depicted are largely Edwardian timber buildings with corrugated rooves. There are still some vacant blocks. Kirkland on Union Road can be seen in the distance, as can some of the shops along Canterbury Road.Lower LHS within original image: " Surrey Hills - Looking East"; on the rear "No 17" in black pen in top LH corner.edwardian style, residential development, kirkland, essex road, suffolk road, norfolk road, surrey gardens, post card

This tea spoon is from the wreck of the LOCH ARD, a Loch Line ship of 1,693 tons which sailed from Gravesend, London, on 2 March 1878 with 17 passengers and a crew of 36 under Captain George Gibbs. “The intention was to discharge cargo in Melbourne, before returning to London via the Horn with wool and wheat”. Instead, on 1 June 1878, after 90 days at sea, she struck the sandstone cliffs of Mutton Bird Island on the south west coast of Victoria, and sank with the loss of 52 lives and all her cargo. The manifest of the LOCH ARD listed an array of manufactured goods and bulk metals being exported to the Colony of Victoria, with a declared value of £53,700. (202 bills of lading show an actual invoice value of £68, 456, with insurance underwriting to £30,000 of all cargo). Included in the manifest is the item of “Tin hardware & cutlery £7,530”. This teaspoon is one of 482 similar items of electro-plated cutlery from the LOCH ARD site, comprising spoons and forks of various sizes but all sharing the same general shape or design and metallic composition. 49 of these pieces display a legible makers’ mark — the initials “W” and “P” placed within a raised diamond outline, which is in turn contained within a sunken crown shape — identifying the manufacturer as William Page & Co of Birmingham. An electroplater’s makers’ marks, unlike sterling silver hallmarks, are not consistent identifiers of quality or date and place of manufacture. A similar line of five impressions was usually made to impress the consumer with an implication of industry standards, but what each one actually signified was not regulated and so they varied according to the whim of the individual foundry. In this case, the maker’s marks are often obscured by sedimentary accretion or removed by corrosion after a century of submersion in the ocean. However sufficient detail has survived to indicate that these samples of electro-plated cutlery probably originated from the same consignment in the LOCH ARD’s cargo. The following descriptions of maker’s marks are drawn from 255 tea spoons, 125 dessert spoons, and 99 table forks. These marks are clearly visible in 66 instances, while the same sequence of general outlines, or depression shapes, is discernible in another 166 examples. 1. A recessed Crown containing a raised Diamond outline and the initials “W” and “P” (the recognised trademark of William Page & Co) 2. An impressed Ellipse containing a raised, pivoted, Triangle in its lower part and bearing a Resurrection Cross on its upper section (a possible dissenting church symbol reflecting religious affiliation); OR a rounded Square impression containing a raised, ‘lazy’, letter “B” (possibly mimicking sterling silver hallmark signifying city of manufacture i.e. Birmingham) 3. An impressed rounded Square filled with a raised Maltese Cross (the base metal composite of nickel silver was also known as ‘German silver’ after its Berlin inventors in 1823) 4. A recessed Circle containing a Crab or Scarab Beetle image; OR a recessed Circle containing a rotated ‘fleur de lys’ or ‘fasces’ design 5. A depressed Diamond shape enclosing a large raised letter “R” and a small raised letter “D” (mimicking the U.K. Patent Office stamp which abbreviated the term ‘registered’ to “RD”, but also included date and class of patent) Suggested trade names for William Page & Co’s particular blend of brass plating are ‘roman silver’ or ‘silverite’. This copper alloy polishes to a lustrous gold when new, discolouring to a murky grey with greenish hue when neglected. HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only seven in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register The LOCH ARD shipwreck is of State significance – Victorian Heritage Register S 417. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Unrestored tea spoon from the wreck of the LOCH ARD. The spoon design has a flattened fiddle-back handle, with a thin stem or shank, flared collar, and elongated bowl. The spoons metallic composition is a thin layer of brass alloy which has partially corroded back to a nickel-silver base metal. Only 10% of original electroplate seems to be remaining, with another 10% of spoon surface bearing some verdigris. Appears to be a small piece of silver plate from another source stuck to bowl. One of five makers marks is discernible (3) Maltese Cross.flagstaff hill maritime museum, shipwreck coast, great ocean road, loch line, loch ard, mutton bird island, loch ard gorge, electroplated cutlery, loch ard shipwreck, nickel silver, william page & co, birmingham, brass plating, makers marks

Documents relating to various sub-committees of the Bendigo Trust and meeting of the Publicity, Promotions and Tourist Industry Group (3/10/1974); b. Meeting of the Women's Committee (16/9/19740; c. Sub-Committee appointed to make preliminary review of possible projects (Memorandum of Discussion) 11/1/1971; d. Sub-Committee appointed to investigate status of Central Deborah Mine and possibility of opening the mine to the public by Easter 1971, 10/1/1971; Progress Report on Central Deborah Mine - addressed to members of Bendigo Trust, signed A S Roy 21/9/1971.organization, club/society, bendigo trust

Yields information about the 2011 appearance of Hospital Corner.Set of 10 digital images of Hospital Corner, taken by Warren Doubleday on 19-2-2011 for use in BTM web presentation - Hospital Corner. .1 - SE Corner - La Porchetta's .2 - NE Corner - Shell service station .3 - Looking across to SE corner .4 - Looking across to SW corner - Celebrations store .5 - looking across to NW corner and Hospital .6 - ditto .7 - ditto .8 - Drummond St signage on western side .9 - Celebrations store on SW corner .10 - Davis bus turning from Drummond into Lydiard Sts.trams, tramways, hospital corner, drummond st, sturt st, davis buses

Report - set of 10 A4 landscape sheets stapled in the top right hand corner providing tram and bus reporting for the three months commencing Sept. 1992. 1 - service delivery by percent, buses, trams and average - vehicles crewed out of depot 2 - on time running weekdays - tram routes 3 - ditto - government bus routes 4 - complaints 5 - platform staff ratio 6 - platform staff ratio to other 7 - cost per kilometre 8 - priority absenteeism 9 - new workcare claims 10 - kilometres per accident / incident - 1991/1992trams, tramways, accidents, reports, statistics, trams, buses, ptc