Wooden Plaque with Silver Decal of Golf Ball, Tee & Flag & Golf Bag Together With Small Plaques for Engraving Trophy WinnersVietnam Veteran Association Of Australia State Council Quarterly Golf Trophyplaque, golf trophy

Poynter A. 431028 qualified as a pilot on Airspeed Oxford 22-3-44Rectangular blue linen bound hard cover bookRoyal Australian Air Force Flying Log Book. Poynter A. 431028

Adjustable metal operating table with black padded vinyl cushioning white sheet with red cross stitchedDenyer "Major" Model Head End Control 234 Melbourne Australiadenyer operating table

One pair of black Army Boots. Well worn with 12 metal eyelet holes on each side. black laces still intactDunlop - Made in australia. 9/6 MH R6T 355 463clothing, boots, denis gibbons

Certificate of Appreciation from National Heart Foundation of Australia, October 1995

Colour slide in a mount. Snowdon Aviary (1962), London Zoo, London, England. (Architects: Cedric Price and Frank Newby.)Made in Australia / 13 / AUG 64M / 20 (Handwritten) / 4 (Handwritten)slide, robin boyd

Hardcover w/ Dust JacketPlain envelope, Australian Dictionary of Biography Subscription card and Corrigenda insidebiography, dictionary, australian biography, walsh st library

In July 1909, a modest 12-page booklet was put together by members of the fledgling Old Ruytonians Association (ORA) and distributed to the Ruyton Girls' School community. It was one of their first projects, and their aim was to nurture continuing interest in the School among former and current students. They named it "The Ruytonian." At first, The Ruytonian was produced twice yearly, and always bore a plain cover with a simple name banner. Initially, it was the work of volunteer editors from the ORA, but in 1913 they handed the publication over to the first student editors, Esther Gibson and Lucy Tickell. Since that time, the style and content of The Ruytonian has continuously evolved. The biggest shifts occurred in 1942 when it transitioned to a yearly publication, and in 1969 when it moved to a larger A4 format with a cover image specifically selected for that year.The record has strong historic significance as it pertains to the fourth oldest girls' school in Victoria, Australia. Ruyton was founded in 1878 in the Bulleen Road, Kew, home of newly widowed Mrs Charlotte Anderson (now High Street South). Thus, the record can be used as a reference example for research into Victorian school history. The record's significance is further enhanced by its exceptionally well-documented provenance, having remained the property of Ruyton Girls' School since its production.Colour publication printed on white paper. 97 pages.Front Cover: Ruytonian / Charlotte Anderson / Melbourne / Australia / 1878-1988 /ruyton girls' school, the ruytonian, kew, old ruytonians association, yearbook, school, publication, girls school, junior school, senior school, journal, students, teacher

Colour slide in a mount. Unknown locationMade in Australia / B (Handwritten) / Cautious (Handwritten) / Encircled 10 (Handwritten)slide, robin boyd

In April-May 1971, Robin and Patricia Boyd travelled to Honolulu, east coast USA and London. In London he was one of the judges for the Commonwealth-wide entries for the redevelopment of Whitehall and the Palace of Westminster. He was also researching overseas libraries, as background for plans for a new State Library of Victoria.Colour slide in a mount. Harvard Square, Cambridge, Massachusetts, USAInscribed Made in Australia / 13 / AUG 71M1 / Harvard Sq. (Handwritten)slide, robin boyd

In 1964, Robin and Patricia Boyd spent several weeks on a world tour - Boyd took a leading role at the International Design Conference in Aspen and he also visited Chicago, Yale University, and New York’s World Fair. The Boyds then travelled on to England, Finland (especially to see Tapiola), Russia and India to see Le Corbusier's Chandigarh, and also Hong Kong and Thailand.Colour slide in a mount. Tapiola, FinlandMade in Australia / 18 / AUG 64M / 15 (Handwritten) / Tapiola (Handwritten)finland, slide

In 1964, Robin and Patricia Boyd spent several weeks on a world tour - Boyd took a leading role at the International Design Conference in Aspen and he also visited Chicago, Yale University, and New York’s World Fair. The Boyds then travelled on to England, Finland (especially to see Tapiola), Russia and India to see Le Corbusier's Chandigarh, and also Hong Kong and Thailand.Colour slide in a mount. Tapiola Central Tower (1961) Tapiola, Finland. (Architect: Aarne Ervi.)Made in Australia / 20 / AUG 64M / G (Handwritten) / 7 (Handwritten)finland, slide

In 1964, Robin and Patricia Boyd spent several weeks on a world tour - Boyd took a leading role at the International Design Conference in Aspen and he also visited Chicago, Yale University, and New York’s World Fair. The Boyds then travelled on to England, Finland (especially to see Tapiola), Russia and India to see Le Corbusier's Chandigarh, and also Hong Kong and Thailand.Colour slide in a mount. Tapiola Central Tower, Tapiola, Finland, 1961. (Architect: Aarne Ervi.)Made in Australia / 22 / AUG 64M / 18 (Handwritten) / Tapiola (Handwritten)finland, slide

In 1964, Robin and Patricia Boyd spent several weeks on a world tour - Boyd took a leading role at the International Design Conference in Aspen and he also visited Chicago, Yale University, and New York’s World Fair. The Boyds then travelled on to England, Finland (especially to see Tapiola), Russia and India to see Le Corbusier's Chandigarh, and also Hong Kong and Thailand.Colour slide in a mount. Street scene, Bankgkok, ThailandMade in Australia / 12 / AUG 64M / 5 (Handwritten) / Bangkok (Handwritten)thailand, slide

James Watkin (1805–86), Pioneer Missionary. James Watkin was born in Manchester in 1805. While still young he felt the call to preach and in 1830 was accepted as a candidate for the Wesleyan Ministry. In the same year he married Hannah Entwistle and they sailed with a missionary party to Tonga. The work of the mission was jeopardised by prolonged and involved struggles between Christian and non-Christian Tongan chiefs; Watkin faced alone the danger of tribal warfare, but the experience left him depressed and exhausted. On his removal with his family to Sydney in September 1837 he prayed for a return home to England. Instead, when John Jones offered a free passage for a missionary appointed to Waikouaiti, where Jones had a whaling station, Watkin was selected for the post and arrived there in May 1840. Here he established the first mission station in the South Island. Watkin found the whaling settlement of Waikouaiti a centre of violence, licentiousness, and drunken depravity. Thoroughly disliking the corrupted Maoris and convinced that they were doomed to extinction, and disgusted by the brutality and vices of his fellow Europeans, Watkin laboured without hope, in the bitterness of exile and with deepening depression and distress. In spite of an abhorrence for his situation he established schools at Waikouaiti and Matanaka, and stationed partly trained Maori teachers at Stewart Island and at Moeraki. He had a natural flair for languages, preached in Maori four months after his arrival, and compiled an elementary reading book to be printed in Ngai Tahu. In November 1840 Watkin was greatly disturbed by Bishop Pompallier's visit to Otago. When, however, this was followed by Anglican intrusion – for Bishop Selwyn visited Otago in January 1844 – Watkin thought of withdrawing his own Maori teachers and abandoning the field. Never reconciled to his position at Waikouaiti, Watkin was relieved by Charles Creed and in June 1844 he sailed for Wellington, leaving 227 church members in Otago. In 1855 Watkin settled in New South Wales, and was president of the National Methodist Conference at Adelaide in 1862. He retired in 1869 and died on 14 May 1886, at Ashfield, New South Wales. 'WATKIN, James', from An Encyclopaedia of New Zealand, edited by A. H. McLintock, originally published in 1966. Te Ara - the Encyclopedia of New Zealand URL: http://www.TeAra.govt.nz/en/1966/watkin-james (accessed 30 Apr 2018) B & W engraving from a photograph of the Rev. James Watkin.Revd. James Watkin, Australia Engraved by J. Cochran from a Photograph.

Steel Rope Winch with Ratchet wheel. Cable Drum contains ~6m of 10mm dia wire rope.Lettering on Gear Wheel - DAWN MFG CO - 2 TON AUSTRALIA

A sales book for the Brintons design range 'Parkview', acquired when Brintons' Geelong factory closed.W7191 W7191_2 Page 1 of a history of Brintons Carpets. Page 2 of a history of Brintons Carpets. A list of catalogues/items in the Brintons Collection donated after closure of Fellmongers Road factory in July 2008.Brintons Carpets Finest Australian Woven Carpet Brintons Carpets Parkviewfurnishing, brintons ltd (uk) brintons australia pty ltd, sales

full time/ nursing sister AUSTRALIAN OFFICIAL PHOTOGRAPH/ DEPT OF INFORMATIONtextile mills - staff textile mills - history occupational health and safety textile mills, returned soldiers and sailors mill, kidman, mr g. l., textile mills - staff, textile mills - history, occupational health and safety, textile mills

From the Chapman family photograph albumPhotograph on Card backing Possibly William Henderson Vine's Studio 92 and 94 Elizabeth Street Melbourne Victoria Australia

Photo Post Card by Kodak. Glenorchy State School in background. Three rows of children with Head Teachers. Front row children holding flag. 1920's Post Card, Correspondence Address Only, Kodak Australia in Square for Stampstudents, education

Ron Bates in Cycling clothing & championship sash across his chest holding onto his bike seat with his right hand. He has cycling gloves on.Bike has Healing written on it. Australian Junior Road Championship 1935

Note from collector: I would stack plain blankets of the same base colour and arrange them by shade to make up a colour palette. It showed how particular colours were in fashion in the early decades, based mostly around depths of pastel pinks, mints, lemons and baby blues with brighter colours arriving in the 1960s then the browns and oranges in heavier tones in the 1970s. Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Queen Sized, dusty pink blanketGodfrey Hirst/Pure Wool Pelage Blanket/Mothproofed/Made in Australiawool, blanket, blanket fever, godfrey hirst, geelong