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National Wool Museum
Textile - Blanket, Laconia Woollen Mills, 1960s
Collector says: I adore these bright blankets with their labels depicting summer times. For most blanketeers, the Laconia Mexicana is a bit of a holy grail - for the label just as much as the blanket. Laconia made the Mexicana in 1964 and I suspect the Waverley and Onkaparinga came afterwards.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Double sized check blanket, multicolourLaconia/Mexicana/Make Goodnight a Certainty/Pure Lambswool/Made in Australiawool, blanket, blanket fever, laconia, mexicana -
National Wool Museum
Textile - Blanket, Myer stores, 1950s
Collector says: "Once I had gathered a dozen or so blankets, I started noticing the many different labels; where they were made, by who, the logos and fonts used. Then the labels became a thing, then the blankets had to have a label to join the collection. My favourite labels are by Physician, they had at least 4 different labels over the decades but the best has to be the Lady In Bed logo. Physician, Onkaparinga, Eagley and others matched the colour of the label to the colour of the blanket - a nice touch. Strangely, Castlemaine labels were always sewn on the back of the blanket where all the other mills sewed theirs on the front. To this day I always roll or fold a blanket with its label on display."Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. King sized checked blanket, pinks and grey Myrest/Super Lambswool/Made in Australia/Expressly for the Myer Emporium Ltd.wool, blanket, blanket fever, myer -
National Wool Museum
Textile - Blanket, Collins Bros Mill Pty Ltd, 1950s
Collector says: "Once I had gathered a dozen or so blankets, I started noticing the many different labels; where they were made, by who, the logos and fonts used. Then the labels became a thing, then the blankets had to have a label to join the collection. My favourite labels are by Physician, they had at least 4 different labels over the decades but the best has to be the Lady In Bed logo. Physician, Onkaparinga, Eagley and others matched the colour of the label to the colour of the blanket - a nice touch. Strangely, Castlemaine labels were always sewn on the back of the blanket where all the other mills sewed theirs on the front. To this day I always roll or fold a blanket with its label on display.""For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Checked blanket, pink, blue and creamPhysician/Standard Chillproof/Pure Wool Blanket/Mothproofed/Made in Australiawool, blanket, blanket fever, physician, collins bros, geelong -
National Wool Museum
Textile - Blanket, 1950s
Collector says: "Once I had gathered a dozen or so blankets, I started noticing the many different labels; where they were made, by who, the logos and fonts used. Then the labels became a thing, then the blankets had to have a label to join the collection. My favourite labels are by Physician, they had at least 4 different labels over the decades but the best has to be the Lady In Bed logo. Physician, Onkaparinga, Eagley and others matched the colour of the label to the colour of the blanket - a nice touch. Strangely, Castlemaine labels were always sewn on the back of the blanket where all the other mills sewed theirs on the front. To this day I always roll or fold a blanket with its label on display."Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Queen sized checked blanket in apple, pink and lemonIn emblem: V/Viscount/Super Quality All Wool/Made in Australiawool, blanket, blanket fever, viscount -
National Wool Museum
Textile - Blanket, 1930s
Collector says: I'm intrigued to know why this 1930s & 1940s fashion of blanket - with panels of stripes on each end - only came in the colours of pink, baby blue and mint. Over the years I gathered many 'panel' blankets with labels from over a dozen different mills and yet they are all in these 3 colours only.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Double sized blanket, cream with mint stripesThe Walmer Blanket/Guaranteed All Pure Wool and Odorless/Made in Australiawool, blanket, blanket fever -
National Wool Museum
Journal, Patons Style vol. 16
One of a collection of 56 knitting pattern books donated by Mrs Hilma Carruthers. These books had been used by Mrs Carruthers, her mother and her two daughters. This book is volume 16 of a series titled 'Style' produced by Patons and Baldwins. This issue is an unusually luxurious one when compared to most of Patons' knitting books, as it was produced at the time of the Royal Visit in 1954. Thus there is a double page spread (pp. 2-3) of the Government Houses where Queen Elizabeth and Prince Phillip would be staying, and the titles of all the garments have a royal theme.STYLE / P&B / WOOLS / Patons & Baldwins (Australia) Limited / 2'-handicrafts - history knitting, patons and baldwins (australia) ltd athol shmith pty ltd, handicrafts - history, knitting -
National Wool Museum
Label, Blanket
Blanket labels for Physician blankets.Red text and red and black image of woman lying in bed (printed) on white background. 'Holes' around edges used for stitching onto blankets.Physician standard chill-proof pure wool blanket made in Australiaweaving, collins bros mill pty ltd -
Dandenong/Cranbourne RSL Sub Branch
Hat Badge, Between 1980 & 1984
Hat badge 3rd Cavalry Armoured Corps Regiment. Antique silver hat badge Army Reserve. Circular badge in the shape of a wreath with St Edwards Crown above. Under the crown and within the wreath is a scorpion aligned with it's head and claws at the bottom of the badge. Between it's claws it is holding a boomerang embossed with the motto "Resolute".3rd Cavalry Regiment Oceania: Australia accession Number REL 25016. -
Dandenong/Cranbourne RSL Sub Branch
Book, Dennis Edward and Co, The Anglo - Boer War Album, Unknown
Explains history of the Boar WarGreen hard book cover with photos and inscriptions of the Boar War October 11th 1899 till May 1st 1902,Rising Sun (Australia and Great Britain with wreath). Natal and Tasmania inscribed). -
Dandenong/Cranbourne RSL Sub Branch
Memorabilia - Perfume Box including 2 perfume bottles .With booklet "The History of Perfume" .Four photographs with cotton bag with addressees name
Leatherette case with 2 perfume bottles. Booklet "The History of Perfume". 4 Photographs. Cotton bag with receivers name.Miss Frances O'Toole. Somerville Victoria. Australia. Personal messages to addressee. -
Ringwood RSL Sub-Branch
Plaque - Shield - RAAF 13 Squadron, City of Darwin Squadron, Circa 2000
Wooden shield with plastic badge- QE2 crown with northern compass and buffalo hornsCity of Darwin Squadron - Royal Australian Airforce. Motto - Resilient and Ready -
Ringwood RSL Sub-Branch
Equipment, Water Bottle
Blue enamal water bottle Felt cover Cork stopper WW1 leather holder WT Australia stamped leather H with star written on inside of leather -
Numurkah & District Historical Society
Equipment - Chalk pastels (packet)
Cardboard box containing different coloured chalk pastels for drawingReeves Greyhound Pastels Set L12 Made in Australia non injuriouseducation, school, pastels, drawing, art -
Ballarat RSL Sub-Branch Inc.
Flag - Australian Red Ensign (sm)
With map showing "Famous battle-fields of the Australian Forces" printed overfirst world war (ww1), 1914 - 1918, flags, ballarat rsl, ballarat -
Ballarat RSL Sub-Branch Inc.
Photograph - Framed
"Captain Reg Saunders The First Aboriginal Soldier to be commissioned in the Australian Army"photo/pictures, ballarat rsl, ballarat -
Ballarat RSL Sub-Branch Inc.
Mess dress jacket air force, 1970s
Owned by Carol Dale.Navy blue,shoulder boards,brass buttons one pease of uniform from a two part set item num (1324) is other part of the setRoyal australian air force, mess dress, flying officer rank air force, royal australian air force -
Tramways/East Melbourne RSL Sub Branch - RSL Victoria Listing id: 27511
Equipment - AMF Tinned Emergency Rations, AMF (Australian Military Forces) EMERGENCY RATIONS
Olive Drab sealed tin with key to open stuck on top. To open the key slot is slid onto to a tab on the top left side. The key is then twisted around in a clockwise direction until the top is able to be peeled back, to access the contents (unknown) AMF (Australian Military Forces) EMERGENCY RATIONS NOT TO BE OPENED EXCEPT IN EMERGENCYtinned emergency ration -
Moorabbin Air Museum
Manual (Item) - Caribou Aircraft Loading And Lashing Diagrams
AAP 727.911 Australian Military Publication No.7610-66-019-5963 -
Moorabbin Air Museum
Document (Item), Submission To The Committee's Inquiry Into Freight And Passenger Transport To Australia's External Territories Of Christmas, Cocos (Keeling),Norfolk Island. Volume One Submission Nos 1-23
Parliament of Australia. Joint Standing Committee On The National Capital And External Territories -
Moorabbin Air Museum
Document (Item), Submission To The Committee's Inquiry Into Freight And Passenger Transport To Australia's External Territories Of Christmas, Cocos (Keeling),Norfolk Island. Volume Two Submissions Nos 24-30
Parliament of Australia Joint Standing Committee On The National Capitol And External Territories -
Moorabbin Air Museum
Document (Item), Submission To The Committee's Inquiry Into Freight And Passenger Transport To Australia's External Territories Of Christmas, Cocos (Keeling),Norfolk Island. Volume Three Submission Nos 31-44
Parliament Of Australia Joint Standing Committee On The National Capital And External Territories -
Moorabbin Air Museum
Booklet (Item) - Ansett Airlines Your Guide Melbourne Airport Tullarmarine
Ansett Airlines Of Australia Begin Operating From Tullarmarine June 20,1971 -
Moorabbin Air Museum
Booklet (Item) - Ansett Gauges Factors Affecting Their Design And Use
Issued In The Interests Of Munitions Foreman And Their Technicians Ministry Of Munitions Commonwealth Of Australia -
Moorabbin Air Museum
Manual (item) - CAC Collection - RAAF Avon MK 1 Schedule of Spare Parts
Australian Air Publication 7111.003-4 2nd Edition ,March 1968 -
Moorabbin Air Museum
Manual (item) - CAC Collection - RAAF Avon Instructions
Australian Air Publication 711:47 Volume 2 Part 1 -
Kyneton RSL Sub Branch
Plaque, National Servicemens Association of Australia
Commemorative plaqueWooden rectangular plaque, black background with gold lettering.Logo of National Servicemen’s Association of Australia Victorian Branch Inc. Kyneton national servicemen -
Bendigo Historical Society Inc.
Container - TOBACCO TIN WITH KEYS
Small Temple Bar Tobacco tin containing 8 keys, tin with blue, red & gold lettering, Temple Bar Sweet Slice Tobacco, sticker on bottom showing a woman with baby reads You Love Them Fight For Them Join The A.I.F now.Manufactured by the British American Tobacco Co Pty Ltd Melbourne Australiapersonal effects, smoking accessories, toabcco tin -
Kew Historical Society Inc
Photograph - Melbourne & Metropolitan Tramways Board Roster Clerks, Herald Sun Feature Service, 1948
Arthur Henry Miers played for cricket, football and baseball teams in Kew for a number of decades in the first half of the twentieth century. He was born on 22 November 1901, the son of Rodolph Theophilus Miers (1874-1951) and Margaret Frances (Margaretta) Fry (1875-1958). He had two brothers, Rodolph Cecil Miers (1904-80) and Charles Wilfred Miers (1906-88), and a sister Marjorie Elizabeth Miers (1911-84). Arthur Miers died in Kew on 25 January 1966, and after his body was cremated, his body was interred in the Mausoleum of Boroondara General (Kew) Cemetery.Black and white original print positive of M&MTB Roster Clerks, posed leaning over a desk with print rosters. L-R. Eddie Blatchford, Arthur Miers and G Marks.Stamped: "Copyright / Not for reproduction / Herald Sun Feature Service / Melbourne Australia"mmtb, m&mtb, melbourne and metropolitan board of works, arthur miers, eddie blatchford, g marks -
8th/13th Victorian Mounted Rifles Regimental Collection
Functional object - Tankard Drake, 1935 circa
The 20th Light Horse (Victorian Mounted Rifles) was raised in 1920 as part of the 3rd Cavalry Brigade, 2nd Cavalry Division, Citizen Military Forces, with Headquarters at Seymour and depots along the Goulburn Valley from Mansfield to Tocumwal in southern NSW. In December 1941, 20th Light Horse (Victorian Mounted Rifles) converted from horse to mechanised, initially as 20th Motor Regiment. In 1943 redesignated 20th Pioneer Battalion and deployed to Merauke, Dutch New Guinea. The regiment was disbanded at the end of the war, 1945. 20th Light horse was the only light horse unit to serve overseas in WWII. This is one of a collection of pewters presented by officers of a Light Horse regiment drawn from rural and regional Victoria in the period between the World Wars.Silver plated mug with handle and inscribed on side.20th Australian Light Horse Officer's Mess. Presented by Lieutenant J.T.Drake20th light horse, officers' mess, drake j t lieutenant -
Clunes Museum
Sign, 1881
Wooden frame made from chamfered timber. Beveled diamond shape at each corner. Lettering made from wood, covered with coloured paper.Australian Natives Association, Clunes Branch No. 12, September 30th 1881.australian natives association, 1881, a.n.a., clunes no.12