Warrnambool’s first Palais was established in the Hotel Mansions on the corner of Koroit and Kepler Streets and destroyed by fire in 1929. The second Palais was established at the Liberty Theatre in Lava Street. The third Palais was established in the Oddfellows Hall building in Koroit Street in 1939. Dances were held weekly and sometimes more often and attracted musical talent from the Warrnambool district and even from Melbourne with band leaders such as Tommy Davidson and Vin Mills. In 1974 the Warrnambool City Council bought the building and it was used only intermittently for entertainment purposes. Today the building is in private hands and is used for commercial and business purposes. This advertisement is of considerable significance as it comes from the Palais de Danse dance theatre which was important as a social institution in Warrnambool for over 30 years. The advertisement also reminds us of the era (1940s, 50s, 60s) when beauty pageants and Belle of the Ball competitions were popular all over Australia. This is a document in a brown plastic frame with a gold-coloured metal inside edging. The frame has a glass front. The document is a 1954 advertisement for the Palais de Danse dance floor in the Oddfellows Hall in Koroit Street, Warrnambool. The advertisement has black and red printing on a buff-coloured background. The advertisement has an ornamental edge around the printing and a red-coloured photograph of the dance floor. ‘Palais de Danse, Warrnambool, proclaims The Belle of the Western District, The Largest Provincial Competition, Biggest Prizes Ever Offered, The Most Beautiful Girls in the Western District’ etc etcpalais de danse, warrnambool, beauty pageants, warrnambool

Awarded to Robert Crawford for excellence in French at the Third form; Robert (BD 14/3/1865) entered the school on 9/7/1878 and left 31/12/1881. He was Dux of Ballarat College 1881. Four generations of descendants have attended the school. Green cloth cover with ornate gilt decorations and black pictorials on cover and spine; gilt edges; binding breaking but overall fair condition; black and white illustrations throughout; Book plate inside front cover; Ballarat College crest / French / Third from / First PRIZE / Awarded to / R Crawford / CHRISTMAS 1878 / JOHN GARBUTT M A PRINCIPALrobert-crawford, 1878, ballarat-college, john-garbutt, book-prize,

Awarded to Donald Neil Symons for excellence in Scripture during 1926 at Ballarat College. Neil was educated at Ballarat College (Dux 1933) and Ormond College, Melbourne University. He became a Clothing industry leader and was Fletcher Jones' distinguished successor as chief executive of the FJ organisation, and a prominent advocate for the Australian textile and clothing industries, decentralised industry and government support of employee share ownership schemes.Thick, maroon leather-bound book with gold lettering on spine, black wording and detail and gold school crest on front cover; bookplate inside front coverBookplate inside front cover:School crest / Ballarat College / IVA Form / Scripture Prize / (The gift of Mrs Cairns) / Awarded to / Neil Symons / A Richardson BA / December 1926 Principaldonald-neil-symons, cairns, scripture, book prize

Awarded to Donald Neil Symons for excellence in Scripture during 1926 at Ballarat College. Neil was educated at Ballarat College (Dux 1933) and Ormond College, Melbourne University. He became a Clothing industry leader and was Fletcher Jones' distinguished successor as chief executive of the FJ organisation, and a prominent advocate for the Australian textile and clothing industries, decentralised industry and government support of employee share ownership schemes.Medium-sized, maroon, leather-bound book with gold-lettering and decoration on spine and gold school crest on front cover; bookplate inside front coverBookplate inside front cover: School crest / Ballarat College / Sixth-Lower Form / Dux Prize / Awarded to / D N Symons / A Richardson BA / December 1930 Principaldonald-neil-symons, dux, 1930s, fletcher jones

Catalogue card reads, "Ringwood Bowling Club. Mr. Bert Dear, Burwood receives first prize on behalf of J. Delaney. K. McLellan, J. Gorman and J. Warner".

Euphonium with mouthpiece in situPatent Clear Bore contesting Model Class A Exhibition Prize Medals Awarded to J. Higham Ltd. Makers 127 Strangeways Manchester England 58524 Lyons Sole Agenteuphonium, musical instrument

Portrait of a seated old man wearing a blue suit and black tie with hands clasped. Signed (L.r) 'Clifton '87'. Inscribed on reverse: (centre) Archibald Prize '87/Mr. Russ Hinze/ By Clifton Pugh/Box 177 Hurstbridge 3099 / Tel 714 8230clifton pugh, painting, portrait, russ hinze, dunmoochin

Tan coloured floral fabric hardcover novel, Mildred's Boys and Girls by Martha Finley (Martha Farquharson) with black lettering for title and author. Spine has title, author and publisher in black lettering and a coloured flower.fictionA family story of Mildred's life with her children and husband set in the time of the Civil War in America. The Landreths harbour a family of fugitive slaves and fear the possibility of sending fathers, sons brothers and cousins off to fight. Strong religious themes throughout.family life fiction, civil war united states, children's fiction, religious fiction

Children's book of war stories awarded to Don McDonald in 1904. Donated to Whitburgh Cottage museum c1982. Cloth- bound hardcover book with oval-shaped colour plate attached to front cover. Some wear to cover edges. Binding loose but all pages intact. Foxing and miscellaneous marks through out, yellowed pages. Faded gilt-edged pages. Black and white illustrations, colour plate opposite title page. Advertisements back & front pages. 128 pp. Fair condition.Certificate glued to inside cover, 'State School/No. 2253/Second/Prize/Awarded to Don McDonald/Class Third /for/ Year's Work/H. Worthington Head Teacher/Christmas 1904'.mcdonald, childrens literature, whitburgh cottage collection

The Peterborough Sandcastle competition has run for at least 50 years and is a highlight of the summer holiday season. Residents and visitors children all take part and the prizes are traditionally presented by the a gentleman dressed as the Lady Mayoress, with attendants.Significant because it has been a feature of Peterborough for so long.Two pages from the Warrnambool Standard, Mon 24th Jan 2005 with story and photos regarding the Sandcastle Competition at Peterboroughsandcastle competition, peterborough, men's pool, andy wilson, richard beggs, iconic annual event

Between the 1950s and 1970s, road safety was redefined as a medical and social problem, rather than a moral and legal one. This was a time before seat belts. The Road Safety Colouring Competition was a free colouring competition for children, organised by Commonwealth Oil Refineries Ltd., started in August 1954 with the , aims of teaching road safety. There were 1,000 prizes, valued at £1,200. The winner would receive a £100 bursary and a free plane trip with one parent to Canberra to receive the prize from the Federal Minister for Transport, Senator.G. McLeay. This booklet is the one used by the children in Orbost in 1958. This booklet was designed to promote road safety awareness, with messages and activities specifically considered for children. Its aim was to teach road safety in a fun, but educational way. This item was an important educational tool. A booklet of competitions - Road Safety- Victorian Section for Children It was issued by the Australian Road Safety Council. The front cover is blue, red, black and white. It contains crosswords, colouring competitions with entry forms.road-safety competitions-colouring

Marcus WILLS (1972 - ) Born Kaniva, Victoria Marcus Wills is a figurative realist painter who completed an Advanced Certificate of Art and Design between 1989 and 1991 at the Wimmera Community College of TAFE (now Federation University Australia's Horsham Campus). He graduated from the Victorian College of the Arts in 1995, winning the second Brett Whiteley Travelling Art Scholarship in 1999. In 2006 Marcus Wills won the Archibald Prize for his painting of 'The Paul Juraszek Monolith', based on an engraving by Marcus Gheeraerts the Elder. In 2015 and 2016 Marcus Wills has been a finalist in the Archibald Prize. Abstract painting with figuresart, artwork, marcus wills, horsham campus, archibald pize winner, alumni, wimmera community college of tafe, horsham campus art collection

Marcus WILLS (1972 - ) Born Kaniva, Victoria Marcus Wills is a figurative realist painter who completed an Advanced Certificate of Art and Design between 1989 and 1991 at the Wimmera Community College of TAFE (now Federation University Australia's Horsham Campus). He graduated from the Victorian College of the Arts in 1995. he won the second Brett Whiteley Travelling Art Scholarship in 1999. In 2006 Marcus Wills won the Archibald Prize for his painting of 'The Paul Juraszek Monolith', based on an engraving by Marcus Gheeraerts the Elder. In 2015 and 2016 Marcus Wills has been a finalist in the Archibald Prize. Framed drawing of Winston Churchill.art, artwork, marcus wills, winston churchill, horsham, horsham campus art collection, archibald prize winner, alumni, distinguished alumni

'Interweave One' is a quilt made by Judy Turner in 2000. It consists of a woollen background and coloured woollen yarn which have been machine couched to the background. The techniques used to make it include quilting and machine couching. This quilt was an entrant in "Expressions 2000: the wool quilt prize"; an acquisitive exhibition held by the National Wool Museum from 16 Sept. 2000 to 3 Dec. 2000 (extended until 2 Feb. 2001) for contemporary art quilts, with the first prize winning $2000. 'Interweave 1' was selected as a highly commended entrant of this exhibition. It was catalogue entry no. 21.Quilt, black woollen background with coloured woollen yarn couched to the surface in a cross pattern.INTERWEAVE ONE / 76 X 126 CM / 2000 / JUDY TURNER / 31 BERTEL CRES / CHAPMAN / ACT 2611 / AUSTRALIA / PH 02 62886465quilting handicrafts, quilting, handicrafts, judy turner, expressions, wool quilt prize, national wool museum, quilt

Single sided blue, red, black and white card with printed and hand written text, with decorative border. HIGHEST PRICE WOOL / Elders PASTORAL / J. F. & H Norris / SALE Geelong / DATE 10-9-91 / BRAND JFN/ROMANI / PRICE 1050c / DESCRIPTION SupAAAFM / BALES 6 / 17.4 MICRONS / 71.1% Yield / The above wool recorded the highest price / in the superfine section of the Elders Pastoral / catalogue offered in this series / [signature ? G Blood]wool auction, catalogue, wool bales, sale, wool growing, agriculture, industry, geelong, elders, woolbrokers, prizes

Graeme DRENDEL (1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who believes you should paint what you know. He studied Art Teaching at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing a Diploma of Teaching Art and Craft at Melbourne State College in 1974. While studying in Ballarat Graeme lived in the student hostel 'Beaufort House'. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. The isolation he portrays through his characters may relate back to the isolation he felt on the wheat farm he grew up on. As a prolific user of sketchbooks Graeme Drendel records close observations, which can inform his paintings. Graeme Drendel is regularly a finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. Two objects hang from a timber structure.graeme drendel, printmaking, silkscreen

Graeme DRENDEL (1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who believes you should paint what you know. He studied Art Teaching at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing a Diploma of Teaching Art and Craft at Melbourne State College in 1974. While studying in Ballarat Graeme lived in the student hostel 'Beaufort House'. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. The isolation he portrays through his characters may relate back to the isolation he felt on the wheat farm he grew up on. As a prolific user of sketchbooks Graeme Drendel records close observations, which can inform his paintings. Graeme Drendel is regularly a finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. Two objects hang from a timber structure.graeme drendel, printmaking, silkscreen

Graeme DRENDEL (1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who believes you should paint what you know. He studied Art Teaching at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing a Diploma of Teaching Art and Craft at Melbourne State College in 1974. While studying in Ballarat Graeme lived in the student hostel 'Beaufort House'. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. The isolation he portrays through his characters may relate back to the isolation he felt on the wheat farm he grew up on. As a prolific user of sketchbooks Graeme Drendel records close observations, which can inform his paintings. Graeme Drendel is regularly a finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. A etching of a man with a man size goose.graeme drendel, printmaking, goose, fauna

Graeme DRENDEL (1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who believes you should paint what you know. He studied Art Teaching at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing a Diploma of Teaching Art and Craft at Melbourne State College in 1974. While studying in Ballarat Graeme lived in the student hostel 'Beaufort House'. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. The isolation he portrays through his characters may relate back to the isolation he felt on the wheat farm he grew up on. As a prolific user of sketchbooks Graeme Drendel records close observations, which can inform his paintings. Graeme Drendel is regularly a finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. Three etchings showing aspects of a room.graeme drendel, printmaking

Graeme DRENDEL (1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who believes you should paint what you know. He studied Art Teaching at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing a Diploma of Teaching Art and Craft at Melbourne State College in 1974. While studying in Ballarat Graeme lived in the student hostel 'Beaufort House'. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. The isolation he portrays through his characters may relate back to the isolation he felt on the wheat farm he grew up on. As a prolific user of sketchbooks Graeme Drendel records close observations, which can inform his paintings. Graeme Drendel is regularly a finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. An etching with pig. This work was completed during Graeme Drendel's final year at Melbourne State College where he was studying Secondary Art and Craft Teaching and majoring in Printmaking.graeme drendel, printmaking

Graeme DRENDEL (1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who believes you should paint what you know. He studied Art Teaching at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing a Diploma of Teaching Art and Craft at Melbourne State College in 1974. While studying in Ballarat Graeme lived in the student hostel 'Beaufort House'. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. The isolation he portrays through his characters may relate back to the isolation he felt on the wheat farm he grew up on. As a prolific user of sketchbooks Graeme Drendel records close observations, which can inform his paintings. Graeme Drendel is regularly a finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. An etching with a man carrying a calf. graeme drendel, printmaking, calf, cow

Graeme DRENDEL (1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who believes you should paint what you know. He studied Art Teaching at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing a Diploma of Teaching Art and Craft at Melbourne State College in 1974. While studying in Ballarat Graeme lived in the student hostel 'Beaufort House'. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. The isolation he portrays through his characters may relate back to the isolation he felt on the wheat farm he grew up on. As a prolific user of sketchbooks Graeme Drendel records close observations, which can inform his paintings. Graeme Drendel is regularly a finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. An etching with a man carrying two milk buckets.graeme drendel, printmaking, bucket, milk, farmer

Graeme DRENDEL (1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who believes you should paint what you know. He studied Art Teaching at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing a Diploma of Teaching Art and Craft at Melbourne State College in 1974. While studying in Ballarat Graeme lived in the student hostel 'Beaufort House'. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. The isolation he portrays through his characters may relate back to the isolation he felt on the wheat farm he grew up on. As a prolific user of sketchbooks Graeme Drendel records close observations, which can inform his paintings. Graeme Drendel is regularly a finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. An etching of a male doctor or surgeon. graeme drendel, printmaking, doctor, surgeon

Graeme DRENDEL (1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who believes you should paint what you know. He studied Art Teaching at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing a Diploma of Teaching Art and Craft at Melbourne State College in 1974. While studying in Ballarat Graeme lived in the student hostel 'Beaufort House'. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. The isolation he portrays through his characters may relate back to the isolation he felt on the wheat farm he grew up on. As a prolific user of sketchbooks Graeme Drendel records close observations, which can inform his paintings. Graeme Drendel is regularly a finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. graeme drendel, printmaking

A compilation of articles, stories, poetry and illustrations written by men of the ANZACS in Gallipoli. In Nov 1915 a committee was established to produce the publication with cash prizes offered after evacuation correspondents, Charles Bean and Arthur Bazely edited the contributions.160 page soft cover book, brown in colour held by two large staples. Several front pages and one back page loose. Contents cover pictures, stories, poems and other writings set in the ANZAC Campaign.Heading 'THE ANZAC BOOK". "Written and illustrated in Gallipoli by the men of ANZAC". "For the benefit of Patriotic Funds connected with the A.N.Z.A.C." anzacs, gallipoli

'Surveyor of Suburban Environs' was one of the acquisitions from the 1991 Eltham Art Awards (now known as the Nillumbik Prize - and formally the Nillumbik Art Awards). This was the first piece acquired from this award which was suitable for a public space. Nillumbik is referred to as the "Green Wedge" and the sculpture "Surveyor of Suburban Environs" suggests a watchful observer of the surrounding landscape. The sculpture's central motif represents an eye held up on a pedestal by a tail. Its form has been likened to the Eye of Horus, an ancient Egyptian symbol of protection, royal power and good health personified in the goddess Wadjet or 'green one'. This likeness would suggest that the observer or surveyor has a divine status and spiritual connection to its environment. Polished stainless steel sculpture comprising an eye reminiscent of ancient egyptian hieroglyphics, which is held up with a tappered and jaggered tail like pedestal. Concrete base. N/Apublic art, fries, spiritual, eye, stainless steel, goddess, surveyor, sculpture, environment

Presented to Jean Inglis as a prize for winning the textile competition at the 1988 Royal Melbourne Sheep Show. Her entry was a hand spun, woven and dyed wool suit for the Fashions for the Eighties parade competition. Earliest Date: 1988Dark blue felted wool sash with yellow text attached. Test reads "THE AUSTRALIAN SHEEP BREEDERS ASSOCIATION INC. / 1988 WEEKLY TIMES MELBOURNE SHEEP & WOOLCRAFT SHOW / WOOLCRAFT COMPETITION"

Model farm made by the Geelong Handweavers and Spinners Guild Inc. Entered in the 1993 Weekly Times Melbourne Sheep and Woolcraft Show, where it won 2nd prize in the team competition - five different articles made by a team.Model farm made using various textile processes by the Geelong Handweavers and Spinners Guild, 1993.handicrafts knitting, geelong handweavers and spinners guild inc., handicrafts, knitting

This is the article accompanying the photograph (BHA 0039a) of Beryl Robinson as the Australian Honey Queen. She won with a home-made dress, and her prize was £25, a Queen Bee, and one years' profits from the hive headed by that bee.A newspaper article and accompanying photo. Newspaper is Wangaratta's "The Chronicle" Series 1, Volume 2, No. 432 from 1965 newspaper, photograph, robinson, honey, queen, beechworth honey

Book includes a Bookplate which reads: State School 978; F. M. Bradhurst, Head Teacher. Special Prize, 3rd Class. Presented to Rosalinda Heard, By the Board of Advice etc. The school was Smythesdale High School.Hard cover book with red book cloth cover, floral design with flowers and a butterfly. Title and author on the cover.jerusalem, religion, christianity, state schools, education, smythesdale