A wooden shield with metal insignia , In the middle of the igsignia with dark blue centre with a white cross and silver anchor. On top of insignia there is a crown with coloured stones and a ship. Wording on the shield is Royal Australian Navy - Chaplains. For God And CountryRoyal Australian Navy - Chaplains. For God And Countryshield, ran, cerberus collection

A wooden shield with a gold emblem in the centre. In the centre of the emblem is a gold Queen's head with a silver container under her. These are surrounder by dark blue. Above these is the word Queenborough. Under the centre there are three brown objects and written under these are the words Seek And Slayshield, cerberus collection

Our contemporary Judaica collection was developed through a series of exhibitions titled Australian Contemporary Design in Jewish Ceremony I, II and III. For each of the three exhibitions, contemporary artists and crafts-makers were invited to design new objects that could be used to perform the Jewish ceremonies and rituals that had been preserved and developed by Australia’s Jewish community over the last 200 years. This collection now comprises over sixty unique and distinctive objects made using very different methods of production, including tapestry, silver-smithing, carpentry, ceramics and glass-work. These objects have been inspired by a broad spectrum of religious, spiritual, artistic and emotional responses to the ideology and practice of Jewish rituals, as well as deeply considered connections to Australia’s broader culture and landscape.jewellery, judaica

To celebrate Rosh Hashanah (Jewish New Year), Jews eat foods like honey cake and apple dipped in honey. Along with a special prayer, this is a way of asking God for a sweet and happy year ahead. Our contemporary Judaica collection was developed through a series of exhibitions titled Australian Contemporary Design in Jewish Ceremony I, II and III. For each of the three exhibitions, contemporary artists and crafts-makers were invited to design new objects that could be used to perform the Jewish ceremonies and rituals that had been preserved and developed by Australia’s Jewish community over the last 200 years. This collection now comprises over sixty unique and distinctive objects made using very different methods of production, including tapestry, silver-smithing, carpentry, ceramics and glass-work. These objects have been inspired by a broad spectrum of religious, spiritual, artistic and emotional responses to the ideology and practice of Jewish rituals, as well as deeply considered connections to Australia’s broader culture and landscape. judaica, ceramics, jewish new year

Lockheed Lightning P38. One of a collection of 25 model aircraft made by Brian Anthony DOWD The Lockheed P-38 Lightning is a World War II–era American piston-engined fighter aircraft. Silver medium model plane with red, blue & white stars on it's wings. Red & white stripes on tail.model airplanes, lockheed lightning p38.

Lockheed Lodestar plane - One of a collection of 25 model aircraft made by Brian Anthony DOWD The Lockheed Model 18 Lodestar is a passenger transport aircraft of the World War II era.Silver medium model plane with black writing on wingsNCI3347 on wings. United Airlines on sidemodel airplanes, lockheed lodestar

Lancaster. One of a collection of 25 model aircraft made by Brian Anthony DOWD The Avro Lancaster is a British Second World War heavy bomber. The Lancaster conducted a total of 156,000 sorties and dropped 608,612 long tons (618,378 tonnes) of bombs between 1942 and 1945. Large silver medium model plane with black and white circles on wings and side.model airplanes, lancaster.

Mosquito. One of a collection of 25 model aircraft made by Brian Anthony DOWD The de Havilland DH.98 Mosquito is a British twin-engined, shoulder-winged multirole combat aircraft, introduced during the Second World War. Unusual in that its frame was constructed mostly of wood, it was nicknamed the "Wooden Wonder"or "Mossie".Small silver plane with propellers at front and black & white circles on wings & sides. BONA on sidesmodel airplanes, mosquito.

Gloster Gladiator. One of a collection of 25 model aircraft made by Brian Anthony DOWD The Gloster Gladiator was a British-built biplane fighter. It was used by the Royal Air Force and the Fleet Air Arm and was exported to a number of other air forces during the late 1930s.Silver bi-plane with blue & yellow diamonds on top wing and sides with red, white & blue circles. K7984model airplanes, gloster gladiator.

One of a collection of 25 model aircraft made by Brian Anthony DOWD late of EldoradoStearman Trainer. Silver bi-plane with blue & white circle on one top wing & on both sides.model airplanes, stearman

Hawker Demon. One of a collection of 25 model aircraft made by Brian Anthony DOWD The Hawker Hart was a British two-seater biplane light bomber aircraft of the Royal Air Force. Silver bi-plane with red, blue & white circles & black and white checks on top wing & on both sides. Red, white & blue tail fin.K1938model airplanes, hawker demon.

This iron was given to Isobel and Stan Campbell by another woman in Boort Victoria pre 1999 as per the letter attached with the Donation form. These irons were manufactured in Australia as per the printing on the cardboard box and instruction sheet. These self-generating gas irons used methylated spirits in the small tank at the back of the iron. The irons would have been used prior to electricity being available to be connected to a house and used for ironing clothes and other woven material items used by the members of the household.Brown cardboard box with separate lid with black printing on the front and back of box and lid. A heavy silver iron with 13 holes along each side there is a black handle screwed to top of iron and a small round container attached to the back. An instruction sheet. Box front and back - The "STAR"/Self-Generating Gas iron/(Registered)/Is Made In Australia!/By Australian Workers!/From Australian Material!/ Instruction sheet - MADE IN AUSTRALIA/.../The "STAR' is the most economical Iron ever put on the Market , and/being manufactured of the best materials only, will last a life-time./...social history, domestic appliance, irons, george evans collection, isobel campbell, 1990s

Chris. Christiansen had a barber shop in Sunbury and was the photographer in the town from 1895 until 1916. He conducted his business in a building situated on the corner of Evans and Brooks Streets. The Gillies Bridge is situated on the Wildwood Road, just off the Lancefield Road.A mounted sepia photograph of the Gillies Bridge at Sunbury. The mounting is cream with silver writing across the bottom of the photograph. There is a man driving a steam roller (traction engine) across the bridge and another man is standing at the bottom of the bridge on the RHS. The creek and rocks are in the foreground. Cream mounting - 2 cm wide with silver inscriptionsChristiansen / Sunbury Studiosgillies bridge, wildwood road, sunbury, bridges, steam rollers, bulldozers, tractors, christiansen, chris, photographers, george evans collection

Chris. Christiansen was a barber in Sunbury. He also ran a photographic studio from 1892 - 1916. His business was situated on the corner of Evans and Brook Streets. The Gillies Bridge is Situated on the Wildwood Road just off the Lancefield Road.A mounted sepia photograph of the Gillies Bridge at Sunbury. Across the bridge there are three men on a steam roller and one man behind on horseback. There are four men standing across the creek bed. The mounting is cream, 2 cm wide with silver writing under the photo. Cream mounting - 2 cm wide with silver inscriptionsGILLIES BRIDGE / SUNBURY / CHR. CHRISTIANSEN /gillies bridge, wildwood bridge, bridges, horses, christiansen, chris, photographers, animals, steam rollers, sunbury, men, clothing and dress, george evans collection

This hat was worn by members of the Country Fire Authority on ceremonial occasions.A peaked black woollen gaberdine fireman's hat with a black petersham band edged with silver binding. There is a silver badge with the letters CFA- Lieutenant in the middle of the band. On each side there are two silver buttons with 'cfa' stamped on them. Attached to these two buttons is a black plastic band. There is green plastic under the peak. The bowl of the hat is lined with red woven cotton and manufacturing details are stamped in gold. There is a brown plastic band around the headband.(On the inside of the hat) Melbourne 36 1218 / EMERCO / This is your guarantee for quality./ Made in Australia./country fire authority, emerco hats - melbourne, hats, clothing, george evans collection

The knitting needle gauge was used as a guide to the needle sizes used in Britain and Australia before metric measurements were adopted for weights and measures in the mid 1970's.A silver metal knitting needle gauge in the shape of a bell with different sized holes in the middle numbered from 1-5 and slots around both sides numbered from 6-22. These holes were used as a guide to gauge the size of knitting needles. The numbers and lettering have been engraved into the metal.KNITTING / PIN SIZE / IS WIDTH / OF SLOTShandcrafts, knitting, knitting gauge, george evans collection

The small tubes were used to hold lipstick which could be carried in the handbag or small evening bag.A small grey and silver lipstick container. The grey cover slips over the silver base. There is a small lever at the side of the base which released the lipstick up the tube.PAUL / DUVALcosmetics, make-up, paul duval, duval, paul, personal effects, george evans collection

Victorian Railways uniform jacket in navy blue woollen cloth. It has straight sleeves, a standing collar with brown piping and rounded fronts. There are two set- in pockets on the fronts and a breast pocket in the right front lining. The body is lined with a glazed black twill and the sleeves with cream cotton with a longitudinal brown pinstripe. The three pockets are lined with heavy tan twill. There are five metal buttons embossed with a crown and "VR". There is a black cotton tape loop inside the collar.In the breast pocket, in purple ink the initials "GL" or "GI". In the right sleeve lining, an unreadable stamp in purple ink. In the left sleeve lining, pencilled "XB 338" or "X13 338". Behind the buttons is engraved " Superior Quality - Silver Plated".costume, male uniform, civilian, george evans collection

Thought to have been worn at Sunbury Pop Festival early 1970's held on George Duncan's property.Blue denim mens jeans, two silver studs on waist band. Two zipper pockets front and back. Wide bottom flares.on label on waist band "Staggers/RegdTM..."sunbury pop festival, clothing and dress, george evans collection

Hung in Post OfficeWooden red painted background with silver and black painted words. Wire on back for hanging."POST HERE/A.I.F.STAMPS/FIRST DAY COVERS"post offices, george evans collection

This book was owned by Dorothy J Wilson when she worked at the Sunbury Asylum in 1921.Black cloth bound book with silver lettering on spine 245 pages with some black and white drawings.wilson, dorothy (miss), sunbury, sunbury asylum, 1920s, george evans collection

Collection of pre decimal Coins. Copper and Silverstawell

Wilfred Clarence Busse, born in Chiltern in 1898, His family moved to the region during the gold rush and continued to reside in the area, purchasing land adjacent the Murray River. Busse completed his secondary education at Wesley College in Melbourne then studied law at the University of Melbourne. Busse went on to become a barrister, often in the chambers of Sir Leo Finn Bernard Cussen (1859-1933) a judge of the Supreme Court of Victoria. He worked most of his life in Chiltern as a Barrister and Solicitor and gained the unofficial title of historian of Chiltern, leaving behind several manuscript histories and a scrap book. Busse was an avid fictional writer and in 1930 he published two novels. Time spent on a Victorian station in his early twenties, as well as careful documentary research, informed the writing of his historical novels of bush life. "The Blue Beyond; A Romance of the Early Days in South Eastern Australia” and "The Golden Plague: A Romance of the Early Fifties." "The Golden Plague” won the T. E. Role gold medal for the best historical novel which went on to become a best seller. Busse often drew inspiration for his novels from his younger years living Chiltern. His passion for the region lead him to write “The History of Chiltern” which was published in a serial form in the Chiltern Federal Standard from 1922-1923. Wilfred Clarence Busse was a member of Chiltern Athenaeum (where this object is now held) up until his death in 1960, he is buried in the Barnawartha Cemetery. The floral motif on this particular spoon appears to be stylised in the decorative arts and craft style favoured in Europe between 1880-1920 and less representational than examples of Australiana flora captured in silversmithing from the 1850's onwards produced in Australia. It is likely that those producing silverware at the time would be drawing on the decorative arts movement while incorporating elements of the natural beauty in the flora of their newfound environment into the silverware they produced. This spoon seems more likely to have been produced in Europe and imported to the colony. The hallmarks on the handle DON and BP indicate it may have been produced from English electroplating silver which is a more cost effective product than solid silver, most likely produced by Cooper Brothers, Don Plate Works, established in Sheffield in 1866 who distributed silverware in Europe, America and the colonies well into the 1950's.Wilfred Clarence Busse was of social significance to Chiltern, he helped to document the cultural story of the area in his published works "The Golden Plague" and "The Beyond Blue" by recounting his own upbringing in a bush lifestyle. He was a respected Barrister and was the unofficial historian of the Chiltern Athenaeum for many years. This spoon represents a window into the domestic life of this person who was well loved in the area, and it continues its relationship to Busse as well as Chiltern by being held within the very collection he helped to maintain in his life. Domestic objects tell us the story about how people lived, objects of daily use hold particular meaning in that they can tell us the story of an individual, we feel closer to their life and habits, it humanises and connects us across time. Wilfred Busse ate food and he did it from a beautiful silver floral detailed spoon.A silver tablespoon with floral embossed head and hallmarks embossed on reverse handleDON/ BP/silverware, wilfred clarence busse, busse, chiltern, chiltern athenaeum, federal standard, t. e. role, "the blue beyond, a romance of the early days in south eastern australia”, "the golden plague: a romance of the early fifties.", "the golden plague”, wesley college, university of melbourne, sir leo finn bernard cussen, supreme court of victoria, gold rush, murray river, “the history of chiltern”, silversmithing, spoon, decorative arts, floral, flora, australiana, australian flora, arts and craft movement, australian silver, cussen

Wilfred Clarence Busse, born in Chiltern in 1898, His family moved to the region during the gold rush and continued to reside in the area, purchasing land adjacent the Murray River. Busse completed his secondary education at Wesley College in Melbourne then studied law at the University of Melbourne. Busse went on to become a barrister, often in the chambers of Sir Leo Finn Bernard Cussen (1859-1933) a judge of the Supreme Court of Victoria. He worked most of his life in Chiltern as a Barrister and Solicitor and gained the unofficial title of historian of Chiltern, leaving behind several manuscript histories and a scrap book. Busse was an avid fictional writer and in 1930 he published two novels. Time spent on a Victorian station in his early twenties, as well as careful documentary research, informed the writing of his historical novels of bush life. "The Blue Beyond; A Romance of the Early Days in South Eastern Australia” and "The Golden Plague: A Romance of the Early Fifties." "The Golden Plague” won the T. E. Role gold medal for the best historical novel which went on to become a best seller. Busse often drew inspiration for his novels from his younger years living Chiltern. His passion for the region lead him to write “The History of Chiltern” which was published in a serial form in the Chiltern Federal Standard from 1922-1923. Wilfred Clarence Busse was a member of Chiltern Athenaeum (where this object is now held) up until his death in 1960, he is buried in the Barnawartha Cemetery. Likely Silverplate due to the intensity of the tarnishing of the metal, with indecipherable hallmarks on the handle, the method of production and the maker mark are unclear. The delicate swirling fernlike motif on this particular butter knife appears to be stylised in either Art deco the decorative arts and craft style favoured in Europe between 1880-1930's and less representational than examples of Australiana flora captured in silversmithing from the 1850's onwards produced in Australia. It is likely that those producing silverware at the time would be drawing on the decorative arts movement while incorporating elements of the natural beauty in the flora of their newfound environment into the silverware they produced.Wilfred Clarence Busse was of social significance to Chiltern, he helped to document the cultural story of the area in his published works "The Golden Plague" and "The Beyond Blue" by recounting his own upbringing in a bush lifestyle. He was a respected Barrister and was the unofficial historian of the Chiltern Athenaeum for many years. This butter knife represents a window into the domestic life of this person who was well loved in the area, and it continues its relationship to Busse as well as Chiltern by being held within the very collection he helped to maintain in his life. Domestic objects tell us the story about how people lived, objects of daily use hold particular meaning in that they can tell us the story of an individual, we feel closer to their life and habits, it humanises and connects us across time. Wilfred Busse ate food, he buttered his bread and he did it with a wonderfully decorated silver butter knife.A tarnished metal butter knife with engraved and embossed spiral fern details on the knife and handlesilverware, wilfred clarence busse, busse, chiltern, chiltern athenaeum, federal standard, t. e. role, "the blue beyond, a romance of the early days in south eastern australia”, "the golden plague: a romance of the early fifties.", "the golden plague”, wesley college, university of melbourne, sir leo finn bernard cussen, supreme court of victoria, gold rush, murray river, “the history of chiltern”, silversmithing, decorative arts, floral, flora, australiana, australian flora, arts and craft movement, australian silver, cussen, cutlery, butter knife, knife, silverplate

An original artefact from the Joseph H Scammell purchased at an auction of the ships cargo after the ship was wrecked off Point Danger Torquay in 1891.The wreck of the Scammell was a significant event in Torquays history.Small silver spirit stove with four legs supporting a cradle over a spirit burner.shipwrecks great ocean road victoria