Yields information about incidents of an unusual nature that can happen on an operating tramway - the loss of the trolley pole apparatus. The tram is awaiting recovery.Black and White copy photograph of a newspaper photograph taken by The Courier - photo taken 2/08/1971, published 3/08/1971 of No. 17 with broken trolley pole, Barkly St. Has a crewman looking out the door, some children looking out the window and a lady looking at the trolley pole spring mechanism on the ground. The tram has an "Everything's under control in my all-electric kitchen!" roof advertisement. Collected by Alan Bradley from the Ballarat Courier early 1980's. See Excel file "Record of Ballarat Courier Photos SEC era" (Archive Documents) for source of details.tramways, trams, trolley pole bases, barkly st, mt pleasant, accidents, tram 17

Yields information about the way the trams were used in Ballarat by ladies undertaking their shopping, their clothes and the condition of the trams, reflection in the paintworkBlack and White copy photograph of a newspaper photograph taken by The Courier of Shoppers boarding No. 35, Sturt & Lydiard St corner, following a tram strike. Photo taken 11/02/1966, published 12/02/1966. No. 35 has an "Electric Cooking Serves you best" roof advertisement and has a Sebastopol destination. The lady shoppers (passengers) are carrying their shopping in baskets and are dressed in summer clothes. Collected by Alan Bradley from the Ballarat Courier early 1980's. See Excel file "Record of Ballarat Courier Photos SEC era" (Archive Documents) for source of details.On rear stamped "Copyright, The Ballarat Courier Proprietary Limited."tramways, trams, sturt st, strike, passengers, shoppers, tram 35

Series of photos loaned for copying by Thelma Nixon Edgar and Emily Nixon Davis .08 - sepia card of soldier wearing slouch hatfamilies, montague, sam nixon, mary nixon, thelma nixon edgar, emily nixon davis

Two invoices from J. Frank Mamouney - Home Furnishers - One dated 01/11/1956 the other 11/08/1960.business, retail, frank mamouney

Two invoice from doctor Warwick Rosenthal for professional attendance. One dated 01/08/1961 the other 03/05/1961.business, retail, rosenthal

7 Blanchard Court Greensborough, 4 bedroom house, sold 05/02/2018 for $860,000. Previous sales: February 2008 $412,000 and March 1995 $155,000.Real Estate advertising leaflet,1 sheet folded into 4 pages, printed in colour both sides.blanchard court greensborough

The official opening of the Shire of Diamond Valley offices in Greensborough on 26/02/1972. This photograph shows an exterior view of building and assembled scouts taking part in the ceremony.Photographs taken by a member of SDV staff.Photographs from of a folder of 21 colour photographsOn cover of folder "Opening of S.D.V. Office"shire of diamond valley, shire of diamond valley offices 1972, scouts - greensborough

Annual report of the Heidelberg Golf Club. Includes annual report, balance sheet and accounts to 31/01/1960. Annual General Meeting held 08/04/1961.Annual reports found in this collection begin in 1933-34.24 page document. Typed text and black and white photographs. Bound in grey card cover annual reports, financial reports

Newspaper clipping from The Ballarat Times, 17 Oct. 2019, letter from Juliana Addison MP, member for Wendouree, titled "Tip of the hat to trammies", praising the BTM, its volunteers and the recent track renewal. Noted the work of the President Paul Mong. Has a photo of the horse tram in use.btm, letters, horse tram

Official opening of Long Neck Turtle Project, a collaborative community sculpture project at the Lower Plenty Shopping Centre, 21 November 2019.Colour leaflet, printed both sideslower plenty shopping centre, long neck turtle project

Contains advertisements for businesses supporting the Port Melbourne Football Club with the 2019 fixtures for both men and women listed on the last two pages. Dark blue business directory with Port Melbourne Football Club colours & logo on cover.sport - australian rules football, afl, vfl

Paperback WHS student handbook with large colour image of three WHS students. There is a WHS logo in the top left corner and a blue and white pattern in the background.Wangaratta High School 10,11 & 12 Student Handbook 08 individual pathways Edward Street

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: BEECHWORTH CARRIAGE MUSEUM / MARCUSE Reverse: BEECHWORTH NOSTALGIA / BW-08 / B 9 ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program

Annual report of the Heidelberg Golf Club. Includes annual report, balance sheet and accounts to 31/01/1964. Annual General Meeting held 22/02/1964.Annual reports found in this collection begin in 1933-34.24 page document. Typed text and black and white photographs. Bound in grey card cover annual reports, financial reports

The official opening of the Shire of Diamond Valley offices in Greensborough on 26/02/1972. This photograph shows the Australian and British flags flying over SDV offices for the first time.Photographs taken by a member of SDV staff.Photographs from of a folder of 21 colour photographsOn cover of folder "Opening of S.D.V. Office"shire of diamond valley, shire of diamond valley offices 1972

The official opening of the Shire of Diamond Valley offices in Greensborough on 26/02/1972. This photograph shows Sir Rohan Delacombe and Monte Vale (seated), possibly in the Council Chamber.Photographs taken by a member of SDV staff.Photographs from of a folder of 21 colour photographsOn cover of folder "Opening of S.D.V. Office"shire of diamond valley, shire of diamond valley offices 1972, sir rohan delacombe, monte vale

Selection from a collection of photographs given to John Jansson from the Estate of Bill Barrett - Fisheries & Wildlife on Phillip Island441-01: 2nd year growth of Fathom Hen Seeds underwater dormant for 12 years. 441-02: Photo of Bill checking nesting boxes in Rhyll Swamp 441-03: Black & White photo of Bill & helper 441-04: Bee Hive at Rhyll Swamp 441-05: Royal Spoon Bill with 12 eggs 441-06: Ibis Hatchlings 441-07:Chestnut Teal Duck eggs at Rhyll Swamp 441-08: Photo of a painting of a Mallard Duck with 6 ducklings. Descriptions written on back of photographsrhyll swamp phillip island, mallard duck, royal swamp hen, royal spoon bill, bill barrett, chestnut teal duck eggs, beehive at rhyll swamp, fathom hen plants at rhyll swamp, nesting boxes rhyll swamp, john jansson

Seven of a collection of 12 photographs donated by Jill Palmer. Possibly part of series from local Photoshop.Seven small black & white photographs taken around Phillip Island. 357-01: Rocks at Cape Woolamai. 357-02: The Nobbies near the Blowhole. 357-03: Seals on Seal Rocks. 357-04: Main Cowes beach looking west towards Mussel Rocks. 357-05: Cowes Pier and the Killara Ferry. 357-06: Cowes Pier and the War Memorial taken from The Esplanade. 357-07: The Nobbies.357-01: Rocks at Cape Woolamai, Phillip Island. No. 7. 357-02: The Nobbies, Phillip Island. No. 4 357-03: Seals at Phillip island. No. 6. 357-04: The Beach, Cowes. No. 8. 357-05: The "Killara" at the Pier, Cowes. No. 10. 357-06: The Pier & War Memorial, Cowes. No. 12. 357-07: Cowes - Jan 1939.the nobbies phillip island, cowes beach phillip island, cape woolamai, seal rocks, wildlife - seals, war memorial cowes phillip island, cowes pier phillip island, the killara, jill palmer

A collection of postcards donated by Helen Swaine.Five Postcards of Phillip Island. 337-02 - Black & White postcard of "Cora Lynn" Guest House, Cowes. 337-03 - Coloured postcard of "Bayview" Guest House, Cowes. 337-04 - Black & White postcard of the Phillip Island Suspension Bridge. 337-05 - Black & White postcard of the Isle of Wight Hotel, Cowes, Phillip Island. 337-06 - Black & White postcard of the Phillip Island Hotel.337-02 - "Cora Lynn" Cowes, Phillip Island. 337-03 - Bayview Guest House at Cowes (Bulmer Copyright) 337-04 - Murray Views No 5. TheBridge, San Remo, Vic. 337-05 - Murray Views No. 34 "Isle of Wight Hotel" Cowes, Phillip island, Vic. 337-06 - Phillip Island Hotel, Cowes, Phillip island V19.guesthouses cowes phillip island, cora lynn guesthouse, bayview guesthouse cowes, the isle of wight hotel cowes phillip island, phillip island hotel, suspension bridge san remo/phillip island, helen swaine

Three photographs/postcards donated by J Gliddon234-01. Black & White photograph of The Story Map of Phillip Island with allotments shown and extremely detailed information typed on it by Vernon McHaffie. 234-02. Sepia postcard of the penguin rookery on "Little Nobby", Phillip Island. Man sitting on hill looking down at the rookery showing tracks & entrances to burrows. 234-03. Sepia postcard of two people sitting on top of cliff, Headland Rookery, with moulting penguins on their laps. 234-02. "Tom Tregellas" Nature Series No. 1. (Penguins) Phillip Island. Rookery on Little Nobby, showing tracks and entrances to burrows amongst the "pig-face" weed. 234-03. "Tom Tregellas" Nature Series No. 1. (Penguins) Phillip Island. Moulting Burrow on top of Cliff, Headland Rookery, which contained four birds. Note feathers outside burrow.phillip island map, phillip island allotments, vernon mchaffie, wildlife - penguins, penguins phillip island, penguin rookeries phillip island, j gliddon