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Eltham District Historical Society Inc
Photograph, Eltham War Memorial Gates, Main Road, Eltham, August 1996, 1996
Print copies originally located in a small pink (with decorative flowers) album, suede spine, 18 x 18 x 6 cm, 50 page inserts, 100 photo capacity.Roll of 35mm colour negative film, 10 stripsKodak Gold 100-5eltham war memorial -
Eltham District Historical Society Inc
Photograph, Demolition of Eltham Shire Offices, 895 Main Road, Eltham, August 1996, 1996
Print copies originally located in a small pink (with decorative flowers) album, suede spine, 18 x 18 x 6 cm, 50 page inserts, 100 photo capacity. The Shire Offices opened in 1965 and were extended in 1971. The final Eltham Shire Council meeting was held in December 1994 before the forced amalgamations of municipal councils by the Kennett Government. The State-Government-appointed Commissioners (1994-1996) took the decision in July 1996 to demolish the Eltham Shire Offices. The demolition works started within 24 hours of the decision being made.Roll of 35mm colour negative film, 10 stripsKodak Gold 100-5eltham shire office, demolition -
Eltham District Historical Society Inc
Photograph, Demolition of Eltham Shire Offices, 895 Main Road, Eltham, August 1996, 1996
Print copies originally located in a small pink (with decorative flowers) album, suede spine, 18 x 18 x 6 cm, 50 page inserts, 100 photo capacity. The Shire Offices opened in 1965 and were extended in 1971. The final Eltham Shire Council meeting was held in December 1994 before the forced amalgamations of municipal councils by the Kennett Government. The State-Government-appointed Commissioners (1994-1996) took the decision in July 1996 to demolish the Eltham Shire Offices. The demolition works started within 24 hours of the decision being made.Roll of 35mm colour negative film, 10 stripsKodak Gold 100-5eltham shire office, demolition -
Eltham District Historical Society Inc
Photograph, Demolition of Eltham Shire Offices, 895 Main Road, Eltham, August 1996, 1996
Print copies originally located in a small pink (with decorative flowers) album, suede spine, 18 x 18 x 6 cm, 50 page inserts, 100 photo capacity. The Shire Offices opened in 1965 and were extended in 1971. The final Eltham Shire Council meeting was held in December 1994 before the forced amalgamations of municipal councils by the Kennett Government. The State-Government-appointed Commissioners (1994-1996) took the decision in July 1996 to demolish the Eltham Shire Offices. The demolition works started within 24 hours of the decision being made.Roll of 35mm colour negative film, 10 stripsKodak Gold 100-5eltham shire office, demolition -
Eltham District Historical Society Inc
Photograph, Demolition of Eltham Shire Offices, 895 Main Road, Eltham, August 1996, 1996
Print copies originally located in a small pink (with decorative flowers) album, suede spine, 18 x 18 x 6 cm, 50 page inserts, 100 photo capacity. The Shire Offices opened in 1965 and were extended in 1971. The final Eltham Shire Council meeting was held in December 1994 before the forced amalgamations of municipal councils by the Kennett Government. The State-Government-appointed Commissioners (1994-1996) took the decision in July 1996 to demolish the Eltham Shire Offices. The demolition works started within 24 hours of the decision being made.Roll of 35mm colour negative film, 10 stripsKodak Gold 100-5eltham shire office, demolition -
Eltham District Historical Society Inc
Photograph, Demolition of Eltham Shire Offices, 895 Main Road, Eltham, August 1996, 1996
Print copies originally located in a small pink (with decorative flowers) album, suede spine, 18 x 18 x 6 cm, 50 page inserts, 100 photo capacity. The Shire Offices opened in 1965 and were extended in 1971. The final Eltham Shire Council meeting was held in December 1994 before the forced amalgamations of municipal councils by the Kennett Government. The State-Government-appointed Commissioners (1994-1996) took the decision in July 1996 to demolish the Eltham Shire Offices. The demolition works started within 24 hours of the decision being made.Roll of 35mm colour negative film, 10 stripsKodak Gold 100-5eltham shire office, demolition -
Eltham District Historical Society Inc
Photograph, Demolition of Eltham Shire Offices, 895 Main Road, Eltham, August 1996, 1996
Print copies originally located in a small pink (with decorative flowers) album, suede spine, 18 x 18 x 6 cm, 50 page inserts, 100 photo capacity. The Shire Offices opened in 1965 and were extended in 1971. The final Eltham Shire Council meeting was held in December 1994 before the forced amalgamations of municipal councils by the Kennett Government. The State-Government-appointed Commissioners (1994-1996) took the decision in July 1996 to demolish the Eltham Shire Offices. The demolition works started within 24 hours of the decision being made.Roll of 35mm colour negative film, 10 stripsKodak Gold 100-5eltham shire office, demolition -
Eltham District Historical Society Inc
Photograph, Demolition of Eltham Shire Offices, 895 Main Road, Eltham, August 1996, 1996
Print copies originally located in a small pink (with decorative flowers) album, suede spine, 18 x 18 x 6 cm, 50 page inserts, 100 photo capacity. The Shire Offices opened in 1965 and were extended in 1971. The final Eltham Shire Council meeting was held in December 1994 before the forced amalgamations of municipal councils by the Kennett Government. The State-Government-appointed Commissioners (1994-1996) took the decision in July 1996 to demolish the Eltham Shire Offices. The demolition works started within 24 hours of the decision being made.Roll of 35mm colour negative film, 10 stripsKodak Gold 100-5eltham shire office, demolition -
Glen Eira Historical Society
Document - PRAHRAN AND MALVERN TRAMWAYS TRUST
This file has 3 items. 1/Photocopy of Caulfield Conservation Study Report by Andrew Ward dated January 1995 of 6-8 Rusden Street, Elsternwick being former Prahran and Malvern Tramways Trust substation. Report includes image, existing registrations, description of substation building and condition. 2/Original photograph (black and white) of tram shelter at corner of Balaclava Road and Orrong Road, Caulfield North, outside Grimwade House (school), description written on back of photo. 3/Original copy of magazine of the Tramway Museum Society of Victoria Ltd. ‘Running Journal’ Vol 7 No. 3 dated June 1970. Article (pages 3-7) entitled ‘Feeding & Filling, The Story of the Prahran & Malvern Tramways Trust’ written by Graeme Breydon. Article written for the 60th anniversary of the trust which opened for business on 30/05/1910 and describes the establishment and development of Tramways between suburbs of Malvern & Prahran including Elsternwick, Caulfield & Glen Huntly. Article includes 4 images plus map and diagram. Included: Photograph 3: Opening ceremony of tramway extension from Balaclava junction to Elsternwick railway station on Glen Huntly Road dated 13/11/1913. Diagram of various tramway routes including Prahran & Malvern Tramways Trust routes.prahran and malvern tramways trust, p+mtt, tram companies, land transport, public transport, substation, tram shelter, powerhouse, parapet, brick, stuccoed, roof lanterns, historic buildings register, national estate register, national trust register, rusden street, balaclava road, orrong road, hawthorn road, dandenong road, glen huntly road, grange road, elsternwick, elsternwick railway station, caulfield, caulfield north, caulfield railway station, point ormond, grimwade house, breydon graeme, tramcar, edwardian, transport, trams, tram depot -
Glen Eira Historical Society
Photograph - CARNEGIE
24 photographs relating to Carnegie plus 1 slide: 1/Two photographs, one of Koornang Road c.1920’s and one of flower shop rear of library, date unknown. 2/One photograph of Carnegie Post Office c. undated. 3/Two photographs Koornang Road, Carnegie and phone boxes, Carnegie, dated 1914. 4/Two photographs (the same) of an RSL Ball dated 15/08/1937. 5/17 black and white negative photos – reprinted, date unknown, of Carnegie Library, shop front opening Koornang Road. 6/Slide showing Koornang Road, Carnegie looking South. 7/6 photocopied postcards from Valentines Real Photo Series, in album owned by Mrs. Zoe Mason, collected and returned to Pam Speedy (daughter) 12 Wattle Grove, East Malvern, 15/03/1999. Photocopied pages from 1923 Sands and McDougalls included with some prints to give an idea of architecture and other retail trade. 8/Two photocopied prints of Carnegie Flood. 1946 – Koornang Road, shows shopkeepers in street at that time. 9/Two photographs of brick wall advertising the "Argus" newpaper, which closed in 1957. Photos taken in 2011 when building was exposed prior to rebuilding on site.koornang road, rosstown road, carnegie, shepparson street, carnegie library, carnegie post office, mcallister b., glen huntly, glenhuntly, phone boxes, memorial hall, bamfield m., tranmere avenue, carnegie railway station, stations, libraries, post offices, memorial hall carnegie, progress hall, carnegie community singing, social clubs, chadstone progress, newspapers, temminghoff robert, carnegie chamber of commerce, caulfield city council, rob’s chocolate box, rosstown, ross william murray, rosstown railway, elsternwick, oakleigh, city of caulfield, glen huntly road, glenhuntly road, grange road, carnegie primary school, primary schools, murrumbeena, neerim road, dandenong road, koornang park, lord reserve, rosanna street reserve, packer oval reserve, caulfield swim centre, holywood grove, mile end road, mcpherson avenue, munster avenue, rosstown hotel, leila road, methodist church, toolambool street, carnegie theatre, carnegie estate agency – sims and broadbent, woorayl street, estate agents, cowie j. mrs., confectioner, woodhouse e., stationer, mckay jno. a., mckay jonathon, small goods, perry w. b., chemists, kinsman e. h., newsagents, jones a. w., mckee wm., furniture stores, neil geo. m., grocer, truganini road, brick -
Glen Eira Historical Society
Document - St. James Parade, 16, Elsternwick
This file contains two items about this property: 1/Property advertisement dated 6-19/04/2002, which includes three photos (colour) plus gives house details and brief interior features. 2/Hand written details researched by Claire Barton dated 15/03/2013st. james parade, elsternwick, californian bungalows, architectural features, “o’neill estate”, lead lights, bay windows, freane hy b., biggin and scott, glen huntly road, glenhuntly road -
Federation University Historical Collection
Photograph - Black and White, Frank Wright in Academic Gown, 7/6/1919
Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photographic postcard of a seated man in academic gown and cap. The man is holding a cornet in his right hand. The man is Frank Wright.Handwritten in pen on front - Frank Wright 7/6/1919. On Back - Stamped - Richards & Co, Photo, Ballarat; Post Card - Handwritten - Frank Wright A.L.C.M. (Pupil of Percy Code) Passes A.L.C.M. Exam 7th June 1919 with 98 out of a possible 100. Awarded Gold Medal for the highest number of marks in the British Colonies At the age of 17 years.frank wright, academic gown, cornet, percy code, ballarat -
Federation University Historical Collection
Photograph - Photograph - Little Gem tintype, American Studio, Portrait of a Woman
The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, 6 Sturt St Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) A tintype portrait of a woman's head, attached to a card. Printed on the lower edge of the card "Allen & Gove, American Studion, 6 Sturt St, Ballarat"ballarat, american studio, little gem, allen gove, tintype, woman, unidentified woman, photography -
Federation University Historical Collection
Photograph - Little Gem tintype, Portrait of a Man
The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, 6 Sturt St Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .8)A tintype portrait of a man's head, attached to a card. The cheeks have been hand coloured.little gem -
Federation University Historical Collection
Photograph - Little Gem tintype, Portrait of a Woman in a hat
The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, 6 Sturt St Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .9) A tintype portrait of a woman's head, attached to a card. The cheeks have been hand coloured.little gem, woman, unidentified woman, women, photography -
Federation University Historical Collection
Photograph - Little Gem tintype, Possibly American Studio, Portrait of a Boy
The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, 6 Sturt St Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .9) A tintype portrait of a child's head and torso, attached to a card. The boy is wearing a suit and the cheeks have been hand coloured.little gem -
Federation University Historical Collection
Photograph - Little Gem tintype, Portrait of a Woman in a Hat
The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, 6 Sturt St Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) A tintype portrait of a woman's head and shoulders, attached to a card. The cheeks have been hand coloured.little gem, woman, unidentified woman, women, photography -
Federation University Historical Collection
Photograph - Photograph - Black and White, W.G.(Geoff) Little, Open Day at the Former Ballarat Gaol, 1964, 07/03/1964
On 7 March 1964 the Former Ballarat Gaol was opened to the public resulting in a large turnout. These photos were taken during the visit and show various sections, inside and outside, of the gaol. .1) Shows the ground queued up; .2) Front entrance, people starting to move inside; .3) Looking through the bars; .4) view of the curved wall with sentry's walk and guard's tower; .5) Looking through bars to stone wall; .6) Walking down the narrow steps from the top of the wall. This would have been used by guards; .7) Area showing the individual cell doors; .8) People in cell area. An upper level is shown. The gallows is on this level; .9) Stairs leading up to the gallows; .10) Turret above the cell block; .11) Cell area; .12) Cobbled area.Twelve black and white images taken at the open day of the Former Ballarat Gaol, held by the Ballarat Branch of the National Trust on 7 March 1964.ballarat gaol, ballarat school of mines, gaol, bluestone, national trust tours, entrance to gaol, sentry's walk, guard's tower, cells, gallows, stairs to gallows, cobbled area, geoff little -
Federation University Historical Collection
Photograph - Photograph - Colour, Ballarat School of Mines Herald Shield Football Squad, 1983, 1983
The Ballarat School of Mines (SMB) Football team pose for a team photo, wearing the gold and brown football jumper and shorts. The Herald Shield Football Squad results were as follows: 1. SMB 13-15 defeated Sebastopol Technical School 8-12 2. SMB 21-18 Defeated Ballarat North Technical School 7-6 3. SMB 6-3 defeated by St Patrick's College 21-10 Standing left to right: P. Giani, D. Murnane, L. Pery, S. Ching, J. Murphy, I. Porter, D. Lamb, B. Mitras, D. Mooney, S. Mason Seated left to right: A. Gibbs, W. Gordon, D. Newell, Colin McCurry (coach), M. Sharp (Captain), D. Sizeland, J. Conroy, R. Sutton (1st aid) Front left to right: A. Scott, B. Ahrends Absent: S. Bartley, C. Cox, C. Cushion, K. Darcy, D. Graham, D. Hubble, S McConnell, D. Rowe, B. Stone.ballarat school of mines, football, australian rules footballl, herald shield, mccurry -
Federation University Historical Collection
Music Scores, Boosey & Hawkes Ltd, Handwritten sheet music, mid twentieth century
Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Handwritten music scores by Frank Wright, some in his hand. 1). 'The Merry Peasant' by Schumann and arranged in parts for brass band by Frank Wright - 3 pages. 2). 'Threshold' by Frank Wright -9 pages. 3). 'Around the Campfire' in parts - 10 pages. 4).'March (Judas Maccabaeus) by Handel and arranged by Frank Wright for the Boys Brigade (a) is written by Frank in pencil, (b) is written in pen with a brown paper cover. 5). 'Anthony & Cleopatra' arranged for the Boys Brigade (a) in written in pencil, (b) is written in pen. 6). 'O Give Me the Hills' written in pencil - 2 pages 7). 'Beneath this Turf' music by Frank Wright and words written in 1842 by Unknown Author - 3 pages. 8). 'If When that Hour Recalling' music by Frank Wright and poem by Thomas Moore, written in pen for 4 brass parts plus violin - 6 pages. 9). 'So Long', Brass Band arrangement by Frank Wright, written in pencil - 2 pages. 10). 'Gluck: March' arrangement by Frank Wright and written in pencil - 2 pages. 11). 'Occasional March' by Handel, arrangement by Frank Wright and written in pen - 5 pages (3 pages of band parts plus a separate Solo Cornet page). 12). 'Bugle Command: Ceremonial March for Bugles and Brass Band' written by Frank Wright - (a) 6 pages of bands parts plus a separate Solo Cornet page written in pen (b) 4 pages written in pencil and pen. 13). 'Scena' & 'Idyll' - Grade 4 Trombone written by Frank Wright in pen - 2 pages. 14). 'Green Corn' Brass Band arrangement by Frank Wright, written in pencil - 1 page. 15). 'Syrian Air' by Geoffrey Allen and arrangement by Frank Wright, with a buff cover (a) written in pencil - 2 pages (b) photo copy of parts - 2 pages (c) single sheet of music written in pencil, blue pen and red pen with some sections crossed out. 16). 'Gavotte: from the Opera "Rodrigo"' by Handel and arrangement by Frank Wright with a brown paper cover (a) 3 pages written in pencil (b) 3 pages written in pen. 17). 'Tales of Hoffman' arranged by Frank Wright for Brass Band 32 page printed booklet in a buff envelope. 18). 'Will Your Anchor Hold' arranged by Frank Wright for The Boy's Brigade - (a) 2 pages written in pencil with a buff cover plus a page with both pen and pencil notes (b) 2 pages written in pen plus a photo copied page for Solo Cornet. 19). Buff folder of 3 pieces of music written in pen - '1. Riverside', '2. Cenotaph' & '3. London Lights' - 7 pages. 20). 'Preludio Marziale (Martial Prelude)' by Frank Wright (a) written in pencil - 2 pages (b) written in pen - 7 pages (c) 7 page printed copy 21). 'Rondo Theme' (a) music written in pencil on the front of a buff envelope (b) 1 page written in pencil 22). Buff folder with two poems set to music by Frank Wright and written in pen - (a) 'My Heart and Lute' by Thomas Moore - 3 pages plus another 3 pages which may be part of this piece (b) 'The Rose' by Thos Croft (bart) - 3 pages. (c) a Musical Pitch Relation Chart for Pipe Organ. 23). 'Purcellian Suite', Purcell arranged by Frank Wright - 3 pages written in pencil and 4 photocopied pages 24). 'G's pl piano study 27/2/52All hand written 8). Written in pencil on front - You can return this score. Keep parts. 9). Notes to musicians written in pen on page 1. 11). Notes to musicians in pencil on page 4. 13). a correction written in red pencil. -
Federation University Historical Collection
Signs, Ballarat School of Mines, Resumption of Trade Classes for 1911 and 1912, Ballarat
Seven printed cardboard notices / signs advertising the resumption of Trade classes for years 1911 and 1912. .1) Junior Technical School Classes Resume 8 February 1911. .2) Electro-Plating and Typing Classes Resume 7 February 1911. .3) Sloyd and Manual Training Classes Resume 7 February 1912. .4) Processes of Photo Engraving Classes Resume 7 February 1912. .5) Woolclassing Classes Resume 7 February 1912. .6) Carpentry Classes Resume 7 February 1912. .7) Engineering Drawing Classes Resume 7 February 1912. ballarat school of mines, sloyd, manual training, trades, poster -
Federation University Historical Collection
Photograph - Photograph Album, Peter Tulloch Ballarat Academy of Performing Arts photo album
Spiral ring binder photograph album containing 242 colour photographs of Ballarat Academy of Performing Arts students and productions..2 Peter Tulloch .8 Peter Tulloch .24 Wizard of Oz .26 Peter Tulloch .44 Warren Tiller .47 L-R Len Bauska, Peter Tulloch .49 Carousel .53 Chapel at Mercy Convent, Victoria Street, Ballarat East .54 Peter Tulloch .57 Peter Tulloch .58 students at Mt Helen .68 Camp St looking towards Mt Warrenheip .69 from Camp St looking towards Mt Buninyong .72 Ballarat Mechanics Institute from Camp St .75 Craig's Hotel and Ballarat Town Hall .76 Ballarat Post Office .77 Ballarat Post Office .78 Top of Ballarat Mining Exchange .79 Camp St Site pre building Arts Academy .82 Ballarat Trades Hall and ANA building Camp St .84 Mercy Chapel .85 Mercy Chapel .121 Len Bauska .133 Peter Tulloch .134 in Pheonix Mall, Ballarat .141 Ron Edgberg at mic .155 David James in suit in Ballarat Botanical Gardens .156 Steve Bracks, Cr Liz Sheedy .157 Steve Bracks, Cr Liz Sheedy followed by Mayor John Barnes .174 at Mt Helen .191 Daylesford .194 Daylesford mineral water pump .197 L-R geoff Wallis, Anne Saunders, Barry Wemyss, Bob Allen .199 L-R Peter Pilven, Pauline Williamson, Iain Reid .200 VC David James receiving cheque for Camp St redevelopment .201 L-R David James, ?,Gwenda McManus, ?,? .204 L-R Alistair Heighway, Alan Mann, Loris Button .224 6 July 2000peter tulloch, ballarat academy of performing arts, bapa, photograph album, available, steve bracks, david james, liz sheedy, len bauska, alan mann, loris button, peter pilven, warren tiller, arts academy, camp street, ballarat mining exchange, herbert werner frederick de nully -
Federation University Historical Collection
Photograph - Photograph - Colour, Ballarat School of Mines Herald Shield Football Squad, 1983, 1983
The Ballarat School of Mines (SMB) Football team pose for a team photo, wearing the gold and brown football jumper and shorts. The Herald Shield Football Squad results were as follows: 1. SMB 13-15 defeated Sebastopol Technical School 8-12 2. SMB 21-18 Defeated Ballarat North Technical School 7-6 3. SMB 6-3 defeated by St Patrick's College 21-10 Standing left to right: P. Giani, D. Murnane, L. Pery, S. Ching, J. Murphy, I. Porter, D. Lamb, B. Mitras, D. Mooney, S. Mason Seated left to right: A. Gibbs, W. Gordon, D. Newell, Colin McCurry (coach), M. Sharp (Captain), D. Sizeland, J. Conroy, R. Sutton (1st aid) Front left to right: A. Scott, B. Ahrends Absent: S. Bartley, C. Cox, C. Cushion, K. Darcy, D. Graham, D. Hubble, S McConnell, D. Rowe, B. Stone.ballarat school of mines, football, australian rules footballl, herald shield, mccurry -
Federation University Historical Collection
Document - Documents, Ken Clements (BCAE Registrar), Academic Registrar Information, 1972-1988
The collection of material was collected and compiled by Ken Clements, Academic Registrar.A grey cardboard file box with information compiled by Ken Clements, the first Academic Registrar at Ballarat Institute of Advanced Education and Ballarat College of Advanced Education (later Federation Univeristy). The information includes: 1. Ballarat School of Mines advertisement for the Academic Registrar Position 2. Details of Position 3. Ballarat Institute of Advanced Educaton information for Lectureship applicants 4. Copy of Ken Clements application for the position. 5. Principal's Recipt of application note 6. Request to and reference from R.F. Colbourne 7. Request to attend for interview from Deputy Principal 8. Principal's receipt of appointment advice from Ken Clements 9. Ballarat Courier Photo of January 1972 - Deputy Principal H. Trudinger, Principal E.J. (Jack) Barker, Academic Registrar Ken Clements. 10. Plans for storage and operation of student records with Electronic Data Processing 11. Memo to Heads of Departments for current enrolment data, with Academic Registrar duties statement attached for information 12. Subject COding Scheme first draft. 13. "The Developmen of Tertiary Education in Ballarat" a report to the Victorian Minister of Education 14. Director's Advice of change of classification for Ken Clements 15. "Professional Experience Program Report: Ken Clements 1980 16. Sample commuinuicaiton re Registry Stadd traditional end of year function 17. Sample Enrolment Manual 18. Copy of application for La Troe position 19 CAEnews, April - Produced for Registry as an information service for Ballarat College of Advanced Education Staff. Includes infromation on the northwest access to the Mount Helen Campus. Photos include roadworks on Greenhill Road, a rehearsal for the play "Little Malcom", John Langer, Jayne Wilkins, Ian Gomm, Gary Gorman 20. Part of Notes for participants in Conferring Ceremony 21. Ken Clements notes re admission to tertiary education 22. Letterhead re Ballarat College of Advanced Education 23. Memo re 1988 Admission process 24. Staff Club Activities Survey 25. 1988 Enrolment Manual 26. Sundry cards used by registry for public and internal communication, 27. Listing of Ken Clement snad B. Coldwell duties March 1988 28. Docuemnts and memos re classifications of Ballarat College of advanced Education Staff, most are to do with the Academic regsitrar position 29. Notes re Ken Clements leaving Ballarat College of Advanced Education in 1988 30. Ken Clements notes for University of Ballarat Retired Staff Association Newsletter 1997 31. Ken Clements data in Ballarat University College "Biographical Archive of Retired Staff, 1996 32. Listing of some projects undertaken by Ken Clements as a volunteer at the University of Ballarat art and Historical Collection. ken clements, john langer, ian gomm, gary gorman, leslie clements, jayne wilkins, academic registrar, retired staff association, staff club -
Federation University Historical Collection
Drawing - Artwork, Architectural Drawings by Alice Watson, c1930
Alice Watson completed a course of work at the Ballarat Technical Art School, a division of the Ballarat School of Mines. Her complete folio is held by Federation University Australia. Nine works were undertaken at the Ballarat Technical Art School by Edith Alice (Alice) Watson. Seven pencil sketches on paper. Two black ink drawings on paper .1 has sketches on both sides; .2 pen and ink table and chair design; .3 pencil sketch of a castle; .4 sketches on both sides - pen and ink doorway and on reverse pencil and water colour (partly coloured) wallpaper border design; .5 pencil sketch of a well and a church; .6 two pencil sketches of bridges; .7 three pencil sketches - two of partial rooves and one of a bridge drawn from a photo; .8 three pencil sketches - a window, a doorway and a thatched roof cottage; .9 pencil sketches on both sides - a village scene with gateway, church and cottages on one side and trees on the reverse. .3 lrs "A. Watson Pencil Sketch" .4 ink sketch tr "New Door" .5 lrs "Pencil Sketches A. Watson" .6 lrs "Pencil Sketches A. Watson" .7 rs" Pencil Sketch", under bridge drawing "Pencil Sketch from Photo", lrs "A. WATSON" .8 lrs "Pencil Sketches A. Watson .9 Village scene - lrs" A.Watson Pencil Sketch" ballarat technical art school, ballarat technical art school number 10, ballarat school of mines, alice watson, edith alice watson, artwork, architecture, alumni, pencil sketches, sketches of buildings -
Federation University Historical Collection
Photograph - Photographs, Ballarat University College, School of Business formal occasions, 1985-88
These photos came from Mary Hollick when she retired in 2017. Mary worked for more than 30 years and was a senior lecturer in Tourism at what is now Federation University's School of Business. These photos were taken over four years at various events including the Graduation Dinners for the School of Business, conferences and awards ceremonies.Series of photographs of various people associated with the School of Business .1-5) People attending the Walter Robson Graduate Dinner 1986 .6-14) People attending the Graduate Dinner 1987 at the Bell Tower .7) Gerry .8) Bev Sparks lecturer Admin .9) Garry Carnegie lecturer Acc's .11) Director .15-21b) G. Holmes Farewell 1986 .22-24) Graduation Dinner 1985 .25) Brian West 1986 .26) Bev Sparks 1986 .27) Barry Davis 1986 .28) John Wotsko 1986 .29) Mark Brookes 1986 .30) Ron Kemp 1986 .31) Gerry Anderson (Math) 1986 .32) Cathy Mason 1986 .33) Ken Morris, Barry Davis, P Oppenhiem, R Kemp & Denis Shanahan 1986 .34) Management game team 1986 .35) P Oppenhiem 1986 .36) Gerald .37-44) Staff Conference Learmonth Nov 1986 .37) Bus to Learmonth .38) Doug Thac .39) Lunch Conference .40) Working Hard- P Oppenhiem & D Shanahan .41) Walter Robson Centre .42) Ron Jelleff, Doug Thac, Brian West, Adrian Smith .43) L-R - Ron Kemp, Walter Robson, Gary Carnegie .44) Ron Kemp .45) Feb 1987, B Trudinger .46) Cathy, Jan 1987 .47) Ron Jelleff 1986 .48) Andrew Keay 1986 (Feb-Dec) Law .49) 10th Anniversary Ball, 31 Oct 1986 .50) Ball - Dennis Shanahan .51) Ball - Barry Davis .52-55) Launching Management Competition at Craig's Hotel 1987 .56) Susan Parks 1987 (exchange with D Thac) .57) Pat Hope 1987 .58) Pauline (part time) 1987 .59-61) Launching of the Faculty of Business Newsletter (July 87) .62-63) Susan Parks her last working day at BCAE 1987 .64-66) Management Competition 1987 .67-75) Student Awards 1987 .76) Student Awards winning group MANSYM 1987 .77-89) Awards for Excellence 1988 .77) Graeme & Alison King 1988 .78) Alison King 1988 .79) Craig Ower (right) 1988 .80) Director & Jodie Lunn 88 .90) Farewell Bev & Barbara .91 Business & Librarianship Nov 1988 On First page written in blue pen - Walter Robson Graduate Dinner 1986 Under the next 4 photos - Graduate Dinner 1986 On following page - Graduate Dinner 1987 Bell Towermary hollick, ballarat university college, federation university australia, school of business, graduation dinner, walter robson graduation dinner, denis shanahan -
Federation University Historical Collection
Document - Newsclippings, Artafact, Framed covers of VIOSH Newsletters and Advertising, c1995, 1995-1996
Federation University VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree – on the basis of extensive work experience and knowledge..1 Black framed advertisement with grey border,1995. A black and white photo of two coal miners adjacent to a heading "To the coal industry, safety is paramount" - white writing on a red background The advertisement is aimed at the coal industry promoting VIOSH at the University of Ballarat .2 Black framed advertisement with grey border,1995. A black and white photo of two coal miners adjacent to a heading "To the coal industry, safety is paramount" - white writing on a red background The advertisement is aimed at the coal industry promoting VIOSH at the University of Ballarat .3 Black framed advertisement with grey border A black and white photo of a man loading boxes onto a Qantas aircraft next to white writing on a red background - "their reputation may spread across the world" The advertisement is aimed at industry promoting VIOSH at the University of Ballarat .4 Black framed advertisement with grey border, 1995 A black and white photo of a man loading boxes onto a Qantas aircraft next to white writing on a red background - "their reputation may spread across the world" The advertisement is aimed at industry promoting VIOSH at the University of Ballarat .5 Black with gold line framed news article including a black and white photograph,1996. Blue with orange lined mount board. Article titled "A network of OHS news and ideas Subtitle "new identity reflects expanding regional role. The 1st edition of VIOSH Australia News. .6 Black with gold line framed news article including a black and white photograph, 1996. Blue with orange line mount board. Article titled "Grad Dip gets a major refit for 1997" Subtitle - "Course graduates well satisfied" .6 Framer - unknown. Job description attached to verso with tape Markings Framers details verso lls: "Artafact"viosh, viosh australia, occupatonal health and safety, viosh australia graduate diploma, environment systems, hazard controls, occupational health and safety management, anne taylor, robin hood, protector safety travel bursary 1996, viosh australia advertising, university of ballarat advertising, coal mining occupational health and safety, steve cowley, ashok nath, viosh asia pacific, viosh fiji -
Federation University Historical Collection
Book, The Talbot Press Ltd, The Treasury of the Sacred Heart: with Epistles and Gospels, 1950
This book is part of a collection of books, photos and memorabilia donated from the Chatham-Holmes family collection. This little prayer book was owned by Edith Holmes and was presented to her as an enrolled member of the Jesuit Seminary Association.This small blue, leather bound book has the title and a cross printed in gold on the front cover and the title on the spine. There is a picture of Jesus on the title page and the printing in the book is black and some headings are printed in red. It is 125 pages but page 33/34 is missing (The attached red marker ribbon is at this spot). A small card has been taped into the front of the book showing that Mrs Edith Holmes had been enrolled as a member of the Jesuit Seminary Association on 4 January 1967. In the back of the book are taped two pieces of paper, one written in pen with the 23rd Psalm and the other with a typed copy of the Invalids Prayer.In pencil on flyleaf - 18/6 On card written in pen - Douglas Boyd chatham-holmes family collection, edith holmes, treasury of the sacred heart, jesuit seminary association -
Federation University Historical Collection
Photograph - Colour, Chatham-Holmes Collection: Andrew Chatham in the Out House, Kur-a-ruc South, Rokewood, Vic. {circa 1976)
Andrew Chatham, the youngest of Philip and Elizabeth Chatham's 5 children, was born in 1968. In this photo, he looks about 8 - 10 years old. The photo was taken at Rokewood, Victoria on his parent's Western District property, "Kur-a-ruc South" a former part of the Kur-a ruc Station, Rokewood, Victoria purchased by Philip and Elizabeth Chatham in 1964. The family lived at Ascot, 15 miles north of Ballarat, and had regular weekend day trips and Easter holidays picnicking, droving sheep, feeding stock, checking water troughs and dams, hand-weeding Patterson curse, repairing fences, collecting paddock rocks and sugar-gum wood at "Kur-a-ruc South'. Home base for these excursions was either a car, the shearing shed, sometimes a 6-berth caravan and by the mid-1980s a shearer's quarters with an inside toilet. [Jane Dyer (nee Chatham).15 June 2024] chatham-holmes collection, andrew chatham, outdoor shed, toilet facility, rokewood, kur-a-ruc south, rokewood -
Federation University Historical Collection
Photograph, Happy Valley Post Office, c1905
Happy Valley (Victoria) was originally called Lucky Woman's. it is a former gold mining town 28 kilometres south-west of Ballarat.Black and white photo of four men and three women outside the Happy Valley Post Office. One man sits on a horse which stands in front of a carriage. The post office sign includes E.R. - designating Edward VII as the ruling monarch. He sat on the throne from 22 January 1901 to 6 May 1910On front written in ink "Happy Valley Post Office"happy valley, happy valley post office