Red ticket, black printing. Ticket is for Linton Annual Catholic Ball, held 29th August 1952. Ticket price five shillings. "Laidler's full orchestra, novelty dances, excellent supper".Text: ' Linton Annual Catholic Ball / Linton Parish Hall / Friday, 29th August, 1952 / Lidler's Full Orchestra Novelty Dances ' Excellent Supper. 'linton parish hall, linton annual catholic ball, social gatherings, balls

Photograph re 16th Intake National Service 23/4/1969 Recruit Training 20 Platoon D Coy Puckapunyal. Photo in the collection re Peter Ball, refer Cat No 4704 for service/other details Platoon names, surname only. Back row. Russell, Rennie, Carter, Henning, McMurrich, Golding, McLeay, Span, Musgrave, Tinney, Pitt. Fifth row. Flowers, McNair, Coates, Raco (Sam), Moon, Albert, DeJong, Taylor, Morgan, Burrows, Culp. Fourth Row. Wakeling, Fuller (Bob), Melbourne, Guistino, Thorpe, Forbes (Wayne), Alexander, Tirrell (Roger) Ellingham, Bloom, Freeman. Third row. Johnson, Watts, Tellis, Rankin, Whatmough, Goldsmith, Kopke, Thomas (Courtney), Darker, Lonergan. Second row. Russo, Cpl Brabrowsky, Cpl Eather, Cpl Richards, 2nd Lt Boag, Cpl Logan, Cpl Beasley, Robertson, Thompson. Front row. Dann, Hore, Ball (Peter), Luke (David), Clay, Missing. Sgt Simms, O'Donnell, Roberts, McHenry, Harris, Johns, Maher, Parmenta. Served in Vietnam later that is known. Henning, Fuller, Forbes, Thomas, Ball, Luke, Johns. Cpls Eather, Richards & Beasley had already served in Vietnam'. Thorpe served in Malaya later. Black and white photo of 20th Platoon, D Company. Six (6) rows of soldiers in uniform posed on the Parade Ground in front of building at Puckapunyal on 7th June 1969. Photo is in a white frame (wooden) with a glass front. Brown cardboard backboard with built in stand stapled to back.On back written "16th Intake" x "8 x6".puckapunyal, training, photograph, 20th platoon

Black and white copy of original studio photograph showing a man seated cross-legged with one older and two younger ladies standing behind him. The older lady is wearing a dark high-necked dress and the young ladies are both wearing white dresses.daniel cornish, agnes cornish, agnes carne ball, myrtle cornish (mrs morgan), vera cornish (mrs charles roberts), cornish family

Black and white copy of original wedding photograph showing the groom wearing pinstriped pants and seated next to his bride who is standing holding a bouquet. She is wearing a high-necked dress with a brooch at her throat and a flowery veil.dan cornish, agnes carne ball, wedding

The older fenced-off grave without a headstone is that of Cornelius Ford who had a private funeral when he was buried in Sunbury Cemetery on 7 December 1908, aged seventy-one. He is buried in Section H, plots 1 - 4. The registrar was McMahon and the undertaker was Trask. Cornelius Trask conducted a butcher's business in Brook Street and O'Shanassy Street. He also worked for some time as a publican at the Ball Court Hotel. He was also known as Gus.A non-digital black and white photograph of a recently dug grave in readiness for an internment. A short distance from the recently dug grave is a fenced-off grave without a headstone. There are a number of graves with headstones in the middle distance.ford, cornelius., sunbury cemetery

This photograph was in the "Pictorial History of Linton, 1939-1989", p. 40. As LDHS had no hard copy in its collection, a copy was made at the time of the Linton School 150th celebrations in 2017.Copy of black and white photograph which shows Linton School pupils and two teachers proudly displaying the "Aggregate" and "Percentage" shields which they won at the Linton and District Inter-School Sports Association sports day in 1973. A banner reading "LINTON" is behind them.linton primary school no. 880, alex ball [teacher], brian hendrickson [head teacher], sports trophies, inter-school sports day 1973

Back row: 7th from left: Bernice Ball; 2nd last girl on right, Stella Todd; last girl on right, Ella Ching; boy 3rd from right, Bert Godden, behind him David McMillan. Front row: 2nd boy from right, kneeling: Perc Cornish, girl to left, kneeling: Effie Gascoigne.Black and white copy of original photograph, which shows a group of Linton State School pupils with their teacher, most likely Helena Barry, who taught at the school between 1905 and 1911. The photograph is dated c.1910 from the ages of the children who are identified in it. Stella Todd, born 1901, started school in 1906; Bertie Godden and Ella Ching, both born 1899, started school in 1904; Euphemia (Effie) Gascoigne, born 1904, started school in 1909.linton state school no. 880, helena barry, bernice ball, stella todd, ella ching, bert godden, david mcmillan, perc cornish, effie gascoigne

The photograph had been dated 1920, however information from Stephen Holding in 2017 suggests it may have been taken around 1924-1925. This later date is also more probable because the Reverend Albert Horner, a player in the photograph, was only at Linton in the years 1922-1926.Copy of black and white photo of the Linton football team and their coaches Ted Young and Harry Kennedy.linton football club, harry kennedy, ted young, joe millington, harold bennett, cecil ball, george holding, jim black, george black, fred jennings, bill knight, rev. albert george horner, stan black, bill hart

BLACK & WHITE PHOTOGRAPH TAKEN IN ASSEMBLY HALL AT CLUNES TOWN HALL AT JAMES ESMOND FESTVAL BALLNOEL KLEINE MRS.KLEINE GREAT GRANDSON OF JAMES ESMONDlocal history, photography, photographs, events and celebrations, james esmond festival ball

BLACK & WHITE PHOTOGRAPH OF JIM SHORT MP AND MRS. JAN SHORT AT JAMES ESMOND FESTIVAL BALLlocal history, photography, photographs, events and celebrations, james esmond ball

Black and white photograph of pupils and teacher. A child sitting on the ground at the front holds a sign reading "LINTON / PRIMARY / SCHOOL / 1973".Some names of children and teacher inscribed in pencil on the back of the photograph.linton primary school no. 880, william caldow, phillip matthews, darren newell, stuart ching, warrick dickson, russell mcbeath, wayne howlett, rodney evans, alex ball [teacher], elizabeth cincotta, jucinta bartlett, natalie bartlett, jenny kerr, camille bartlett, lynette draffin, julia dean, susan o'beirne, karen kvapil, gary domaschenz, david green, bruce cincotta, craig howlett, andrew draffin

Dr Donaldson (Snr) owned the block of land on the corner of Sussex and Grant Streets, Linton. He had a ten-room house set on the back of the block (where the block backs on to Surrey Street), with a large barn fronting Sussex Street. Other identifiable buildings in the photograph are Ball Brothers blacksmith's shop, the Royal Standard Hotel on the corner of Sussex and Clyde Streets, the Shire Hall, Criterion House and Joseph Shepherd's store. The roof of Oscar Ball's house can be seen.Black and white copy of original photograph which shows houses and other buildings along Sussex Street. The view is to the south (up the hill) from the Ballarat entrance to Linton. A large barn, enclosed by a picket fence, is in the foreground. A cart drawn by two horses, with a man standing next to it, is in the street near the barn. Further along the street, a group of people appear to be wheeling a barrow or cart. Houses and other buildings can be seen along the street.sussex street linton, dr donaldson's barn, ball bros. blacksmith, royal standard hotel, shire of grenville offices linton, criterion house, joseph shepherd's store

Julie Redmond Anne Langman and Lynne Murphy taken at St Brendans Ball Lakes EntranceBlack and white photograph showing Julie Redmond Anne Langman and Lynne Murphy taken at St Brendans Ball Lakes Entrancefundraising, people, schools, social history

Kaye Mackie and partner Glenn Thomas at Rotary Club Deb Ball Lakes Entrance VictoriaBlack and white photograph of Kaye Mackie and partner Glenn Thomas at Rotary Club Deb Ball Lakes Entrance Victoria people, entertainment, social history

Wedding photograph of Lillian Ball and James Carlyle Bennett, who married in Adelaide in 1910. Lillian Ball was a daughter of Oscar Ball and his wife Elizabeth, née Mitchell. James Mitchell Carlyle Bennett was not related to the Bennett family which ran the butcher's shop. He was mine manager at Dawson's Dam.Black and white copy of original photograph showing a seated man in dark suit, holding hat. A lady standing next to man wearing dress, gloves and large floral hat in an outside setting.james mitchell carlyle bennett, lyle bennett, lillian bennett, lillian ball

Photograph shows the home of Ernest Ball and his wife Fanny, née Aust. The small child standing on the verandah has been identified as their daughter Mavis Ball (afterwards Mavis Ruglen).Black and white copy of original photograph showing a double-fronted house with a verandah. A young girl is standing on the verandah. House has decorative trim and iron lace on verandah.ernest ball, buildings, houses, 46 sussex street linton

Black and white photograph of five young women, all wearing high-necked, long-sleeved gowns.ball family, olive ball, violet ball, myrtle cornish, vera cornish, gladys ball

The ball was held in the Parish Hall in October 1947. This was the first debutante ball held in Linton after the end of World War II. Organisers were Mrs H. D. Scott (Doris Scott, wife of the vicar) and Mr & Mrs S. Chasey. Debutantes and their partners were: 1. Lesley Hart – Les Crosier. 2. Shirley Howard – Kevin Knight. 3. Rosemary Gillett – Ian Horne. 4. Grace Hearn – Ivan Grigg. 5. Neta Hearn – Neil Lang. 6. Brenda Megee – Geoffrey Megee. 7. Jean Nicol – Alan Holding. 8. Dawn Lancaster – Eugene Grigg. 9. Betty Cahill – Con Palmer. 10. Alma Whately – Kenneth Holding. 11. Gwyneth Smith – Graham Smith. 12. Joan Kerr – Geoffrey Morrisey. 13. Lorraine Nelson – Edward Cheeseman. 14. Esme McDonald – Carl Hoffman. 15. Ivy Hocking – Martin Cahill. The nine flower girls were: Irene Bennett, Pamela Nicol, Nancy Howell, Elizabeth Scott, Marion Mason, Glenys Leeman, Marlene Megee, Alice Knight and Lois Leeman.Black and white photograph, mounted on card, in protective brown paper cover. Photograph shows debutantes, their partners, flowergirls and organisers of the St Paul's Church of England debutante ball held in Linton in 1947.debutante balls, st paul's church of england linton, mrs h. d. scott, doris scott, elizabeth scott, alice knight, mrs s. chasey

Bruthen Netball team D grade premiers Jane Waterhouse Eileen Brooks Jo Holmers Julie Williams Debbie OKeefe Sue Bromage Brenda Streater Robyn Ball Lakes Entrance VictoriaBlack and white photograph showing Bruthen Netball team D grade premiers Jane Waterhouse Eileen Brooks Jo Holmers Julie Williams Debbie OKeefe Sue Bromage Brenda Streater Robyn Ball Lakes Entrance Victoriasports, netball, clubs, recreation

This is a photograph of Army’s Inter-Service Softball Team that competed in the 3rd Military District, Victoria against Navy and Air Force taken on the 26th of February 1981. The competition was held from the 23rd to the 27th of February 1981. A note on the back of the photo indicated Army’s team came second. It is not known who the winning team was and where the competition was held.This is a photograph of Army’s Team that competed in the 3rd Military District Inter-Service Softball competition against Navy and Air Force, taken in an unknown location in Victoria on the 26th of February 1981. The black and white photo is on photographic paper and was scanned at 300 dpi. It is part of the Army Survey Regiment’s Collection. .1) - Photo, black and white, 1981. Back row L to R: PTE Karen Ball – DSU Broadmeadows, CPL Kay Melton – DSU Puckapunyal, SPR Scheryl Delforce – Army Survey Regiment Bendigo, WO2 Dizzy Dowsett – CARO, LT Jan McFarlane. Front row L to R: SPR Sharon Jones – Army Survey Regiment Bendigo, CPL Donna Sheldrick, CPL Di Chalmers – Army Survey Regiment Bendigo, PTE Karen ???, PTE Jackie Hubbard.Personnel and dates are identified on the back of the photo as well as on paper. royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr

Henry Hurst, after whom Hurstbridge was named, had a hard and adventurous life in the raw colony of the mid 1800s. His tragic end is recounted on his tombstone at the Hurst family cemetery, by Greysharps Road off Arthurs Creek Road erected ‘by a grateful public as a memorial to his heroic self-sacrifice.’ The memorial reads, ‘Sacred to the memory of Henry Facey Hurst (formerly of Hanford Dorset) who while defending his home fell near this spot by a ball fired by the bushranger Burke on October 4 1866 aged 34 years’. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p15This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, hurst family cemetery, hurstbridge, gravestones, henry hurst, memorial

The grave of Thomas Sweeney, former convict turned respectable citizen. The Murray and Sweeney families were both early settlers of the Eltham district and connected by marriage. Their family plots are located side by side in the Catholic section of the Eltham Cemetery. Irish-born Thomas Sweeney is regarded as the first settler in Eltham. He was transported to Sydney in 1823 after being convicted of arson. He was granted his freedom in 1838 and married Margaret Meehan in the same year. They moved to Melbourne and in 1842 Thomas purchased 110 acres beside the Yarra River in the vicinity of present-day Sweeneys Lane. He called the property ‘Culla Hill’ and built a small slab hut (reputedly with Wurundjeri help; Margaret is said to have run an informal hospital for them in return). This was followed in 1846 by more substantial buildings consisting of a three-roomed Irish-style ‘longhouse’ and a barn made of stone and handmade bricks, with doors large enough to accommodate a fully loaded wagon. When the gold rush came, Thomas prospered by selling meat and potatoes to the prospectors, enabling him to purchase a further 308 acres in 1856. He promoted the construction of a bridge over the Plenty River and the establishment of a school at Eltham. Roman Catholic Church services were held at Culla Hill in the early years. When he died in 1867, he was regarded as a respected member of the community. Thomas and Margaret are buried in Eltham Cemetery with many of their descendants. Their first son John continued to farm Culla Hill until his death in 1909. Culla Hill passed out of the Sweeneys' possession in 1939. The house and barn remain today, though lesser outbuildings have gone. The facade of the house is much the same as it was in the 1840s. Sacred To the memory of Thomas Sweeney Who died Sep 6th 1867 Aged 65 years May his soul res in peace Also his wife Margaret Died Oct 3rd 1884 aged 73 years And their daughters Annie Died Aug 22nd 1860 aged 21 years Johanna Died Aug 19th 1872 aged 22 years Margaret Died 7th Sep 1913 aged 72 years R.I.P. Also In Memory Of John Sweeney Died 24th May 1909 Aged 65 years Also of his wife Ellen Died 8th March 1910 Aged 64 years R.I.P Also In Memory Of Caroline Infant daughter of John & Ellen Sweeney Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p55 From the piety and poverty of 19th century Eltham, 20th century artists and environmentalists, to today’s comfortable middle class, Eltham Cemetery records it all — and more. A visit to Eltham Cemetery reveals an important social record since its beginnings in 1858. The cemetery was situated on about six acres (2.4ha) (now around 4.8ha) at the corner of Mount Pleasant and Metery Roads.1* It is thought that Metery Road was originally called Cemetery Road, but in the early 1940s, a resident, possibly a councillor, objected to the name resulting in the change.2 Much can be gleaned about the developing Eltham community from burial styles and the names of former local residents. Originally the cemetery was divided into Christian denominations, like others of that time, following the United Kingdom burial system. In 1861 the cemetery included Church of England, Presbyterian, Roman Catholic and Wesleyans (later Methodist) sites. Graves also indicated social class. Some had grand tombstones, perhaps fenced with ornamental cast iron railing, but most in the 1860s and 1870s were constructed of modest stone slabs.3 This indicated the poverty of the district, which was largely inhabited by farmers on small landholdings. A poignant reminder of the high rates of infant mortality of those times, are the many infants and young children recorded on the headstones. Major changes occurred in the cemetery in the late 20th century as Christian adherence weakened and society became more egalitarian and informal. In the early 1970s a non-denominational lawn section for burials was established. Since then all new areas have been non-denominational to accommodate the more diverse local community. Now, instead of large ornamental headstones, some mourners have chosen boulders, reflecting the natural Eltham style, while others choose graves in the lawn areas or niches in walls. In the late 1970s, the University Donor Section was established north-west of Candlebark Lawn for those who donated their bodies for The University of Melbourne medical research. In the early 1980s the natural Australian garden style, popular in Eltham, was mirrored in a new section called Ashes Walk. Local landscape architect Gordon Ford, who had popularised this style, designed the Walk using boulders shaded by native plants beside curved pathways. Landscape architect Robert Boyle later redesigned Ashes Walk and developed other parts of the cemetery in keeping with this style.4 Appropriately Ford, who died in 1999, was interred in the Native Garden Section in a cluster of sites shaded by a large eucalyptus tree.5 By 2007, about 6400 interments were recorded in the Eltham Cemetery. Close inspection reveals notable names in the district’s history. The grave of Thomas Sweeney, a former convict who became a respected citizen, can be found in the Roman Catholic section near the path. Eltham Primary School’s first headmaster, David Clark, is buried in a modest grave in the Church of England section to the east of the path from the main entrance. Sir William Irvine, Victorian Premier from 1900 to 1902, whose grave is in the north-east Presbyterian section was at various times Victoria’s Chief Justice, Deputy Governor and Treasurer.6 Further south is the grave of social reformer Bertram Wainer, born in Scotland in 1928 and died in 1987. He campaigned to legalise abortion and exposed police corruption in allowing illegal ‘backyard’ abortions. Other prominent local residents interred in the cemetery include: Justus Jörgensen, who founded Montsalvat; Alistair Knox, the mud-brick housing pioneer and Eltham Shire Councillor from 1971 to 1975 and President in 1975; Clem and Nina Christensen, who had a major influence on the literary development of post World War Two Australia. Others were: composer Dorian Le Gallienne; artist Peter Glass; Stephen Dattner, a prominent Melbourne furrier; ALP parliamentarian for Greensborough, Pauline Toner and political scientist and commentator, Professor William Macmahon Ball.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, annie sweeney, caroline sweeney, ellen sweeney, eltham cemetery, graves, gravestones, johanna sweeney, john murray, john sweeney, margaret sweeney, mary ellen drain, mary murray, thomas murray, thomas sweeney

Situated at the eastern end of York Street, Eltham, 'Shinrone', the former home of Professor William (Mac) MacMahon Ball was one of the first in the Shire of Eltham to incorporate mud-brick. Professor MacMahon Ball, a political scientist, writer, broadcaster and diplomat and family moved to York Street, Eltham in 1945 into a timber cottage built around the 1890s and in poor repair. Mac asked Alistair Knox to renovate the home and he expanded the living area and added verandahs. In 1948 Montsalvat artist and sculptor Sonia Skipper supervised the building of most of the mud-brick studio. Neighbour Gordon Ford made the mud-bricks. Mac also asked John Harcourt, who had worked with him as a journalist in shortwave broadcasting, to build a pise (rammed earth) and stone addition to the largely timber house. Harcourt built two bedrooms - including an attic bedroom - a balcony with a shower and toilet, a nd a fireplace and chimney of local stone. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p141 At the eastern tip of York Street, Eltham, stands Shinrone, the former home of one of Australia’s intellectual leaders. Professor William Macmahon Ball, was one of the first to bring Asia as a foreign policy issue to the Australian public.1 He was a political scientist, writer, broadcaster and diplomat. The house was one of the first in Eltham Shire to incorporate mud-brick,2 because of the acute shortage of building materials after World War Two. Its novice builders later become leaders in Eltham’s built and garden design. Mac (as he was usually called), who was the son of a Church of England minister, was born in Casterton, Victoria in 1901 and died in 1986. In 1945 he helped establish the United Nations, as political consultant to the Australian Delegation at the San Francisco Conference.3 Then in 1946 Mac was appointed British Commonwealth Representative on the Allied Council for Japan, which is recorded in detail in his diary.4 In 1948 Mac led an Australian Government Goodwill Mission to South East Asia. However, Mac was perhaps most successful as an academic and public speaker.5 He was a commentator on the Australian Broadcasting Commission, from the early 1930s to the early 1960s. He was also Controller of the Short-Wave Broadcasting Unit during World War Two, which later became Radio Australia. From 1923 he taught at The University of Melbourne, then became foundation Professor of Political Science in 1949 and was Chair until his retirement in 1968.6 In 1942, as the government expected a Japanese invasion, Mac’s wife Katrine and their only child Jenny, moved from Kew to Eltham as temporary evacuees. However Mac and Katrine lived in Eltham for almost the rest of their lives. After staying with friends, they rented a house in Reynolds Road, where, as it was wartime, they needed to keep horses for transport and a cow and poultry for milk and eggs. In 1945 the family moved to the house at York Street, which was then a timber cottage, built around the 1890s and in poor repair. The underground well, cellar and part of the garden are all that remain of what stood on the original 18 acre (7.3ha) allotment. Thanks largely to Katrine’s hard work, the house was gradually renovated and extended. The long rambling house was partially built by several young neighbours, who were inspired by the cheap mud-brick and stone building style of Montsalvat, the Eltham artists’ colony. Mac asked Alistair Knox to renovate Shinrone, named after an Irish village near Katrine’s family home. Knox later popularised the mud-brick style of house construction, for which Eltham became known. He expanded the living area and added verandas. In 1948 Montsalvat artist and sculptor Sonia Skipper supervised the building of most of the mud-brick studio. Another neighbour, Gordon Ford, who was to have a major influence on the Australian garden style, made the mud-bricks. Mac also asked John Harcourt, who had worked with him as a journalist in short-wave broadcasting, to build a pisé (rammed earth) and stone addition to the largely timber house. Harcourt built two bedrooms – including an attic bedroom – a balcony with a shower and toilet, and a fireplace and chimney of local sandstone. With pioneering work naturally came mistakes, including one particularly dramatic incident when Harcourt was building walls with unsupported sections. Jenny Ellis, Mac’s daughter, remembers being awakened from sleep by a thundering shudder. The wall of her room had fallen down – fortunately away from her! In 1950 artist Peter Glass – another neighbour and later landscape designer – built Katrine a mud-brick pottery. As a result, the house features at one end Harcourt’s characteristic steep gable roof, while at the other the flatter construction characteristic of Knox. Mac referred to the home as the Eltham ‘experimental building site’.7 Surprisingly, the combination works, perhaps partly because it has the warm inviting feel of timber, mud-brick and stone.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham, alistair knox, gordon ford, john harcourt, mudbrick construction, pise construction, professor macmahon ball, shinrone, sonia skipper, york street

Most of the men in this photo enlisted during World War I. The photo appears to have been taken long afterwards, possibly during World War II, when these men may have been part of a home auxiliary service.Black and white photograph of seven men wearing army uniform standing in a line.s. stretch, j. kerr, g. holding, g. sharpe, b. richardson, r. ball, w. fitridge

St Margaret’s Church of England was officially opened on December 12, 1861. It is the oldest intact church building in Eltham. At the time it was known as Christ Church until its consecration in 1871, when it was completely free of debt (£1,700 for the church and parsonage) despite the district’s poverty. This was largely due to the free labour and materials, including locally made bricks donated by local artisans and others. The church is historically significant because it is the oldest church in the former Shire of Eltham and has associations with the philanthropist and founder of Brighton, Henry Dendy (who donated the land on which the church is built), the architect Nathaniel Billing and the prominent local builder, George Stebbing. The church is architecturally and aesthetically significant because it is constructed in the Gothic Revival style with several stained-glass windows of various dates and is also a very early use of polychromatic brickwork in Victoria. Billing was one of the first Melbourne architects to employ polychromatic brickwork and an important early architect. The rear wall was intended to be temporary. A major feature of the design is the large buttresses with long, steeply graded upper faces. The overall design is well proportioned with the surface brick patterns relieving an otherwise austere design. The church is spiritually and socially significant because it has been an important place of worship for the people of Eltham for almost 150 years. The land on which the buildings stand was donated by Henry Dendy. Dendy arrived in Melbourne in 1841 after purchasing in England eight square miles at Brighton under the system of "special surveys". After this land passed out of his hands, Dendy moved about Victoria, visited England, then returned to settle in Eltham where he purchased a flour mill. Dendy chaired the meeting held in 1860 “for the purpose of devising such means as may be expedient for the establishment of a Church of England in the township of Eltham”. He became chairman and treasurer of the church committee. Unlike the establishment of many early churches in Victoria where a vicar was appointed to a parish and later a permanent church was constructed, the population at Eltham initiated action to build a church. The nearest church at that time was at Heidelberg and the Eltham settlement was part of the parish of St Johns Heidelberg. Isolation and the tedious, time consuming journey between Heidelberg and Eltham resulted in the Eltham community taking its own action. The original vicarage (Dendy House) at the rear of the church is also an important part of the cultural significance of this place because it is connected to the church and the development of the Eltham area. Together, the church and the vicarage are aesthetically significant because they form a significant streetscape feature. The mud-brick community hall designed by Robert Marshall was added in 1978. In 2014 the original temporary rear wall was removed as part of a modern extension designed by Architects Atelier Wagner and constructed by Conrad Construction and Management. Covered under Heritage Overlay, Nillumbik Planning Scheme. National Trust of Australia (Victoria) State significance Victorian Heritage Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p67 St Margaret’s Anglican Church in Pitt Street, Eltham, which officially opened on December 12, 1861, is the oldest intact church building in Eltham.1 With the nearby courthouse and police station, it was one of the first permanent community buildings in the district. The church and vicarage are on the Register of the Heritage Council of Victoria and the National Trust of Australia – Victoria. The church is important as an early example of polychrome brickwork by the notable architect Nathaniel Billings. It is also notable for its historic associations with the early settlement of the Shire of Eltham and its connection with Henry Dendy, Brighton’s founder.2 Henry Dendy, who lived in Eltham much longer than at Brighton, chaired the original meeting which planned the church, and he donated the half-acre (0.2ha) site. Dendy had arrived in Melbourne in 1841 after buying eight square miles (20.7sq km) at Brighton while in England. After this land passed out of his hands, he eventually settled in Eltham where he bought a flour mill, west from the corner of Main Road and Pitt Street (then called Brewery Lane). The vicarage was named Dendy House after him. The Eltham settlers were unusual in initiating the establishment of a church. Usually in Victoria a vicar was appointed to a parish and then a permanent church was constructed. But then, the nearest church was at Heidelberg, which was a tedious and time-consuming journey. St Margaret’s builder was a local, George Stebbing, who also constructed the former Methodist, later Uniting, Church at John Street and the Shillinglaw Cottage near Eltham’s Central Park. It is believed the first Anglican Bishop of Melbourne, Bishop Perry, dedicated the church. After the ceremony he joined in the festivities at the nearby pub and a bill was sent to the parish for teas taken there by the bishop with other participants. The first vicar was the Reverend Robert Mackie from 1864 to1866. St Margaret’s Church was originally called Christ Church until its consecration in 1871, when it was completely free of debt (£1700 pounds for the church and parsonage) despite the district’s poverty. This was largely due to the free labour and materials, including local bricks, donated by local artisans and others. St Margaret’s Church is in the Gothic Revival tradition with a buttressed nave, paired lancet windows, porch and bell-cote. It was the first polychromatic brick church in Australia, using softly contrasting coloured brickwork.3 Billing was one of the first architects to introduce polychrome brickwork into Melbourne. His original drawings for St Margaret’s survive in a folio of his architectural work. However the church’s brickwork is more subdued than in his drawings. About half the windows – those in clear glass with gold borders – are original. The stained glass windows were made much later, but the one behind the altar is thought to be the oldest in the Diamond Valley. It was to be temporary until the congregation could afford to extend the church. In the early 1960s the original cedar pews were replaced by blonde timber pews and the originals were sold to restaurants and to private individuals. Eminent local sculptor Matcham Skipper created a crucifix for the church. A major addition was made in 1978, when the weatherboard hall was replaced by a mud-brick hall. Made of local material, it was designed by local architect and a former shire president Robert Marshall. The mud-brick hall reflects the style of building in Eltham of the late 1970s and for which Eltham is well-known. Perhaps because its earthy tones blend with the surrounding environment, the hall sits well with the church building. St Margaret’s membership has included economist and ABC chairman, Richard Downing; political commentator, diplomat and academic, William Macmahon Ball; Eltham civic leader, Charles Wingrove; artist, Peter Glass; and Eltham’s first postmaster, Frederick Falkiner.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham, st margaret's anglican church, st margaret's church, st margarets church hall, christ church

A copy of a black and white photograph of an unknown group of people at a fancy dress ball at The Marysville Chalet. The original photograph was taken in 1954.A copy of a black and white photograph of an unknown group of people at a fancy dress ball at The Marysville Chalet. The original photograph was taken in 1954.marysville, victoria, australia, the marysville chalet, guest house, poontawan, steavenson hotel, albert harrison, margaret harrison, elise ackerman, ralph ackerman, john van ranglerooy, joe keithard, kathy keithard, louisa goding, accommodation, photograph, fancy dress ball 1954

black and white photo of underground mining, showing 8 miners in a stope with their Bendigo bucket carbide lights. A large quartz spur formation is visible in the foreground. A wooden ladder gives a good scale in relation to the stope size. Photograph taken in the Central Nell Gwynne at the 265 m. level C 1939. On back MNc4 ( in indian ink ) ? Hercules and Energetic ( in ball point pen ) RHSV of Vic. Stamp.organization, business, hercules and energetic mine

This photograph was taken on the first 'Australia Day', held 30 July 1915. Across Australia, this day was set aside for a nation-wide fundraising effort for the Patriotic Relief Fund, raising money to assist wounded soldiers returning to Australia during WWI. Other days had been set aside to raise funds for specific nations, e.g. 'Belgian Day' had been held earlier in 1915.. In Linton Australia Day 1915 was celebrated with a jumble sale, raffles, and collection of donations. There was also a stall near the Shire Offices, attended by a group of girls dressed as Red Cross nurses, which sold flowers, postcards, toys etc. People identified in photograph: Standing slightly behind the group - Mr Smith (Alf J. Smith, Grenville Shire Secretary). L-R, standing: Kathleen Nicol, Violet Smith, Jean Gascoigne, Elva Ball, Miss Barry, Millie Todd, Effie Gascoigne, Stella Todd, unnamed. L-R, seated - Stella Ralf (spelled Ralph), Rita Morgan, three girls in centre are unnamed, Daisy Smith. The girls were pupils of the Misses Barry, who were assisted in costuming the girls by Mrs A. J. Smith. The stall raised eight pounds for the Patriotic Relief Fund. See article from the 'Grenville Standard', Saturday August 7, 1915, p.1. A copy of this article is in the "Australia Day 1915" file, kept with "Linton" files in the drawer underneath the photocopier in Room-01.Black and white photograph showing school girls dressed as Red Cross nurses. Older lady in middle of back row (Miss Barry) and three gentlemen wearing suits and hats at left hand side of photograph.kathleen nicol, mr smith, violet smith, daisy smith, jean gascoigne, effie gascoigne, elva ball, miss barry, millie todd, stella todd, stella ralf (ralph), rita morgan, world war 1914-1918, australia day 1915, red cross, nurses, patriotic relief fund, fundraising