Type of coat used to travel on Public Transport in the winter.Overcoat, Tweed, - shades of grey/brown. Rayon lining - brown - fawn. Five brown 1 inch buttons down the fly front. Sleeve decorated with band decorated with 2 brown buttons on each raglan sleeve. Two side pockets.costume, female

Document. Rams Horn Expenses. Handwritten page titled 'Expenses Rams Horn to date 26/5/05. Page is all written in pencil. Names mentioned include Brown, Purvis, McCauley, Tinkler, Roberts, Gamboni, McCormick, Tatchell, Ross, Roberts, Walker, Mr Evans and Bolitho.cottage, miners, rams horn company, brown, purvis, mccauley, tinkler, roberts, gamboni, mccormick, tatchell, ross, roberts, walker, mr evans, bolitho

Binoculars have been in existence for over 100 years for recreational and military use. The Carl Zeiss factory in Jena, Germany was founded in 1846 and manufactured optical systems such as cameras, binoculars and riflescopes and industrial measurement devices and medical equipment. Binoculars are still commonly used today. These binoculars have no known local provenance and are retained for display purposes.These are a pair of black binoculars with a brown leather strap. It is contained within a brown leather case. The case has a brown leather strap and metal buckle and a metal and leather clasp. Carl Zeiss Jena Binoctar 1389040 7 X 50 vintage optical goods, history of warrnambool

The Morepork is a small brown and white spotted owl found in New Zealand, Tasmania and Norfolk Island. It is known by around twenty different names which are all onomatopoeic which emulate the birds distinctive two-pitched call. They are mostly nocturnal and carnivorous (eating insects and small vertebrates). They reside in habitats with trees, they sleep in roosts and hunt mainly in the evenings and early morning. Females are slightly bigger than males. This species attains full plumage in its third or fourth year. They can turn their heads 270 degrees." In Māori tradition the morepork was seen as a watchful guardian. It belonged to the spirit world as it is a bird of the night. Although the more-pork or ruru call was thought to be a good sign, the high pitched, piercing, ‘yelp’ call was thought to be an ominous forewarning of bad news or events." (NZ Department of Conservation). This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Morepork (also known as a Masked Owl) is covered in brown and white plumage on its head and body. The white feathers delineate its round yellow eyes. Its belly and back are brown and white with the white feathering appearing spotted. He sits on a wooden perch with his head turned to the left. A swing tag is attached to its leg.11 / Masked Owl / See Catalogue, page 3 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, ruru, spotted owl, tasmanian spotted owl, morepork, mopoke, new zealand owls, new zealand birds, tasmanian owls, tasmanian birds, norfolk island owls, norfolk island birds

These two buttons are tailors' buttons for clothing made in Warrnambool. The brown one is from the firm of Frederick Williamson who had a tailoring business at 157-159 Liebig Street, Warrnambool. His father Edward had started the tailoring business with a shop in Timor Street in the second half of the 19th century. Frederick Williamson was a Warrnambool City Councillor on three occasions (1924-1930; 1934-1939; 1942 -1945) and Mayor 1942-1943. The black button came from the Liebig Street, Warrnambool clothing and haberdashery store of Cramond and Dickson who employed tailors and dressmakers to make clothing to order. John Cramond and James Dickson opened their Warrnambool store in 1855 and it was a dominant business in Warrnambool for 119 years, closing in 1974. It was common practice in the first half of the 20th century for tailors and large clothing stores to have their own buttons for their suits etc.These two buttons are of some interest as examples of buttons made specifically for two local Warrnambool businesses. .1 Round button, light-brown in colour with four holes in the centre, a curved back and imprinted letters around the edge. .2 Round black button with four holes in the centre, a curved back and imprinted letters around the edge..1 F. Williamson Warrnambool 2. Cramond & Dicksonfrederick williamson warrnambool tailor, cramond & dickson warrnambool

Item re Frederick Gardner DAVEY DFC No 410533 RAAF. Refer Reg No 3536P for his service details..1) & .2) Pair of brown leather gloves. Panels have been stitched with brown thread. gloves, flying, raaf

A paper based certificate in browns, gold and blue glued to a brown mount. The certificate was presented to A. Cooper.Handwritten onto the certificate "A. Cooper" "June 2nd 1921 to May 31st 1922" "W.J. Groves" "H. Britnill" "6/7/22"eureka stockade, a cooper, wj groves, h britnill, eureka stockade progress asociation, eureka stockade and progress association

Notice paper for a special meeting of St Kilda Council on 8 October 1945 to celebrate victory of the allied nations.Foolscap document with a brown card cover and sheet of yellow paper, printed in brown, folded and stapledwwii, world war ii, wwii victory celebrations, city of st kilda

Brown leather belt with brass clip clasp and brass adjustments, brown stitching that has faded.Nilleather, metal, belt

Rectangular tin sign advertising Baltic Separators. Has yellow and brown print on brown backgroundsee photodairy, milking, separator, machine, farming, agriculture, sign

A vinyl record that hasn't been played. From the label it appears to be an interview with Miss Saide Parker. She may be a junior legatee and the recording is to promote Legacy's work with the children of the deceased ex-servicemen. The record has two tracks. One is 6 mins 16 secs and the other is 9 minutes.An audio recording about Legacy.A vinyl record in a brown paper cover which is torn, dog eared, brown coloured stains.Paper cover, Orhoacoustic, 5 points on the value of an orthacoustic recording. Instructions for protection of disc when not playing. Name and address of manufacturer. Disc, side 1 AW 19703A. Side 2 19703B Engraved on disc side1 AW 12/19703A, Legacy Talks. Engraved on disc side 2 AW12/19703B Legacy Talk. Chinagraph penciling, T_3 2/8/52, 3Piil Side 1 AW 19703 A. Legacy Talks Miss Saide Parker. Talk 1 6m. 16s. Talk 2 9m. 00s Legacy Talks Col. E.O. Milne D.S.O., O.B.E.,V.D. Talk 3. 5 m. 06s, Talk4. 9m. 07s. Label, Radiola.legacy promotion, junior legatee

The Australaisn Bittern is a partly nocturnal bird who resides in costal and sub-coastal locations in south-west mainland Australia, south east Australia and Tasmania. They can be found in wetlands, swamps and among reeds. These birds are mostly brown and yellow in colour and with short legs and a stocky body. The "woomph" sound made by the Bittern late at night is thought to have been the origin of the traditional Aboriginal myth of the Bunyip. The Bunyip, like the Australasian Bittern, was believed to reside in reedy swamps. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. This Australaisn Bittern is a stocky bird stylised in a standing position with brown colouring. This colouring makes the bird difficult to see in the dense, reedy vegetation it resides amongst in shallow freshwater wetlands. When threatened, the Australaisn Bittern will raise its bill skyward in a pose which helps it camouflage. This specimen has streaked yellow-brown feathers, a yellow bill and legs which are a yellow-green colour. It stands on a wooden platform.taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, bunyip, myths, australaisn bittern, bittern

These type of brown paper grocery bags were commonly supplied by SSW Supermarkets, and also by other Supermarkets. The customers generally packed their own grocery purchases into the bags, while the checkout people were engaged in the time consuming process of accurately entering by hand, the price of each item into the cash registers. One local SSW Supermarket was situated on Sun Crescent in Sunshine. The introduction of stronger plastic film grocery bags and barcode scanning saved time, and the checkout person took over the role of packing the grocery purchases. In recent times customers who use the self check out terminals have again assumed the role of packing their own groceries. The environment polluting plastic bags however still remain, unless the customers bring their own 'green' bags.These two brown paper grocery bags provide a historical reminder of how grocery purchases were taken home from Supermarkets in the not too distant past. It is likely that many of the younger generation have no idea of how the paper grocery bags looked like, or that they were once used instead of plastic bags.Two brown paper bags which were available for free in SSW Supermarkets, so that customers could pack their grocery purchases to be able to take them home. The bags have SSW advertising printed on them in red, yellow, and navy blue inks.Large Bag: We Shop at .... SSW FOODSTORES STILL THE CHEAPEST DAY IN, DAY OUT! Smaller Bag: SSW SUPERMARKETS Still THE CHEAPEST DAY IN .... DAY OUT!brown paper grocery bag, ssw supermarket, food, grocery purchases, groceries.

The Nankeen Kestrel, a small type of falcon, can be found all over Australia, usually in grassland or farmland areas. This falcon is carnivorous and hunts all manner of small prey including mice, lizards, insects, and other birds. When hunting, Nankeen Kestrels can be seen hovering in the air searching for prey. Nankeen Kestrels are generally monogamous, staying with the same breeding partner for multiple seasons. The Nankeen Kestrel is known for its reddish-brown feathers, spotted with a distinctive black pattern on its back, and have black-tipped wings and tail band, a stark contrast to its white chest. Females tend to be larger, and males will have a grey head and neck area. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This female Nankeen Kestrel is relatively small and slender. It is mostly reddish-brown, streaked with darker coloured areas. The tips of the wings and tail feathers are tipped in black. The chest is white with streaks of reddish-brown. The areas around its eyes, beak, and feet are a bright yellow. This specimen stands upon a wooden platform and has an identification tag tied around its leg.Swing-tag: 19. / Unnamed / Catalogue page, 5 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, nankeen kestrel, falcon

Primary Group - S.S Anniversary Late 40's The Season 1. Daryl Brown, 2. Beryl Reeve, 3. Susan Tweedale 4. David Folkes. 5. Margaret Reeve. 6. Anita Brown. 7. David Barnett Seen Children in cosume in front of Weatherboard building

Lex Brown, 27.3.1918 Possibly New Zealand ServicemanRectangular postcard, sepia tone photo of WWI Soldier.passchendaele barracks trust, postcards, photographs

Photographers: Historical Norman Brown, Contemporary George GitttoesSheetlet of 10x45c stamps. Historical on left: Charles Byrne and G Walker 29th/46th Btn New Guinea 1943 (AWM #16297) smaller image on left Light Horse on parade 1940 (AWM #001329). Contemporary on right: Trooper Jon Church carrying a child in Rwanda (1995) smaller image upper right Officers on Commando Officer Selection course Jul 1997. Selvedge features images of 13th Australian Light Horse in France 1918 (AWM #EO2979) and a soldier greeting the dawn in Balibo and the Rising Sun badge.

This coat was produced from wool first shorn in c.1928. In 1928 Mr Mal Groves took over the Dutchman Station near Port Augusta in South Australia. Whilst out riding in some rough country he came across a sheep that had been left by the previous owner of the station. As he carried shears with him, he sheared the sheep and left the fleece rolled up and partially covered by rocks and wood, as he had no bag to carry it back with him. He intended to come back for the fleece, but forgot about it until he came across it some forty years later. It was still in good condition (despite having experienced extreme temperatures and rainfall whilst in the open), so he showed it to Elders who arranged to display it at agricultural shows in Adelaide, Melbourne and Geelong. The Gordon Institute of Technology, Geelong, offered to spin the fleece into a fabric and make a coat for Mrs Groves. The fabric was tailored into a coat by Lindsay and McKenzie of Geelong and presented to Mrs Groves in July 1968 by the South Australian manager of Elder Smith Goldsbrough Mort Ltd. It is not know how the coat came to Elders from the Groves family, but Elders displayed the coat under the heading "The Fleece That Would Not Die" before donating it to the National Wool Museum in 1997. A video giving the history of the coat and a text panel used by Elders were also donated at the same time.Coat, brown wool. Long sleeves, knee length with three circular brown buttons and two external pockets. Lined in brown satin, with a blue and red label at the base of the collar.Wording: Solo;Method: Embroidered;Location: Label at base of collar, inside coat Wording: PURE WOOL;Method: Printed;Location: Label on side seam, inside coatfashion wool - characteristics wool processing textile mills textile mills, lindsay and mckenzie elders limited gordon technical college, royal adelaide show - exhibition (31/08/2001 - 08/09/2001), groves, mr mal groves, mrs, dutchman station, south australia, fashion, wool - characteristics, wool processing, textile mills

This Suitcase was issued to 49974 Kenneth Moore who served with RAAF during WW2.This Suitcase is original and was issued to 49974 Kenneth Moore, RAAF.Brown, oblong suitcase.On the front of the suitcsase, 49974, RAAF49974, kenneth moore, raaf, suitcase

Margaret Bennett was a student at the Ballarat Teachers' College in 1949. She was Drum Major for the Ballarat Ladies' Pipe Band from c1954-1955.brown, wooden drumsticksThe inscription, in green on both is Premier, Made in England, Kenny Clarke. Also, written on the end of both in faded black marker is M.J.B.highland pipe band, ballarat, pipe band, drum sticks, margaret bennett, ballarat ladies' pipe band, alumni, kenny clarke

Brown covered book.paul hemming, andy smith, helen bartlett, lynne mclennan, honorary doctor, todd walker, rick chew, bonnie chew, eileen harrison, samuel carrol, cherll henry, susan scott, rana stollery, denise wright, pauiline williamson, danielle squire, mal vallance, erica smith, george fong

Belt Money brownmiscellaneous, c 1900, army

Woman's. Brown, Missuniform, ww2