Showing 18254 items
matching g.o.r-green-fees-ticket
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Gippsland Art Gallery
Photograph, Robinson, Kiron, Blue and Yellow Squares Over Green Circles, 2015
Donated by the artist, 2018Archival pigment inkjet print on Baryta papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Photograph, Robinson, Kiron, Green Landscape 1, 2015
Donated by the artist, 2018Archival pigment inkjet print on Baryta papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Ceramic, Hughan, Harold, Large Charger (Platter) with Ox Blood, Cobalt and Deep Lime Green Glazes, c.1970
Donated by Mrs Pam Weaver OAM & Dr Hugh Weaver through the Australian Government Cultural Gifts Program, 2019Tenmoku-glazed stonewaregippsland, artwork, permanent collection -
Gippsland Art Gallery
Photograph, Eden, Ron, Blue Turning Green, 1983/1996
Purchased, 1984Type C printgippsland, artwork, permanent collection -
Gippsland Art Gallery
Photograph, Eden, Ron, Lake Guthridge Zen Yellow-Green, 1983/1996
Purchased, 1984Type C printgippsland, artwork, permanent collection -
Gippsland Art Gallery
Sculpture, Smith, R.M, Green Turned Bowl, 1987
Donated by the artist, 1987Peppercorngippsland, artwork, permanent collection -
Gippsland Art Gallery
Sculpture, Woollard, John, Green Turned Red Gum Bowl, 1985
Purchased, 1985Forest Red Gumgippsland, artwork, permanent collection -
Gippsland Art Gallery
Sculpture, Woollard, John, Green Turned Red Gum Bowl, 1986
Purchased, 1986Forest Red Gumgippsland, artwork, permanent collection -
Gippsland Art Gallery
Sculpture, Woollard, John, Green Turned Red Gum Bowl, c.1991-94 c
Donated by the artist, 2017Forest Red Gumgippsland, artwork, permanent collection -
Gippsland Art Gallery
Sculpture, Woollard, John, Green Turned Red Gum Bowl, c.1991-94 c
Donated by the artist, 2017Forest Red Gumgippsland, artwork, permanent collection -
Gippsland Art Gallery
Sculpture, Woollard, John, Green Turned Red Gum Bowl, c.1991-94 c
Donated by the artist, 2017Forest Red Gumgippsland, artwork, permanent collection -
Gippsland Art Gallery
Sculpture, Woollard, John, Green Turned Red Gum Bowl, c.1991-94 c
Donated by the artist, 2017Forest Red Gumgippsland, artwork, permanent collection -
Gippsland Art Gallery
Sculpture, Woollard, John, Green Turned Red Gum Bowl, c.1991-94 c
Donated by the artist, 2017Forest Red Gumgippsland, artwork, permanent collection -
Surrey Hills Historical Society Collection
Book, Dorothy Selby (nee Emerson), How green were my hills - my Surrey Hills, September 1979
A biographical history by Dorothy Selby (nee Emerson) recollecting the people she came into contact with during her time in Surrey Hills from 1915-1937.A4, comb binding, 9 pageshouse names, kookaburra, albany crescent, surrey hills, (miss) dorothy emerson, (mrs) dorothy emerson, warrigal road, boundary road, st stephen's presbyterian church, (mrs) - gillies, (mr) tom ward, dentist, (mrs) - bowen, edwardian style, royal hotel, broughton road, (mrs) - brogan, (mr) - brogan, (mr) - tuckett, tacey's butcher, (mr) james tait, draper, (mr) alfred rose, state savings bank, surrey college, tower house college, balmoral crescent, (mr) - clewett, (mr) percy blood, stenning and holyoak, grocers, (mr) - pell, greengrocer, confectioner, fishmonger, (mr) tommy everon, (miss) beatrice bligh, (mr) - lyons, (mr) - ray, surrey hills station, transport, (ms) kitty mcewan, golfer, taxis, (mr) - collins, surrey hills primary school, (dr) (mr) - forsythe, (dr) (mr) - gandever, windsor crescent, valonia avenue, victoria avenue, (mr) john blogg, progress association, rechabite hall, (mr) claude wardle, (miss) beatrice oakley, empire day, (mr) robert gordon menzies, girl guides, (ms) nancy steele, (ms) hattie steele, (dr) (mr) - blaikie, (mr) - richards, stationmaster, crime, (mr) - cockerill, (mr) horrie breedon, first enlistment, (mr) (rev) brazier, (mr) (rev) - oakes, (mr) (rev) - gillies, (mr) (rev) - mudford, (mr) (rev) - millikan, (mr) (rev) - cockett, (mr) (rev) alfred gifford, (mr) (fr) david gleeson -
Federation University Art Collection
Artwork, other - Engraving & Mixed Media on Luanne, Ross, Ewan, 'The Green Pick, Barton Spring 5' by Ewen Ross, 2009
Ewan ROSS Ewen Ross grew in the Wimmera and aims to manifest the changing nature of this landscape in his work. This region is affectionately known as the land of the big sky and it is from this viewpoint looking down and across, which inspires his sense of image making. Occasionally he refers to stories that occurred from times past but generally these images reflect the current state of this land. From 1976 to 1978 Ewan Ross undertook a Diploma of Art (Painting) at Ballarat College of Advanced Education (now Federation University. He was awarded a Graduate Diploma of Education in 1982. He was a Curatorial Assistant at the Art Gallery of Ballarat from 1979 to 1981, and taught Art at Horsham Technical School between 1983 and 1985. From 1986-1897 Ewan Ross taught at the Wimmera Institute of TAFE, and was Lecturer in Painting & Printmaking at the University of Ballarat (nor Federation University from 1998-2005. In 2008 Ewan Ross was a finalist in the Fleurieu Biennale Art Prize. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, ewan ross, wimmera -
Federation University Art Collection
Artwork- Ceramics, Asker, Coralee, 'Untitled Green' by Coralee Asker, 2000
This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Two stoneware clay with crystalline glaze forms with relief pattern on surface made from fabric impression.art, artwork, corolee asker, ceramics -
Federation University Art Collection
Painting - Oil, et al, [The Green Vase] by David Strachan, c1948
David STRACHAN (1919–1970) Born 25 June 1919 at Salisbury, Wiltshire, England Arrived 1920 Adelaide, Australia: 1921 Creswick, Victoria David Strachan attended Creswick State School and Geelong Church of England Grammar school. By the age of 16 he wanted to be an artist. Accompanying his mother to London in 1936, he enrolled at the Slade School of Fine Art, where he met Godfrey Miller. In 1937 he attended the Académie de la Grande Chaumière, Paris, and painted at Cassis on the Mediterranean Sea. He returned to Australia in April 1938 and studied at the George Bell School, Melbourne. He had a growing interest in classicism blended with a fascination for the dream-state which was reinforced in his work after he moved to Sydney in 1941. There he was befriended by Jean Bellette and her husband Paul Haefliger, who were to be driving forces behind the Sydney Art Group (founded 1945). He lived on the top floor of the Haefligers' house at Double Bay, and together the three artists drew from models whom the Haefligers hired. In this period Strachan painted and exhibited some of his most poetic works—mainly figurative and landscape subjects, and still-lifes of haunting beauty. His flowers, bowls of fruit, birds, and angelic figures glimmered out of the darkness as things not of this world, evoked faintly, like mythological personages in a gently spoken narrative. He 'spent an erratic war' painting camouflage at Bankstown aerodrome with other artists, among them (Sir) William Dobell, and dancing minor roles with Hélène Kirsova's ballet company. In 1948 Strachan settled in Paris. His paintings, included by Peter Bellew in an exhibition at the Musée National d'Art Moderne, had been well-received by French critics two years earlier. In 1950 he began tentative experiments in etching. These led to the formation of the Stramur-Presse, a business venture which published etchings and lithographs of leading French and English artists. His most important project was a series of twenty-two colour etchings illustrating Alister Kershaw's book of poems, Accent & Hazard (Paris, 1951). Strachan continued to exhibit in Australia and maintained a lively social life with Australian friends. From Paris, he went for weekend painting trips with Moya Dyring in her car and, after 1957, visited the Haefligers on Majorca. He lived in London in 1955-57. His paintings became progressively less soft in effect, his palette brightened, and his forms, especially the still-lifes, became spikier. In the late 1950s his attention drifted towards the study of Hindu philosophers and Jungian psychology. For most of 1957-58 he was enrolled at the C. G. Jung-Institut, Zürich, Switzerland. In 1959 he worked in Silvio Daneo's silkworm factory at Bricherasio, Italy. In May 1960 Strachan returned to Sydney. He lived at Woolloomooloo before buying a house at Paddington in 1963. Over the ensuing years he involved himself energetically with the art scene, exhibiting, teaching (1960-65) at East Sydney Technical College, fund-raising for memorials for Thea Proctor and Dyring, and as the last president (1965) of the Society of Artists. His paintings were out of harmony with the prevailing fashion for abstraction, but he won the Wynne prize for landscape painting in 1961 and 1964 (shared). Perhaps the most moving works of Strachan's last ten years were the mining landscapes, including those he painted near Hill End, leading up to his vast canvas, 'Lewers Freehold Mine'. This was a history picture, depicting the mine as it might have appeared in 1874. He presented it to the Creswick Historical Museum in 1970 in memory of his father. (Barry Pearce, 'Strachan, David Edgar (1919–1970)', Australian Dictionary of Biography, National Centre of Biography, Australian National University, http://adb.anu.edu.au/biography/strachan-david-edgar-11786/text21083, published first in hardcopy 2002, accessed online 6 January 2016.) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed still lifefeaturing fruit and flowers.art, artwork, strachan, david strachan, still life, flowers, flora, available -
Federation University Art Collection
Artwork - Printmaking, 'Family Tree' by Kaye L. Green, 2011
The Gippsland Art School collects examples of limited edition prints to use as a teaching collection. The collection is largely unframed and comprises works from the Print Council of Australia, staff members and former students.Unframed lithograph6/35printmaking, gippsland printmaking teaching collection, gippsland campus, kaye green, churchill -
Federation University Art Collection
Artwork - Printmaking, 'Resting Moon' by Kaye L. Green, 2011
The Gippsland Art School collects examples of limited edition prints to use as a teaching collection. The collection is largely unframed and comprises works from the Print Council of Australia, staff members and former students.Unframed colour lithograph with chine colle.Artist proofprintmaking, gippsland printmaking teaching collection, kaye green, gippsland campus, churchill -
Federation University Art Collection
Artwork - Printmaking, 'Silver Moon' by Kaye L. Green, 1994
The Gippsland Art School collects examples of limited edition prints to use as a teaching collection. The collection is largely unframed and comprises works from the Print Council of Australia, staff members and former students.Unframed colour lithograph with silver chine colleArtist's Proofkaye green, churchill, gippsland campus, gippsland printmaking teaching collection, printmaking -
Federation University Art Collection
Work on paper, 'Green Truck' by Bob Jenyns
bob jenyns, truck -
Lilydale RSL Sub Branch
Book, Australian War Memorial. Canberra, KHAKI AND GREEN/ With the Australian Army at Home and Overseas, 1943
Book -
The Mrs Aeneas Gunn Memorial Library
Book, Angus and Robertson, Green armour, 1945
A story of the jungle and the sea, of man against nature and man against man... Green Armour is the courageous story of fighting men in the swamps and jungles of New Guinea and the Solomon Islands. From the earliest days of forlorn hopes to the large-scale, well-organised attacks by land, sea, and air this terrifying first-hand account is distilled from the bloody, despairing experiences of the Australian and American forces in the early days of the Second World War...Maps, p.246.non-fictionA story of the jungle and the sea, of man against nature and man against man... Green Armour is the courageous story of fighting men in the swamps and jungles of New Guinea and the Solomon Islands. From the earliest days of forlorn hopes to the large-scale, well-organised attacks by land, sea, and air this terrifying first-hand account is distilled from the bloody, despairing experiences of the Australian and American forces in the early days of the Second World War... world war 1939-1945 - campaigns - new guinea, world war 1939-1945 - campaigns - pacific area -
City of Greater Geelong
Green Lid Contraband, c. 1990
Prisoner made smoking pipe (broken) - made and confiscated at Geelong Gaol. Circa 1990's.Plastic bottle with hole in the side and breakage on the opposite side.geelong, gaol, museum, smoking, contraband -
Park Orchards Community House
Newspaper, The Park Orchards Community House (POCH) coincided with the Park Orchards Primary School's 21st birthday. Plus other history of Park Orchards by Irvine Green. Doncaster and Templestowe News 17 January 1984. Also first term of activities at POCH, Doncaster and Templestowe News on 20 December 1983
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Friends of St Brigids Association
Book - A green and pleasant land, or the story of Koroit, 1836-1970, McCorkell, Harry Allan. 1970. A green and pleasant land, or the story of Koroit, 1836-1970. Koroit [Vic.] : "The Koroit Sentinel" for the Mayor, Councillors and People of Koroit, 1970 150 p. : ill., ports. ; 23 cm
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Kadimah Jewish Cultural Centre and National Library
Programme, Green Fields; 1941
Folk play in 3 acts, introduced by J. Giligitch. Produced by Jacob Waisltz.dovid herman theatre, j. ginter, j. waislitz, y. sher, e. dunn, l. jedwab, e. max, h. light, d. waislitz -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Uniform - Warrant Officer Crown, Warrant Officer Crown with green thread
British Army Household Bridge WO Warrant Officer SD Rank x 6 -
Thompson's Foundry Band Inc. (Castlemaine)
Sheet Music, Ballad Of The Green Berets
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Kilmore Historical Society
The Adventures of Mr. Verdant Green, Undated
Cole's Humerous Books.Paper-covered book with sewn binding behind. Cover yellowed, foxed and torn. Evidence of previous insect infestation. Pages discoloured around edges, generally yellowed, foxing throughout. Black & white illustrations. 309 pp. Fair condition.Nil.comic fiction, whitburgh cottage collection