Showing 3588 items
matching jacket or bodice
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Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Jacket - Dress
Army Service Dress Jacket Lt..Coloneluniform, ww2, army -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Uniform US Air Force
Uniform Jacket US Air Force and Capuniform -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Jacket - Dress
Army Officers Dress Jacket Lieutenant (Artillery )uniform, 1920, army -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Buttons
RAAF Jacket Pocket Buttons - 2 silverbadge/buttons, raaf -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Buttons
Royal Navy Jacket Buttons - small -18badge/buttons, rn -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Buttons
Australian Army Jacket Buttons Brass - 10badge/buttons, army -
Coal Creek Community Park & Museum
Baby matinee jacket
White cotton matinee jacket with embroidered flowers -
Mont De Lancey
Dinner suit, E.Thomas Pty. Ltd, c1940
E.Thomas Pty. Ltd., Men's Wear was a business in Fitzroy Street, St. Kilda. It was established by Elijah Thomas. This gentleman was a distinguished figure in the community, known by his waxed moustache, furled umbrella and cane, perfectly dressed wearing at all times a black bowler hat, truly one to be respected. The tailoring side of the business was for many years carried out by his son H.B. (Harry) a local Justice of the Peace, most active in St Kilda Community Welfare. Worn at Masonic Lodge functions in Melbourne.Black dinner suit and tails - jacket and pants.evening suits, dinner suits, clothing -
Ringwood RSL Sub-Branch
Uniform, Army Jacket, C1965
Khaki polyester Dress Jacket. Post 1960It has the ribbons of the Vietnam Medal and South Vietnam Star mounten on the chest. Also collar badges of the Royal Australian Engineers in gilt finish. -
Bendigo Military Museum
Uniform - JACKET, BATTLE DRESS, c.1916
Worn by S J KIRKHAM No 685 1st Pioneers 8th Battalion. Refer cat No 1281 for his service history.Kahki Battle Dress Jacket issued in WW1.australia, military uniform, armed forces, costume, male -
Stawell Historical Society Inc
Archive - Laboratory Manual Set, Textile Laboratory Manual Vol-6
Norwellan / Aunde Laboratory Books Textile Laboratory Manual by Walter Gardner North Western Woolen Mills became Norwellan Textiles then AUNDEBook dust Jacket Green, White, Fuschiamanufacturing -
Greensborough Historical Society
Book, Kathleen Wallace, Cross the bridge and see by Kathleen Wallace, 1949_
Schoolgirls' novel about an English family living in China.Hardback, 229 p., frontispiece, dust jacketshirley black -
Greensborough Historical Society
Book, A Delbridge, The Macquarie dictionary, Rev. 3rd ed., ed. by A Delbridge et al, 2001_
Macquarie Dictionary advertised as the "Australia's national dictionary"2223 p. hardback, w. dust jacketdictionaries -
Kew Historical Society Inc
Clothing, Lotus, Polyester Slip
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Vintage polyester slip with nylon trim and brown machine embroidered floral components on bodice. Manufacturer: Lotus. Size 38”. women's clothing, underwear, slips -
Hume City Civic Collection
Petticoat, inmates
Worn by patients at Sunbury Asylum.Petticoat, bodice unbleached cotton, sleeveless and fastened at back with four metal buttons. Skirt deep reddish brown flannel."F7" handwritten on shoulder in black ink.costume, sunbury asylum, george evans collection -
Kew Historical Society Inc
Clothing - Pink Silk, Glass & Pearl Evening Dress, Park Avenue Gowns, 1960s
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This evening dress, by a Melbourne designer, is one of a number of items donated to the Fashion Collection by Rosemary-Vaughan Smith.Short sleeved and high waisted dusty pink silk dress with silk organza lining. The bodice is encrusted with pearls and beads.Label: Park Avenue Gowns, Melbournepark avenue gowns, costumes, women's clothing, evening dresses, rosemary vaughan-smith -
Kew Historical Society Inc
Clothing - Pink Cotton Dress, Norma Tullo, c.1965
Norma Tullo began her dressmaking business in 1956. At the age of 20, she rented a small shop in the Metropole Arcade, initiating a career that included manufacturing, designing and retailing. In 1965, she became the first Australian to be selected by Butterick Company Inclusive to join their pattern making company. The stylish Tullo ‘look’ in the first half of the 1960s was young, colourful, feminine and most importantly had a strong American appeal. The patterns were distributed worldwide except to Russia and Germany. At this time, she had a collection of 300 garments. This dress is one of a number of items donated to the Fashion Collection by Dione McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Long sleeved, pale pink cotton mini dress designed by Norma Tullo with ruffled trims on the bodice and the hem of the skirtLabel: TULLOnorma tullo, australian fashion - 1960s, mcintyre collection, mini-dresses, day dresses -
Kilmore Historical Society
Clothing - Christening robe, 1858
Christening robe first worn in 1858 by William Thomas (Tom) Poulter, eldest surviving child of James & Mary Poulter. Used by several generations of Poulter descendants.Early Christening robe with local family significanceWhite lawn christening robe with embroidery detail to bodice and front skirt. Mostly hand sewn. Very good conditionpoulter, chapman, christening -
Whitehorse Historical Society Inc.
Clothing - Dress, probably c1920s
The dress belonged to Mrs Christina Cock (nee Clay) 25 Dec 1887 - 22 May 2002 the mother of the donor.1920s White voile dress. Maygar sleeves, pin tucked bodice and lace insertions. Hem trimmed with 3' lace.costume, children's -
Glenelg Shire Council Cultural Collection
Costume - Costume - Infants Gown, n.d
Displayed at History House. Item cleaned and starched by Anne Grant in 1993.White cotton and lace. Delicate stitch and cut-out work at hem and bottom third of gown and bodice. Capped sleeves. -
Stawell Historical Society Inc
Photograph, Mrs Jane D’Alton nee Galbraith 1890 -- Studio Portrait
Portrait of Jane D’Alton (nee Galbraith) taken in Studio standing beside chair. Dressed in long frock bodice buttoned with bottom of frock quite elaborate. 1890stawell clothing halls gap -
Tatura Irrigation & Wartime Camps Museum
Book, The Golden Years of Rushworth and Whroo, 1978
Soft cover, yellow, with similar yellow jacket. Image of an old General Store plus book title on cover and jacket. Comprehensive history and many photographs.rushworth victoria, whroo victoria -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Uniform Complete
RANR Commander (Cap H181,Jacket U788,Trousers U787.Shirt U000,Tie U017,Socks U000, Shoes U015,Coldweather jacket U000)uniform, ran -
Unions Ballarat
Alfred Deakin: A biography (Vol 2), La Nauze, J.A, 1965
Alfred Deakin was one of the founding fathers of Federation and was Prime Minister of Australia over the periods 1903-1904, 1905-1908 and 1909-1910. He was the federal member for Ballaarat from 1901-1913 and was attorney general in the Barton government. He also served in the State of Victoria parliament. In his second term, Deakin's government passed the Census and Statistics Act 1905, Papua Act 1905, Representation Act 1905 and Copyright Act 1905. The book is based on Deakin's private papers, writings, private and official materials. This is volume two of a two volume set. Index: 15. Australian Correspondent 16. Three Elevens 17. "A Notice to Quit"? 18. "Nation Building", 1905-1908 19. New Hebrides 20. New Guinea and Hubert Murray 21. Empire 22. London, 1907 23. The Defence of Australia 24. Fusion, 1909 25. "Harvest" and Defeat 26. "Mercy of Release" 27. "A Shadow in a Dream" 28. "Content and more than Content" Appendices: I. Victorian Ministries, 1877-1900 II. Commonwealth Ministries, 1901-1914Biographical interest. Relevance to history of Ballarat and Australia.Hardcover - book; 348 pages. Cover dust jacket: black and white lettering; faded. Cover without dust jacket: green cloth; gold lettering.The book is stamped "The private library of Rex Testro" on title page and on the page following the index.btlc, ballarat trades hall, unions ballarat, deakin, alfred, federation, prime ministers - australia - alfred deakin, biography, politics, members of parliament -
Brighton Historical Society
Evening dress and bag, 1950s
This dress and bag belonged to Mrs Edith "Dot" Paroissien (nee Jackson, born 1916), who lived in Brighton with her husband David William Paroissien. The dress was purchased from Croyde, a Melbourne designer who had a small boutique shop in Collins Street near the Block Arcade, and the bag was bought for her in London by David. Dot recalled wearing the dress in the 1950s, in particular to a ball at the Royal Exhibition Buildings for Wesley College. She wore it with suede shoes with a medium heel with straps across the instep and long white kid gloves, and accessorised with a baguette choker and drop earrings.Black silk satin sleeveless full-length evening dress. The attached bodice floats over the top of the under-dress. Asymmetrical opening on bodice which features five large flat self-covered buttons. The black suede bag has chrome fittings and buttery cream coloured satin interior. .1 dress - Label, woven black on white acetate centre back: CROYDE / MELBOURNE .2 - bag - Label, printed, black on cream acetate, interior pocket: Susan / HANDBAGS / LONDON; Label, printed, copper on black metal, interior pocket: MADE IN ITALY / FOR SUSANevening dress, croyde, melbourne fashion, melbourne designers, handbag, royal exhibition building, 1950s, edith violetta paroissien, edith violetta jackson -
Melbourne Tram Museum
Uniform - Hi Viz jacket, c1999?
Hi Viz jacket, or vest, red nylon, sew with black piping on the edges, black Velcro tags to secure the jacket, with three yellow Fluro strips horizontally and the words "MET TRAM" on the back. Has a small "L" white tag on the top of the inside of the jacket.trams, tramways, uniforms, met tram, emergency -
Whitehorse Historical Society Inc.
Clothing - Boys Shepherds Suit Top, 1950s
Worn by Donor's baby boy during the 1950sViyella fabric boys shepherd's jacket with collar and long sleeves. Opening at front with three cream buttons at top and one press stud at top. Jacket is cream coloured with blue smocking at front top.|There is a blue and white edging on cuffs and collar, also down one side of jacket. Back has centre pleat and one smaller each side. Under smocking jacket is gathered.Dacolocostume, children's -
Flagstaff Hill Maritime Museum and Village
Clothing - Corset cover, Eliza Towns, Mid to late 19th century
This corset cover is one of several linen and clothing items that were made and belonged to Mrs. Eliza Towns and donated to Flagstaff Hill Maritime Museum and Village. Eliza was born Eliza Gould in 1857 in South Melbourne (Emerald Hill) and in 1879 married Charles Towns. In the early 1880's they moved to Nhill in western Victoria and remained there for the rest of their married life. Charles was a jeweller and later became an accountant and for many years was involved with the Shire Council, the local show committee (A & P Society), the Hospital Committee and the Board of the local newspaper (the Nhill Free Press). They had three children and lived a life that would be regarded as comfortably "middle class". Eliza probably had a treadle sewing machine and would have made many of her own clothes as well as clothes for her children - adding her own handmade embroidered or crocheted decorative trim. This corset cover is an excellent example of an everyday clothing item with the decorative trim favoured by women in the late Victorian era. Eliza Towns has added pintucks, embroidered feather stitch and a highly decorative hand crocheted lace trim to the neckline, sleeves and front of the bodice. Corset covers (sometimes called camisoles) began to appear in women's fashion around 1840 and continued through the late Victorian decades into the Edwardian era. The long chemise was considered too bulky to cover the corset and so the corset cover was developed to be short and light and was worn over the corset and under the bodice of the outer garment. A woman would dress into her chemise and drawers first, followed by her corset and finally her corset cover as a final layer under her dress. Corset covers served several purposes. They provided protection against sweat (and the need to regularly wash the corset), helped smooth the lines of the corset and increased a woman's modesty.This item is an example of the needlework skills of women in the late 19th century - combining machine stitching with hand embroidery and crochet to embellish an item of personal underclothing. It is also significant as an example of a practical solution to the difficulty of hand washing a corset in the Victorian era.A short (waist length) corset cover of fine cotton. Short sleeves fall from a square neckline and are gathered into a wide crocheted lace trim with a band of embroidered feather stitch. The same crocheted lace design and feather stitching are also on the square neckline which is finished with a drawstring ribbon. The bodice has a front opening with five buttons and is bordered on each side with four pintucks. It has a drawstring ribbon at the waist and an extra layer of fine cotton lining has been added to strengthen the corset cover under the arms. The back has two bands of three pintucks running vertically from the neckline to the waist.flagstaff hill, flagstaff hill maritime museum & village, warrnambool, great ocean road, shipwreck coast, nhill, wimmera, eliza towns, underclothing, corset cover, camisole, machine sewing, hand sewing, crocheted lace, pintucks, feather stitch, embroidery, underwear, victorian era underclothing, victorian era corset cover -
Whitehorse Historical Society Inc.
Clothing - Underwear, circa 1920
From the estate of Jenny LangCream hand made silk petticoat. Silk shoulder straps with hand embroidery on panel across front, back and under arms. Drawn thread around underarm and down bodice as waist. letter 'M' embroidered on left of bodice. Skirt is gathered on both sides of waist. A Maltese lace panel stitched as hem.costume, female underwear -
Brighton Historical Society
Clothing - Dress, Evening dress, circa 1840
The donor and family of this gown were long-term Brighton residents, and the gowns were held by them as family heirlooms prior to donation to Brighton Historical Society. Originally owned by Elizabeth Emma Adams and Cecilia Elizabeth Adams, it is believed that the dress was brought to Australia by either a half brother, James Smith Adams, or a younger sister, Sophia Charlotte Louisa Adams (later known as Mother Rose Columba Adams). Elizabeth and Cecilia were the daughters of James Smith Adams (a squire, 1780-1860) and Elizabeth Emma McTaggart (1793-1843) of Tower House, Woodchester in Gloucester, a property which Elizabeth later inherited. Originally a monastery, Tower House had been converted into a stately home after the Reformation. According to information originally provided by the donor, both this dress and the dress T0004.1 were made for Elizabeth and Cecilia, to be worn at the young Queen Victoria’s first 'drawing room ball' following the end of court mourning in 1838 for her uncle William IV who died in 1837. In 1838 Cecilia would have been twelve years old and Elizabeth would have been ten years old. It is possible that this dress was worn by one of the girls to this event as it is of appropriate dimensions for a child of that age, although its design is very formal and adult. Elizabeth was born on 30 June 1828 at Tower House and died on 1 May 1909. She created a scandal when she eloped with her first husband, Thomas Charles Gardiner at the age of 18. The validity of the marriage was later formally investigate and, while it was confirmed as valid, a second church wedding was subsequently held. Thomas died in 1878. Elizabeth subsequently remarried Reverend R. E. Blackwell, but was widowed again by 1889. Cecilia was born on 17 December 1826 and died in 1902 a spinster recluse in England. At the inquest into Cecelia's death in 1904 it was revealed that she had clearly come from a family of means as her home was filled to the brim with highly valuable goods, many in boxes. She was buried in the family vault at Woodchester. Elizabeth and Cecilia's sister Sophia converted to Roman Catholicism in 1851 and became a nun, taking the religious name 'Rose Columba'. In 1883 Mother Rose Columba led a group of eight to Australia, answering a call for Dominican sisters to nurse the sick in Adelaide. Upon arrival, she founded St. Dominic's Priory and the Church of Perpetual Adoration in North Adelaide, using her inheritance to build the chapel. Elizabeth's second son, George Henry Somerset, who inherited the Adams family estate dropped the 'i' in Gardiner and added the maiden name of his grandmother. Therefore, the family name has now become Gardner McTaggart. These Adams family entries have been updated with information provided by Dr Herbert Gardner McTaggart, great-grandson of George Henry Somerset in April 2016. Mr McTaggart contacted the society after finding our entries online.A hand sewn cream, pale blue, orange and gold embroidered satin formal dress, the bodice dates from circa 1840. This dress shares a skirt with T0004.2, which dates from a different period (circa 1890). The bodice features a wide shallow neckline finished with a beige coloured cord in two decorative lines. The sleeve is set on the true shoulder and is a short fitted sleeve with decorative gathering and two lines of corded detail. The bodice is shaped to the body with 2 sets of six fine knife pleats diagonally positioned narrower over the waist and spreading out over the bust. These pleats are secured with six double lines of stitching. The bodice finishes high on the waistline at either side and points down to a point over the centre front. The base of the bodice is finished with a piped edge and beige decorative cording. The bodice encloses the body at the centre back where it has holes that presumably would have held lacing. The back features four diagonal knife pleats finishing at the centre back and splaying out over the shoulders. The waistline at the back features only a very gentle point.cecilia elizabeth adams, elizabeth emma adams, james smith adams, elizabeth emma mctaggart, sophia charlotte louisa adams, queen victoria, drawing room ball, 1840s fashion, tower house, woodchester