Clothing. Large collar of linen Bobbin lace. High round neckline, with two 16 cm deep peaks at the front. A floral design of five petalled flowers. (in groups of three) surrounded by scroll effects. Scalloped edges of the lace surround the outer edge.costume accessories, female, linen lace collar.

An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in a mansion, originally named Illapa, at 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937), his wife Edith Mary Weir (1867-1948) and their children. George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926. This garment is part of a collection of women’s clothing, owned and worn by Edith Mary Weir (nee Betteridge) - born in Clare, South Australia 1867, died Kew 1948 - and also by her daughter. The garments date from the 1880s to the 1930s. The collection includes day dresses, evening dresses, evening coats, capes, and undergarments. As the wife and daughter of a mine manager, the collection includes representative examples of clothing worn by upper middle class Australian women in domestic circumstances, and at social and civic events. A number of the costumes from the 1920s to the 1930s are of a particularly fine quality, being both rare, representative and intact examples of Australian fashion of the period. The garments in the Weir Collection were donated to the Kew Historical Society by a granddaughter of Edith Weir in 2017.Long black single piece crepe de chine and valenciennes lace dinner dress. The dress has a high squared neckline. The sleeves are elbow length. The most significant aspect of the design are the layers of machine-made valenciennes lace that extend from the waist.edith mary weir (nee betteridge), illapa -- 84 princess street -- kew (vic.), women's clothing, weir collection, dresses, fashion -- 1920s

Three generations of women are represented in this apron. The linen used was woven by Olga's great-grandmother Efstathia in the late nineteenth century with flax grown on the island of Ithaca. Olga's mother Toula Raftopoulos added the whitework around 1908 at age 16 - the first piece of lacework she made on her own - and embroidered her initials on the front. Olga embellished the apron with coloured embroidery around 1950 at age 20. Olga Maria Black was born in Melbourne in 1930, the daughter of Ithacan migrants Constantine and Toula Mavrokefalos. Constantine first emigrated to Australia in 1902, returning to Greece circa 1912-13 to serve his home country in the Balkan Wars. Toula's family had left Ithaca for Romania when she was only six months old, but she happened to be visiting the island at the very time that Constantine arrived, fresh from the war. Within three weeks they were married, and when Constantine returned to Melbourne in 1914 his new bride came with him. Constantine had trained as an accountant, but his qualifications were not recognised in Australia. Changing his surname to the Anglicised "Black", he started off working in his older brother Dionysios's cafés before going into business on his own. In 1917 he opened the Paris Residential Café at 54-56 Swanston Street, which offered both dining and accommodation. The business saw some years of success, but did not survive the Great Depression. Constantine died in 1944. Olga's mother Toula learned to sew as a child, while growing up in the Romanian village of Brila. She developed her skills making lace and embroidering items for her trousseau. Some of the linen she embroidered had been woven from flax on Ithaca by her own grandmother, Efstathia. During the Depression, when money was scarce, Toula embroidered at home, doing work for a factory in Flinders Lane. Using a cotton reel, a threepence and a sixpence she created and embroidered designs on hundreds of blouses. Olga spent her preschool days sitting at the table where her mother worked. Toula would involve Olga by allowing her to help choose the colour combinations. Toula lived with Olga in Brighton until her death in 1976. Olga inherited her mother's sewing skills. She re-invented some of Toula’s trousseau nightdresses and skilfully altered other clothing, making dresses which she wore around Brighton for many years.Cream linen embroidered half apron. White lace along hem, along with white embroidered initials, "T.P." Coloured floral and abstract embroidery along sides in red, black, blue and green.olga black, toula raftopoulos, migration, embroidery

Used circa 1900 for boot makers to put lace holes in leather boots/shoesused during the late 19th and early 20th centuries for boot makingeyelet tool with wooden and metal hook bent to 90 degrees for pressing eyelet holestool, cobbler, hole making

Camisole. Sleeveless. 5cm wide embroidered lace edges the neckline and arm holes. A 7cm wide peplum, with a spoke stitched hem. Three lace loops are sewn into the back of garment, two of which enclose the blue bird, and pink flower embroidery. Machine stitched.costume, female, underwear

Probably belonged to late husband's grandmotherWhite voile round neck yoke, with lace trim; four sets of pin tucks from the yoke, two lace insertions down front. Long sleeves to a deep cuff, closing with two buttons and trimmed with care. Blouse closes down back, with buttons.costume, female

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Very fine, lightweight silk two-piece pink and white striped dress comprising a long skirt and a short fitted jacket. The jacket is edged with cream lace at the collar and front. On examination, the lace, while appearing to be in a later style has been judged to be of the period.There is a small faded label on the rear collar of the dress, on which is hand printed the name of the dressmaker. The name has been variously interpreted as reading Miss Gibbens, Miss Gibbons, or Miss Gibbuis. women's clothing, day dresses, australian fashion - 1900s

The donor was given this doll about 50 years ago by her grandfather (in the late 1960s). He used to be a handyman at a high rise building in St Kilda, Melbourne. He had been doing some work for one of the old ladies and she gave him the doll to give to his granddaughter, who collected dolls. The doll has spent a few years at the Nagambie museum until it closed down and returned to the donor The origins or age of the doll are unknown. Originally it was thought to be a Fashion Doll dating from around the 1880s but the painted face together with the bisque legs and gold painted shoes are similar to those found on Boudoir Dolls (also known as Bed Dolls, Sofa Dolls, Flapper Dolls and French Dolls) of the early 20th century. Fashion dolls were sent from fashion houses to advertise the latest styles, fabrics, trims, hairstyles and accessories. Dressmakers would show these dolls to their customers. Ladies would then place their order and the dressmakers would make the dress to their size. The dressmakers would learn the construction techniques from examining the dolls. Boudoir Dolls dolls usually had no maker's marks and were primarily used as bedroom decorations for ladies rather than as children's toys. This doll appears to date at about the early part of the 20th century, but the petticoats are much older - possibly from a child's christening gown. At the time that the donor received the doll, it had a coloured lace over-gown that was badly torn so her mother removed it to replace with more lace but this never eventuated. The pink silk dress also appears to have been remodelled into a 19th century style with gathered sleeves and a gathered skirt. This fashion or boudoir doll is significant for being a rare example of a doll made in the late 19th or early 20th centuries. The doll is wearing clothing representing the fashion for young girls in that era. The doll is also significant as an item possibly used by fashion houses and dressmakers to advertise the latest fashions in clothing, trims, accessories and hairstyles. A doll such as this may have been found in a Victorian dressmaker's premises for use as a pattern and technique template and for a display to customers. It may also have been used as a decorative item in a lady's bedroom.Female boudoir doll with silk face and body, and porcelain lower arms and legs. She has plaited blonde silk hair. Her painted face has brown eyes and her shoes are painted gold. The doll is dressed in a long pink puffed-sleeve dress with a gathered waist and a ruffle at the hem. A pink ribbon around her waist is tied at the back. There are small silver balls hand-stitched around the neckline. She has a white, hand-embroidered lace petticoat and bloomers.warrnambool, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, doll, boudoir doll, female doll, dressmaker's doll, display doll, late 1800s doll, fashion doll, antique doll, 19th century doll, children's fashion, girl's fashion, late 1800s children's fashion, early 20th century doll, composite doll, french doll

Handmade running spikes worn by Pen Gilbert, winner of the open event at the Exhibition Oval c. 1922. She was not allowed to wear them in the final event because it was unknown for women to wear spikes.Associated with an Orbost identity and well-known local family.A pair of leather running shoes with spikes on the soles, with leather lacing and white stitching through metal eyelets.running-shoes running-spikes athletics sport women-sport

Pair of black leather shoes with one lace. 1.) Right. 2.) Left. Label impression on heels.Maker's label impression on heels "SINOCO".footwear, uniforms, shoes

Boots issued WW2.Pair of brown leather boots with brown leather laces, metal heel and toe tip. Leather sole.uniforms, footwear, boots, ww2

Pair of brown leather army boots - known as G.P. "General Purpose" with cotton laces. Rubber sole.uniform, footwear, boots

Replica leather boots - WW1 Army.Pair of light brown leather boots with brown leather laces. Leather sole. Makers stamp on sole.Makers stamp imprint on sole of boots - oval shape with crossed swords in centre. "Lawrance ......../SYDNEY AUSTRALIA"uniform, footwear, boots

LEATHER BOOTS ISSUED WWIIBoots- pair brown leather with brown leather laces. Metal heel and toe tips. Leather soleOn leather sole (^)B64 Stamped into leather upper top “W201/652”uniform, footwear, ww2

Item relates to H E HEWSTON No 40, 3rd Pioneer Battalion AIF. Refer Cat No Cat No 2759.2 for his service history. Part of the HEWSTON collection WW1 & WW2.Square cream silk handkerchief with a scalloped lace edging heavily embroidered with coloured flowers & a blue bird.Embroidered: “Souvenir of Belgium 1914-18 War AIF”costume accessories, military history - souvenirs, belgium, silk

Displayed in History House.Cotton camisole. Bands of lace edging at neckline and wrists. Cloth-covered buttons down centre front.

This outfit belonged to Ethel May Robertson (nee Watt) b: 1879 in Jindiwick, Victoria, Australia. She was the daughter of John Alexander Watt. John Watt was an early selector who in 1879 selected land on the Marlo Road. She married Frank Edward Robertson on 4 March 1901 in Orbost.A black silk lace skirt and top. It has a petticoat attached. There is a black scarf with a cameo brooch attached.costume-women's lace robertson watt

Tablecloth, white linen with 3" lace edge, Size 40" x 40", Some damage on corner.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, tablecloth, linen, linen tablecloth

Tablecloth, white linen with 2" lace edge, Size 36" x 38", Some staining in the middle.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, tablecloth, linen

Pillow slip White linen large with tatted lace border two buttons on open envelope sideflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Long black evening dress with yellow pansies, made from cotton, lace and satin. Circa 1930flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

This lady’s hand sewn fine cotton nightdress is an example of the dressmaking and craftwork skills of the women of the early settlers families in Moorabbin Shire in the early 20th C Early settlers and market gardeners established their families in Moorabbin Shire and this item shows the skill and craftsmanship of the women of these families A lady's hand sewn fine cotton long sleeved nightdress with the bodice and cuffs decorated with handmade lace. clothing, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork , bentleigh,, lacework

This baby's crocheted outfit is an example of the clothing made for their children by the families who had settled in the Moorabbin Shire c1900. The Blackburn family were early settlers in Moorabbin ShireThis baby's crocheted cape and dress aesethetically significant as an example of the skill of the women of the families who were pioneer settlers and market gardeners in Moorabbin Shire who made their own clothing for their families. It was made by a member of the early settler Blackburn family and passed down through the generations. This is a white cotton baby's two piece, cape and dress outfit, with extensive hand-crotchet lace trim.clothing, moorabbin, crochet, bentleigh, pioneer settlers, baby outfit

Photograph - black and white - ambrotype. Portrait of a female. She is wearing a bonnet, lace around neck and sleeve.person, individual, female portrait, portrait of a female. ambrotype.

Clothing: women's petticoat. Long petticoat with lace trim. Pleated trim at bottom of petticoat. No identifying labels.female, petticoat, women's underwear, petticoat, slip