A very marked and damaged brown fabric covered book with the faded title The Twins of Emu Plains printed on the front cover with twin girls sitting on a window seat reading a letter. The back cover has dried mould at the bottom and also inside at the back on some pages. The inside front and back of the spine is showing signs of breaking away from the covers. There are a few illustrated black and white plates. Foxing is seen on the edges of the pages. p.256.fictionTwin 16 year old sisters bravely assist their father on his farm while Emu Palins is in the grip of a disastrous and seemingly endless drought. Being young the twins treat trouble as a tremendous joke , and by their lightheartedness and practical help their harassed parents are able to carry on. Adventure and incident abound in this tale.adventure fiction, farm life fiction, drought - australia

Book published in 2006 on the history of sport in the City of Boroondara dating back to the mid-nineteenth centurycamberwell, boroondara, sport

Ill, bib, ports, p.107.non-fictionGaeilge Ghriandóite: A go Z a hAon/ Sunburnt Gaelic from A to Z, Edition One, records selected findings of four Australians about the neglected history of the Irish language and Gaelic culture in this country. Gaeilge Ghriandóite/ Sunburnt Gaelic means the Irish language as it is spoken and written in Australia, as it comes to grips with a new environment. It is written throughout in Irish and is the first, and only, such book about the topic. Readers will find that over the past two centuries there have been dramatic breaks in continuity but also common threads. Triggered by positive responses from both experts and general readers alike to talks and papers all four had given on the topic, at a meeting in August 2019 the authors decided that the time was ripe to present to the public some fruits of their collaboration. The book's 108 pages present historical and contemporary facts about Irish-language culture in Australia in short entries, arranged in alphabetical order, with over 60 illustrations. This format makes it easy to find information and suits the present stage of research and publication on the topic. Also the alphabetical listing provides a flexible format for future editions. The book includes two short overview pieces and the first detailed bibliography on the topic.australia - irish language, australia - irish culture

non-fictionA family history of John Mitchell Harris and Emily Rebecca Farrell and their 15 children, and their contribution to communities in the north east of Victoria. Compiled from information provided by their family members.john mitchell harris family history, emily rebecca farrell, north east victoria families

Index, bib, ill, p.335.non-fictionA summary of the art treasures of the Vaticanart - italy - history, vatican - art

Ill, p.262.fictionTatsu (Sessue Hayakawa) is a reclusive, tortured artist who continually paints brilliant pictures of a dragon that has the soul of a princess. When Tatsu meets the beautiful Ume Ko (Tsuru Aoki), he thinks that she is the living embodiment of the princess he has spent years imagining. He immediately falls for Ume Ko; initially overjoyed, Tatsu soon becomes despondent when he realizes he has lost his inspiration to paint. He must now somehow learn to balance love with artistic fervor.painting - japan, novels - japan

The History of the Parish of Holy Trinity Anglican Church Doncaster and includes many of the early Ringwood families Published 1997

473 p. Dark cloth and cardboard cover with burgundy trim. Gold lettering on spine. Text: 'BALLAARAT MECHANICS' INSTITUTE / HAVEN UNDER THE HILL / LINSKILL'.fictionfiction

A series of photographs taken from Sellars Street in Watsonia North, showing early stages of the construction of the Greensborough Bypass.Early photos of the construction of Greensborough Bypass.20 colour photographs, various sizes.sellars street watsonia north, greensborough bypass

Preston Market, Saturday late is part of a series of paintings and sketches that were included in Mary Hammond’s solo exhibition, Coming and Going, held at Bundoora Homestead Art Centre in 2010. The exhibition, a major retrospective of Hammond’s work from the mid-1970s-2009, focussed on her everyday depiction of people in Northcote and Preston, particularly along High Street, Northcote where she had a studio for a few years, and the Preston Market, primarily during the 1980s and 1990s.

The enigma of the Vietnam conflict...where truth was elusive and confusion rampant. For me separating fact from fiction became an art, knowing it could mean the difference between my life and death. 1961-1975 -- personal narratives, vietnam war, 1961-1975 -- women -- personal narratives, dam pao hospital, vung tau highway, the unknown soldier, iris roser

Is this a war that we - or anyone - should support? In one of the most honest, most heart-rending reports to come out of Vietnam, Mary McCarthy shrews America fighting a war it cannot win in a treatre it will not leave. vietnam war (1961-1975), vietnam war, 1961-1975 -- social aspects, saigon

152 p. : ill. Blue, red and gold cover, embossed in black - geometric design and leaves. fictionmary emma martin (mrs a. h. martin), children's fiction

Preston Market, Saturday late is part of a series of paintings and sketches that were included in Mary Hammond’s solo exhibition, Coming and Going, held at Bundoora Homestead Art Centre in 2010. The exhibition, a major retrospective of Hammond’s work from the mid-1970s-2009, focussed on her everyday depiction of people in Northcote and Preston, particularly along High Street, Northcote where she had a studio for a few years, and the Preston Market, primarily during the 1980s and 1990s.

Preston Market, Saturday late is part of a series of paintings and sketches that were included in Mary Hammond’s solo exhibition, Coming and Going, held at Bundoora Homestead Art Centre in 2010. The exhibition, a major retrospective of Hammond’s work from the mid-1970s-2009, focussed on her everyday depiction of people in Northcote and Preston, particularly along High Street, Northcote where she had a studio for a few years, and the Preston Market, primarily during the 1980s and 1990s.

Preston Market, Saturday late is part of a series of paintings and sketches that were included in Mary Hammond’s solo exhibition, Coming and Going, held at Bundoora Homestead Art Centre in 2010. The exhibition, a major retrospective of Hammond’s work from the mid-1970s-2009, focussed on her everyday depiction of people in Northcote and Preston, particularly along High Street, Northcote where she had a studio for a few years, and the Preston Market, primarily during the 1980s and 1990s.

Preston Market, Saturday late is part of a series of paintings and sketches that were included in Mary Hammond’s solo exhibition, Coming and Going, held at Bundoora Homestead Art Centre in 2010. The exhibition, a major retrospective of Hammond’s work from the mid-1970s-2009, focussed on her everyday depiction of people in Northcote and Preston, particularly along High Street, Northcote where she had a studio for a few years, and the Preston Market, primarily during the 1980s and 1990s.

Preston Market, Saturday late is part of a series of paintings and sketches that were included in Mary Hammond’s solo exhibition, Coming and Going, held at Bundoora Homestead Art Centre in 2010. The exhibition, a major retrospective of Hammond’s work from the mid-1970s-2009, focussed on her everyday depiction of people in Northcote and Preston, particularly along High Street, Northcote where she had a studio for a few years, and the Preston Market, primarily during the 1980s and 1990s.

Preston Market, Saturday late is part of a series of paintings and sketches that were included in Mary Hammond’s solo exhibition, Coming and Going, held at Bundoora Homestead Art Centre in 2010. The exhibition, a major retrospective of Hammond’s work from the mid-1970s-2009, focussed on her everyday depiction of people in Northcote and Preston, particularly along High Street, Northcote where she had a studio for a few years, and the Preston Market, primarily during the 1980s and 1990s.

Preston Market, Saturday late is part of a series of paintings and sketches that were included in Mary Hammond’s solo exhibition, Coming and Going, held at Bundoora Homestead Art Centre in 2010. The exhibition, a major retrospective of Hammond’s work from the mid-1970s-2009, focussed on her everyday depiction of people in Northcote and Preston, particularly along High Street, Northcote where she had a studio for a few years, and the Preston Market, primarily during the 1980s and 1990s.