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Bendigo Historical Society Inc.
Document - ANCIENT ORDER OF FORESTERS NO. 3770 COLLECTION: BENDIGO ADVERTISER OFFICE
Blue account from the Bendigo Advertiser Office No. 1474, dated 31 March 1886. To Court King of the Forest, Manchester Arms, Long Gully from Mackay & Co. March 22 ? Crath 4/6 and March 29 ? Hosking 4/6. Total 9/-. Marked Paid May 10/86.societies, aof, correspondence, ancient order of foresters - bendigo advertiser office, court king of the forest, manchester arms, craith, hosking -
Ballarat Tramway Museum
Slide - 35mm slide/s, Mark Plummer, Sep. 1971
Photo of Ballarat tram No. 17, northbound in Albert St. Sebastopol, passing the Manchester Unity IOOF Sebastopol Hall, at 113 Albert St. Sebastopol It was originally the South Star Mine Office. Tram has destination of Lydiard St. North Kodak cardboard mount slide, taken Mark Plummer, September 1971tramways, trams, sebastopol, manchester unity, albert st, tram 17 -
Flagstaff Hill Maritime Museum and Village
Equipment - Lead line
The lead line or hand lead is a simple navigational instrument used as a depth finder to measure the depth of water under the ship’s keel and to take samples of the sea bed. The long line may be marked at regular intervals with tags of different coloured and textured fabric, such as rope, leather and cloth. Each tag was a code to represent a certain depth. The leadsman’s eyes and hands could distinguish the depth easily as he drew in the lead line, day or night and in poor weather conditions. The lead weight could be between 7 -14 pounds (3.5 – 6.5kg) and the rope would be approximately 25 fathoms (45m). The hollowed-out end of the weight would hold a stick substance such as tallow or wax, which would pick up samples from the sea bed and indicate whether the vessel was close to shore. The leadsman would stand at the front of the vessel and cast the lead line into the sea. When it hit bottom he would note the tag marker nearest the surface of the water and call out his finding. Then he would haul it up again and examine the kind of matter that adhered to the end of the weight, whether it be sand, mud, gravel, and the colour of it. This information would be given to the ship’s helmsman or navigator and would help indicate the proximity to the land.This handheld lead is an example of early marine navigational equipment used be sailors to travel the seas. It helps to understand the history and progress made form the very basic to the sophisticated technology of today.Lead line, sounding line or depth finder. Long length of rope with heavy lead weight attached to end. Coloured fabric ties at regular intervals along rope represent different depths. Concave base of weight holds sticky substance e.g. tallow, wax, providing adhesive surface to collect samples of sea bed e.g. sand, shell, pebbles. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, lead line, depth finder, hand lead, sounding lin, leadsmane, navigation instrument -
Flagstaff Hill Maritime Museum and Village
Accessory - Bag, Daisy Welsh, 1928
In the words of the Donor, Betty Stone, "This shopping bag is part of a set of two items. The items were designed, hand sewn and embroidered with raffia by my mother Daisy Elvena (nee Dale) Welsh. Daisy Elvena Dale (born 27 October 1899) daughter of Ellis and Ann (nee Lees) Dale, of Latrigg, Wangoom, Warrnambool, married Raymond Welsh in 1922. A few years later – approximately 1928- Daisy made these two articles, which she used, particularly during the Depression years. The important factor concerning these bags is that they were made with hand-woven cloth cut from a pair of trousers that her grandfather, William Dale brought with him when he left the family farm Back o-the Low situated in Saddleworth, Yorkshire, England. He arrived in Australia in 1852 and seven years later was operating a quarry on land purchased in Wangoom, Warrnambool known as The Dale Bluestone Quarries. Dale forebears in Yorkshire were first recorded as "clothiers" ( ie weavers of cloth) in the Saddleworth parish records dated 1764; following generations also continued the tradition of producing hand-woven cloth as a home industry. The cloth, from which these two bags were made, is evidence of a tradition begun by the Dale family in Saddleworth, Yorkshire more than two hundred and fifty years ago. My mother, Daisy Elvena (nee Dale) Welsh (granddaughter of William Dale) always referred to the cloth, which is at least 160 years old, as a homespun hopsack. (Note: For additional information please refer to Betty Stone’s book “Pioneers and Places - A History of three Warrnambool Pioneering Families” ie. Chamberlain, Dale and Lees Families)The homespun hopsack fabric for the set of bags was part of the clothing brought from England to Australia, an example of emigrant luggage. It also represents a traditional home industry of 'clothiers'. This item is associated with the families of Chamberlain, Dale and Lees. These families are listed in the "Pioneers' Register" for Warrnambool Township and Shire, 1835-1900, published by A.I.G.S. Warrnambool Branch.Embroidered shopping Bag, part of a set, the other part being a wallet (purse). Wooden handles and fabric is decorated with embroidered raffia flowers. The bags were made by Daisy Welsh (nee Dale) c. 1928 from homespun "hopsack' fabric of William Dale's trousers, brought to Australia in 1852. Part of the 'Chamberlain Dale Lees Collection' flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, chamberlain, dale, lees, stone, betty stone, warrnambool pioneers, clithier, william dale, daisy welsh, wangoom, hopsack, saddleworth, yorkshire, shopping bag, handbag, homespun, handmade -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: LINEN AND CROCHETED LACE HANDKERCHIEF, Early 1900's
Clothing. A square of fine linen fabric, 20 cms square, with a fine crochet edging. The linen fabric has been shaped by the lace edging, as the edging has been hand-stitched, in button - hole stitch, around the linen. The cotton crochet is an open floral design, and is 4 cms deep. This edging gives a scalloped effect to the handkerchief.costume accessories, female, linen and crocheted lace handkerchief -
Kew Historical Society Inc
Clothing - Two Piece Purple Silk Dress, c. 1920-25
An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in a mansion, originally named Illapa, at 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937), his wife Edith Mary Weir (1867-1948) and their children. George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.Edith Mary Weir (nee Betteridge), Illapa -- 84 Princess Street -- Kew (Vic.), Women's clothing, Weir Collection Dresses, This garment is part of a collection of women’s clothing, owned and worn by Edith Mary Weir (nee Betteridge) - born in Clare, South Australia 1867, died Kew 1948 - and also by her daughter. The garments date from the 1880s to the 1930s. The collection includes day dresses, evening dresses, evening coats, capes, and undergarments. As the wife and daughter of a mine manager, the collection includes representative examples of clothing worn by upper middle class Australian women in domestic circumstances, and at social and civic events. A number of the costumes from the 1920s to the 1930s are of a particularly fine quality, being both rare, representative and intact examples of Australian fashion of the period. The garments in the Weir Collection were donated to the Kew Historical Society by a granddaughter of Edith Weir in 2017.Two piece lightweight purple silk outfit consisting of a bodice and very full skirt. The loose fitting bodice is joined at the front by three fabric covered large buttons beneath which are two flat ties of the same fabric that are also buttoned. The bodice has wide pleats at the waist. The long full sleeves have wide cuffs.edith mary weir (nee betteridge), illapa -- 84 princess street -- kew (vic.), women's clothing, weir collection, dresses -
Beechworth RSL Sub-Branch
Naval Ratings Shirt, 2004
This shirt was manufactured in 2004, and was presumably owned by a Beechworth local service personnel by the name of Cross. This piece of clothing would have been worn as part of the standard Royal Australian Naval Ratings uniform.White short sleeved shirt. Square collar with thin navy blue trim. A curved slit on either side of the lower edge (near the hip area) and an extra piece of fabric within each slit. A white label with inscriptions is stitched to the seam in the middle of the lower back seam. This has n written inscription beneath on the shirt fabric.Inscriptions on the label: CAN'T TEAR 'EM 8405-66-132-3767 R.A.N 2004 SIZE: 117 35% COTTON 65% POLYESTER GENTLE WARM MACHINE WASH. RINSE WELL. WARM IRON. DO NOT SOAK. DO NOT BLEACH. DRY CLEAN (A) MADE IN AUSTRALIA Written inscription under label: CROSSshirt, naval ratings, royal australian navy, navy -
Parks Victoria - Cape Nelson Lightstation
Functional object - Flag set, navigational
The flags were used for communicating messages to passing ships. Knowledge of visual signaling was mandatory for all lightkeepers and all stations maintained a set of these flags. Although used for centuries, visual flag signaling formally developed in the nineteenth century and was published internationally as a system in 1857. By the early twentieth century it had developed into an effective means of conveying all kinds of short range visual messages.The Cape Nelson Lightstation is architecturally and scientifically (technologically) important as the most intact complex of lightstation buildings in Victoria. The octagonal signal station is a unique feature which is all the more important for its complete set of signal flags’. Cape Nelson Lightstation’s complete set of 41 alphabetic and numeric visual signaling flags (including substitute and answering pennants) are made of bunting, a coarse fabric of worsted (open yarn wool) in various colour combinations, and some of the fabric is hand sewn and bears inscriptions. Attachments include handmade wooden toggles, brass clips and hemp rope. -
Bendigo Military Museum
Uniform - BIBS - WHITE FRONT - RAN WW2, Australian Defence Industries, cWW2
Items in the collection re: "William Anthony (Bill) THEODORE DSM". REFER CAT NO 7926p FOR HIS SERVICE RECORD.1. 2. & 3. White front bibs - RAN Uniform worn by Recruit to Leadings Seaman ranks. White colour cotton fabric, square shape bib front and back. Secured with white colour tapes. Neck edged with Navy blue cotton fabric. Square neckline. Worn under Barathea also known as a jumper.Handwritten owner's label - black ink pen "W.A. ? AC ???"uniform, ran, ww2, william anthony theodore dsm -
Warrnambool and District Historical Society Inc.
Clothing - Man's suit, tie, carry bag, coat hanger, Fletcher Jones and Staff Company, 1975
This suit was made to order in 1975 for Ted Henry at a Fletcher Jones factory, probably the one in Warrnambool. The other items were obtained at the same time. David Fletcher Jones began his business by opening shops in Liebig Street Warrnambool in the 1920s. His Man's Shop sold suits and overcoats and manufactured men's clothing on site. In 1946 a Fletcher Jones shop was opened in Melbourne and a factory was opened in Warrnambool in 1948. The Fletcher Jones and Staff Company expanded and became well known throughout Australia for the quality of its men's and women's clothing. The Company ceased business in 2011. The surname "Henry" is well known in Warrnambool and district. These items are important mementoes of Fletcher Jones and Staff one of the most significant Australian businesses originating in Warrnambool..1 Carry bag, oblong shaped made of pale orange cloth with full length white zip and dark brown edging and stitching It has a maker's label on the interior. .2 Black plastic clothes hanger with suit maker's name and logo .3 Silk and cotton tie in black, beige and tan broad stripes. It has two labels attached. .4 Man's trousers. The trousers are made of wool and polyester woven pattern in brown. grey and tan. There is a metal zip, The pockets have cream cloth lining . There are two labels. There are loops for a belt. .5 Man's suit coat made of the same material as the trousers (above). It has three butttons on each sleeve and two on the front. It is fully lined with brown cloth and cream lining on the sleeves. It has a maker's label. There is some padding in the shoulders. There are two internal pockets and three on the exterior.Celsius 30 A woolblendmark fabric developed for summer 80% new wool 20% polyester Henry L. 30.6.75 654 silk 35% cotton MADE IN ENGLAND.ted henry, fletcher jones and staff company, fletcher jones factory warrnambool, men's clothing -
Bendigo Military Museum
Uniform - GREAT COAT, ARMY, 1966
Army Great Coat, khaki colour, wool, double breasted, has gold colour plastic buttons, inner lining cotton khaki colour.On Maker's label, Black ink print on cotton fabric - "8405-66/012-0493/DUNLOP/NSW/1966/Size 5/D(upwards arrow)Duniform, australian army, great coat -
Sunshine and District Historical Society Incorporated
Photograph (1930), LEATHERCLOTH PTY LTD - Original Employees, Possibly 1930
Photograph of employees and possibly others at opening of I.C.I. FABRICS (LEATHERCLOTH) P/L, Deer Park Victoria in 1930.Photograph of 122 original employees of LEATHERCLOTH PTY LTD plus key list of names of the employees. The key list is situated above the wide panoramic photograph, and both are enclosed within a glass faced black stained wooden frame.leathercloth, ici fabrics, employees, 1930, industries -
National Wool Museum
Magazine, Vogue Australia, February 1979
Vogue Australia, February 1979, pages 72 and 73 feature garments made from Alexander Lau fabric.textile design textile industry - history, alexander lau pty ltd, textile design, textile industry - history -
National Wool Museum
Sample Book, Palmer 9 oz. Napped Suiting
Textile sample book owned by Ernest Waddington and containing samples of mens suiting in heavy dark fabrics with a nap.PALMER / 9 oz. Napped Suiting Ernest / Waddingtonweaving, raising -
National Wool Museum
Book, Principles of Textile Testing
"Principles of Textile Testing: an introduction to physical methods of testing textile fibres, yarns and fabrics" by J.E. Booth, 1964.textile testing -
Bendigo Military Museum
Uniform - JACKET, SERVICE DRESS, ARMY, Australian Defence Industries, 1965
Uniform issued to Spr 1. Berry. Reg No. 314007.1. Jacket, Khaki colour, wool/polyester fabric. Service dress style with belt. No buttons, collar, shoulder epaulettes, four front pockets, top two with button hole and two metal press studs on flap, lower with flaps. Rank insignia on upper sleeve - two stripes, Corporal. Green colour polyester fabric lining with four white cotton manufacturers labels - inside left. 2. Belt, Khaki colour, wool/polyester fabric with gold colour plastic buckle, green plastic buttons and leather belt keepers.Manufacturers information on labels, black ink print. From top to bottom labels; 1. "KENTISH/ SOUTH AUSTRALIA 1965/ ^". 2. "SIZE 39 REGULAR/ CLASS 8405/ 66-019-8464" 3. "REGIMENTAL NO/ NAME" HANDWRITTEN IN BLACK INK "314007/ Spr BERRY" 4. "DRY CLEAN ONLY/ REPRESS USING IRON AND DAMP/ CLOTH OR MEDIUM TO HOT/ STEAM IRON/ CREASE UPPER HALF OF LAPELS/ ONLY" Handwritten in black ink pen "BERRY I.".uniform, army, service dress -
Australian Gliding Museum
Machine - Glider – Sailplane, 1939
This Dunstable Kestrel glider (which originally was finished in silver paint) was built in 1939 by Ric New and members of the Lake Pinjar Soaring Club. It first flew on 26 December 1939 at Lake Pinjar. The first extensive flight was on 7 January 1940 when Ric New managed to stay aloft for 30 minutes and reach a height of 3000 metres. Unfortunately the Kestrel was badly damaged the same day when another club member Jim Brabazon stalled and spun in. The Kestrel was repaired by June 1940 and flown extensively at Lake Pinjar in 1940 and 1941 until Government authorities intervened and ploughed up Lake Pinjar as a wartime measure to prevent it being used as a landing field by the enemy [Allan Ash, Gliding in Australia, pp 92 – 94]. The Lake Pinjar Soaring club was reformed as the Perth Gliding Club after the end of the war and was joined by Ric New with his Kestrel [Allan Ash, Gliding in Australia, p 103]. The glider was held in storage at the Gliding Club of Western Australia prior to transfer to the Australia Gliding Museum. The Deed of Gift indicates that it was formerly owned by Wally Williams, also from Western Australia. The aircraft is in poor condition and has some non-original elements. It is one of three that currently exist. Nevertheless it is considered to be an important exhibit for relating the history of gliding in Western Australia.Aircraft of wood structure skinned with plywood and fabric – off-white colour scheme – crazed flaking paint on fuselage – nose of fuselage has been modified by addition of streamlining – damage includes impact holes to plywood, especially on starboard side – wings have been stripped of fabric covering and some ribs are missing – tailplane and rudder are in reasonable condition although, like wings, have been stripped of fabric. Overall, while the main elements of this aircraft are present, there are a number of missing fittings and will require extensive works to restore to a static display standard.australian gliding, glider, sailplane, dunstable, kestrel, bill manuel, ric new, lake pinjar soaring club, lake pinjar, gliding club of western australia -
Ballarat Tramway Museum
Slide - 35mm slide/s, 26/03/1970 12:00:00 AM
Colour slide - white cardboard mount, ferraniacolor, of two W2's crossing the intersection of Collins and Swanston Street Melbourne, with the Manchester Unity Building in the background. W2 553 showing route 64, southbound and W2 311 northbound, along with a number of motor vehicles and pedestrians. Date shown on slide 26-3-1970.In pencil on slide "TRAMS / Swanston St. Melb. / 26-3-70."tramways, trams, swanston st, melbourne, collins st., tram 553, tram 311 -
Ballarat Tramway Museum
Slide - 35mm slide/s, Travis Jeffrey, c1962
Agfa plastic mount (blue base, white cover) with a photo of Bendigo No. 16 Manchester Loop, near Jackson St. Taken c1962, spring or early summer. No. 16 has a tram following indicator on the front dash panel and destination of Charing Cross. Note wall behind tram remains in situ 8/2004."BES 20" in penciltramways, trams, bendigo, eaglehawk, tram 16 -
Melbourne Tram Museum
Photograph - Black & White Photograph/s, late 1930's?
Black and white "real" photograph of Collins St Melbourne looking East from Russell St with the Town Hall and Manchester Unity buildings in the background. Has two W class trams and many motor cars in the view. Late 1930's? Photo has title "Collins Street, Melbourne" on base. No details as to photographer.trams, tramways, collins st, melbourne town hall -
Flagstaff Hill Maritime Museum and Village
Instrument - Binoculars, Late 19th Century
James Henry Steward (1817–1896) were opticians and scientific instrument makers and became established as J.H. Steward in London in 1852. He advertised himself as a “Head Optician” and on the 1st of February, 1913 became incorporated as J.H. Steward Limited. The company produced a large range of items for military use and advertised in their catalogs that they produced instruments for ‘reconnoitering, sketching, night Marching, signaling and gun Laying’. They were well thought of with their work to such a standard that they were made opticians to 'British & Foreign Governments, the National Rifle Associations of England, India, Canada & the Colonies and the National Artillery Association. An item that was produced in large quality by a well known maker who supplied the British military during the late 19th and early 20th century.Binoculars solid brass black covered with Green fabric around cylinders binoculars are complete with geared focusing and pull out lens hoods.Inscribed "The Duke Binocular"flagstaff hill, warrnambool, flagstaff-hill-maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, binoculars, the duke binocular, james henry steward, military maker, signaling, gun laying, optician -
Orbost & District Historical Society
minute book, 10.2.1950 - 11.5.1961
The Orbost Rifle Club existed in the early 20th century. (There are records from 1900). It folded in the late 1970's. The secretaries at the time of this book were D.Towers and ? Healey.arget shooting is one of the oldest organised sports in Australia. Records date back to the British Marines at Sydney Cove in 1788. The Victorian Rifle Association (VRA) was formed in 1860. One of the most important adjuncts to the militia system from 1903 to the re-organisation of 1912 was the role played by the Rifle Club movement in Australia. At the time, these clubs were seen as the reservoir of manpower for a potential guerrilla force should any invasion occur. For Australia, the invasion fear was uppermost in the minds of the population. So important were the rifle clubs for the defence of Australia that the Commonwealth provided the training staff, rifles and ammunition so the clubs could function. Members were drilled, wore uniforms and practised all the basic skills of soldiering as well as target shooting. The Orbost Rifle Club was active during this period.A light brown covered book with a brown fabric binding. There is a white sticker label on the front - "Single Cash" in black print. It contains minutes .orbost-rifle-club minute-book -
Bendigo Military Museum
Uniform - SHOULDER BOARD
Part of the Reverend Chaplain Major Thomas Bruce Williams, No 556101, Collection.A pair of khaki coloured hard shoulder boards stiffed with cardboard inserts. On the underside of each board are two fabric strips for attachment to an epaulette.Stamped on the back of each in white ink: 'SMALL 14/15 1/2'army chaplain, uniform, major thomas b. williams -
Bendigo Military Museum
Accessory - HELMET COVER, CAMOUFLAGED
Items in collection of K W Peatling. Refer Cat 5140.2, Box 173, for his service details.Cotton cover, Green Camouflage, octopus shape. Under side is brown camouflage. Fabric has slits to secure ends inside the helmet."The Big D'. WWVa, X 13 Dec 69, X January 70, X February, X March, X April, X May, X June, July, Auguest, September, October, November, December 12" written in black ink (August spelt wrongly). Stamped on brown side COVER HELMET CAMOUGLAGE CONTRACT NO 9005, 8415 - 261 - 6833. Written in black ink COWARD DO NOT DELAY NHA TRANG PLEIKU BIEN HOAuniform, vietnam -
Bendigo Military Museum
Book - POCKET BOOK RAAF, 1937
1939 reprint of the 1937 original. Belonged to Victor Henry Evans No 418655 RAAF. Refer Cat No 1760.4.R.A.F Pocket book 1937 A.P.1081,with brown fabric covering with stitching around edges. Aide memoir of all aspects on warfare.books-military, technical, raaf -
Frankston RSL Sub Branch
Scrim, Camouflague
Section of woven fabric netting or scrim, jungle green colour, used in the field by military personnel for camouflaguing headgear or small equipment items. -
Glenelg Shire Council Cultural Collection
Headwear - Bonnet, c. 1930
Belonged to Mrs Jane Rose, Portland (Mother of donor) and worn during the 1934 centenary celebrations in PortlandCotton bonnet, white fabric with all over indigo design, bonnet has frill and tucks, worn during the 1934 centenary celebrations.celebrations, 1934, centenary, bonnet, clothing, hat, headwear -
Glenelg Shire Council Cultural Collection
Functional object - Fishing Lure, c. 1970
Fishing lure. White feathers and red fabric covering shank of hook. White painted lead 'head', with 2 painted, black 'eyes'. -
Glenelg Shire Council Cultural Collection
Book - Ledger, Prescription Book, June 1920 - February 1921, 1920-1921
Cream fabric cover and spine. Red band - gold writing on spine. 20 in ink on spine. Brown and blue marbled fly leaf. -
Glenelg Shire Council Cultural Collection
Headwear - Cap - Portland, Victoria, n.d
Green fabric cap (cotton) hard peak, back flap, plastic adjustable fastening, printed logo in lime 'MacKillop Portland Victoria'headwear, sun protection, portland, souvenir