Print of a painting called ' Action in the Vale of Tempe, Greece, 1941 ' by W. A. Dargie, from the original oil painting in the Australian War Memorial , Canberra.postcard, world war two, action in the vale of tempe, greece, world war two, w. a. dargie

First Class Test is set for MOK Esquires aged 14 and 15 years old. Testing for the Educational Merit badge included Kims Test; outlining the principals of local government; writing an account of the history of the Order and reading one book from a selection of biographies and "general" [Methodist Church of Australasia Methodist Order of Knights Commanders' Handbook, 1957, pg 28)Four round embroidered 1st Class Educational Methodist Order of Knights merit badge. The badges are dark purple with gold embroidery of an oil lamp.methodist order of knights

abstractRural City of Wangaratta Collection. Purchased with funds from the Wangaratta Art Council.An abstract painting of an eatery dinning area painted in oil using a colour palette of predominantly blue alongside shades of green, pink, brown, and yellow.Pyett/ '76/ (bottom left corner)wangaratta art gallery, christopher pyett, painting

The painting was purchased from the Eltham Outdoor Art Show. Smith endeavours to capture mood, atmosphere and light in this work by heightening and intensifying the imagery where possible. Smith is concerned with expressing a 'sense of place' inherent in the subject matter. Painting of a landscape at dusk with dirt walking track and trees somewhere in Eltham. Oil on composition board. Moulded frame. Painted in the 'Western Realist Tradition'. Signed 'HARRIS SMITH/84' Hand painted in capitals in red paint; bottom right. eltham, painting, landscape, smith, evening

Mass produce in AmericaTall, slender glass kerosene lamp with wick in place. Simple vertical line decoration around oil reservoir and base. Period 1880 - 1900.lighting, kerosene & oil

Framed oil painting of the Great Southern Festival at Korumburra 1980/1981 featuring Karmai the Giant Earth Worm. Painted by artist Frank Smith.

Sir Dallas Brooks, was Victoria's' longest serving Governor and Grand Master. Born in Cambridge England in 1896, his interest in becoming a Freemason was expressed whilst in England however he chose to wait until he became Governor of Victoria to be initiated. Sir Dallas Brooks held the position of Grand Master of the United Grand Lodge of Victoria from 1951 to 1963. He was a popular Grand Master and Governor and although he was unable to commit as much time as he would have like to Freemasonry, he participated where possible.This portrait was painted by Joshua Smith and the only painting created by this artist.Framed oil painting on canvas with stretcher/strainer. Frame is wood with a matte bronze paint. Gold-coloured metal placque attached to front of canvas. Signed: 'Joshua Smith'. Placque: 'M.W. Bro. General Sir Dallas Brooks / K.C.B., K.C.M.G., K.C.V.O., D.S.O., K.St.J. / Grand Master 1951 - 63' sir dallas brooks, freemasonry, freemasons, portraits, freemasons victoria

Donated by Gunther Schnerring in memory of his mother - Matron Hedwig Schnerring. Painted by Cesare Vagarini. The painting was commissioned by Matron Schnerring.oil painting of 2 rows of huts. 5 one side, 6 on the other side. Garden beds in between the rows of huts. In a wooden framematron hedwig schnerring, gunther schnerring, cesare vagarini, camp 3 artists

Sepia toned photograph of water flowing from abandoned oil well Lakes Entrance Development Company drilled in 1924 at Lake Bunga Victoriaengineering, oil drilling, oil and gas industry

Bendigo's Cenotaph by Dacre Smyth 1988. Bendigo's War Memorial in the city centre is a half size replica of the famous Cenotaph in London. Some 4-1/2 metres high, the Bendigo RSL President described it as the best country Memorial in Australia during its rededication just before ANZAC Day 1988 following its extensive refurbishment. It had first been dedicated in June 1957 and it is normally flood lit at night. It is not known for sure when the painting was donated to the Bendigo RSL but it was hanging in the Foyer years before the Soldiers Memorial Institute became a Museum in 1998. Frame - Light timber, gold trim, no glass. Original coloured oil painting of the Cenotaph, Bendigo in foreground with Charing Cross buildings & fountain in the background. Label black print on gold bottom centre: "Bendigo's Cenotaph" Rear of painting hand written in black felt pen & black ink: "History of the Cenotaph by Dacre Smyth, 1988" cenotaph, bendigo, painting, brsl, smirsl

Produced with financial input from Australian oil companies for Victoria's 150th anniversaryStiff cover book with black and white photographs of Melbourne streets along with descriptive captions facing each photograph. Dates from1850's to early1900. Approx 60 pagesPhotography design Joe Murray Text Peter McIntosh

The slush lamp is thought to have been used for examining and oiling train engines.The slush lamp has local significance as it was donated by a resident of Wodonga. It also has historic significance as an example of an object made by upcycling in the c. late 19th century and early 20th century.The slush lamp consistis of a rectangular grey metal body with soldered edges with a flat handle at one end, a fibrous textile wick protruding from a long spout at the other end, and a cork inserted in the opening on the top surface to secure the fuel used. Slush lamps are defined as "improvised lights made from a container of fat and a wick", originating in the mid-19th century. slush lamp, slush lamps, improvised lamps

CEMA Art Collection Winner of Portland Artists' Society Prize for category Oil.The painting portrays a standing female figure. She has straight black hair which sits just above shoulder length. she has a short fringe. She wears a blue and green dress with orange markings. She is depicted as looking at the observer and holds something in her right hand which is held across her body. The background is a mixture of purple, green and blue. The work has a thick wooden frame and exposed canvas.Front: - 63 AMOR (lower right, black paint) Back: ELMA AMOR HERBST "GIRL" (1963) (lower left, typed label)cema, portland artists society, female artist, women, female artists, female portrait, portrait painting, portrait

Great Western Street Scene 1946. Man standing outside the house on veranda. Adjoining shop with sign N.E. Houston Storekeeper and three petrol bowsers plus car parked out the front.Black & white photo showing a man standing outside a weather board house with an adjoining shop. A car is parked out the front of the building. N.E. Houston Store keeper Mobil oil Plume (written on the back) Bower's Shop Eric Houston August 14 - 1946stawell

Trainee uniform 3rd year.Long sleeves worn until 1920s till 1947.Worn by Marjorie R.Hood.Grad 1927. (27.01) Catalogue work sheet missing.Thought to be one of the only examples of trainee nurses uniform of the 1920s era in the ahnl archive collection.Reasonable condition. .Full length dress.Length from rt shoulder to hemline 125cms.From armpit to armpit of bodice 55cms.Full Length sleeves 66cms. Navy white cotton material in miniature houndstooth pattern.Small pocket LHS bodice.3 white fabric covered buttons on front of bodice.Press stud on neckline.X2 hook& eyes at waistband.x2 press studs off centre on skirt opening.Full length sleeves with 3cms cuff.Gathered at yoke,waist and sleeves.Slit pocket on RHS skirt. Re Apron 27-36.White apron made from Finleys sheeting.Yellow stain & repaired tear on skirt of apron.3 buttons on back to attach crossover straps. On waistline of apron Marjorie Hood written in black ink on back of waistline of apron. Re Apron 27-02 white Apron made from Finleys sheeting. Repaired midline tear from neck,10cms. From mid bib from waistline 11cm repaired (with modern day iron on white patch.) On Left side of apron another sown on patch repair. Minor ?ink stains on skirt. Some discolouration of skirt particularly over shoulders of apron straps on outside and underside of hemline. 3 canvas covered buttons on waistline to attach apron straps. Marjorie Hood written in black ink on back of waistline of apron. Re Collar: unstained white.Good condition.Square edge. Re cuffs x 2: Lt cuff has multiple rust stains.Rt cuff unstained.Rectangle yellowed cufflink studs. Re Belt.Yellow discolouration.Good condition. (K.M. Hiatt in blue embroidery on white label sown onto belt-more modern and used to complete ini form). Re 3rd year ArmBand.yellow discolouration.Solid Red coloured Maltese cross in felted wool attached.(in black ink 86.01 on back of armband) Oil marks front of skirt section.Evidence of fraying on RHS skirt.Discolouration stain 12cms x9cms approx on skirt over pocket RHS.

Ivor Hele was the Australian Official War artist of WW2.Print on glossy paper. Colour copy of an oil painting. Two soldiers positioned within a jungle scene. Black printing below print of painting. Unframed.print, ww2, jungle

Bren Gun cleaning kit, complete in khaki tool wallet. This kit consists of adjusting tool, oil container, pull through, assorted spare springs.Very faded writing appears to be Wallet spare parts ...... .303 ........... (cannot read)gun, 303, weapon, rifle, cleaning, kit, bren, gun, 303, weapon, rifle, cleaning, kit, bren

Oil burning Tail-lamp for a (1917/23) model Ford T Model Motor Car in unused condition. Mounted on a varnished wooden block mount.Faintly engraved on top "Ford" Faintly engraved on bottom "PAT MAY 26 -14 PAT JUN 23 - 14 PAT NOV 23 - 15 PAT DEC 21 - 15 PAT NOV 7 - 16 PAT AUG 28 - 17" On front of Timber Mounting "Donated by Jim Dowton Sale FORD - Model T 1917 - 1923 Tailamp - part 6568x" On back of timber mounting "ON LOAN J.DOWTON SALE TAIL-LIGHT 1912 - 1919 T MODEL FORD"1920, 1918, 1919, 1917, 1923, ford, tail light, tail lamp, henry ford, t model, ford car, kerosene lamp, 1921, 1922, 6568x, part number 6568x, dowton

Three black and white photos mounted on thick grey card .1) oil refinery tower being hoisted .2) refinery .3) design officeengineering, oil refinery, biddington

Hand written invoice made out to Mr J.G. Aird for Gargoyle prepared red oil, 24 gallons for £6.4.0. Dated 22nd July 1920.

Photograph of Langhorne's Garage, corner of Parsonage Grove and Eaglehawk Rd. The signs above the building are Langhorne's garage, Cycle depot, Texaco and Texaco Motor Oil.organization, business, motor garage, langhorne's garage

naïve art, outsider artRural City of Wangaratta Collection, Wangaratta Art Prize 1977.An oil painting that tells the story of the bushranger Mad Dog Morgan, painted in the naïve art style using a colour palette of blue, brown, orange, and red.wangaratta art gallery, tony convey, naïve art, outsider art, mad dog morgan, painting, bushranger

Bendigo 1950s. Bendigo Easter Fair 22/4/1957. Princess ____ School of Dance float, Myers Street in front of Potter Bros, Neptune Oil.event, easter fair, bendigo easter fair, bendigo 1950s. easter fair 22/4/1957. princess ____ school of dance float, myers street potter bros, neptune oil.

Federation University Australia TAFE Business CollectionFramed oil painting in predominantly blue. If you can supply information on this artwork or artist please make post a message via the contact link below. tafe business collection, artist, artwork, abstract, painting